119 Best Intense Movies On Itunes Canada (Page 5)

In Ken Loach’s conspiracy thriller, an American human rights activist (Frances McDormand) and a no-nonsense UK police officer (Brian Cox) work tirelessly to uncover the truth behind a suspicious death — but this is no rousing triumph of good over evil, only a bitter pill about corruption and complicity. Human rights lawyer Paul (Brad Dourif) and girlfriend Ingrid (McDormand) are in Troubles-era Belfast wrapping up their report into the UK government’s shoot-to-kill policy when Paul is shot dead by mysterious assailants while on his way to speak to an informant. Police investigator Kerrigan (Cox) is flown in from England to look into the death; Cox plays him as a stickler for the rules and fierce agent of justice, inspired by a real-life official who was abruptly suspended from the police before he could deliver his findings into the UK government’s alleged death squad in Northern Ireland.

But the network of high-level corruption that Kerrigan and Ingrid uncover poses a direct challenge to those values, ultimately forcing him to choose between revealing the conspiracy — and risk destroying his life — or concealing the truth and betraying his ethics. A fascinating look at the slippery slope to complicity, this is a gripping, unabashedly ideological conspiracy thriller blending Hollywood polish with gritty reality.

Genre: Drama, Thriller

Actor: Bernard Archard, Bernard Bloch, Brad Dourif, Brian Cox, Brian McCann, Des McAleer, Frances McDormand, George Staines, Ian McElhinney, Jim Norton, John Benfield, John Keegan, Llew Gardner, Mai Zetterling, Maurice Roëves, Michelle Fairley, Oliver Maguire, Patrick Kavanagh, Paul Moriarty

Director: Ken Loach

Rating: R

In this 3D documentary, Werner Herzog takes a dive into the Chauvet Cave in Southern France. From archaeology and anthropology to master perfumery, scientists across disciplines have studied the cave with a palpable enthusiasm—making their best guesses about each cave drawing, based on the data that can be collected without destroying the site. It’s fascinating to hear how they hypothesize where they can find new entrances, or how prehistoric humans could have made music. Cave of Forgotten Dreams turns a regular documentary into a profound meditation about the human soul, creation, and human history. Herzog compiles clips of his interviews with the scientists alongside footage of the cave itself and his own narration, and mixes it with an ethereal score to turn this exploration into a religious epiphany.

Genre: Documentary, Drama

Actor: Charles Fathy, Dominique Baffier, Volker Schlöndorff, Werner Herzog

Director: Werner Herzog

Rating: G

Genre: Drama, Horror, Thriller, War

Actor: Amir Ranjbar, Aram Ghasemy, Arash Marandi, Avin Manshadi, Babak Anvari, Behi Djanati Atai, Bijan Daneshmand, Bobby Naderi, Hamid Djavadan, Hamidreza Djavdan, Houshang Ranjbar, Nabil Koni, Narges Rashidi, Ray Haratian, Sajjad Delafrooz, Soussan Farrokhnia

Director: Babak Anvari

Rating: PG-13

The late, great William Friedkin’s final film is staged with all the military precision of its naval court setting. We never leave the courtroom from the moment we’re plunged into it — the first minute — meaning the contentious action around which the film revolves happens only in our imagination, spurred on by the competing accounts of Lieutenant Maryk (Jake Lacy) and Commander Queeg (Kiefer Sutherland). Maryk is accused of mutiny, but, as he tells it, he only seized command from Queeg during a typhoon because he feared that the Commander was experiencing an episode of mental instability that would endanger the lives of everyone onboard. 

The lack of flashbacks to this crucial moment places the burden of bearing out the truth on the cast, which includes Jason Clarke as Maryk’s lawyer, Monica Raymund as Queeg’s counsel, and Lance Reddick — the naturally authoritative late actor to whom the film is dedicated — as the judge. The film's lack of visual pizzazz is to its advantage, then, because it allows this excellent cast (and Friedkin’s searing script) to flex under the full, burning gaze of the spotlight. Clarke, in particular, emerges as the standout as the reluctant navy lawyer — a man caught between the impulse to expose one truth and conceal another.

Genre: Drama, TV Movie, War

Actor: Dale Dye, Denzel Johnson, Elizabeth Anweis, Francois Battiste, Gabe Kessler, Gina Garcia, Jake Lacy, Jason Clarke, Jay Duplass, Kiefer Sutherland, Lance Reddick, Lewis Pullman, Monica Raymund, Stephanie Erb, Tom Riley

Director: William Friedkin

Rating: PG-13

Once banned by Chinese censors, Suzhou River depicts love and obsession amidst the gritty, urban underbelly of Shanghai. As the film is portrayed through an anonymous videographer, seen only by his hands, it’s easy to fall in love as he does, with the mesmerizing Meimei (Zhou Xun), performing as a mermaid in a dive bar. However, he can’t seem to trust her, as she flits in and out of his life, with no clear notice. Likewise, the tragic romance told by motorcycle courier Mardar can’t be trusted, given that the river’s inhabitants warped it into folklore. Faces can’t even be trusted, especially with the double casting of actress Zhou Xun as Meimei and as innocent rich daughter Moudan. Because of these contrasts and its ambiguity, Suzhou River sweeps us into an alluring, mysterious tale, but reminds us not to get caught by the current.

Genre: Drama, Romance

Actor: Jia Hongsheng, Nai An, Yao Anlian, Zhou Xun

Director: Lou Ye

The Banshees of Inisherin is an Irish dark comedy film that begins with the breakup of longtime friends Pádraic (Colin Farrell) and Colm (Brendan Gleeson). Averse to the sudden split, Pádraic tries to repair their relationship, but instead of achieving goodwill, he inadvertently sets off even more unrest in their little town of Inisherin. Set in 1923 against the backdrop of the Irish Civil War, the film doubles as a fable about the consequences of war. 

The last time Farrell and Gleeson were together was in the expert thriller In Bruges, and their reunion in The Banshees of Inisherin shows how powerful and chemistry-filled their pairing is. Theirs is a knockout turn, but it's also far from the only good thing in the movie. Packed with gorgeously lush images of rural Ireland, strong performances from an all-Irish cast, and a whipsmart script from writer-director Martin McDonagh, The Banshees of Inisherin is an impactful watch that will give you lots to unpack long after the credits roll. 

Genre: Comedy, Drama

Actor: Aaron Monaghan, Barry Keoghan, Brendan Gleeson, Bríd Ní Neachtain, Colin Farrell, David Pearse, Gary Lydon, Jon Kenny, Kerry Condon, Pat Shortt, Sheila Flitton

Director: Martin McDonagh

Rating: R

One woman’s main character syndrome reaches shocking lows in this vicious Norwegian satire of social-media-era narcissists. Signe (Kristine Kujath Thorp) and her artist boyfriend Thomas (Eirik Sæther) are a deeply toxic couple who torture everyone around them with their constant, petty one-upmanship. When he lands a flashy magazine spread, though, Signe’s usual tactics for slyly redirecting attention her way don’t cut it anymore, and so this compulsive liar takes drastic action and begins overdosing on pills banned for their serious dermatological side effects.

Signe's Munchausen-esque actions have their desired effect: the physically dramatic results instantly make her the center of attention — but not indefinitely. As she craves increasingly bigger spotlights, the film toggles between reality and scenes from her imagination, including a morbid sexual fantasy in which her funeral proves so popular the priest becomes a bouncer, turning away sobbing mourners whom Signe noticed hadn’t visited her in hospital. The rampant narcissism on display here is at turns hilarious and excruciating: Sick of Myself’s sharp social observation skills make it feel, in places, like a movie by cringe-master Ruben Östlund. That stomach-turning effect carries through to the ending, which darkly suggests that, for someone like Signe, even narcissism itself is a condition that can be weaponized for attention.

Genre: Comedy, Drama

Actor: Alexander Berg, Anders Danielsen Lie, Andrea Bræin Hovig, Eirik Sæther, Erlend Mørch, Fanny Vaager, Fredrik Stenberg Ditlev-Simonsen, Guri Hagen Glans, Håkon Ramstad, Henrik Mestad, Ingrid Vollan, Jonas Bakke, Kristine Kujath Thorp, Kristoffer Borgli, Mohammad Afzal, Robert Skjærstad, Sarah Francesca Brænne, Seda Witt, Steinar Klouman Hallert, Terje Strømdahl

Director: Kristoffer Borgli

When he’s accepted into the prestigious Islamic university Al-Azhar, fisherman’s son Adam (Tawfeek Barhom) gets an eye-opening education — but not the kind he expected. A place associated with notions of purity is imagined as a hotbed of hypocrisy and corruption here, as naive young Adam finds himself unwittingly embroiled in a state plot to seize control of Al-Azhar (because, as one government official puts it, “We can’t accept having two pharaohs in the land”). Cairo Conspiracy's intricate plot confronts monsters in government and strips away religious leaders’ veneer of divinity as a reminder that they’re merely fallible men. What's more, the film grapples with the knotty mess of politics raging inside the institution’s walls in such a way that even its palatial courtyard feels claustrophobic. Rife with paranoia and subterfuge, Cairo Conspiracy feels utterly unique thanks to this skillful transposing of the shadowy machinations of courtly intrigue dramas and '70s paranoid thrillers into a very contemporary Egyptian setting.

Genre: Drama, Thriller

Actor: Fares Fares, Jalal Altawil, Makram J. Khoury, Mehdi Dehbi, Mohammad Bakri, Sherwan Haji, Tawfeek Barhom

Director: Tarik Saleh

Running on Empty is a movie that covers many timely themes including capitalism, education, and social class. It tells the story of a family who have to go on the run and hide their true identity for the rest of their lives. Director Sidney Lumet’s light touch on heavy topics gives the movie a tender and intimate atmosphere throughout. Aside from the great script, River Phoenix's performance is definitely one of the biggest highlights of this movie, where he successfully delivers a restrained yet fascinating performance. Christine Lahti and Judd Hirsch also give a top-notch performance that adds to the movie’s thrill. In short, Running on Empty is the kind of movie that shows there is courage in running away when it's the right thing to do.

Genre: Crime, Drama, Romance

Actor: Alice Drummond, Angela Pietropinto, Augusta Dabney, Bobo Lewis, Burke Pearson, Christine Lahti, Daniel Dassin, David Margulies, Donna Hanover, Ed Crowley, Elżbieta Czyżewska, Herb Lovelle, Jenny Lumet, Jonas Abry, Judd Hirsch, Justine Johnston, L.M. Kit Carson, Leila Danette, Lynne Thigpen, Marcia Jean Kurtz, Martha Plimpton, Michael Boatman, River Phoenix, Ronnie Gilbert, Sloane Shelton, Steven Hill, William Foeller

Director: Sidney Lumet

Rating: PG-13

A cracking cast including Guy Pearce and Joel Edgerton elevate this dark and gripping Australian crime drama, which was received with glowing reviews from critics but was sadly forgotten with time.

Breakout star James Frecheville plays J, a teenager who goes to live with his grandmother, the head of a Melbourne crime organization. As the heat closes in and things go awry, J finds himself caught between his family and a detective who wants to save him.

Jacki Weaver is outstanding as the conniving grandma and the film put Ben Mendelsohn on the road to Hollywood stardom. Animal Kingdom is a superior crime saga with plenty of emotional depth to match the tense drama.

Genre: Crime, Drama, Mystery, Thriller

Actor: Andy McPhee, Anna Lise Phillips, Anthony Ahern, Anthony Hayes, Ben Mendelsohn, Ben Ouwehand, Bert LaBonté, Brenda Palmer, Bryce Lindemann, Chris Weir, Christina Azucena, Clayton Jacobson, Dan Wyllie, David Michôd, Dom Phelan, Guy Pearce, Jack Heanly, Jacki Weaver, Jacqueline Brennan, James Frecheville, James Saunders, Joel Edgerton, Josh Helman, Justin Rosniak, Kieran Darcy-Smith, Laura Wheelwright, Luke Ford, Michael Vice, Mirrah Foulkes, Paul Smits, Sullivan Stapleton, Susan Prior, Tim Phillipps

Director: David Michôd

Rating: R