119 Best Intense Movies On Itunes Canada (Page 4)

Staff & contributors

When it comes to great entertainment, it’s all about the scenes that grip both your attentiion and emotions with full force. Whether you’re into suspenseful thrillers or emotional dramas, we’ve rounded up the best intense movies and shows to stream.

Here’s a based-on-a-true-story courtroom drama that transcends the limits of its genre by virtue of an incisive and unexpectedly prescient script. Twenty years before 2016 sent us hurtling through the looking glass and into a post-truth era, the idea that you could deny the facts as you pleased teetered terrifyingly on the brink of legitimacy when author David Irving (a suitably odious Timothy Spall) brought a UK libel suit against Deborah Lipstadt (Rachel Weisz), an academic whom he claimed had defamed him for calling him exactly what he was: a Holocaust denier.

The case was complicated by the fact that, at the time, the UK placed the burden of proof on the defendant — in other words, Lipstadt’s hotshot legal team needed to prove that the Holocaust happened and that Irving had wilfully misrepresented evidence demonstrating this. Denial captures that terrifying farcicality and the defense’s cleverly counterintuitive strategy: not allowing Lipstadt or Holocaust survivors to speak. If that sounds unsatisfying — this is the rare courtroom drama with no grandstanding speech from the protagonist — that’s the point, something the film’s title cleverly alludes to. Perhaps unexpectedly, Denial’s relevance has ballooned since its release, a fact that might hobble its hopeful ending but that only makes the rest all the more powerful.

Genre: Drama, History

Actor: Abigail Cruttenden, Alex Jennings, Amanda Lawrence, Andrea Deck, Andrew Scott, Caren Pistorius, Daniel Cerqueira, Edward Franklin, Elliot Levey, Harriet Walter, Helen Bradbury, Hilton McRae, Ian Bartholomew, Jack Lowden, Jackie Clune, Jeremy Paxman, John Sessions, Lachele Carl, Laura Evelyn, Mark Gatiss, Max Befort, Mick Jackson, Nicholas Tennant, Nikki Amuka-Bird, Paul Bailey, Paul Hunter, Pip Carter, Rachel Weisz, Sally Messham, Sara Powell, Sean Power, Timothy Spall, Todd Boyce, Tom Clarke Hill, Tom Wilkinson, Will Attenborough, Ziggy Heath

Director: Mick Jackson

Rating: PG-13

While being known for co-writing the Dogme 95 manifesto, Lars von Trier’s first film after breaks his rules with built sets and music added in post. Still, Breaking the Waves has plenty of von Trier’s thematic preoccupations, challenging the notions between faithfulness and sexuality by positing a married couple who cannot indulge in marital pleasure, due to being paralyzed. While the premise leads to explicit scenes, it’s more harrowing than sexy, really. It’s terribly heartbreaking as Bess does all she can for her marriage, first by praying for her husband’s return, and then following his perverse wish, partly from guilt, but partly from pleasure, even when it goes contrary to her repressive church and community. Breaking the Waves may not be an easy watch, but regardless of what you personally feel about the morality of Bess’ actions, von Trier will nevertheless bring you to empathy.

Genre: Drama, Romance

Actor: Adrian Rawlins, David Bateson, Dorte Rømer, Emily Watson, Finlay Welsh, Gavin Mitchell, Jean-Marc Barr, John Wark, Jonathan Hackett, Katrin Cartlidge, Mikkel Gaup, Phil McCall, Robert Robertson, Roef Ragas, Sandra Voe, Stellan Skarsgård, Udo Kier

Director: Lars von Trier

Rating: R

A zombie virus breaks out and catches up with a father as he is taking his daughter from Seoul to Busan, South Korea’s second-largest city. Watch them trying to survive to reach their destination, a purported safe zone.

The acting is spot-on; the set pieces are particularly well choreographed. You’ll care about the characters. You’ll feel for the father as he struggles to keep his humanity in the bleakest of scenarios.

It’s a refreshingly thrilling disaster movie, a perfect specimen of the genre.

Genre: Action, Adventure, Drama, Horror, Science Fiction, Thriller

Actor: Ahn So-hee, An So-hee, Baek Seung-hwan, Cha Chung-hwa, Chang-hwan Kim, Choi Gwi-hwa, Choi Woo-shik, Choi Woo-sung, Dong-seok Ma, Eui-sung Kim, Gong Yoo, Han Ji-eun, Han Sung-soo, Jang Hyuk-jin, Jeon Ye-eun, Jeong Seok-yong, Jung Seok-yong, Jung Young-ki, Jung Yu-mi, Kim Chang-hwan, Kim Eui-sung, Kim Jae-rok, Kim Joo-heon, Kim Joo-hun, Kim Ju-hun, Kim Keum-soon, Kim Soo-ahn, Kim Soo-an, Kim Su-an, Kim Won-Jin, Lee Joo-sil, Lee Joong-ok, Ma Dong-seok, Park Myung-shin, Sang-ho Yeon, Seok-yong Jeong, Shim Eun-kyung, Sohee, Soo-an Kim, Soo-jung Ye, Terri Doty, Woo Do-im, Woo-sik Choi, Ye Soo-jung, Ye Su-jeong, Yeon Sang-ho, Yoo Gong, Yu-mi Jeong, Yu-mi Jung

Director: Sang-ho Yeon, Yeon Sang-ho

Rating: Not Rated

What starts as an unsettling drama quickly morphs into a searing psychological thriller. The film, based on a play of the same title, tells the story of Tom, a young man who while attending his boyfriend’s funeral, stays with the grieving family unaware of his relationship with their son. During his stay, Tom becomes subject to the violent whims of his boyfriend’s brother. 

The intense psychosexual dynamic that develops becomes a piercing examination of homophobia, masculinity, and violence. Dolan’s expert direction keeps a level of intensity that grips and never let’s go until the gorgeous closing sequence. At times brutal and cruel, Tom at the Farm may be a tough watch, but its portrait of simmering regressive violence speaks vividly and directly to our current moment. 

Genre: Drama, Mystery, Thriller

Actor: Anne Caron, Caleb Landry Jones, Evelyne Brochu, Jacques Lavallée, Johanne Léveillé, Lise Roy, Manuel Tadros, Mélodie Simard, Olivier Morin, Pierre-Yves Cardinal, Xavier Dolan

Director: Xavier Dolan

There’s more than a touch of Louis Theroux to this engrossing documentary — fronted by New Zealander pop-culture journalist David Farrier — about an innocuous-seeming Internet phenomenon: the actually-sinister subculture of “competitive endurance tickling”, in which young men undergo “tickle torture” for money on camera. When Farrier unassumingly requests an interview with an American producer of tickle content, it kickstarts a bizarre campaign of harassment and opens up a rabbit hole of unbelievable twists and turns. The wild places this documentary goes are best left as unspoiled as possible, but it’s no spoiler to say this emerges from its seemingly lighthearted premise as a deeply unnerving story about money, power, sex, and shame in the Internet age.

Genre: Documentary, Drama

Actor: David Farrier

Director: David Farrier, Dylan Reeve

Feminism has made plenty of strides in multiple areas, but even in the era of free love, talking about sex was difficult, and certain figures were dismissed just because of it. The Disappearance of Shere Hite reexamines the titular forgotten feminist figure that simply focused on the female orgasm, giving a second look at her immediate rise and fall in the American media, and the reasons for her leaving the country. With Dakota Johnson’s soft voice, an excellent selection of archival footage, and Hite’s deeply personal words, the film paints a portrait of a mild-mannered, self-possessed woman, but it also reveals the heartbreakingly repetitive vitriol that affects these open discussions today.

Genre: Documentary

Actor: Dakota Johnson, Shere Hite

Director: Nicole Newnham

In The Beasts, the idyllic semi-retirement that a French couple seeks in the Galician countryside — growing organic vegetables, fixing up abandoned farmhouses — devolves into a terrifying slow-burn nightmare. This beautifully shot yet spiritually ugly thriller plunges us straight into an atmosphere of crackling social tension that never abates. We begin after the event that turns local farmer Xan (Luis Zahera) and his brother Loren (Diego Anido) against French transplants Antoine (Denis Ménochet) and Olga (Marina Foïs): the latter two have vetoed the sale of land to a wind turbine company in favor of preserving the village’s rustic character. Incensed by what he sees as the theft of his birthright by an outsider, Xan orchestrates a steadily intensifying campaign of terror against the couple.

Though much slighter than the physically imposing Ménochet, Zahera makes for a profoundly menacing presence, and Xan’s seemingly endless appetite for hostility and vindictiveness charges the film with a deeply unsettling sense of inevitability. His performance alone would mark The Beasts as a standout, but an unexpected switch in character focus late on in the film wrests it out of Xan’s grasp and reorients the movie as a study of grim resolve — making it a film of two equally remarkable halves.

Genre: Drama, Thriller

Actor: David Menéndez, Denis Ménochet, Federico Pérez Rey, Luis Zahera, Luisa Merelas, Machi Salgado, Marie Colomb, Marina Fois, Xavier Estévez

Director: Rodrigo Sorogoyen

, 2021

In Luzzu, tradition and modernity — plus principles and necessity — come crashing up against each other like waves in a raging storm. Trying to navigate his way through the tempest is Jesmark (Jesmark Scicluna), a Maltese fisherman proudly descended from a long family line of the profession. But Jesmark’s work — and his identity, which is tightly bound up with it — is reaching a crisis point, as fishing's dwindling returns can no longer provide his family with a living. His baby son needs expensive medical care, and his wife (Michela Farrugia) sees little choice but to abandon their independence and lean on her family (who have been hostile to her choice of spouse) to get by.

And so Jesmark finds himself pricing his principles: does he struggle on in vain, or give in to the pull of the lucrative black market, which respects neither EU fishing laws nor the sanctity of the seabed? With the weight of his family legacy on his back, Jesmark’s crisis feels like a crushing existential one. As visually stunning as the titular brightly painted wooden boat passed down by Jesmark's great-grandfather, Luzzu also feels as preciously crafted, with its raw look at the realities of economic survival recalling the acutely painful dilemmas of classic neorealist cinema.

Genre: Drama

Actor: David Scicluna, Frida Cauchi, Jesmark Scicluna, Michela Farrugia, Uday McLean

Director: Alex Camilleri

On the one hand, How to Blow Up a Pipeline is a tense thriller—an excellently set-up heist that makes you wonder, until the end, whether the low-budget operation succeeds or not. On the other hand, it’s a thoughtful rumination on the evil and influence of Big Oil, which despite its relentless destruction of environments and communities, continues to run scot-free. 

Together, these parts make for a powerful, nerve-racking film about both the danger and necessity of eco-terrorism—a radical act that is impressively humanized and spared from caricature here. How to Blow Up a Pipeline's themes may be big and its means explosive, but its rich characterizations of the young activists ground it into a relatable reality. One is dying due to toxins released by the nearby plant, another is forced to give up his property to make way for the construction of a pipeline. All are tired of the fruitlessness of government promises and peaceful protests. Rousing and relevant, there's never been a more timelier film than this. 

Genre: Crime, Drama, Thriller

Actor: Ariela Barer, Calhoun Koenig, Christopher Hagen, Clint Obenchain, Forrest Goodluck, Grayson Berry, Irene Bedard, Jake Weary, Jayme Lawson, Kristine Froseth, Lukas Gage, Marcus Scribner, Mark Dalton, Mike Miller, Sam Quinn, Sarah Minnich, Sasha Lane, Travis Hammer

Director: Daniel Goldhaber

Rating: R

As a crime thriller, Holy Spider is taut and terrifying, a modern noir that manages to unnerve despite the familiar moves it employs. The cat and mouse chase between serial killer and investigative reporter, for instance, is a classic tale, but that doesn’t make Holy Spider any less gripping. The film benefits from artful camerawork, considered acting (as the daring journalist Rahimi, Zar Amir Ebrahimi nabbed the Best Actress award at Cannes), and most of all a nuanced take on the situation in Iran. 

Despite having a clear stance against violence and corruption, nothing in Holy Spider is black and white. Contradictions abound, and even when presented with brief moments of justice, we’re left scratching our heads looking for more. Such is the case when the system, and not just an individual, is the true pest. 

Genre: Crime, Drama, Horror, Thriller

Actor: Ariane Naziri, Majd Eid, Mehdi Bajestani, Nima Akbarpour, Sara Fazilat, Sina Parvaneh, Zar Amir Ebrahimi

Director: Ali Abbasi

Between its maximalist production design and increasingly dark comedic set pieces, the most striking thing about Damien Chazelle's critically misunderstood industry satire is how it strikes a tone closer to tabloid gossip than anything else. As opposed to the clockwork precision of Chazelle's Whiplash, or the dreaminess of La La Land, Babylon's restlessness doesn't resemble Hollywood spectacle so much as it begins to feel like an unscratchable itch, desperate to feel anything. The film ends up trying to say so much that it threatens to say nothing at all, but its vision of cinema becoming reality is so potent that just the experience is more than worth getting lost in.

Genre: Comedy, Drama

Actor: Aaron Oltman, Albert Hammond Jr., Alex Mansour, Alex Reznik, Alexandre Chen, Andrew Hawtrey, Anna Chazelle, Anna Dahl, Anthony Burkhalter, Ariel Flores, Armando Cosio, Avery Baylin, Azizi Donnelly, Benjamin Jacobson, Bob Clendenin, Brad Pitt, Bregje Heinen, Bryan Scott Johnson, Carson Higgins, Chloe Fineman, Chris Doubek, Christopher Allen, Cici Lau, Circus-Szalewski, Cyrus Hobbi, Dana Marcolina, Danny Jolles, David Abed, David Ury, Dean Anderson, Del Atkins, Diego Calva, Dorian Martin, E.E. Bell, Eamon Hunt, Eric Roberts, Ethan Suplee, Evan Greer, Evgeny Tonkha, Flea, Frederick Koehler, Freya Parker, Hansford Prince, Hayley Huntley, J.C. Currais, Jacob Scesney, James Crittenden, James Vincent, James Wellington, Jean Smart, Jeff Garlin, Jennifer Grant, Jeremy Roberts, Jim O'Brien, Jimmy Ortega, Joe Dallesandro, Joey de Leon, John Kerry, John Macey, John Mariano, John Polite, Johnny Britt, Johnny Hoops, Jonathan Ohye, Jonathan Thomson, Jordan Seigel, Jovan Adepo, Kaia Gerber, Karen Bethzabe, Karina Fontes, Karolina Szymczak, Katherine Waterston, Katia Gomez, Kelly Meyer, Kenajuan Bentley, Kevin Symons, Kevin Toney, Kyle Richter, Laura Steinel, Lewis Tan, Li Jun Li, Lukas Haas, Manny Liotta, Marc Platt, Marcos A. Ferraez, Margot Robbie, Mateo Pollock, Mather Zickel, Max Minghella, Michael Naishtut, Mike C. Manning, Miraj Grbić, Mykail McDade, Nana Ghana, Olivia Hamilton, Olivia Wilde, Oscar Balderrama, P. J. Byrne, Pat Skipper, Patrick Fugit, Pete Ploszek, Phoebe Tonkin, Ric Sarabia, Richard Clarke Larsen, Rickey D. Woodard, Robert Beitzel, Robert Morgan, Rory Scovel, Ryan Porter, Samara Weaving, Sarah Ramos, Sean Billings, Sean O'Bryan, Shane Powers, Sidney Hopson, Sol Landerman, Spike Jonze, Taylor Hill, Taylor Nichols, Telvin Griffin, Terry Walters, Tobey Maguire, Todd Giebenhain, Trisha Simmons, Troy Metcalf, Tyler Seiple, Vanessa Bednar, Walker Hare, William Roper

Director: Damien Chazelle

Rating: R

Even a director of William Friedkin’s caliber had his work cut out for him with this remake of the towering 1957 drama tracking a jury's fraught deliberations in an apparently open-and-shut murder trial. Wisely, he changes little: most of the incisive dialogue remains the same, and the film still only takes place in one sweltering room on New York’s hottest day.

There are some key differences, though: namely, in a few of the characters (most notably Mykelti Williamson’s ex-Nation of Islam member Juror #10, who helps update the story to the '90s) and the intensification of the ensemble’s star power. The all-star quality of the cast is never wielded to call attention to itself, though; everyone, from James Gandolfini and William Petersen to Tony Danza and Edward James Olmos is on fine character acting form here. Replacing the unforgettable Henry Fonda is Jack Lemmon (exuding warmth and good sense) as the principled lone dissenter who calmly wages a war of words with George C. Scott’s bigoted Juror #3 to give real justice a chance. The 1957 version is admittedly a timeless classic, but Friedkin's version isn't very far off from reaching its predecessor’s dazzling heft plus, this stands as a compelling argument that every era should have its own 12 Angry Men.

Genre: Crime, Drama, TV Movie

Actor: Armin Mueller-Stahl, Courtney B. Vance, Dorian Harewood, Douglas Spain, Edward James Olmos, George C. Scott, Hume Cronyn, Jack Lemmon, James Gandolfini, Mary McDonnell, Mykelti Williamson, Ossie Davis, Tony Danza, Tyrees Allen, William Petersen

Director: William Friedkin

Rating: PG-13

Adapted from the Lionel Shriver novel of the same name, We Need to Talk About Kevin is the story of a mother (Tilda Swinton) that never quite bonds with her child, but not by her choice. The son grows up to do a heinous act that begs the question: nature or nurture? This film is an uncompromising view on the development of an unloved child. Silent pain gets voice. Feelings are shown by actions not emotions in an authentic, comprehensible and aesthetic manner. Great work.

Genre: Drama, Thriller

Actor: Aaron Blakely, Alex Manette, Andy Gershenzon, Annie O'Sullivan, Ashley Gerasimovich, Blake DeLong, Caitlin Kinnunen, Daniel Farcher, Erin Darke, Ezra Miller, Francesca Murdoch, Georgia X. Lifsher, J. Mallory McCree, J.J. Kandel, James Chen, Jason Shelton, Jasper Newell, Jeffrey Mowery, Jennifer Kim, John C. Reilly, Jose Joaquin Perez, Joseph Basile, Joseph Melendez, Kenneth Franklin, Kimberley Drummond, Lauren Fox, Leland Alexander Wheeler, Leslie Lyles, Louie Rinaldi, Mark Elliot Wilson, Maryann Urbano, Paul Diomede, Paul Marra, Polly Adams, Rebecca Dealy, Rock Duer, Rocky Duer, Simon MacLean, Siobhan Fallon Hogan, Suzette Gunn, Tilda Swinton, Ursula Parker

Director: Lynne Ramsay

Rating: R

The Last Duel propped high expectations as the Closing Film at the 2021 Venice Film Festival, but its theatrical release later that year proved to be a flop. Ridley Scott blamed it on millennials, but both critics and streaming audiences have been much more favorable than moviegoers. As a film, it's a rather monumental project: quite a dark period piece set in Medieval France, dealing with harsh and offensive themes. Or better said, it deals with ethics and morality through these harsh and offensive themes. There are many ways where this could have gotten wrong—and it's evident from the labels that have been circulating from the very beginning, that Scott has made his "MeToo" movie—but the truth is much more nuanced. From Eric Jager's 2004 book to a script co-written by Ben Affleck, Matt Damon, and (most importantly) the astute Nicole Holofcener, The Last Duel is really the best of both worlds: action-packed and devoted to the right side of history.

Genre: Action, Drama, History

Actor: Adam Driver, Adam Nagaitis, Alex Lawther, Ben Affleck, Bosco Hogan, Brian F. Mulvey, Brontis Jodorowsky, Bryony Hannah, Caoimhe O'Malley, Chloe Harris, Christian Erickson, Clare Dunne, Clive Russell, Harriet Walter, Ian Pirie, Jodie Comer, John Kavanagh, Julian Firth, Marton Csokas, Matt Damon, Michael McElhatton, Nathaniel Parker, Oliver Cotton, Paul Bandey, Peter Hudson, Sam Hazeldine, Serena Kennedy, Shane Lynch, Simone Collins, Stephen Brennan, Tallulah Haddon, Thomas Silberstein, Tyrone Kearns, William Houston, Zeljko Ivanek, Zoé Bruneau

Director: Ridley Scott

Rating: R

Florence Pugh broke through with her powerhouse performance here as Katherine, a young woman who is “sold” into a coldly transactional marriage with a cruel and impotent merchant in 1800s Northern England. Lady Macbeth seems to begin as one thing — a gloomy period tale of oppression and feminist rebellion — but, on the strength of Pugh’s performance, pivots into an even bleaker subversion of that initial impression, the kind we haven’t really seen before.

When her disinterested husband takes a long leave of absence to tend to some business affairs, Katherine does more than just defy his command that she stay indoors: she begins an unabashed affair with one of her husband’s gruff groomsmen (Cosmo Jarvis), who ignites in her an obsessive passion that brings out her dark side. She’ll stop at nothing to remove any obstacles in the couple’s way — but, while her initial targets are arguably quite deserving of their fate, her scheme soon implicates the innocent. The creeping revelation that all the cruelty Katherine has been subjected to has brutalized her in turn comes as a shock, but this dramatic overturning of our expectations is made chillingly real by Pugh’s fierce, unfaltering performance.

Genre: Drama

Actor: Bill Fellows, Christopher Fairbank, Cliff Burnett, Cosmo Jarvis, David Kirkbride, Finn Burridge, Florence Pugh, Golda Rosheuvel, Ian Conningham, Kema Sikazwe, Naomi Ackie, Nicholas Lumley, Paul Hilton, Rebecca Manley

Director: William Oldroyd

Rating: R