6 Best Movies to Watch From MiC

Staff & contributors

Tilda Swinton stars in this gorgeous Italian production by Luca Guadagnino, part of the director’s “Desire Trilogy”, together with Call Me By Your Name and A Bigger Splash.

Swinton learned to speak Italian and some Russian for the movie, where she plays - to absolute perfection - the wife of a Milan textile mogul who starts having an affair with a cook.

It’s an elegant family drama that’s definitely more concerned with aesthetics than substance, but the setting in snowy Northern Italy and lush 35mm film make that very easy to look past.

Genre: Drama, Romance

Actor: Alba Rohrwacher, Diane Fleri, Edoardo Gabbriellini, Flavio Parenti, Gabriele Ferzetti, Honor Swinton Byrne, Maria Paiato, Marisa Berenson, Mattia Zaccaro, Pippo Delbono, Tilda Swinton, Waris Ahluwalia

Director: Luca Guadagnino

Rating: R

A relatively straightforward story of a village of Sotho people building the courage to resist unwanted development on their land and the erasure of their culture, the rousingly titled This Is Not a Burial, It's a Resurrection wastes no time on the oppressors' point of view. For director Lemohang Jeremiah Mosese, there is no debate: these people are more important than any markers of progress hoping to displace them. Their struggle is rendered in some of the most crisp and colorful cinematography you could hope to see, with a powerful performance by the late, great Mary Twala front and center, channeling so much sadness into fury and determination.

Genre: Drama

Actor: Jerry Mofokeng, Jerry Mofokeng Wa, Makhaola Ndebele, Mary Twala, Siphiwe Nzima-Ntskhe, Tseko Monaheng

Director: Lemohang Jeremiah Mosese

, 2022

It’s a bold move, centering a drama around a creature as docile as a donkey, but EO pulls it off without ever leaning on the crutch of CGI. Instead, the film makes ingenious use of a hundred-year-old film technique: the Kuleshov effect. By splicing the image of the titular donkey’s placid, expressionless face against visual stimulus, the illusion of a genuine reaction is produced.

But don’t be mistaken: this is no twee Disney-esque tale of anthropomorphism. Inspired by the classic Au Hasard Balthasar, EO tracks the haphazard journey of a former circus donkey across Europe — one that is often depicted in surreal psychedelic reds instead of idyllic picture-book tones, and punctured by more horrors than joys (though we do, thankfully, get to see him munch away on some well-deserved carrot treats). EO’s docility frames him as a kind of holy innocent, making the cruelty meted out to him feel all the more like a grave violation of something sacrosanct. Seeing the world through his oft-neglected perspective also makes this a movie about humans by proxy — a fresh, empathetic approach that, even in its obvious dramatic liberties, makes us meditate on both the depth of experience that may be unfolding in our animal neighbors and our role in shaping it.

Genre: Drama

Actor: Isabelle Huppert, Kateřina Holánová, Lolita Chammah, Lorenzo Zurzolo, Mateusz Kościukiewicz, Sandra Drzymalska, Tomasz Organek, Waldemar Barwiński

Director: Jerzy Skolimowski

Rating: NR

Anyone who’s seen Pietro Marcello’s Martin Eden will likely recognize the director’s fingerprints all over Scarlet. There’s the same haunting collage of colorized archival documentary footage and fictional scenes here, the same fascination with physical labor and historical moments of transition, the same loose approach to literary adaptation. Scarlet’s story is drawn from a 1923 Russian adventure novel but the action is transposed to post-WW1 rural France, where soldier Raphaël (Raphaël Thiéry) returns from the war to discover his wife has died and left him with a daughter, Juliette (Juliette Jouan). The local townsfolk reject the duo, but they manage to keep their head above water thanks to a kindly landlady with a storybook belief in magic and Raphael’s Geppetto-like skills at whittling beautiful toys from blank blocks of wood.

The fairy tale touches don’t stop there: the color grading and bucolic setting give the movie the look and texture of a fable, while Juliette is enraptured by a prophecy — given to her by a witchy forest woman — that tells her she’ll one day be swept away by scarlet sails in the sky. It’s a charming, if airy, yarn, but the craftsmanship in front of and behind the camera makes Scarlet a gorgeous escape.

Genre: Drama, History, Romance

Actor: Anne-Lise Heimburger, Annette Trumel, Antonin Stahly-Vishwanadan, Arthur Orcier, Bernard Blancan, Boris Gillot, Ernst Umhauer, François Négret, Iliana Zabeth, Lolita Chammah, Louis Garrel, Natascha Wiese, Noémie Lvovsky, Pierre Nisse, Raphaël Thiéry, Rémy Roubakha, Vincent Pietton, Yolande Moreau

Director: Pietro Marcello

In the crowded genre of Mafia movies, Gomorrah finds its originality in not romanticizing anything. It's authentically gripping, violent without being excessively violent, and something that can only be described as a masterpiece of Italian cinema.  It follows different protagonists' entry into organised crime in Naples, with the two main ones taking their inspiration from American gangster characters.  Just to give you a sense of how well-rooted this movie is, after it was done shooting, many of the characters (including the guy who plays the clan boss in the movie), were arrested. In his case, he was caught trying to collect  "pizzo", otherwise known as mafia tax.

Genre: Crime, Drama

Actor: Alfonso Santagata, Carmine Paternoster, Ciro Petrone, Fortunato Cerlino, Gianfelice Imparato, Gigio Morra, Giovanni Venosa, Giuseppina Cervizzi, Marco Macor, Maria Nazionale, Riccardo Zinna, Salvatore Abbruzzese, Salvatore Abruzzese, Salvatore Cantalupo, Salvatore Ruocco, Salvatore Striano, Toni Servillo, Vincenzo Fabricino

Director: Matteo Garrone, Maurizio Braucci

Rating: Not Rated

This is a movie with which you can easily connect. I have never experienced such deep connection and feelings towards characters. Seven friends get together for a dinner, and they decide to share every text message, email, and phone call they receive. The difference we all have to some degree between our public selves and private lives is the same one that comes out and threatens the balance between these long time friends. The film may feel a bit claustrophobic for some but that same feeling allows you to laugh, to shiver, and to even feel the deepest sorrow alongside the characters. For me this is a must watch.

Genre: Comedy, Drama

Actor: Alba Rohrwacher, Anna Foglietta, Benedetta Porcaroli, Edoardo Leo, Elisabetta De Palo, Giuseppe Battiston, Kasia Smutniak, Marco Giallini, Tommaso Tatafiore, Valerio Mastandrea

Director: Paolo Genovese

Rating: N/A, Not Rated