69 Best Original Movies On Itunes Australia

Much like Berlin’s infamous nightlife, which serves as the backdrop to the plot, this daring German real-time drama will eat you up and spit you out. After leaving a nightclub at 4am, Victoria, a runaway Spanish girl, befriends a gang of four raucous young men, climbing rooftops and drinking beers among the city’s moon-lit streets. The gang’s light-hearted banter is impressively improvised from a skeleton script, offset by Niels Frahm’s ominous original score.

But what starts out as late-night high jinks swerves into darker territory. Driven by her infatuation with the pack leader Sonne, played by Frederick Lau, Victoria ends up being recruited as a get-away driver for an ill-prepared bank robbery and loses herself in a sinister spiral of events. What sounds like a standard-issue crime drama is, in fact, a staggering cinematic experiment.

Filmed in one take, on location, and in real time, the movie’s production is indeed a gamble, but director Sebastian Schipper more than pulls it off. The claustrophobic camerawork of cinematographer Sturla Brandth Grøvlen leaves the viewer feeling like a hapless accomplice to Victoria’s plight. With Laia Costa giving an awe-striking lead performance, the high wire acting of the entire main cast only adds to this effect. Victoria is a stellar directorial debut, heart-stopping drama, and a truly immersive experience.

Genre: Crime, Drama, Romance, Thriller

Actor: Adolfo Assor, Andre Hennicke, Anna Lena Klenke, Anne Düe, Burak Yigit, Daniel Fripan, Dennis Oestreich, Eike Frederick Schulz, Eike Frederik Schulz, Franz Rogowski, Frederick Lau, Hans-Ulrich Laux, Laia Costa, Lena Klenke, Martin Goeres, Max Mauff, Philipp Kubitza, Timo Honsa

Director: Sebastian Schipper

Rating: Not Rated, R

Transit is based on a WWII novel — though you wouldn’t be able to tell from first glance. While the characters talk of German fascists occupying France, anachronistic details (like modern technology and clothing) suggest we haven’t gone back in time at all. Director Christian Petzold isn’t trying to confuse us: by blurring the backdrop, he’s making the terror and the desperation of the story more immediate — removing the distance that might have prevented us from really feeling what happens.

The uncanny historical echo effect works as intended, because the parallels Transit subtly draws between the past and today are horribly clear. What’s more, the movie’s intentionally ambiguous framing suffuses the plot with an otherworldly sense of mystery, a quality that gradually intensifies as Georg (Franz Rogowski) desperately searches for a one-way ticket out of hellish bureaucratic limbo before he finds himself waylaid by that most mysterious emotion of all: love. Unshakably haunting and undeniably poignant, this is a movie that will live under your skin.

Genre: Drama

Actor: Àlex Brendemühl, Antoine Oppenheim, Barbara Auer, Emilie de Preissac, Franz Rogowski, Godehard Giese, Grégoire Monsaingeon, Justus von Dohnányi, Lilien Batman, Louison Tresallet, Maryam Zaree, Matthias Brandt, Paula Beer, Ronald Kukulies, Sebastian Hülk, Trystan Putter

Director: Christian Petzold

Like a long, slow drag of a cigar, Smoke is a patient pleasure. Adam Holender’s leisurely lingering camera and the film’s relaxed editing allow us to savor the actors’ performances and the thoughtful script uninterrupted, trusting in their ability to captivate us. And captivate us is exactly what novelist Paul Auster’s screenplay and the film’s superlative ensemble do.

The film kicks off in Auggie Wren’s (Harvey Keitel) Brooklyn smoke shop, where myriad customers linger to chat and unexpected friendships form. The serendipitous network around which Smoke revolves unfurls gradually, like a curling wisp of smoke: Auggie’s patron Paul (William Hurt), a writer's block-struck novelist grieving the violent death of his pregnant wife some years ago, has his life saved by Harold Perrineau’s Rashid, the estranged 17-year-old son of a struggling mechanic (Forest Whitaker). Ashley Judd and Stockard Channing also feature in Auggie’s portion of the film, one of its five loose vignettes (although the film flows much more fluidly than a chapterized structure suggests). Auster’s contemplative, dialogue-driven screenplay — along with the film’s unhurried editing and luxuriating cinematography — make Smoke a gorgeous example of the art of savoring, which is exactly what you want to do with this wonderful movie.

Genre: Comedy, Drama

Actor: Ashley Judd, Baxter Harris, Clarice Taylor, Deirdre OConnell, Erica Gimpel, Forest Whitaker, Giancarlo Esposito, Harold Perrineau, Harvey Keitel, Jared Harris, José Zúñiga, Malik Yoba, Mary B. Ward, Mel Gorham, Michelle Hurst, Murray Moston, Stephen Gevedon, Stockard Channing, Victor Argo, William Hurt

Director: Wayne Wang

Rating: R

Nebraska is a poem distilled into a film. Peter Travers from Rolling Stone says "is it a comedy or a drama? Both at the same time, as life itself." Everything about it is perfect: the acting, the photography, the story. In case that's not enough and you need to know the plot to get convinced, I'll tell you that it's a road movie about a senile old man and his son. If you still want more information, you can Google it, but come on! You'll just be wasting time that would be better spent on watching this masterpiece.

Genre: Adventure, Drama

Actor: Angela McEwan, Anthony G. Schmidt, Bob Nelson, Bob Odenkirk, Bruce Dern, Devin Ratray, Franklin Dennis Jones, June Squibb, Mary Louise Wilson, Missy Doty, Rance Howard, Stacy Keach, Tim Driscoll, Will Forte

Director: Alexander Payne

Rating: R

The bare bones of The Limey’s story — vengeful Cockney ex-con Wilson (Terence Stamp) flies to LA to investigate the suspicious death of his daughter Jenny — are gripping enough, but what Steven Soderbergh does with them elevates this neo-noir thriller into something utterly singular and stacked with layers upon layers of meaning. An icon of London’s Swinging ‘60s scene, Stamp is pitted against laidback symbol of ‘60s American counterculture Peter Fonda (as Jenny’s sleazy older boyfriend), giving their face-off grander cultural stakes. The extra-textual significance of the casting is deepened by Soderbergh’s ingenious references to the actors’ heyday: in flashbacks to Wilson’s happier past, for example, we’re shown the actual Stamp in his younger years (courtesy of scenes borrowed from 1967’s Poor Cow).

The Limey is also a brilliant showcase for editor Sarah Flack’s technical inventiveness: though the narrative is largely linear, the film cuts to and from scenes and sounds at unexpected points, giving the film an almost David Lynch-like sense of eerie fragmentation. Conjuring up a nightmare LA atmosphere isn’t all the editing does, either, as the film’s puzzle pieces are expertly reassembled to reveal an emotional gut-punch of an ending. In short, this high point in Soderbergh’s filmography is a must-see for any fan of cinema.

Genre: Crime, Drama, Mystery

Actor: Allan Graf, Amelia Heinle, Barry Newman, Bill Duke, Brandon Keener, Brooke Marie Bridges, Carl Ciarfalio, Carol White, Clement Blake, Dwayne McGee, George Clooney, Jim Jenkins, Joe Dallesandro, John Cothran, John Robotham, Johnny Sanchez, Lesley Ann Warren, Luis Guzman, Matthew Kimbrough, Melissa George, Michaela Gallo, Nancy Lenehan, Nicky Katt, Ousaun Elam, Peter Fonda, Rainbow Borden, Randy Lowell, Steve Heinze, Terence Stamp, Wayne Pére, William Lucking

Director: Steven Soderbergh

Rating: R

Once is about a vacuum cleaner/repairman/street musician and a florist in a boy-meets-girl-then-makes-music tale of love, friendship, family, and freaking great music. You can just feel the passion from this simple but charming low-budget movie capturing the chemistry of music making. The film's music will make your skin tingle and hair stand on end. How good is it? In addition to the film winning an Oscar for its music, the Broadway musical version has won 8 Tonys. In short - get ready for a sonic masterpiece!

Genre: Drama, Music, Romance

Actor: Darren Healy, Geoff Minogue, Gerard Hendrick, Glen Hansard, Hugh Walsh, Mal Whyte, Marcella Plunkett, Markéta Irglová

Director: John Carney

Rating: R

Oscar-winner Emerald Fennell got a lot of free reign with her debut, Promising Young Woman, which was a slightly modest ordeal even with a lead of Carrey Mulligan's calibre. But now, with her sophomore film, she go to have some fun. Assembling a devout cast of particularly skilled actors—Barry Keoghan, Jacob Elordi, Rosamund Pike, and Mulligan again—seems like an obvious decision, but the mix of them all is unlike anything we've seen before. A class satire, a psychological thriller, and a psychosexual drama, Saltburn is high class entertainment, with a snappy script, and many tricks up its sleeve. Brace yourselves for some bath-action, grave-action, and full-moon-menstrual-action and many other scenes you may have not ever pictured shown on the screen. Actually, it's impossible to prepare for a film like this one, but being open certainly helps digest the shock and provocations that are there for you to behold.

Genre: Comedy, Drama, Thriller

Actor: Alison Oliver, Andy Brady, Archie Madekwe, Barry Keoghan, Carey Mulligan, Dorothy Atkinson, Ewan Mitchell, Glyn Grimstead, Jacob Elordi, Joshua McGuire, Lolly Adefope, Matthew Carver, Paul Rhys, Reece Shearsmith, Richard E. Grant, Rosamund Pike, Sadie Soverall, Seth MacFarlane, Shaun Dooley

Director: Emerald Fennell

Rating: R

In his debut feature, Jonathan Glazer masterfully subverts our expectations of heist movies to thrilling effect: what should be a perfunctory moment — the classic recruitment scene — is stretched out into nearly an entire film of its own here, and we’re not off the edge of our seat for even a second of it.

All retired Cockney gangster Gal (Ray Winstone) wants to do is lounge around the pool of his Spanish villa with beloved wife Deedee (Amanda Redman). But now there’s a spanner in the works: an unhinged old acquaintance, Don Logan (Ben Kingsley, never better), has unexpectedly rocked up at Gal's hacienda to enlist him for a big job on behalf of the London underworld’s top brass. Don is the type of man you just don’t say “no” to, but the pull of Gal’s idyllic retirement is so powerful that he does just that, a narrative swerve that spins this film off the well-worn (but still enjoyable) track we expected it to follow. Directed with cool assurance, full of unforgettable set-pieces, overflowing with style, and even further distinguished by some surreal touches that really get under the skin, this is one of the slickest, funniest, and most exhilarating crime movies ever.

Genre: Comedy, Crime, Drama, Thriller

Actor: Álvaro Monje, Amanda Redman, Andy Lucas, Ben Kingsley, Cavan Kendall, Chris Webb, Desirée Erasmus, Eddie O'Connell, Gérard Barray, Ian McShane, James Fox, Julianne White, Ray Winstone, Rocky Taylor, Terence Plummer

Director: Jonathan Glazer