145 Best Movies With Friends On Itunes

Staff & contributors

The film opens with Julie in her early twenties, longing to pursue a career in medical school. But after briefly testing the waters, she switches over to psychology, only to drop completely out of school and transform her hobby of photography into a professional career. This indecisiveness carries over in most aspects of her life, including and especially in romance, where impulse and desire drive her to run after what she believes to be love. The movie follows Julie as she navigates adulthood in modern Oslo—at once a specific yet universally relatable story about the growing pains of growing up.

With The Worst Person in the World, Joachim Trier scores again with another life-changing Norwegian drama about longing, love, grief, and finding your place in the world. His films can be quite sad but amidst all the drama, moments of happiness and hope are scattered throughout, as it is in real life.

Genre: Comedy, Drama, Romance

Actor: Anders Danielsen Lie, Anna Dworak, Gisle Tveito, Hans Olav Brenner, Herbert Nordrum, Ine Jansen, Maria Grazia Di Meo, Marianne Krogh, Renate Reinsve, Ruby Dagnall, Sofia Schandy Bloch, Thea Stabell, Vidar Sandem

Director: Joachim Trier

Dorky kid Greg Gaines (played by the brilliant and unlikely named Thomas Mann) has severe issues with closeness (he calls his best friend a “co-worker”) and is instructed by his mother to befriend Rachel (Olivia Cooke), a girl recently diagnosed with cancer. Far from being an indie tear-jerker, though, “this isn't a touching romantic story”, as Greg's narration reminds us. This is not least to the quirky nature of the film and the third titular character Earl, Greg's closest co-worker, who acts as the moral glue between Greg and Rachel.

In addition to hilarious writing and amazing performances, the film is laced with pop-cultural references by way of the movies that Greg and his Earl shoot in their spare time – spoofy takes on cult movies with titles like Sockwork Orange. Moving without being melodramatic, Me and Earl and the Dying Girl is a charmingly off-kilter fish-out-of-water plot about making friends, dealing with death, and enjoying life best as one can.

Genre: Comedy, Drama

Actor: Alfonso Gomez-Rejon, Bobb'e J. Thompson, Chelsea Zhang, Connie Britton, Etta Cox, Hugh Jackman, Jeremy Long, Joe Fishel, Jon Bernthal, Katherine Hughes, Masam Holden, Matt Bennett, Molly Shannon, Nick Offerman, Olivia Cooke, RJ Cyler, Thomas Mann

Director: Alfonso Gomez-Rejon

Rating: PG-13

The Station Agent is about loneliness, change and friendship. Sounds corny right? It’s not. The characters are developed, they have their own reasons for the choices they make and nothing feels forced, neither actions or conversations. It’s a small and wonderful movie about a little man that moves out of the city and his comfort zone when his only friend dies, moves to said friend’s old train station and sets his life there. From there on it follows his social interactions with a slew of people, the relationships he forms with them. Oh, and the little man? Peter Dinklage (Tyrion Lannister), who pulls off a great performance, albeit a quiet one.

Genre: Comedy, Drama

Actor: Bobby Cannavale, Ileen Getz, Jase Blankfort, Jayce Bartok, Jeremy Bergman, Joe Lo Truglio, John Slattery, Josh Pais, Lynn Cohen, Maile Flanagan, Marla Sucharetza, Michelle Williams, Patricia Clarkson, Paul Benjamin, Paula Garces, Peter Dinklage, Raven Goodwin, Richard Kind

Director: Tom McCarthy

Rating: R

Wise, superbly acted, and gorgeously put together, all of these apply to Nightmare Alley. In a world where remakes are more in vogue than needed, Guillermo del Toro shows us how it's done. A sumptuous tale of a man's rise and fall guarantees some spectatorial pleasure, but having both Bradley Cooper and Cate Blanchett in the same film (plus unsung genius Toni Collette and all-round-favorite Willem Dafoe) pushes us into talent overload, in the best possible way. In addition to its thrilling plot and studded cast, Nightmare Alley is also psychologically literate enough to make a carnival out of the human soul. It's no surprise that in 2022, it got four Oscar nominations, including Best Picture where it certainly would have had my vote.

Genre: Crime, Drama, Thriller

Actor: Bill MacDonald, Bradley Cooper, Caleb Ellsworth-Clark, Calvin Desautels, Cate Blanchett, Catherine McGregor, Charles Langille, Clifton Collins Jr., Clyde Whitham, Dan Lett, Dani Klupsch, Daniel Falk, Danny Waugh, David Hewlett, David Strathairn, Dian Bachar, Holt McCallany, James Collins, Jesse Buck, Jim Beaver, Lara Jean Chorostecki, Lili Connor, Linden Porco, Mark Povinelli, Martin Julien, Mary Steenburgen, Matthew MacCallum, Natalie Brown, Paul Anderson, Perry Mucci, Peter MacNeill, Richard Jenkins, Romina Power, Ron Perlman, Rooney Mara, Sarah Mennell, Stephen McHattie, Tim Blake Nelson, Tim Post, Toni Collette, Troy James, Vikki Ring, Walter Rinaldi, Will Conlon, Willem Dafoe

Director: Guillermo del Toro

Rating: R

, 2022

Inu-oh is a visually stunning and thought-provoking anime that reimagines a Japanese folk tale as it explores themes of artistic freedom, individuality, and the consequences of challenging societal norms. The movie's striking imagery, original music, and captivating story make it a memorable viewing experience, delving into issues of identity and the prejudices faced by disabled individuals with sensitivity. While the catchy music may not appeal to everyone, the film's unique blend of ancient and contemporary storytelling creates a creative triumph that anime fans will appreciate, offering social commentary and a reflection on the power of staying true to oneself.

Genre: Animation, Drama, Music

Actor: Avu-chan, Chikara Honda, Gota Ishida, Kenjiro Tsuda, Mirai Moriyama, Tasuku Emoto, Yutaka Matsushige

Director: Masaaki Yuasa

, 2011

It might seem like a no-brainer that trying to make a comedy movie featuring a character with cancer is not a great idea. And while there may be a good share of failed attempts in that category, 50/50 is not one of them. And then it might come as a surprise that this subtle attempt at cancer comedy comes courtesy of Superbad creators Seth Rogen and Evan Goldberg. It also stars indie cutie Joseph Gordon-Levitt as the young and fit Adam Lerner, who works as a writer for public radio before learning that he has malignant tumors all along his spine. Between his overbearing mum (Anjelica Huston), slightly obnoxious but good-hearted bestie (Seth Rogen), self-help groups, and his therapist (played by Anna Kendrick), he struggles to find a way of acquiescing to his 50/50 chance of survival. Similarly, 50/50 strikes a delicate balance between the bromance gags, the date-movie elements, and the grave subject matter at its heart. It manages to mine humor, pathos, and simple honesty from a dark situation, and is not afraid to “go there”. The result is truly compassionate comedy.

Genre: Comedy, Drama

Actor: Adrian Glynn McMorran, Amitai Marmorstein, Andrea Brooks, Andrew Airlie, Anjelica Huston, Anna Kendrick, Beatrice King, Brent Sheppard, Bryce Dallas Howard, Cameron K. Smith, Chilton Crane, Christopher De-Schuster, D.C. Douglas, Daniel Bacon, Donna Yamamoto, Jason Vaisvila, Jessica Parker Kennedy, Jonathan Levine, Joseph Gordon-Levitt, Laura Bertram, Lauren Miller, Luisa D'Oliveira, Marie Avgeropoulos, Matt Frewer, Matty Finochio, P. Lynn Johnson, Peter Kelamis, Philip Baker Hall, Sarah Smyth, Serge Houde, Seth Rogen, Stephanie Belding, Stephen Colbert, Sugar Lyn Beard, Tom MacNeill, Veena Sood, Will Reiser, William 'Big Sleeps' Stewart, Yee Jee Tso

Director: Jonathan Levine

Rating: R

Journalist LLoyd Vogel (Matthey Rhys) scoffs at the prospect of a profile commission, or a "puff piece", as he calls it. His self-respect and professional ruthlessness has driven people away and this assignment may well be a test from his editor. But it is serendipity that brings Lloyd to American TV host Mister Roger (Tom Hanks) and his child-oriented show, at a time when he, a new father, is confronted with his own paternal trauma. No heavy psychological lifting here, but A Beautiful Day in the Neighborhood might be one of the most profound films about father-son relationships ever made. Notably, the film is directed by a woman, Marielle Heller (The Diary of a Teenage Girl). In her film as in his show, Mister Roger doesn't have to do much: he listens, he speaks, he suggests, and while his kindness may seem frustrating at times, it is truly radical. Additionally, Lloyd's character is based loosely on writer Tom Junod, whose encounter with Rogers ended up a profile in Esquire magazine.

Genre: Drama, History

Actor: Alex Pérez, Chris Cooper, Christine Lahti, Enrico Colantoni, Fred Rogers, Gavin Borders, Gregory Bromfield, Gretchen Koerner, Jessica Hecht, Joanne Rogers, Joe Fishel, Kelley Davis, Kevin L. Johnson, Khary Payton, Kitty Crystal, Krizia Bajos, Maddie Corman, Maryann Plunkett, Matthew Rhys, Michael Masini, Noah Harpster, Patrick McDade, Susan Kelechi Watson, Tammy Blanchard, Tom Bonello, Tom Hanks, Wendy Makkena

Director: Marielle Heller

Rating: PG

Nebraska is a poem distilled into a film. Peter Travers from Rolling Stone says "is it a comedy or a drama? Both at the same time, as life itself." Everything about it is perfect: the acting, the photography, the story. In case that's not enough and you need to know the plot to get convinced, I'll tell you that it's a road movie about a senile old man and his son. If you still want more information, you can Google it, but come on! You'll just be wasting time that would be better spent on watching this masterpiece.

Genre: Adventure, Drama

Actor: Angela McEwan, Anthony G. Schmidt, Bob Nelson, Bob Odenkirk, Bruce Dern, Devin Ratray, Franklin Dennis Jones, June Squibb, Mary Louise Wilson, Missy Doty, Rance Howard, Stacy Keach, Tim Driscoll, Will Forte

Director: Alexander Payne

Rating: R

Of all the Christmas-set films to have come out over the last couple of months that were, inexplicably, about grief and regret (you'd be surprised by how many there are), The Holdovers easily outdoes its contemporaries by being confident enough to just sit with its characters. Like the best of director Alexander Payne's other films, there are no melodramatic crescendos or overcomplicated metaphors; there are only flawed individuals going about their lives, occasionally noticing the things that bind them together. Payne's gentle touch means the characters (and the audience) aren't forced to "solve" their grief, but allowed to come to terms with it in their own way, with each other.

Payne evokes the film's 1970s setting through a muted color palette and analog—almost tactile—sound design, giving warmth to this New England despite all its snow and chilly interiors. It's understandable that these characters are similarly cold to each other on the surface at first, but they manage to thaw the ice simply by taking the chance to listen to each other's pain. It's the kind of film in which relationships develop so gradually, that you hardly notice until the end how much mutual respect has formed between them when they return from their dark nights of the soul back to their status quo.

Genre: Comedy, Drama

Actor: Alexander Cook, Andrew Garman, Bill Mootos, Brady Hepner, Carrie Preston, Carter Shimp, Cole Tristan Murphy, Colleen Clinton, Da'Vine Joy Randolph, Dakota Lustick, Dan Aid, Darby Lee-Stack, David J. Curtis, Dominic Sessa, Dustin Tucker, Gillian Vigman, Ian Dolley, Ian Lyons, Jim Kaplan, Joe Howell, Jonathan von Mering, Kelly AuCoin, Kevin Daigneault, Kevin Fennessy, Melissa McMeekin, Michael Malvesti, Michael Provost, Naheem Garcia, Oscar Wahlberg, Osmani Rodriguez, Pamela Jayne Morgan, Paul Giamatti, Rena Maliszewski, Stephen Thorne, Tate Donovan

Director: Alexander Payne

Rating: R

Summer of Soul would already be remarkable if it was just a collection of some of the greatest live performances ever put to film. Boasting a roster that includes Stevie Wonder, Nina Simone, Gladys Knight, and Sly and the Family Stone, the nearly-forgotten 1969 Harlem Cultural Festival featured in the documentary was an all-star catalog of some of the biggest names in popular music, all at pivotal moments in their careers. Seeing them at the height of their powers, in front of a Black audience that meant so much to them, makes for an unexpectedly emotional experience.

But Summer of Soul also expands beyond the actual concert, using the Harlem Cultural Festival to represent a turning point in Black culture and history, especially after the death of Martin Luther King Jr. Through the film's pristine, electric editing and gorgeous archival restoration, music becomes a communal act of mourning, a rallying cry to face the uncertain future, and a celebration of a people and a heritage continuing to fight against erasure and persecution.

Genre: Documentary, Drama, History, Music

Actor: Abbey Lincoln, B. B. King, Chris Rock, David Ruffin, Fidel Castro, Herbie Mann, Hugh Masekela, Jesse Jackson, John F. Kennedy, John V. Lindsay, Lin-Manuel Miranda, Mahalia Jackson, Malcolm X, Martin Luther King Jr., Mavis Staples, Max Roach, Moms Mabley, Nina Simone, Questlove, Redd Foxx, Richard Nixon, Robert F. Kennedy, Sly Stone, Stevie Wonder, Tony Lawrence, Walter Cronkite

Director: Questlove

Kimberly Peirce's first–out of only three—film was a smashing success, mostly due to her dedication to the subject matter. Peirce spent years researching the life and tragic death of Brandon Teena after reading an article about him in The Village Voice. She felt a particular kind of kinship as a queer person herself, and wanted to construct a story out of real facts that would put the spotlight on love and the desire for connection, and not that much on the violence which dominated the public discourse. In Falls City, Nebraska, the director conducted interviews with Lana Tisdale (Brandon's girlfriend) and her mother, while attending the ongoing trial. She took years to cast the lead and from hundreds of cis women, lesbians, and trans people, she chose the unknown actress Hilary Swank, who went on to win the Best Actress Academy Award (and the irony of that is not lost on us). The film features fantastic performances aplenty and very raw storytelling, visualized by neorealist style and low lighting. Direct references were the films of Martin Scorcese and John Cassavetes, but Boys Don't Cry has its own blend of beauty and cruelty to take pride in.

Genre: Crime, Drama

Actor: Alicia Goranson, Alison Folland, Brendan Sexton III, Caitlin Wehrle, Cheyenne Rushing, Chloe Sevigny, Craig Erickson, Gabriel Horn, Gail Cronauer, Guilford Adams, Hilary Swank, Jackson D. Kane, Jeannetta Arnette, Jerry Haynes, Josh Ridgway, Libby Villari, Lisa Renee Wilson, Lou Perryman, Matt McGrath, Paige Carl Griggs, Peter Sarsgaard, Rob Campbell, Robert Prentiss, Shana McClendon

Director: Kimberly Peirce

Rating: R

Bowling For Columbine addresses the sore wounds of 9/11 by exploring the concepts of safety and fear as perceived by various people. From school shooting survivors, through Canadians who never lock their doors, to Marilyn Manson and actor/NRA president Charlton Heston, Michael Moore's interviewees all inform the complex picture of gun violence and its rise today. The director is not afraid to provoke and ask the pressing questions linking the abstract fear of the other to the reality of lost lives every day. Even his irony and parody—a morose cartoon arguably based on South Park especially—bites back hard.

Genre: Documentary, Drama

Actor: Adolf Hitler, Bill Clinton, Charlton Heston, Chris Rock, Dick Clark, Duke of York, George H. W. Bush, George W. Bush, Jacobo Árbenz, Jessica Savitch, Keanu Reeves, King Charles III of the United Kingdom, Marilyn Manson, Matt Stone, Michael Moore, Prince Andrew, Prince Andrew, Duke of York, Salvador Allende

Director: Michael Moore

Rating: R

Stand By Me follows four young friends as they journey around their small town searching for a rumored dead body. On the surface, it moves like an adventure story. The boys narrowly avoid guard dogs and leeches, speeding trains and tough teen gangs. But along the way, they also learn much about each other, in particular about the stark reality of their home lives and the growing depths of their inner struggles, so that beneath all the small-time thrill is a beating coming-of-age story. 

Based on a novella by horror master Stephen King, Stand By Me is terrifying in its ability to evoke the unique thorniness of passing through the gates of adulthood, but also warm and comforting in its reminder of the universality of this feeling.

Genre: Adventure, Crime, Drama

Actor: Bradley Gregg, Bruce Kirby, Casey Siemaszko, Chance Quinn, Corey Feldman, Dick Durock, Frances Lee McCain, Gary Riley, Jason Naylor, Jason Oliver, Jerry O'Connell, Jerry O'Connell, John Cusack, Kent W. Luttrell, Kiefer Sutherland, Korey Scott Pollard, Madeleine Swift, Marshall Bell, Matt Williams, O.B. Babbs, Richard Dreyfuss, River Phoenix, Scott Beach, Wil Wheaton, William Bronder

Director: Rob Reiner

Rating: R

Oscar-winner Emerald Fennell got a lot of free reign with her debut, Promising Young Woman, which was a slightly modest ordeal even with a lead of Carrey Mulligan's calibre. But now, with her sophomore film, she go to have some fun. Assembling a devout cast of particularly skilled actors—Barry Keoghan, Jacob Elordi, Rosamund Pike, and Mulligan again—seems like an obvious decision, but the mix of them all is unlike anything we've seen before. A class satire, a psychological thriller, and a psychosexual drama, Saltburn is high class entertainment, with a snappy script, and many tricks up its sleeve. Brace yourselves for some bath-action, grave-action, and full-moon-menstrual-action and many other scenes you may have not ever pictured shown on the screen. Actually, it's impossible to prepare for a film like this one, but being open certainly helps digest the shock and provocations that are there for you to behold.

Genre: Comedy, Drama, Thriller

Actor: Alison Oliver, Andy Brady, Archie Madekwe, Barry Keoghan, Carey Mulligan, Dorothy Atkinson, Ewan Mitchell, Glyn Grimstead, Jacob Elordi, Joshua McGuire, Lolly Adefope, Matthew Carver, Paul Rhys, Reece Shearsmith, Richard E. Grant, Rosamund Pike, Sadie Soverall, Seth MacFarlane, Shaun Dooley

Director: Emerald Fennell

Rating: R

Kathryn Bigelow has a knack for action-packed scenes without compromising on the affective qualities of film style. It is precisely this combination that makes her a rare gem in American cinema, where the values of entertainment soar high. Point Break is one such example of controlled chaos, impeccable framing, and a convincing use of fast-paced editing to really get you as close to the action as possible. But what gives the film its flavour is how developed and synced the characters are and the Reeves-Swayze duo here belongs in the pantheon of equally hot frenemies, providing an apt, but subtle comment on the dangers of toxic masculinity. 

Genre: Action, Crime, Thriller

Actor: Anthony Kiedis, Anthony Mangano, Betsy Lynn George, Bojesse Christopher, Chris Pedersen, Christopher Pettiet, Daniel Beer, Dave Olson, Debra Lamb, Galyn Görg, Gary Busey, Gary Roberts, Gloria Mann, Jack Kehler, James Le Gros, Jared Chandler, Jeff Imada, John Apicella, John C. McGinley, John Philbin, Julian Reyes, Julie Michaels, Keanu Reeves, Lee Tergesen, Lori Petty, Michael Kopelow, Mike Genovese, Patrick Swayze, Peter Phelps, Ping Wu, Randy Walker, Raymond Forchion, Richard Grove, Sydney Walsh, Tom Sizemore, Vincent Klyn

Director: Kathryn Bigelow

Rating: R