111 Best Original Movies On Itunes Canada (Page 3)

Sandra Oh earned her breakout in this warm, candid Canadian indie, which — not uncoincidentally — shares its name with that of a decorative Chinese symbol associated with marriage. The movie’s title is also a reference to 22-year-old Jade Li’s (Oh) struggle to pursue her own ambitions and meet the clashing romantic and professional expectations her disapproving first-generation immigrant parents have for her. As she puts it, “Double happiness is when you make yourself happy and everyone else happy, too.”

An aspiring actress who dreams of playing Blanche DuBois, Jade is instead asked by unimaginative casting directors to adopt a pronounced Chinese accent for tiny bit parts. In essence, she’s typecast everywhere: on set, and at home, where she struggles to play the good daughter who’ll give up acting for a more conventional job and will only marry a man her parents approve of. It’s a jarring existence, but Double Happiness never feels claustrophobic because it gives Jade the freedom to finally be herself via witty, confessional monologues and fantasy sequences. There’s undoubtedly bittersweetness to this portrait of a young woman fighting to be herself on every front, but that it's nevertheless such an irresistibly charming, never-flippant watch is a testament to first-time director Mina Shum and Oh’s already mature talents.

Genre: Comedy, Drama, Romance

Actor: Alannah Ong, Callum Keith Rennie, Donald Fong, Frances You, Gene Kiniski, Sandra Oh, Stephen Chang

Director: Mina Shum

Kill Bill meets Bend It Like Beckham in this wild ride about a martial arts-obsessed British-Pakistani teenager who views her older sister’s impending marriage as a catastrophe to be averted at all costs. Aspiring stuntwoman Ria (Priya Kansara) can’t stomach the idea of free-spirited Lena (Ritu Arya) giving up on her creative dreams to marry a nauseatingly perfect man — not least because art school dropout Lena is her hero for refusing to conform to their community’s traditional ideas about respectability and success.

Polite Society makes room to sensitively explore Ria’s disappointment and the loneliness of rebellion, but writer-director Nida Manzoor doesn’t stop there, throwing in a sharp allegory disguised as a zany twist. Rather than upending our expectations for upending’s sake, the surprise metaphor refigures the movie as perceptive cultural commentary on the age-old devaluation of women as mere vessels for the next generation. What’s more, Manzoor takes the analogy full circle to thoughtfully imagine how this kind of dehumanizing misogyny might have affected previous generations, suggesting that the real villains lie offscreen. Movies as inventive and intelligent as this don’t come around often, but one that’s this funny, visually bold, unabashedly feminist, and full of stars-in-the-making is rarer still.

Genre: Action, Adventure, Comedy, Drama

Actor: Akshay Khanna, Ella Bruccoleri, Eunice Huthart, James McNicholas, Jeff Mirza, Jenny Funnell, Nimra Bucha, Priya Kansara, Rekha John-Cheriyan, Renu Brindle, Ritu Arya, Seraphina Beh, Shobu Kapoor

Director: Nida Manzoor

Whether or not you're a fan of Nick Cave's contemplative, idiosyncratic style of music, This Much I Know to Be True still works on a purely experiential level. There's confusion, then a rush of euphoria, then an overwhelming sense of peace when listening to Cave's (and musical collaborator Warren Ellis's) cryptic lyrics and delicate compositions—shot with breathtaking use of studio lights by director Andrew Dominik and cinematographer Robbie Ryan.

And things only get more emotional when you consider how far Cave has come, that these performances are happening several rough years from the untimely death of his son. And suddenly even all the unrelated B-roll footage included in the film—of Cave talking about his sculptures, talking to Ellis, answering profound fan emails—takes on a greater urgency. This sounds like music for mourning, but in its own way it's music for celebration, too, and gratitude despite everything.

Genre: Documentary, Drama, Music

Actor: Andrew Dominik, Earl Cave, Marianne Faithfull, Nick Cave, Warren Ellis

Director: Andrew Dominik

To plenty of countries around the globe, democracy has become so ubiquitous that we forget it’s relatively new, at least relative to the rest of human history. Bhutan is one of the last countries that became a democracy, and writer-director Pawo Choyning Dorji chose to depict a slice of how they made the shift in The Monk and the Gun. As Tashi sets out to obtain two weapons for his mentor, and Ron seeks a specific antique gun, Dorji presents slice-of-life moments of the beautiful Bhutan countryside, intercut with the subtle ways tradition still persists amidst modernity, and the funny ways change can clash with culture. It’s no wonder The Monk and the Gun was chosen as the Bhutanese entry for the Best International Feature at the 96th Academy Awards.

Genre: Drama

Actor: Choeying Jatsho, Deki Lhamo, Pema Zangmo Sherpa, Tandin Sonam, Tandin Wangchuk

Director: Pawo Choyning Dorji

Director Crystal Moselle based Skate Kitchen on NYC’s eponymous crew of young female skateboarders, who actually play fictionalized versions of themselves here. That real-life casting lends the film a documentary-esque quality: the girls’ bantering chemistry and die-hard loyalty feel warmly authentic, and the movie would be well worth a watch just to bask in this vibe alone.

The Skate Kitchen girls are an eclectic bunch, but what’s so refreshing — and therapeutic — about the film is that they’re also deeply, instinctively empathetic. These misfits don’t just tolerate but celebrate one another’s uniqueness and respect their differing boundaries (the way the girls and the movie treat shyness as a feature rather than a flaw to be resolved is particularly moving). What’s more, in its own low-key way, Skate Kitchen is an inspirational watch for its portrait of young women building the sanctuary they need themselves — not just in a largely male subculture but on a broader canvas, too. Rather than skulk anxiously on the sidelines, the girls use skating to carve out a space of their own in New York, a way to make the big, scary city feel warm and intimate. Amidst all the steezy ollies and clean rail grinds, these might just be the greatest tricks they pull off.

Genre: Comedy, Drama

Actor: Ajani Russell, Darlene Violette, Dede Lovelace, Elizabeth Rodriguez, Hisham Tawfiq, Jaden Smith, Javier Nunez, John Palumbo, Kabrina Adams, Kobi Frumer, Nico Hiraga, Nina Moran, Rachelle Vinberg, Samuel Smith, Tashiana Washington, Taylor Gray, Thaddeus Daniels, Tom Bruno

Director: Crystal Moselle

A film written by screenwriter Charlie Kaufman, about screenwriter Charlie Kaufman as he struggles to adapt a book about poaching a rare plant into a successful movie. Through Kaufman's clever writing and Spike Jones' unique style of directing, the film unfolds using "mise en abîme" as the viewer sees the lessons the writer in film comes across to improve his script more or less subtly influence the events he encounters as the narrative advances. Nicolas Cage's performance is also particularly good as a highly intelligent and self-obsessed screen writer with low self-esteem.

Genre: Comedy, Crime, Drama

Actor: Bob Stephenson, Bob Yerkes, Brian Cox, Cara Seymour, Caron Colvett, Catherine Keener, Chris Cooper, Curt Clendenin, Curtis Hanson, David O. Russell, Donald Dowd, Doug Jones, Gary Farmer, Gregory Itzin, Jay Tavare, Jim Beaver, John Cusack, John Malkovich, Judy Greer, Larry Krask, Lisa Love, Litefoot, Maggie Gyllenhaal, Meryl Streep, Nancy Lenehan, Nicolas Cage, Peter Jason, Roger E. Fanter, Roger Willie, Ron Livingston, Sandra Lee Gimpel, Stephen Tobolowsky, Tilda Swinton

Director: Spike Jonze

Rating: R

Feminism has made plenty of strides in multiple areas, but even in the era of free love, talking about sex was difficult, and certain figures were dismissed just because of it. The Disappearance of Shere Hite reexamines the titular forgotten feminist figure that simply focused on the female orgasm, giving a second look at her immediate rise and fall in the American media, and the reasons for her leaving the country. With Dakota Johnson’s soft voice, an excellent selection of archival footage, and Hite’s deeply personal words, the film paints a portrait of a mild-mannered, self-possessed woman, but it also reveals the heartbreakingly repetitive vitriol that affects these open discussions today.

Genre: Documentary

Actor: Dakota Johnson, Shere Hite

Director: Nicole Newnham

Marona’s Fantastic Tale is a rich story about life and death and everything in between, told entirely through the eyes of a dog. With breathtaking visuals and unmatched empathy, the film implores us to think about what might count as joyous and heartbreaking for our four-legged friends. Told normally and in any other way, we might not care as much, but in a story as artful and compassionate as this, we can't help but listen. 

Unlike other films about pets, Marona’s Fantastic Tale isn’t cutesy—its art is dizzying and demanding, but beautiful nonetheless. And isn't afraid to confront tragedy (in fact, it begins with it). But it buoys reality with dreamy art sequences and even finds humor along the way. All in all, it’s a mature film that poses big existential questions that will intrigue adults as well as kids.

Genre: Animation, Drama, Family

Actor: Annie Mercier, Bruno Salomone, Georges Claisse, Isabelle Vitari, Lizzie Brocheré, Maïra Schmitt, Nathalie Boutefeu, Thierry Hancisse

Director: Anca Damian

There’s a lot of good to be found in the charming, poignant, and endlessly quotable Marcel the Shell With Shoes On. It follows a documentarian named Dean, who has as his subject the one-inch talking shell that is Marcel. Marcel looks after an empty house along with his grandma Connie, and together they run a delightfully intricate system subsisting on electric mixers, tennis balls, and the occasional human hair.

Despite his small size, Marcel unwittingly makes big observations about life and the world around him, often moving Dean (and this writer) close to tears. It’s a simple film with a grand message, with lots to say about the importance of participating in life as opposed to merely observing it. But ultimately this is a movie with a precocious talking shell at the heart of it all, so really, what’s not to like?

Genre: Adventure, Animation, Comedy, Drama, Family, Fantasy, Kids

Actor: Andy Richter, Avan Jogia, Blake Hottle, Brian Williams, Conan O'Brien, Dean Fleischer-Camp, Isabella Rossellini, Jamie Leonhart, Jenny Slate, Jeremy Evans, Jessi Klein, Joe Gabler, Lesley Stahl, Nathan Fielder, Peter Bonerz, Rosa Salazar, Samuel Painter, Sarah Thyre, Scott Osterman, Shari Finkelstein, Thomas Mann, Victoria Justice

Director: Dean Fleischer-Camp

Rating: PG

Frybread Face and Me is a little indie gem: though rough around the edges, it’s full of charm and heart. Drawn from its director's own childhood experiences, the movie charts a formative moment in the life of Benny, a city boy of Navajo, Hopi, and Laguna Pueblo heritage who’s carted off to his grandmother’s ranch on a Navajo reservation for a summer. It's suffused with all the specificity of real memories in a way that never distances us from it, only enfolding us closer into its nostalgic embrace. That effect largely comes from the tender bonds between Benny and his cousin Dawn (unsympathetically nicknamed Frybread Face and played by newcomer Charley Hogan), who acts as translator between him and their non-English-speaking grandmother (Sarah H. Natani, also a non-professional actor). Though he’s constantly berated by male family members for not being “masculine” enough, Benny finds unconditional acceptance from his grandmother and misfit camaraderie with Frybread, who also gives the film a dry comedic edge — a welcome touch in a usually saccharine genre. Ultimately, though, it’s the movie’s soft sweetness and intimate depths that are most distinctive: it’s so gently told, and with such genuine feeling behind it, that it’s impossible not to be swept away by its charms.

Genre: Comedy, Drama

Actor: Charley Hogan, Jeremiah Bitsui, Kahara Hodges, Keir Tallman, Leilani Taliaferro, Martin Sensmeier, MorningStar Angeline, Nasheen Sleuth, Sarah H. Natani

Director: Billy Luther

Rating: R