Movie Suggestions by Period

Before Turning Red and Crazy Rich Asians, there was The Joy Luck Club. Based on the bestselling novel, the film adaptation centers around the four Chinese-American women and their relationships with their mainland-born mothers. Explaining that the club isn’t particularly joyful or lucky, the film starts from June’s perspective, a perspective of a Chinese-American woman who’s lived all her life in America. However, through strategic screenplay structure and effective sequence arrangement, we learn the struggles of the founding club members, the struggles that brought them to another country, which forms the dynamics between them and their American daughters. Because of how comprehensive and layered the film is, this underrated film adaptation is a phenomenal take on the immigrant experience. Tears are inevitable with how they deal with difficulties, but so is hope.

Genre: Drama

Actor: Andrew McCarthy, Christopher Rich, Diane Baker, France Nuyen, Irene Ng, Kiều Chinh, Lauren Tom, Lisa Lu, Michael Paul Chan, Ming-Na Wen, Philip Moon, Rosalind Chao, Russell Wong, Tamlyn Tomita, Tsai Chin, Victor Wong, Vivian Wu, Yu Feihong

Director: Wayne Wang

Rating: R

While the film adapts some of Shakespeare’s histories, you don’t need to know Shakespeare to appreciate My Own Private Idaho. In fact, instead of focusing on the Prince Hal character, Scott Favor (Keanu Reeves), the film centers on his narcoleptic friend Mike Waters (River Phoenix). Both of them are young street hustlers in Portland. However, unlike Favor, Waters has no reliable family, inheritance, or support system waiting for him to give up his job. Waters only has his body. Writer-director Gus Van Sant doesn’t really focus on the sex or the narcolepsy - these flash by us only as a state-of-mind experience, with time-lapses and freeze-frames to impart to us Waters’ detachment. Instead, Van Sant cares more about Waters’ seeking connection. It’s why the surreal shots speed by us so fast, and why the natural, lived-in scenes remain in our heads. It’s why Waters’ campfire confession, crackling under Phoenix’s earnest voice, feels so powerful. And it’s also why his later rejection feels so painful.

Genre: Drama

Actor: Chiara Caselli, Flea, Grace Zabriskie, Gus Van Sant, James Russo, Jim Caviezel, Keanu Reeves, Mickey Cottrell, Pao Pei Andreoli, River Phoenix, Robert Egon, Rodney Harvey, Scott Patrick Green, Tom Troupe, Udo Kier, Vana O'Brien, William Richert

Director: Gus Van Sant

Rating: R

Striking, epic, and occasionally gruesome, Sword of the Stranger is an excellent film about ronin redemption. From the title alone, the film promises and delivers thrilling sword-fighting sequences from the titular stranger Nanashi (or “no name” in Japanese). His bouts with Ming Chinese warriors, as well as the Caucasian Luo-Lang, are so graceful, yet at times, so brutal that it ends with wrecked buildings, copious bleeding, and (on occasion) amputated limbs. However, the gore isn’t what makes these fight scenes work. Nanashi’s will to preserve his honor and self-determination drives the film. It’s the reason why his fight against these invaders feels so compelling. It’s the reason why he reluctantly guards the orphan Kotaro and his cute shiba inu. And when the film finally reveals the cause of that will, rooting for him is inevitable.

Genre: Action, Animation, Drama, History

Actor: Ai Orikasa, Akio Otsuka, Cho, Fumie Mizusawa, Hirofumi Nojima, Hiroshi Shirokuma, Jun Hazumi, Junko Minagawa, Katsuhisa Houki, Koichi Yamadera, Maaya Sakamoto, Makoto Yasumura, Mamoru Miyano, Masaki Aizawa, Naoto Takenaka, Noboru Yamaguchi, Tomoya Nagase, Tomoyuki Shimura, Unsho Ishizuka, Yasuhiko Kawazu, Yuki Masuda, Yuri Chinen

Director: Masahiro Ando

Rating: TV-MA

Before the late 2010s push for more Asian American and lesbian cinema, there were movies already making strides toward better representation. One of the first to achieve this was Saving Face. Despite this film being the first feature for writer-director Alice Wu and actress Lynn Chen, and the first lead role for Michelle Krusiec, the three women lead the film with ease. Wu’s clear mastery of rom-com and family drama tropes directs us through some predictable moves, but with unpredictable twists. Krusiec and Chen’s Wil and Vivian are easy to root for with their striking chemistry, but at the heart of this film is Wil’s relationship with her mom Hwei-Lan (Joan Chen). Their dynamic—expressed through passive-aggression, bilingual bickering, and their need for the other’s honesty—turns this easygoing rom-com into a light yet cathartic family drama.

Genre: Comedy, Drama, Romance

Actor: Ato Essandoh, Brian Yang, Hoon Lee, Jessica Hecht, Joan Chen, Lynn Chen, Michelle Krusiec, Saidah Arrika Ekulona

Director: Alice Wu

Rating: R

Serene and almost silent, Goodbye, Dragon Inn is a film contemplating an old movie theater in Taipei. In its heyday, this cinema was jam-packed and full of eager eyes watching the 1967 Wuxia classic Dragon Inn, but now it’s nearly empty for its last screening. Despite the lack of attendees, this cinema still has some life. Like the annoying audience members we're all familiar with, the moviegoers still noisily chew on popcorn, put their feet on the headrest in front of them, and refuse to remain silent when walking. Director Tsai Ming-liang affectionately captures moviegoers in their natural element, recreating an experience so nostalgic it makes me want to go back to the theaters. Watching this, post-pandemic in the age of streaming, reminds us of the ways we still try to connect in the cinema in real life.

Genre: Comedy, Drama

Actor: Chen Chao-jung, Chen Shiang-Chyi, Lee Kang-sheng, Miao Tien, Shih Chun, Yang Kuei-Mei

Director: Tsai Ming-liang

Rating: Not Rated

Surreal, strange, yet wondrous, Penguin Highway never takes a straightforward approach to its story. Penguins pop up out of nowhere, leading the nerdy and precocious Aoyama to study them via empirical observation and logical deduction. These studies don’t end up with a feasible explanation– in fact, by the final act, the film abandons all laws of physics. But the journey to that act feels intuitively right. This journey feels like an indescribable formative experience. Aoyama may be obsessed with growing up and committing to the reasonable adult mindset, but he is still a child. From fending off bullies to forming connections with others, his childhood imagination served him better than science could. The film reveres this discovery as well as it should.

Genre: Adventure, Animation, Comedy, Drama, Fantasy

Actor: Hidetoshi Nishijima, Kana Kita, Landen Beattie, Mamiko Noto, Megumi Han, Miki Fukui, Misaki Kuno, Naoto Takenaka, Rie Kugimiya, Winston Bromhead, Yu Aoi

Director: Hiroyasu Ishida

Rating: Not Rated

Based on a classic Japanese folktale, Isao Takahata’s last film will break your heart. This adaptation, of course, follows Princess Kaguya from her being discovered in a glowing bamboo stalk to her departure to the moon. However, while faithful to the original tale, Takahata’s direction turns this historical fantasy into a heart-wrenching coming-of-age film as ethereal as the titular character. The film doesn’t focus on the crazy pursuit of her suitors; instead, we’re drawn to the simple experiences Kaguya herself is drawn to and wants more of, as she tries to balance her life with the societal expectations places on women. All of which is rendered through the film's lush watercolored scenes of the blowing wind or the opening of plum blossoms.

Genre: Animation, Drama, Fantasy

Actor: Aki Asakura, Atsuko Takahata, Hikaru Ijūin, Isao Hashizume, Kengo Kora, Mirai Uchida, Nobuko Miyamoto, Ryudo Uzaki, Shichinosuke Nakamura, Takaya Kamikawa, Takeo Chii, Tatsuya Nakadai, Tomoko Tabata, Yuji Miyake, Yukiji Asaoka

Director: Isao Takahata

Rating: PG

My Life as a Zucchini (or Courgette in Europe) is unlike any kids' movie you'll see in America. It isn't afraid to be honest about children's feelings, no matter how dark or sad, nor is it afraid to be frank about things like intimacy and abuse. It understands that kids need these kinds of narratives too, and sometimes they need to hear them without being pandered to. 

There is an openness to it that makes it comforting to adults as well. Lines like “Sometimes, we cry because we’re happy," are so deceptively simple and tender that they'll catch you off guard. Couple this seemingly endless reserve of empathy with adorable, almost melancholic stop-motion animation and you get a film that will have you floored for days, regardless of your age.

Genre: Animation, Comedy, Drama, Family, Romance

Actor: Michel Vuillermoz, Monica Budde, Natacha Koutchoumov

Director: Claude Barras

Rating: PG-13

As an adaptation of a story written to commemorate the Louvre’s comics-focused exhibit, Rohan at the Louvre expands the short story into a riveting, nearly two-hour supernatural mystery film that contemplates Japanese art in context with the world. The original story is a spin-off of the popular manga Jojo’s Bizarre Adventure, so this film adaptation may shock fans expecting the same plot points and the vibrant, colorful style of the manga. However, the shadow-heavy cinematography, alongside Issey Takahashi’s performance, casts the eeriness needed to make this story work on film. It’s a change that fits a story all about art as a depiction of pain and desire, severing the self from the past, and escapism through stories.

Genre: Action, Adventure, Drama, Mystery

Actor: Fumino Kimura, Issey Takahashi, Kayoko Shiraishi, Kento Nagao, Kou Maehara, Marie Iitoyo, Masanobu Ando, Minami, Ryo Ikeda

Director: Kazutaka Watanabe

You don’t need to know a lot about baseball to appreciate The Saint of Second Chances. It has enough going on to keep you hooked from start to end, beginning with Jeff Daniels’ inimitable voice as the narrator and Charlie Day’s inspired casting as the younger Veeck, all the way down to the Veecks’ fascinating ties with American sports history and Mike’s inspiring and heartwarming second-chance philosophy. It all gets a bit too much at times, as if the filmmakers themselves were overwhelmed with their abundant material and creative decisions, but it’s executed with so much care and love that it seems as if this is the only way it could’ve come out: a wonderful mess. 

Genre: Documentary

Actor: Bill Veeck, Charlie Day, Howard M. Lockie, Jeff Daniels, Lamar Johnson, Tom Billett, Tony LaRussa

Director: Jeff Malmberg, Morgan Neville

Rating: PG-13

Huesera: The Bone Woman might not be the scariest film horror fans would see, but it does strike at the heart of the scary experience of motherhood. Through eerie sounds of breaking bones and weirdly contorted hands at the edge of beds, the film depicts new mother Valeria being haunted by the titular spirit, despite her prayer to the Virgin Mary. Valeria pleads for her husband and family to listen, though each time she does becomes proof of her faults as a mother. The terror in newcomer Natalia Solián’s face makes it all feel believable, but it’s the folk-inspired imagery of first-time feature director Michelle Garza Cervera that turns this film into a feminist masterpiece.

Genre: Drama, Horror, Mystery

Actor: Aida López, Alfonso Dosal, Mayra Batalla, Mercedes Hernández, Natalia Solián, Sonia Couoh

Director: Michelle Garza Cervera

Rating: NR

With elaborate sets, musical numbers, and an ensemble cast, Aachar and Co doesn’t feel like a regular budget-bound debut feature. In fact, director Sindhu Sreenivasa Murthy, who also stars as Suma, pulls off this family drama with a whimsical yet period-accurate, Wes Anderson-esque style. This style keeps the film’s nostalgic and lighthearted tone, even as the siblings’ journeys, most especially that of Suma, go into darker times. As the family cycles through each of their weddings and funerals, Aachar and Co comments on the societal changes that shifted the lives of Indian women in the 1960s. The resulting film is just as bittersweet and nostalgic as the mango preserves the family makes.

Genre: Comedy, Family

Actor: Anirudh Acharya, Harshil Koushik, Mandara Battalahalli, Sindhu Sreenivasa Murthy, Sudha Belawadi

Director: Sindhu Sreenivasa Murthy

Georgian dance has cut-throat competition: the art form is dying even within Gerogia, and to make it, dancers compete to join the one duo that represents the country. The chance finally comes and the spot opens up, igniting the hopes of performers from around the country. Mervan is one of them, a young dancer from a poor background who takes food from his restaurant job to feed his family. His main competition is a newcomer, Irakli, who also comes from a difficult background and hopes to secure the spot to provide for his ill father.

When their lives hang on them competing against one another, Mervan and Irakli fall for each other.

And Then We Danced is full of incredible dance sequences that add to the beauty of the romance at its center; but it's also a heartbreaking exploration of unfulfilled ambition.

Genre: Drama, Romance

Actor: Aleko Begalishvili, Ana Javakishvili, Bachi Valishvili, Giorgi Tsereteli, Mate Khidasheli, Ninutsa Gabisonia, Tamar Bukhnikashvili

Director: Levan Akin

Rating: 12

This 140-minute Brazilian drama is an epic and touching tale of two sisters torn apart. In 1950s Rio de Janeiro, Eurídice, 18, and Guida, 20, are inseparable, but their dreams soon take them away from each other, from their conservative family, and from Brazil.

After they are separated, each one of them believes the other is achieving her dreams when often the opposite was happening. Family betrayal, silence, and a suffocating social climate shatter the aspiration of the sisters but also highlight their strength.

Genre: Drama

Actor: António Fonseca, Carol Duarte, Cláudio Gabriel, Cristina Pereira, Eduardo Tornaghi, Fernanda Montenegro, Flávia Gusmão, Flávio Bauraqui, Gillray Coutinho, Gregório Duvivier, Izak Dahora, Julia Stockler, Luana Xavier, Maria Manoella, Nikolas Antunes

Director: Karim Aïnouz

Rating: R

The British social-critical director of I, Daniel Blake and The Wind That Shakes the Barley, Ken Loach, delivers another scathing indictment of our economic system, the slashing of worker protection, and the gig economy. While these are indeed the themes of this affecting drama, Loach always makes it about the people. In this case, a struggling family man who tries to turn his life around by working in package delivery. Gig economy workers are usually freelancers who own their trucks and are made fully responsible for packages until they reach their respective recipients. From peeing in a bottle to save time to seamless monitoring by an overlord hand-held device, Sorry We Missed You manages to capture the indignity and gives you an intimate introduction to the human cost of having everything delivered to your doorstep at a moment's notice. Thanks to Loach's use of amateur actors, it has a raw and real feel to it without being melodramatic. Sorry We Missed You makes sure that the habitually unseen take center stage.

Genre: Drama

Actor: Charlie Richmond, Debbie Honeywood, Katie Proctor, Kris Hitchen, Maxie Peters, Rhys Stone, Ross Brewster, Sheila Dunkerley, Stephen Clegg, Vicky Hall

Director: Ken Loach

Rating: 0, 12

The question mark in the title represents the central idea of this fascinating documentary: what if worshipping Satan is the only way of ensuring religious freedom for everyone?

That's what a group of young members known as The Satanic Temple believe, led by a determined and well-spoken Harvard graduate. They embark on a journey across the U.S. to challenge corrupt officials and the prevalence of religious biases in government agencies. They always request that their belief system (Satanism) is given the same favorable treatment as Christianity, effectively proving that authorities will really only accept a show of religion if it's one religion: Christianity.

But their intoxicating energy comes with costs: divisions within the organization and growing pains. This documentary perfectly illustrates not only a misunderstood religion (in the documentary it's referred to as "post-religion") but the difficulties of establishing grassroots movements in general.

Genre: Documentary

Actor: Anton LaVey, Bill O'Reilly, Billy Graham, Cecil B. DeMille, Chalice Blythe, Charlton Heston, Chris Hayes, Dwight D. Eisenhower, Geraldo Rivera, Greta Van Susteren, Jex Blackmore, Lucien Greaves, Malcolm Jarry, Mamie Eisenhower, Megyn Kelly, Mike Pence, Nicholas Crowe, Penny Lane, Rick Scott, Sal De Ciccio

Director: Penny Lane

Rating: R

This unique romance is set during a time when a man would be sent the painting of the woman he was to marry before the wedding could take place. Héloïse, secluded with her mother and a maid on a remote island, doesn't approve of her upcoming wedding and refuses to be painted. Her mother sends for a new painter, Marianne, to try to paint her without her noticing. Marianne has to take on this near-impossible task when she starts having feelings for Héloïse. This makes for a riveting romance where Marianne has to choose between her heart and her art while keeping a huge secret from her love interest.

Genre: Drama, History, Romance

Actor: Adèle Haenel, Adèle Haenel, Armande Boulanger, Christel Baras, Clément Bouyssou, Clément Bouyssou, Guy Delamarche, Luàna Bajrami, Luàna Bajrami, Michèle Clément, Noémie Merlant, Noémie Merlant, Valeria Golino

Director: Céline Sciamma, Céline Sciamma

Rating: R

This movie narrated by Nicolas Cage is the incredible story of actor Anton Yelchin (Star Trek, Like Crazy): from being born to a Jewish Russian family in Leningrad to moving to the U.S. and ending with his sudden death at age 27. Anton, or Antosha as his loved ones called him, was a gifted kid: he was making his own movies at seven years old, taking highly sophisticated notes on Fellini movies, and picking up playing guitar in a short time. He took photographs that still show in exhibitions around the world. He led an extraordinary life, portrayed here, one that was cut way too short.

Genre: Documentary

Actor: Anthony Hopkins, Anton Yelchin, Anya Taylor-Joy, Ben Foster, Bryce Dallas Howard, Chris Pine, Drake Doremus, Frank Langella, Guillermo del Toro, J.J. Abrams, Jennifer Lawrence, Jodie Foster, Joe Dante, John Cho, Jon Poll, Jon Voight, Kristen Stewart, Martin Landau, Nicolas Cage, Simon Pegg, Sofia Boutella, Willem Dafoe, Zachary Quinto, Zoe Saldana

Director: Garret Price

Rating: R

“They called me uppity. Uppity n*****. And I loved it”. That’s how this excellent documentary, about the first professional black racing driver Willy T. Ribbs, starts. It summarizes the strong personality of a champion who excelled in tracks that were filled with confederate flags.

The documentary explains the details of the difficulties that Ribbs went through in the 70s and 80s, but also the people who supported him and recognized his talent. It’s by no way a sad movie, on the contrary, even when Ribbs is talking about people spitting wherever he walks or about the death threats escalating, his unharmed determination is at the center of the story.

This is an inspiring documentary about a character who never got his worth in the history books. I was full of shivers by the first half-hour mark.

Genre: Documentary

Actor: Adam Carolla, Bernie Ecclestone, Bobby Unser, Chase Austin, David Hobbs, Doug Boles, Geraldine Ribbs, Ian Brown, Nate Adams, Paul Newman, Phillip Ribbs, Willy T. Ribbs

Director: Adam Carolla, Nate Adams

Rating: Not Rated