18 Best Warm Movies On Itunes India

After third-grader Ali loses the only pair of shoes his sister Zahra owns, the siblings agree to share Ali's sneakers for school. Zahra uses the tattered, ill-fitting footwear in the morning, and in the afternoon, she hands them over to Ali, who then races to get into school in time. The siblings wait for things to get better at home before they mention anything to their already-burdened parents, but in the meantime, they persevere, scooping up every bit of silver lining they find, whether it's popping soap bubbles or taking in the city's ultramodern sights. 

In this way, Children of Heaven is neither cynical nor cheesy. It presents the harsh reality of Tehran's poor without robbing them of hope and agency, giving the movie the right amount of self-aware and feel-good that elevates it into a classic. Thanks to this masterful balance, plus many awe-inspiring shots and lines, it should come as no surprise that Children of Heaven is the first Iranian film to be nominated for Best Foreign Language Feature at the Oscars.

Genre: Drama, Family, Kids

Actor: Amir Farrokh Hashemian, Bahare Seddiqi, Kamal Mirkarimi, Mohammad Amir Naji, Reza Naji

Director: Majid Majidi

Of all the Christmas-set films to have come out over the last couple of months that were, inexplicably, about grief and regret (you'd be surprised by how many there are), The Holdovers easily outdoes its contemporaries by being confident enough to just sit with its characters. Like the best of director Alexander Payne's other films, there are no melodramatic crescendos or overcomplicated metaphors; there are only flawed individuals going about their lives, occasionally noticing the things that bind them together. Payne's gentle touch means the characters (and the audience) aren't forced to "solve" their grief, but allowed to come to terms with it in their own way, with each other.

Payne evokes the film's 1970s setting through a muted color palette and analog—almost tactile—sound design, giving warmth to this New England despite all its snow and chilly interiors. It's understandable that these characters are similarly cold to each other on the surface at first, but they manage to thaw the ice simply by taking the chance to listen to each other's pain. It's the kind of film in which relationships develop so gradually, that you hardly notice until the end how much mutual respect has formed between them when they return from their dark nights of the soul back to their status quo.

Genre: Comedy, Drama

Actor: Alexander Cook, Andrew Garman, Bill Mootos, Brady Hepner, Carrie Preston, Carter Shimp, Cole Tristan Murphy, Colleen Clinton, Da'Vine Joy Randolph, Dakota Lustick, Dan Aid, Darby Lee-Stack, David J. Curtis, Dominic Sessa, Dustin Tucker, Gillian Vigman, Ian Dolley, Ian Lyons, Jim Kaplan, Joe Howell, Jonathan von Mering, Kelly AuCoin, Kevin Daigneault, Kevin Fennessy, Melissa McMeekin, Michael Malvesti, Michael Provost, Naheem Garcia, Oscar Wahlberg, Osmani Rodriguez, Pamela Jayne Morgan, Paul Giamatti, Rena Maliszewski, Stephen Thorne, Tate Donovan

Director: Alexander Payne

Rating: R

If you’ve never seen Walk Hard before but still get déjà vu from just its first 10 minutes, that's the point. This riotous pastiche parodies every musician biopic ever made — and even many that came after it. Its ability to predict the future is thanks to its sharp observation of all the clichés that are typically wheeled out when a musical artist’s life story gets the big screen treatment. Walk Hard skewers everything from the tropes of preternatural musical abilities and galvanizing childhood trauma to the formulaic three-act structure that follows the musician’s rise, inevitable fall, and triumphant rise again.

Absolutely no chances are left unseized to lampoon the genre: the film is told in an incredibly long flashback, for example, and features multiple groan-including moments in which characters say the movie’s title out loud, all but winking at the camera. The danger with a parody is that the joke can get old quickly, but Walk Hard is blessedly full of laughs that would stand up even outside of the spoof framework, displaying incredible devotion to even the most throwaway of jokes (as when The Temptations make a cameo for one five-second gag). Not just a brilliant satire, then, but a terrific comedy of its own.

Genre: Comedy, Drama, Music

Actor: Adam Herschman, Amber Hay, Angela Little, Cheryl Ladd, Cheryl Tiegs, Chris Parnell, Clement Blake, Conner Rayburn, Craig Robinson, David Doty, David Krumholtz, E.J. Callahan, Ed Helms, Eddie Vedder, Frankie Muniz, Gerry Bednob, Gerry Black, Ghostface Killah, Gregg Lee, Harold Ramis, Ian Roberts, Jack Black, Jack Kehler, Jack McBrayer, Jack White, Jackson Browne, Jacques Slade, Jane Lynch, Jason Schwartzman, Jenna Fischer, Jewel, John C. Reilly, John Ennis, John Maynard, John Michael Higgins, Jonah Hill, Justin Long, Kristen Wiig, Lyle Lovett, Margo Martindale, Martin Starr, Matt Besser, Molly C. Quinn, Morgan Fairchild, Nat Faxon, Neil Ironfield, Odette Annable, Patrick Duffy, Patrick Faucette, Patrick J. Adams, Paul Bates, Paul Feig, Paul Rudd, Philip Rosenthal, Rae Sunshine Lee, Rance Howard, Raymond J. Barry, Ron Tyson, Serria Tawan, Simon Helberg, Skyler Gisondo, Stacey Scowley, Steve Bannos, Terrence Beasor, Tim Bagley, Tim Meadows, Tyler Nilson, Willow Geer

Director: Jake Kasdan

Rating: R

Margarita with a Straw is a bold and unflinching film that offers a sensitive and nuanced portrayal of disability, sexuality, and identity. The film follows the journey of a young woman with cerebral palsy as she navigates her way through life, love, and self-discovery. The film's honest portrayal of exploring sexuality, its rich and diverse cast of characters, and its raw and emotional story make it a deeply affecting watch. It's a triumph of representation and inclusivity, and a testament to the power of storytelling to challenge and change the way we see the world.

Genre: Drama

Actor: Andrew Hsu, Doug Plaut, Hussain Dalal, Jacob Berger, Kalki Koechlin, Kuljeet Singh, Malhar Khushu, Marco Torriani, Revathi, Revathy, Sayani Gupta, Shuchi Dwivedi, Tenzing Dalha, Vin Scialla, William Moseley

Director: Nilesh Maniyar, Shonali Bose

Rating: Not Rated

You don’t have to be a theater kid to enjoy this feel-good mockumentary set in a summer camp for junior thespians. While there are plenty of in-jokes here for those who might have spent a summer or two somewhere like AdirondACTS, Theater Camp also good-naturedly lampoons every instantly recognizable stereotype of theater kids and the classic failed-performer-turned-teacher. 

Amongst the note-perfect ensemble, particularly hilarious standouts include co-writer Ben Platt and co-director Molly Gordon as camp instructors and best friends Amos and Rebecca-Diane. Both are Juilliard rejects with codependency issues and a classic case of actorly self-indulgence — as encapsulated in the moment they accuse a young attendee of “doping” for using artificial tears during a performance (“Do you want to be the Lance Armstrong of theater?”). But even seasoned performers like Platt and Gordon can’t pull the spotlight away from the film’s absurdly talented young ensemble, who are just as game for poking fun at their passion: standouts include Luke Islam, Alexander Bello, and Minari’s Alan Kim as a pint-sized “aspiring agent” who skips dance class to make business calls. All this self-satirising never obscures the movie’s heart, though; what begins as a self-deprecating ribbing of theater-heads ultimately becomes a rousing love letter to those very same misfits.

Genre: Comedy, Music

Actor: Alan Kim, Alexander Bello, Amy Sedaris, Ayo Edebiri, Ben Platt, Caroline Aaron, David Rasche, Dean Scott Vazquez, Donovan Colan, Jimmy Tatro, Kyndra Sanchez, Luke Islam, Max Sheldon, Molly Gordon, Nathan Lee Graham, Noah Galvin, Olivia Puckett, Owen Thiele, Patti Harrison, Priscilla Lopez, Tyrone Mitchell Henderson

Director: Molly Gordon, Nick Lieberman

Rating: PG-13

A recent holiday classic you likely haven't seen, Arthur Christmas uses its premise of the North Pole as a massive spy organization to touch on how commercialization tears people apart. It's a surprisingly smart film with a fascinating dynamic among its family of Santas, with an incredibly funny script full of dry, British wit. And while the animation may already look dated at first glance, Arthur Christmas more than makes up for its looks with truly imaginative art direction and director Sarah Smith's fast-paced set pieces. This is that rare Chirstmas movie that doesn't just surrender to schmaltz; the lessons learned by the characters here are unique, complex, and timeless.

Genre: Adventure, Animation, Comedy, Drama, Family, Kids

Actor: Adam Tandy, Alistair McGowan, Andy Serkis, Ashley Jensen, Bill Nighy, Brian Cummings, Bronagh Gallagher, Clint Dyer, Cody Cameron, Danny John-Jules, David Menkin, David Schneider, Deborah Findlay, Dominic West, Donnie Long, Emma Kennedy, Eva Longoria, Hugh Laurie, Iain McKee, Ian Ashpitel, Imelda Staunton, James McAvoy, Jane Horrocks, Jerry Lambert, Jim Broadbent, Joan Cusack, Julia Davis, Kerry Shale, Kevin Cecil, Kevin Eldon, Kris Pearn, Laura Linney, Marc Wootton, Michael Palin, Peter Baynham, Ramona Marquez, Rhys Darby, Rich Fulcher, Rich Hall, Robbie Coltrane, Sanjeev Bhaskar, Sarah Smith, Seamus Malone, Seeta Indrani, Stewart Lee, Tamsin Greig

Director: Barry Cook, Sarah Smith

Rating: PG

The '80s saw an influx of coming-of-age dramas, with John Hughes’ “Brat Pack” films reigning supreme. For better or worse, their most iconic scenes are embedded in pop culture, like students dancing in detention in The Breakfast Club or Sixteen Candles’ belated birthday cake. Perhaps the most iconic '80s movie moment comes not from Hughes, but from Cameron Crowe’s Say Anything…: Lloyd Dobler (John Cusak) in a trenchcoat, blue Malibu parked behind him, boombox raised over his head in defiant loyalty.

On their last day of high school, Lloyd Dobler resolves to ask out the class valedictorian Diane Court (Ione Skye). Their summer-long relationship is awkward, intense, tender—and familiar to anyone who has ever opened themselves up to falling in love. Say Anything… emotionally outclasses its contemporaries, as Crowe’s writing lends itself to two authentic characters fleshed out beyond caricatures. And as Lloyd crushes hard on Diane, it’s hard not to feel like you’re falling in love with each of them, too.

Genre: Comedy, Drama, Romance

Actor: Amy Brooks, Bebe Neuwirth, Bill Stevenson, Chynna Phillips, Dan Castellaneta, Don Wilson, Eric Stoltz, Glenn Walker Harris Jr., Gloria Cromwell, Gregory Sporleder, Ione Skye, Jason Gould, Jeremy Piven, Jerry Ziesmer, Jim Ladd, Joan Cusack, Joanna Frank, John Cusack, John Hillner, John Mahoney, Johnny Green, Jonathan Chapin, Judy Prescott, Kim Walker, Lili Taylor, Lisanne Falk, Lois Chiles, Loren Dean, Montrose Hagins, Pamela Adlon, Patrick O'Neill, Philip Baker Hall, Polly Platt, Richard Portnow, Stephen Shortridge, Stone Gossard

Director: Cameron Crowe

Before he developed his signature dollhouse visual style, Wes Anderson made his feature debut with this lowkey, heartwarming, and decidedly not-symmetrically-perfect comedy about a bunch of misfits. Bottle Rocket isn’t as much of an outlier in its director’s storied filmography as might initially seem, however. Written in partnership with college buddy Owen Wilson — who, along with brothers Luke and Andrew, made his acting debut here — the film is delightfully offbeat and unexpectedly moving in the way we’ve come to expect from Anderson. 

Dignan (Owen Wilson) and Anthony (Luke Wilson) are two drifting, boyish twenty-somethings, although only Anthony seems aware of his directionlessness, as Dignan has graciously developed a 50-year life plan for the two of them (complete with hilariously vague bullet-points such as “Make wise investments” and “Own multiple accommodations”). The means to these ambitious ends is a life of crime — specifically, pulling off grand heists. But Dignan’s meticulousness hasn’t accounted for distractions, and his madcap scheme falls at the first hurdle when Anthony falls in love with a housekeeper at the motel they hide out in (Lumi Cavazos). Their sweet romance is one of the film’s many delights, as is its barrelling deadpan humor, which never betrays the warmth of the Wilson brothers’ heartwarming depiction of ride-or-die friendship.

Genre: Comedy, Crime, Drama

Actor: Andrew Wilson, Antonia Bogdanovich, Brian Tenenbaum, Darryl Cox, Dipak Pallana, James Caan, Jill Parker-Jones, Julio Cedillo, Kumar Pallana, Luke Wilson, Lumi Cavazos, Melinda Renna, Ned Dowd, Owen Wilson, Robert Musgrave, Russell Towery

Director: Wes Anderson

Rating: R

Stressed by adolescence, 16-year-old Craig Gilner checks himself into a mental-health clinic. Unfortunately, the youth wing is closed, so he must spend his mandated five-day stay with adults. One of them, Bobby, quickly becomes his mentor -- and him his protege, while Craig finds himself drawn to a fellow teen, Noelle, who just may be the cure he needs to forget an unrequited crush. Starring Keir Gilchrist and Zack Galifianakis, It's kind of a Funny Story is based on a novel of the same name.

Genre: Comedy, Drama

Actor: Aasif Mandvi, Adrian Martinez, Alan Aisenberg, Ato Blankson-Wood, Bernard White, Billy McFadden, Dana DeVestern, Daniel London, Emma Roberts, Jared Goldstein, Jeremy Davies, Jim Gaffigan, Karen Chilton, Keir Gilchrist, Lauren Graham, Leo Allen, Lou Myers, Macintyre Dixon, Matthew Maher, Molly Hager, Morgan Murphy, Roddy Skeaping, Rosalyn Coleman, Stewart Steinberg, Thomas Mann, Viola Davis, Zach Galifianakis, Zoë Kravitz, Zoe Kravitz

Director: Anna Boden, Ryan Fleck

Rating: PG-13

This lovely comedy-romance from Ireland is about a closeted gay teen and his lesbian schoolmate who pretend to be in a relationship to avoid being bullied at their school.

This premise makes Dating Amber an original story in a genre in which that's increasingly rare. This is added to the setting, in 1995 rural Ireland, which is executed to gorgeous perfection in everything from the clothes to the music. 

Dating Amber ends up being more coming-of-age than a comedy-romance. It's a tale of friendship and self-acceptance.

Genre: Comedy, Drama, Romance

Actor: Adam Carolan, Ally Ni Chiarain, Anastasia Blake, Andrew Bennett, Arian Nik, Art Campion, Barry Ward, Corey Millar, Emma Willis, Eva O'Connor, Evan O'Connor, Fionn O'Shea, Fionn O'Shea, Ian O'Reilly, Ian O'Reilly, Jonny Woo, Karl Rice, Lauryn Canny, Lola Petticrew, Peter Campion, Sharon Horgan, Shauna Higgins, Simone Kirby, Tara Flynn

Director: David Freyne

Far from feeling like English literature homework, this version of Shakespeare’s romantic comedy of errors fizzes with vitality and wit. Kenneth Branagh directs and stars in his own sumptuous adaptation, which also features a banquet of dashing talent in their prime, including Emma Thompson and a winning Denzel Washington.

Even amongst the film’s superlative ensemble (which also features a melodramatically villainous Keanu Reeves and Michael Keaton as a farcically inept policeman), Thompson stands out for her instinctive grasp of Shakespeare’s genius and easy ability to lift it off the page and give it sparkling life. As Beatrice, she deals out wry cut-downs of Branagh’s vain Benedick, all while trying to suppress the roiling romantic tension that nevertheless persists between them. It might not be set to the music of ABBA, but with Patrick Doyle’s radiant score, an intoxicatingly beautiful Tuscan setting, and an infectious, non-stop party vibe, the joyous Much Ado About Nothing feels more akin to Mamma Mia than any of cinema’s other Shakespeare adaptations.

Genre: Comedy, Drama, Romance

Actor: Alex Lowe, Andy Hockley, Ben Elton, Brian Blessed, Chris Barnes, Conrad Nelson, Denzel Washington, Edward Jewesbury, Emma Thompson, Gerard Horan, Imelda Staunton, Jimmy Yuill, Kate Beckinsale, Keanu Reeves, Kenneth Branagh, Michael Keaton, Patrick Doyle, Phyllida Law, Richard Briers, Richard Clifford, Robert Sean Leonard

Director: Kenneth Branagh

That this film, an adaptation of a beloved classic and girlhood staple for 50 years and counting, is able to retain the same power, charm, and wisdom as the source material by Judy Blume is impressive in and of itself. 

Director Kelly Fremon Craig (Edge of Seventeen) turns the must-read novel into a must-see film, as urgent and relevant as ever in its frank portrayal of feminine woes and joys. Buying your first bra, getting your first period, losing a friend, doubting your faith, seeing—really seeing—your family for the first time, and knowing in your heart what you stand for...these are some of the thorny requisites of womanhood, and Craig navigates them with a bittersweet ease that never feels pandering nor patronizing. Like the book, the film honors this young person's big feelings by centering them in a sprawling story that involves other characters, who are just as fleshed-out as the lead. Rachel McAdams deserves special mention for turning in a sweetly nuanced performance as Margaret's mother Barbara, an artist attempting to balance her domestic role with her career goals. 

The film may be 50 years in the making, but it tells a timeless tale that will continue to hold the hands of teenage girls for generations to come.

Genre: Comedy, Drama

Actor: Abby Ryder Fortson, Aidan Wojtak-Hissong, Benny Safdie, Echo Kellum, Eden Lee, Elle Graham, Ethan McDowell, Gary Houston, George Cooper, Holli Saperstein, JeCobi Swain, Jim France, Johnny Land, Judy Blume, Kate MacCluggage, Kathy Bates, Mia Dillon, Rachel McAdams, Sloane Warren, Wilbur Fitzgerald

Director: Kelly Fremon Craig

Rating: PG-13