43 Best Intense Movies On Tubi (Page 2)

A zombie virus breaks out and catches up with a father as he is taking his daughter from Seoul to Busan, South Korea’s second-largest city. Watch them trying to survive to reach their destination, a purported safe zone.

The acting is spot-on; the set pieces are particularly well choreographed. You’ll care about the characters. You’ll feel for the father as he struggles to keep his humanity in the bleakest of scenarios.

It’s a refreshingly thrilling disaster movie, a perfect specimen of the genre.

Genre: Action, Adventure, Drama, Horror, Science Fiction, Thriller

Actor: Ahn So-hee, An So-hee, Baek Seung-hwan, Cha Chung-hwa, Chang-hwan Kim, Choi Gwi-hwa, Choi Woo-shik, Choi Woo-sung, Dong-seok Ma, Eui-sung Kim, Gong Yoo, Han Ji-eun, Han Sung-soo, Jang Hyuk-jin, Jeon Ye-eun, Jeong Seok-yong, Jung Seok-yong, Jung Young-ki, Jung Yu-mi, Kim Chang-hwan, Kim Eui-sung, Kim Jae-rok, Kim Joo-heon, Kim Joo-hun, Kim Ju-hun, Kim Keum-soon, Kim Soo-ahn, Kim Soo-an, Kim Su-an, Kim Won-Jin, Lee Joo-sil, Lee Joong-ok, Ma Dong-seok, Park Myung-shin, Sang-ho Yeon, Seok-yong Jeong, Shim Eun-kyung, Sohee, Soo-an Kim, Soo-jung Ye, Terri Doty, Woo Do-im, Woo-sik Choi, Ye Soo-jung, Ye Su-jeong, Yeon Sang-ho, Yoo Gong, Yu-mi Jeong, Yu-mi Jung

Director: Sang-ho Yeon, Yeon Sang-ho

Rating: Not Rated

Our Children opens at the harrowing end of the true story it’s based on: with the image of a distraught mother (Émilie Dequenne) in a hospital bed, begging a police officer to ensure that her children — who have just predeceased her — are buried in Morocco. From this ominous beginning, the film rewinds into a jarringly sunny flashback of lovebirds Murielle (Dequenne) and Mounir (Tahar Rahim) to tell this horrifying story from the start.

What follows is much less obviously dramatic: Our Children shifts into slow-burn psychological thriller territory as we watch the gradual breaking down of Murielle at the hands of Mounir’s adoptive father André (Niels Arestrup), a wealthy white doctor who has used his status to insinuate himself into the lives of Mounir and his family back home in Morocco. This is a very subtle study of manipulation, one that hinges entirely on the performances of the trio, who fill with nuance roles that could easily have been tabloid caricatures. Above all, though, this is Dequenne’s film, and it’s the devastating ways she shows the life gradually being sucked out of Murielle that makes Our Children so difficult to shake off.

Genre: Drama, Romance

Actor: Baya Belal, Claire Bodson, Émilie Dequenne, Mounia Raoui, Niels Arestrup, Redouane Behache, Stéphane Bissot, Tahar Rahim

Director: Joachim Lafosse

Rating: NR

Alejandro González Iñárritu's cleverly layered directorial feature film debut follows three persons whose lives are connected by a car crash in Mexico City. It directly involves two of them: a young man who enters the world of dogfighting to earn enough to elope with his sister-in-law, and a supermodel whose life is changed for the worse after she is fatally injured. The third segment of the film centers on a mysterious homeless man on the street who witnesses the crash.

The title, Amores Perros, refers to the characters’ love of dogs as well as love being a source of misery, and it’s a hint of the chaotic, unforeseen circumstances they each face. Iñárritu’s film shows his brilliance in direction. Despite the film being an early work, his ingenuity shines through and the compelling performances propel all three stories to gritty heights.

Cut-throat editing, handheld cinematography, and Guillermo Arriaga’s intricate screenplay flesh out each character. The viewers are pushed to the edge of their seats as we navigate the gripping miseries of life along with the rest of the cast. The tightly woven film is a painful must-watch, a brutal and uncompromising look at despair and animalistic aggression among humans that is also mirrored in the cruelty their dogs suffer.

Genre: Drama, Thriller

Actor: Adriana Barraza, Alvaro Guerrero, Dagoberto Gama, Dunia Saldívar, Emilio Echevarría, Gael García Bernal, Gerardo Campbell, Goya Toledo, Gustavo Muñoz, Gustavo Sánchez Parra, Humberto Busto, Jorge Salinas, José Sefami, Laura Almela, Marco Perez, Mauricio Martínez, Patricio Castillo, Ricardo Dalmacci, Roberto Medina, Rodrigo Murray, Rodrigo Ostap, Rosa María Bianchi, Vanessa Bauche

Director: Alejandro González Iñárritu

Rating: R

Adapted from the Lionel Shriver novel of the same name, We Need to Talk About Kevin is the story of a mother (Tilda Swinton) that never quite bonds with her child, but not by her choice. The son grows up to do a heinous act that begs the question: nature or nurture? This film is an uncompromising view on the development of an unloved child. Silent pain gets voice. Feelings are shown by actions not emotions in an authentic, comprehensible and aesthetic manner. Great work.

Genre: Drama, Thriller

Actor: Aaron Blakely, Alex Manette, Andy Gershenzon, Annie O'Sullivan, Ashley Gerasimovich, Blake DeLong, Caitlin Kinnunen, Daniel Farcher, Erin Darke, Ezra Miller, Francesca Murdoch, Georgia X. Lifsher, J. Mallory McCree, J.J. Kandel, James Chen, Jason Shelton, Jasper Newell, Jeffrey Mowery, Jennifer Kim, John C. Reilly, Jose Joaquin Perez, Joseph Basile, Joseph Melendez, Kenneth Franklin, Kimberley Drummond, Lauren Fox, Leland Alexander Wheeler, Leslie Lyles, Louie Rinaldi, Mark Elliot Wilson, Maryann Urbano, Paul Diomede, Paul Marra, Polly Adams, Rebecca Dealy, Rock Duer, Rocky Duer, Simon MacLean, Siobhan Fallon Hogan, Suzette Gunn, Tilda Swinton, Ursula Parker

Director: Lynne Ramsay

Rating: R

The late, great William Friedkin’s final film is staged with all the military precision of its naval court setting. We never leave the courtroom from the moment we’re plunged into it — the first minute — meaning the contentious action around which the film revolves happens only in our imagination, spurred on by the competing accounts of Lieutenant Maryk (Jake Lacy) and Commander Queeg (Kiefer Sutherland). Maryk is accused of mutiny, but, as he tells it, he only seized command from Queeg during a typhoon because he feared that the Commander was experiencing an episode of mental instability that would endanger the lives of everyone onboard. 

The lack of flashbacks to this crucial moment places the burden of bearing out the truth on the cast, which includes Jason Clarke as Maryk’s lawyer, Monica Raymund as Queeg’s counsel, and Lance Reddick — the naturally authoritative late actor to whom the film is dedicated — as the judge. The film's lack of visual pizzazz is to its advantage, then, because it allows this excellent cast (and Friedkin’s searing script) to flex under the full, burning gaze of the spotlight. Clarke, in particular, emerges as the standout as the reluctant navy lawyer — a man caught between the impulse to expose one truth and conceal another.

Genre: Drama, TV Movie, War

Actor: Dale Dye, Denzel Johnson, Elizabeth Anweis, Francois Battiste, Gabe Kessler, Gina Garcia, Jake Lacy, Jason Clarke, Jay Duplass, Kiefer Sutherland, Lance Reddick, Lewis Pullman, Monica Raymund, Stephanie Erb, Tom Riley

Director: William Friedkin

Rating: PG-13

For better or worse, friendship can be the most important relationship a child can have, especially when they move into a new school. Poison for the Fairies takes a look at an unusual friendship, one that’s forged not by regular schoolgirl hobbies, but by witchcraft, spells, and superstition. It’s incredibly unnerving how Flavia and Veronica’s dynamic gets, as each morbid claim gets questioned but is never fully explained, as each unanswered question slowly adds to the terror, and as each boundary gets pushed because of those few moments of calm. But it’s also incredibly tragic, considering the ways Flavia and Veronica are characterized. Writer-director Carlos Enrique Taboada makes it all the more creepy by centering the camera through their eyes, by capturing the uncertainty of this terrible friendship.

Genre: Fantasy, Horror

Actor: Ana Patricia Rojo, Anna Silvetti, Arturo Beristáin, Carmela Stein, Elsa Maria Gutierrez, Leonor Llausás, Lilia Aragón, Luis Mario Quiroz, Marcela Paez, Maria Santander, Rita Macedo, Rosa Furman, Sergio Bustamante

Director: Carlos Enrique Taboada

When he’s accepted into the prestigious Islamic university Al-Azhar, fisherman’s son Adam (Tawfeek Barhom) gets an eye-opening education — but not the kind he expected. A place associated with notions of purity is imagined as a hotbed of hypocrisy and corruption here, as naive young Adam finds himself unwittingly embroiled in a state plot to seize control of Al-Azhar (because, as one government official puts it, “We can’t accept having two pharaohs in the land”). Cairo Conspiracy's intricate plot confronts monsters in government and strips away religious leaders’ veneer of divinity as a reminder that they’re merely fallible men. What's more, the film grapples with the knotty mess of politics raging inside the institution’s walls in such a way that even its palatial courtyard feels claustrophobic. Rife with paranoia and subterfuge, Cairo Conspiracy feels utterly unique thanks to this skillful transposing of the shadowy machinations of courtly intrigue dramas and '70s paranoid thrillers into a very contemporary Egyptian setting.

Genre: Drama, Thriller

Actor: Fares Fares, Jalal Altawil, Makram J. Khoury, Mehdi Dehbi, Mohammad Bakri, Sherwan Haji, Tawfeek Barhom

Director: Tarik Saleh

Midnight Runners is a hilarious and action-packed buddy comedy that delivers both laughs and thrills in equal measure. The film follows two police cadets who find themselves embroiled in a dangerous conspiracy after witnessing a kidnapping. The chemistry between the two leads is electric, and their banter and antics provide some of the film's funniest moments. However, it also has its share of intense and suspenseful scenes, as the cadets race against time to save the victim and uncover the truth. Midnight Runners is a highly entertaining and enjoyable film that will keep you on the edge of your seat.

Genre: Action, Adventure, Comedy, Crime, Drama

Actor: Bae Yoo-ram, Byeon Woo-seok, Cha Si-won, Dong-il Sung, Go Joon, Ha-Neul Kang, Ha-seon Park, Ha-sun Park, Hwang Chan-seong, Hwang Chan-sung, Jeong Da-eun, Jung Won-joong, Kang Ha-neul, Kim Gyu-baek, Kim Kyu-baek, Ko Jun, Lee Eun-saem, Lee Ho-jung, Lee Jun-hyeok, Park Ha-seon, Park Seo-joon, Park Seo-jun, Seo-Joon Park, Suh Jung-yeon, Sung Dong-il

Director: Joo-hwan Kim, Kim Joo-hwan, Kim Ju-hwan

Rating: Not Rated

Polytechnique directed by Denis Villeneuve, is a dramatization of the 1989 Montreal massacre of multiple female engineering students. This film focuses on a male student navigating the massacre for the majority of the film’s run time. The performances and minimal dialogue in this film certainly make this an unnerving film to watch. Littered with the screams of the actors portraying the engineering students, this could be mistaken as a gaudy horror film. However, this is far from a fictionalized horror.

This Villeneuve classic is undoubtedly one of the most emotionally brutal films of the 2000s, yet I appreciate the honesty of the storytelling. Polytechnique encourages its audience to ask itself if it truly understands the truth of misogyny. 

Genre: Crime, Drama, History, Thriller

Actor: Adam Kosh, Alexandre St-Martin, Alexis Lefebvre, Cynthia Wu-Maheux, Dawn Ford, Eugénie Beaudry, Ève Duranceau, Eve Gadouas, Evelyne Brochu, Francesca Barcenas, Johanne-Marie Tremblay, Jonathan Dubsky, Karine Vanasse, Larissa Corriveau, Lily Thibeault, Marc-André Brisebois, Martin Watier, Maxim Gaudette, Natalie Hamel-Roy, Nathalie Girard, Pierre Leblanc, Pierre-Yves Cardinal, Sébastien Huberdeau, Sophie Desmarais, Stéphane Julien, Valerie Cadieux

Director: Denis Villeneuve

Rating: Not Rated