26 Best Movies & Shows Released in The 1980s

Staff & contributors

David Lynch's star-studded provocation Blue Velvet was both revered and criticised upon its release because of how heavily it leans on sexuality and violence to advance its plot, but today the film's hailed as a contemporary masterpiece. Still, scenes with that kind of content are quite hard to stomach in combination with Isabella Rossellini's depiction of an unstable, delicate singer named Dorothy. But Dorothy is surely not in Kansas anymore... It takes a young college student (Jeffrey Beaumont played by Kyle McLachlan) who becomes fascinated with her as part of his self-appointed detective quest, to uncover deep-rooted conspiracies. In his endeavours, Jeffrey is joined by butter blonde Sandy (Laura Dern), and the twisted love triangle they form with Dorothy in the middle is one for the ages. Dennis Hooper stars as one of the most terrifying men on screen and Lynch regular Angelo Badalamenti scores the film with an eerie precision like no other. 

Genre: Crime, Drama, Mystery, Romance, Thriller

Actor: Angelo Badalamenti, Brad Dourif, Dean Stockwell, Dennis Hopper, Donald Moore, Frances Bay, George Dickerson, Hope Lange, Isabella Rossellini, J. Michael Hunter, Jack Harvey, Jack Nance, Ken Stovitz, Kyle MacLachlan, Laura Dern, Moses Gibson, Peter Carew, Priscilla Pointer

Director: David Lynch

Rating: R

While billed as a “ramen western”, Tampopo satirizes plenty of other American genres, including, but not limited to: 1) the inspirational sports film, with Tampopo’s diligent training, 2) the erotic, arthouse drama through its egg yolk kiss, 3) the witty, social comedy pointing out the absurd in dinnertime tables, and 4) the melodramatic mafia romance with its room-serviced hotel getaway. But the film doesn’t buckle under the weight of carrying all these genres– instead, the customer vignettes are all delicately plated to balance out the hearty journey of a store owner learning about ramen and the bemused, yet cohesive contemplation about food. Tampopo is one of a kind.

Genre: Comedy

Actor: Akio Tanaka, Chōei Takahashi, Fukumi Kuroda, Gō Awazu, Hideji Ōtaki, Hisashi Igawa, Hitoshi Takagi, Hyōe Enoki, Isao Hashizume, Izumi Hara, Ken Watanabe, Kenso Kato, Kinzō Sakura, Kōji Yakusho, Mariko Okada, Masahiko Tsugawa, Naritoshi Hayashi, Nobuko Miyamoto, Nobuo Nakamura, Rikiya Yasuoka, Ryutaro Otomo, Toshiya Fujita, Tsutomu Yamazaki, Yoriko Dōguchi, Yoshi Katō, Zenpaku Kato

Director: Jūzō Itami

Rating: NR

Perhaps the most depressing but vital movie produced by animation giant Studio Ghibli, Grave of the Fireflies is a searing and sweeping drama that covers the horrors of World War II through the eyes of teenager Seita and his young sister Setsuko. Between the violence of war and the tragedy of loss, the siblings struggle to preserve not just their lives but their humanity. In typical Ghibli fashion, there are moments of gentle beauty to be found, but instead of conflicting with the overall stark tone of the film, they successfully underscore war's futility and brutality, making Grave of the Fireflies one of the most important anti-war narratives ever told. 

Genre: Animation, Drama, War

Actor: Akemi Yamaguchi, Ayano Shiraishi, Hiroshi Tanaka, Kyoko Moriwaki, Masayo Sakai, Tsutomu Tatsumi, Yoshiko Shinohara

Director: Isao Takahata

Stand By Me follows four young friends as they journey around their small town searching for a rumored dead body. On the surface, it moves like an adventure story. The boys narrowly avoid guard dogs and leeches, speeding trains and tough teen gangs. But along the way, they also learn much about each other, in particular about the stark reality of their home lives and the growing depths of their inner struggles, so that beneath all the small-time thrill is a beating coming-of-age story. 

Based on a novella by horror master Stephen King, Stand By Me is terrifying in its ability to evoke the unique thorniness of passing through the gates of adulthood, but also warm and comforting in its reminder of the universality of this feeling.

Genre: Adventure, Crime, Drama

Actor: Bradley Gregg, Bruce Kirby, Casey Siemaszko, Chance Quinn, Corey Feldman, Dick Durock, Frances Lee McCain, Gary Riley, Jason Naylor, Jason Oliver, Jerry O'Connell, Jerry O'Connell, John Cusack, Kent W. Luttrell, Kiefer Sutherland, Korey Scott Pollard, Madeleine Swift, Marshall Bell, Matt Williams, O.B. Babbs, Richard Dreyfuss, River Phoenix, Scott Beach, Wil Wheaton, William Bronder

Director: Rob Reiner

Rating: R

, 1987

Vivid, seductive, and highly romantic, Rouge starts as an enchanting tale of a ghost courtesan that haunts a modern-day couple to look for her lost lover. It’s easy to be swayed by the ghostly lovers – the courtesan Fleur (Anita Mui) and wealthy pharmacy chain heir Chan Chen-Pang (Leslie Cheung) start off the film courting each other (and the audience) through lush visuals, dramatic declarations, and Cantonese song. They agree to a suicide pact and promise to find each other in the next life. However, as Fleur haunts newspaper journalists Yuen and Chor, it’s clear how different Hong Kong has become. From its culture to its attitudes towards romance, Rouge suggests that while modern day Hong Kong may be more cold and standardized, the past as we know it is only a gorgeous dream. And that dream hides a tragic, sordid reality.

Genre: Drama, Fantasy, Mystery, Romance

Actor: Alex Man, Anita Mui, Emily Chu Bo-Yee, Irene Wan, Kara Hui, Kara Hui Ying-Hung, Kara Wai Ying-Hung, Lau Kar-Wing, Leslie Cheung, Patrick Tse Yin, Ruby Wong, Ruby Wong Cheuk-Ling, Tam Sin-Hung, Wong Yu

Director: Stanley Kwan

Rating: Not Rated

Before anything else, Miracle Mile is a romance. It begins with a meet-cute so adorable, it convinces lovebirds Harry and Julie to stick to each other in the next moments of the film, which couldn’t be more different than the first. Where the opening scene is sweet and lovely, the ones that follow it are fraught and bleak and eerily existential. At this point, the film transforms into its true self: an apocalyptic nightmare. When Harry receives word that a nuclear attack is incoming, the news spreads like wildfire and all hell breaks loose in this film that makes you question reality and humanity. 

It's one of the smoothest shifts in cinematic history, but even with panic swirling and violence erupting, love is still there. Harry and Julie’s quest to save and savor the bond they’ve formed is genuinely moving, and it effectively grounds this out-of-this-world film about the end.

Genre: Comedy, Drama, Romance, Science Fiction, Thriller

Actor: Alan Berger, Alan Rosenberg, Anthony Edwards, Brian Thompson, Claude Earl Jones, Danny De La Paz, Denise Crosby, Diane Delano, Earl Boen, Edward Bunker, Howard Swain, Jenette Goldstein, John Agar, Jordana Capra, Kelly Jo Minter, Kurt Fuller, Lou Hancock, Lucille Bliss, Mare Winningham, Mykelti Williamson, O-Lan Jones, Peter Berg, Raphael Sbarge, Richard Biggs, Robert DoQui, Steve De Jarnatt

Director: Steve De Jarnatt

Rating: R

Break-ups aren’t the easiest thing to overcome, but how we deal with them usually doesn’t get as ludicrous as the events Pepa goes through in Women on the Verge of a Nervous Breakdown. The film makes said nervous breakdown chaotic– it includes spiked gazpacho, a frantic call to the police, and being held at gunpoint– but as Pepa and the women around her try to put off each fire, at least one of them literally, writer-director Pedro Almodóvar ensures sympathy for them, with Pepa's snappy dialogue cutting through the lies of a smooth-talking womanizer refusing to face them. And it’s all paired with a suitably dramatic score, meticulous staging, and exaggerated, colorful frames mostly occurring in the wreck of a fabulously styled penthouse.

Genre: Comedy, Drama

Actor: Agustín Almodóvar, Ana Leza, Ángel de Andrés López, Antonio Banderas, Carmen Maura, Chus Lampreave, Eduardo Calvo, Fernando Guillen, Francisca Caballero, Gabriel Latorre, Guillermo Montesinos, Imanol Uribe, Joaquín Climent, José Antonio Navarro, José Marco, Juan Lombardero, Julieta Serrano, Kiti Manver, Loles León, Lupe Barrado, María Barranco, Rossy de Palma, Yayo Calvo

Director: Pedro Almodóvar

Rating: R

An arguably tough watch, The Accused fluctuates between crime and courtroom drama, eschewing any kind of sentimentality in its storytelling. No place for pity where trauma reigns: the fact that the film is based on a real case of as gang rape means little in a world were that's still a daily occurrence. The Accused knows it well and invests its two protagonist with all the anger in the world, hoping the justice system will be on the right side of history at once: that of women. Two amazing leads set the bar very high: Jodie Foster and Kelly McGillis who plays prosecutor Kathryn Murphy. Together, they make a powerful duo of heated performances that embody the contradictions of being a woman under patriarchy.

Genre: Crime, Drama

Actor: Allan Lysell, Andrew Kavadas, Ann Hearn, Antony Holland, Babs Chula, Bernie Coulson, Carmen Argenziano, Christianne Hirt, Dana Still, David Sheridan, Denalda Williams, Deryl Hayes, Frances Flanagan, Freda Perry, Garry Chalk, Garwin Sanford, Jerry Wasserman, Jodie Foster, Kelly McGillis, Kevin McNulty, Kim Kondrashoff, Leo Rossi, Linda Darlow, Marsha Andrews, Michele Goodger, Mike Winlaw, Pamela Martin, Peter Bibby, Peter Van Norden, Rebecca Toolan, Rose Weaver, Scott Paulin, Stephen Dimopoulos, Stephen E. Miller, Steve Antin, Terry David Mulligan, Tom Heaton, Tom McBeath, Tom O'Brien, Veena Sood, Walter Marsh, Woody Brown

Director: Jonathan Kaplan

Rating: R

Slow and almost silent, Edward Yang’s second feature film pins us down in a fast-moving city. In 1980s Taipei, Chin and Lung are childhood sweethearts who try to build a life together, but differences between their wants threaten to pull them apart. Chin bravely adapts to the changes she faces—moving house, shifting jobs, etc.—while Lung misses his promising baseball career and prioritizes familial debt. Through their relationship, the film captures the anxieties of a generation pulled between new Western consumerism and old Asian familial obligations. Watching the two lovers feels like being lost in a cold urban city, unable to move and not knowing where to go.

Genre: Drama

Actor: Chen Shu-fang, Chin Tsai, Cynthia Khan, Grace Chen Shu-Fang, Hou Hsiao-hsien, Ko I-chen, Ko Su-yun, Lin Hsiu-ling, Mei Fang, Peng Sun, Tsai Chin, Wu Nien-Jen, Yang Li-yin, 吴念真

Director: Edward Yang

Rating: Not Rated

Based on the true story of the last French woman executed by guillotine, Story of Women depicts wartime survival under the Vichy regime. While men were sent to fight in the war, women in France stayed home, in a country occupied by the Nazis, with their government collaborating with the Axis powers they were supposedly at war with. Marie-Louise Giraud is one such woman. Like her country, she is pushed to do crimes forbidden by the state, first for kindness, but eventually for comfort, but only she gets the death penalty for 27 abortions, when only a few Vichy officials have been tried for crimes against humanity, which includes the deportation of seventy thousand Jews to concentration camps. The contrast is made much more poignant with Isabelle Huppert and Claude Chabrol’s creative partnership.

Genre: Drama

Actor: Caroline Berg, Dani, Dominique Blanc, Evelyne Didi, Franck de la Personne, François Cluzet, François Maistre, Guillaume Foutrier, Henri Attal, Isabelle Huppert, Jacques Brunet, Jean-Michel Noirey, Lolita Chammah, Marie Bunel, Marie Trintignant, Nils Tavernier, Pierre-François Dumeniaud, Sylvie Flepp, Vincent Gauthier

Director: Claude Chabrol

The film that catapulted Kevin Costner to fame, No Way Out, is based on a novel by Kenneth Fearing, "The Big Clock", and is also preceded by a film adaptation of it, around 40 years prior. Director Roger Donaldson found himself in charge of a film, haunted by the Cold War and spy thriller tropes, but already aligning itself with the late 80s erotic thriller. In a way, No Way Back is a symbol of this transitional period, but by retaining the classic noir vibe (deception, fleeing, yearning), it becomes a tribute to the past. In the film's own past, a love triangle is taking shape in a rather unconventional way: layered with all three of the aforementioned dispositions. Two men want the same women, but their relationship is further complicated by professional hierarchies and the quest to own the past they both shared with Susan. 

 

Genre: Thriller

Actor: Brad Pitt, Charles Walker, Chris D., David Armstrong, David Paymer, Dennis Burkley, Fred Thompson, Gene Hackman, George Dzundza, Howard Duff, Iman, Jason Bernard, John D'Aquino, Kevin Costner, Leo Geter, Leon Russom, Marshall Bell, Matthew Barry, Michael Shillo, Nicholas Worth, Peter Bell, Sean Young, Will Patton

Director: Roger Donaldson

Rating: R

Robert lies dying in hospital, an activist still raging against the lack of financial support and mainstream acknowledgment of the AIDS crisis. David volunteers to be his “buddy” while he’s bedbound, keeping him company and conversing. He’s less bothered by how the world treats homosexuality and AIDS, and although he commits to sticking by Robert, he’s doubtful of the need for his protests.

The film is firmly on Robert’s side, giving him space to shout and show frustration. What’s more, Buddies never treats sex as dirty or dangerous, allowing it to be something in which gay people find joy and solace, refusing to cast it as shameful. By the end of the decade, Geoff Edholm, who played Robert, and director Arthur J. Bressan Jr. had both lost their lives to the pandemic. It’s a snapshot of hospital rooms across the world, which were often hidden from sight, as a community was left to fend for itself, unsupported. David comes to understand.

Genre: Drama, History, Romance

Actor: David Rose, David Schachter, Geoff Edholm, Tracy Vivat

Director: Arthur J. Bressan Jr.

Rating: Not Rated

Most people aspire to have families, deciding to form their own by marrying, bearing children, and if fertility makes that impossible, adopting one. The Official Story is centered on upper middle class Alicia, who’s already made the idyllic family life, with the last piece completed with her adoption of Gaby, but there are secrets held from her, or rather, there are realities that she chose not to listen to because of the painful implications. Writer-director Luis Puenzo juxtaposes the family secret to the violent ones the Argentine junta government kept from its citizens. It's not a subtle comparison– Puenzo makes it obvious– but it's an effective one, as Alicia has to reckon with the fact that she lies in bed with a stranger, as Argentina has to reckon with the remaining junta members and enablers.

Genre: Drama, History

Actor: Analia Castro, Andrea Tenuta, Aníbal Morixe, Carlos Weber, Chela Ruíz, Chela Ruiz, Chunchuna Villafañe, Chunchuna Villafane, Fabián Rendo, Guillermo Battaglia, Héctor Alterio, Héctor Alterio, Hugo Arana, Lidia Catalano, María Luisa Robledo, Marcos Woinsky, Maria Luisa Robledo, Norma Aleandro, Oscar Ferrigno Jr., Pablo Rago, Patricio Contreras, Paula Canals

Director: Luis Puenzo

Rating: Not Rated, NR

British director Adrian Lyne (9 1/2 Weeks) is famous for his uncompromising treatment of seedy eroticism and charged stories. Fatal Attraction is a staple of the erotic thriller genre and with good reason, it's steamy and very 1980s in the best possible way. Like a good vintage, it has the whiff of old times, but with the pleasure of a spectacle that belongs to the past. That's the lens through which you can view the story of a deranged mistress who won't stop at anything to ruin your life and marriage, and still savour some sanity in the 21st century. Seen from a slightly removed perspective, the film becomes a stylized variation on conservative AIDS panic and a provocation to conservative heteronormativity. It has to be said that not all of the film has aged well, especially the gender politics at play. But if you can soothe yourself with a revisionist reading, it pairs well with Paul Verhoeven's Basic Instinct: the things Michael Douglas's characters do for (extramarital) thrills...

Genre: Drama, Thriller

Actor: Anna Thomson, Anne Archer, Barbara Harris, Carol Schneider, Christine Farrell, Christopher Rubin, David McCharen, Ellen Foley, Ellen Hamilton Latzen, Faith Geer, Fred Gwynne, Glenn Close, Greg Rhodes, J.D. Hall, J.J. Johnston, James Eckhouse, Jan Rabson, Jane Krakowski, Judi M. Durand, Justine Johnston, Larry Moss, Lois Smith, Lynnanne Zager, Marilyn Schreffler, Mary Joy, Meg Mundy, Michael Arkin, Michael Douglas, Mike Nussbaum, Rocky Krakoff, Sam Coppola, Stuart Pankin, Tom Brennan, Vladimir Skomarovsky

Director: Adrian Lyne

Rating: R

A Room with a View is downright beautiful. Amidst the impressionistic scenery of Florence’s and England’s countrysides, paired with iconic classical opera, some of Britain’s best actors bare the feelings of their snobbish, upper-class characters in stylish and historically-accurate costumes. But all of these elements aren’t just silly decorations. Like the novel it’s based on, the characters’ refined and respectable veneer, and their insistence on propriety, is a front that hides the feelings stirring in their gut, particularly that of the lovers George Emerson (Julian Sands) and Lucy Honeychurch (Helena Bonham Carter). Inevitably, these feelings can’t be contained– they can only be examined. And when Emerson earnestly declares his love, it’s so powerful to be seen as one’s self rather than as decoration.

Genre: Drama, Romance

Actor: Amanda Walker, Daniel Day-Lewis, Denholm Elliott, Fabia Drake, Helena Bonham Carter, Isabella Celani, James Wilby, Joan Henley, Judi Dench, Julian Sands, Kitty Aldridge, Luigi Di Fiore, Maggie Smith, Matyelok Gibbs, Mia Fothergill, Patricia Lawrence, Patrick Godfrey, Peter Cellier, Peter Munt, Rosemary Leach, Rupert Graves, Simon Callow

Director: James Ivory

Rating: Not Rated