112 Best Original Movies On Itunes Canada

Dorky kid Greg Gaines (played by the brilliant and unlikely named Thomas Mann) has severe issues with closeness (he calls his best friend a “co-worker”) and is instructed by his mother to befriend Rachel (Olivia Cooke), a girl recently diagnosed with cancer. Far from being an indie tear-jerker, though, “this isn't a touching romantic story”, as Greg's narration reminds us. This is not least to the quirky nature of the film and the third titular character Earl, Greg's closest co-worker, who acts as the moral glue between Greg and Rachel.

In addition to hilarious writing and amazing performances, the film is laced with pop-cultural references by way of the movies that Greg and his Earl shoot in their spare time – spoofy takes on cult movies with titles like Sockwork Orange. Moving without being melodramatic, Me and Earl and the Dying Girl is a charmingly off-kilter fish-out-of-water plot about making friends, dealing with death, and enjoying life best as one can.

Genre: Comedy, Drama

Actor: Alfonso Gomez-Rejon, Bobb'e J. Thompson, Chelsea Zhang, Connie Britton, Etta Cox, Hugh Jackman, Jeremy Long, Joe Fishel, Jon Bernthal, Katherine Hughes, Masam Holden, Matt Bennett, Molly Shannon, Nick Offerman, Olivia Cooke, RJ Cyler, Thomas Mann

Director: Alfonso Gomez-Rejon

Rating: PG-13

With cardboard houses, sugar winters, and broccoli trees, No Dogs or Italians Allowed at first seems lighthearted, playful, and not too serious. Alain Ughetto casts himself asking his grandmother Cesira about his family, but we only see his hands moving and interacting with the characters as if he was crafting clay model miniatures. However, the whimsical approach sugarcoats the very tragedies that struck his family– from the multiple wars to the discrimination they’ve faced as immigrants– with excellent animation and puppetry that feels much more lifelike than 3D CGI. In telling his family’s story, Ughetto also retells 20th century European history, reframing the worldwide events and movements through a personal perspective.

Genre: Animation, Drama

Actor: Alain Ughetto, Ariane Ascaride, Bruno Fontaine, Christophe Gatto, Diego Giuliani, Laura Devoti, Stefano Paganini

Director: Alain Ughetto

What happens when Banksy, one of the most famous ambassadors of street art, meets Mr. Brainwash, an egocentric aspiring French artist? Well, one of the funniest, interesting and exciting documentaries ever made about art, commercialism and the apparent gulf between them. But is it really a documentary? This confident and zany film will leave you guessing.

Genre: Documentary

Actor: André, Banksy, Debora Guetta, Mr. Brainwash, Rhys Ifans, Shepard Fairey, Space Invader, Thierry Guetta

Director: Banksy

Rating: R

More simply called La Vie d'Adèle in its native language, this French coming-of-age movie was hugely successful when it came out and was probably one of the most talked-about films of the time. On the one hand, the usual puritans came to the fore, criticizing the lengthy and graphic sex scenes. On the other hand, Julie Maroh, who wrote the source material that inspired the script, denounced Franco-Tunisian filmmaker Abdellatif Kechiche for directing with his d*ck, if you don't mind me saying so, while also being an on-set tyrant. Whatever you make of this in hindsight, the only way to know is to watch this powerfully acted drama about the titular Adèle (Adèle Exarchopoulos), and her infatuation with Emma, a free-spirited girl with blue hair, played by Léa Seydoux. The film beautifully and realistically portrays Adele's evolution from a teenage high-school girl to a grown, confident woman. As their relationship matures, so does Adèle, and she slowly begins to outgrow her sexual and philosophical mentor. Whatever your final verdict on the controversial sex scene, Blue Is the Warmest Color is without doubt an outstanding film as are the performances from Exarchopoulos and Séydoux.

Genre: Drama, Romance

Actor: Adèle Exarchopoulos, Alain Duclos, Alika Del Sol, Alma Jodorowsky, Anne Loiret, Aurélien Recoing, Aurelie Lemanceau, Aurélien Recoing, Baya Rehaz, Benjamin Siksou, Benoît Pilot, Benoît Pilot, Bouraouïa Marzouk, Camille Rutherford, Catherine Salée, Catherine Salée, Éric Paul, Fanny Maurin, Halima Slimani, Jérémie Laheurte, Jérémie Laheurte, Judith Hoersch, Justine Nissart, Karim Saidi, Klaim Nivaux, Léa Seydoux, Maelys Cabezon, Maud Wyler, Mona Walravens, Quentin Médrinal, Salim Kechiouche, Samir Bella, Sandor Funtek

Director: Abdellatif Kechiche

Rating: NC-17

Fasten your seatbelts because this nasty little chase film will jerk the wheel when you least expect it, featuring balls-to-the-wall action and lots of Norwegian humor – dark humor that is. Based on a novel from the country's most famous crime writer, Jo Nesbø, Headhunters is brutal, insane, and incredibly good. This twisting, turning thriller tells the story of a corporate recruiter (Aksel Hennie), who has a secret side hustle as a nightly art thief. He ends up being pursued by the charismatic Clas Greve, a Dutch businessman played by none other than GoT-star Nikolaj Coster-Waldau. And this plot summary is as far as you will get without the whole thing swerving into another direction. Headhunters does not slow down unless it wants to destabilise you further with simmering suspense. Like a Lars von Trier on speed, expect all the raw colors, emotion, and slightly off-kilter characters you want from a Norwegian production – and brilliant entertainment!

Genre: Action, Crime, Mystery, Thriller

Actor: Aksel Hennie, Baard Owe, Camilla Augusta Hallan, Eivind Sander, Gunnar Skramstad Johnsen, Irina Eidsvold Tøien, Joachim Rafaelsen, Julie R. Ølgaard, Julie R. Olgaard, Kyrre Haugen Sydness, Mats Mogeland, Mattis Herman Nyquist, Nikolaj Coster-Waldau, Nils Jørgen Kaalstad, Nils Jorgen Kaalstad, Reidar Sørensen, Reidar Sorensen, Signe Tynning, Sondre Abel, Synnøve Macody Lund, Synnøve Macody Lund, Valentina Alexeeva

Director: Morten Tyldum

Rating: R

Director Jim Jarmusch audaciously combined the DNA of French noir classics with that of samurai and mafia movies to produce this utterly original film. As advised by the ancient Japanese manual it often quotes, though, Jarmusch’s movie also “makes the best” out of its own generation by adding hip-hop into its wry genre blend. The results are more than the sum of their parts, especially because the film is so eccentric: no matter how au fait with its inspirations you are, you still won’t see “Forest Whitaker plays a lonely hitman who wields and whooshes his silencer pistol like a samurai sword, lovingly tends pigeons, and can’t even speak the same language as his best friend” coming.

Ghost Dog’s strangeness is never jarring, though, thanks to Whitaker’s cool, collected performance, an atmospheric score by Wu-Tang Clan's RZA, and the cinematography’s tendency to use smooth double exposures for scene transitions. It almost feels like we’re in another world: Jarmusch zooms in on the Bushido code obsessions of Whitaker’s single-minded character and the mafiosos’ dying laws, blurring out everything else so the movie becomes a meditation on the impulse to moralize one’s misdoings by subscribing to rigid definitions of “honor.” Not an exercise in surface style, then, but a bone-deep reflective masterpiece.

Genre: Crime, Drama

Actor: Alfred Nittoli, Angel Caban, Camille Winbush, Chuck Jeffreys, Clebert Ford, Cliff Gorman, Damon Whitaker, Forest Whitaker, Frank Adonis, Frank Minucci, Gano Grills, Gary Farmer, Gene Ruffini, Harry Shearer, Henry Silva, Isaach De Bankolé, Jamie Hector, Jerry Todisco, John Tormey, Jonathan Teague Cook, José Rabelo, Joseph Rigano, Paul Diomede, Renee Bluestone, Richard Portnow, Roberto Lopez, RZA, Scott Bryce, Sharon Angela, Tony Rigo, Tracy Howe, Tricia Vessey, Victor Argo, Vince Viverito, Vinny Vella

Director: Jim Jarmusch

Rating: R

Fear of abandonment is at the heart of The Vanishing. Lovers Rex and Saskia are separated on their way to France after the latter vanishes without a trace. For the next three years, Rex dedicates his life to finding out what happened to Saskia in whatever way possible, endangering his own safety in the process. George Sluizer’s chilling psychological thriller shows the evils that curiosity and obsession can bring, and is a uniquely perverse look at the ugly side of truth-seeking.

Genre: Drama, Mystery, Thriller

Actor: Bernadette Le Saché, Bernard-Pierre Donnadieu, Caroline Appéré, Didier Rousset, Gene Bervoets, Gwen Eckhaus, Johanna ter Steege, Pierre Forget, Roger Souza, Tania Latarjet

Director: George Sluizer

Some films struggle to balance style with substance, but Problemista isn’t one of them. It’s brandished with Torres’ unique brand of surrealist aesthetic, which is colorful, freakish, and fun, while also accurately relaying the pains of coming to and making it in America as an outsider. We see Alejandro accept increasingly debasing gigs as he runs out of time and money in the deep maze that is America’s immigration bureaucracy. And all the while, he’s being both genuinely funny and painfully incisive. Torres is not the first person to point out that in this day and age, the monsters we face are overbearing employers, greedy bankers, and exploitative companies, but he just might be one of the few to do it with such imaginative grace.

Genre: Comedy

Actor: Amy Zimmer, Bardia Salimi, Brian Belovitch, Carlos E. Navedo, Catalina Saavedra, Charlene Incarnate, Eudora Peterson, Glo Tavarez, Greta Lee, Greta Titelman, Isabella Rossellini, Jack P. Raymond, James Scully, Jason Furlani, Jordan Mendoza, Julio Torres, Kelly McCormack, Laith Nakli, Larry Owens, Logan J. Alarcon-Poucel, Megan Stalter, Miles G. Jackson, Paul Cooper, Roman Maldonado, Ronald Peet, Ruba Thérèse Mansouri, RZA, Sandra Caldwell, Shakina Nayfack, Sheila Moikangoa, Spike Einbinder, Theo Maltz, Tilda Swinton

Director: Julio Torres

Rating: R