23 Best Inspiring Movies On Hoopla

Understated in budget but lavished with praise, this semi-autobiographical drama by Daniel Destin Cretton flings its audience into the chaotic lives and personal crises of at-risk youths and the passionate social workers that aid them. In his first feature film, the young director draws the viewers into the storm of events and the emotional ups-and-downs of social work in America, going from uplifting to depressing and back – and every emotion in-between.

Set in the real-life and eponymous group home Short Term 12, devoted but troubled foster-care worker Grace is played by Brie Larson, whose shining performance in her first leading role was lauded by critics. Fans will also recognize the supporting actors Lakeith Stanfield and Rami Malek, who broke out in this movie. Short Term 12 is now considered one of the most important movies of 2013 – some say of the decade – owing to its immaculate writing, intimate camerawork, and gripping performances.

Genre: Drama

Actor: Alex Calloway, Angelina Assereto, Brie Larson, Diana Maria Riva, Frantz Turner, Harold Cannon, Joel P. West, John Gallagher Jr., Kaitlyn Dever, Keith Stanfield, Kevin Hernandez, Lakeith Stanfield, Lydia Du Veaux, Melora Walters, Michelle Nordahl, Mohammad Shiravi, Rami Malek, Silvia Curiel, Stephanie Beatriz

Director: Destin Cretton, Destin Daniel Cretton

Rating: R

Former activists Ben Cash (Viggo Mortensen) and his wife Leslie drop out from modern consumerist society to raise their six children in the wilderness of the Pacific Northwest. They teach them how to raise and kill their own food, to survive in nature through boot-camp-like workouts, and homeschool them in literature, music, and left-wing philosophy. Instead of Christmas, they celebrate Noam Chomsky's birthday. Then, one day, this unusual family life is shaken by a phone call and they are forced to leave their life of adventure to reintegrate into American life.

Directed by Matt Ross, who also brought you Good Night, and Good Luck, the film offers a poignant look at alternative living, the effects of modern technology, and the nature of good parenting. Viggo Mortensen is indeed fantastic as the grizzled father and was rightly nominated for a Golden Globe and the Academy Award for Best Actor. George MacKay and the entire cast of “children” also deliver terrific performances. As emotionally raw and thought-provoking as it is funny, Captain Fantastic will have the viewer decide if Ben Cash is the best father in the world or the worst.

Genre: Adventure, Comedy, Drama

Actor: Alan Humphrey, Ann Dowd, Annalise Basso, Charlie Shotwell, Elena Stecca, Elijah Stevenson, Erin Moriarty, Frank Langella, George MacKay, Greg Crooks, Hannah Horton, Kathryn Hahn, Matt Ross, Mike Miller, Missi Pyle, Nicholas Hamilton, Rex Young, Richard Beal, Samantha Isler, Shree Crooks, Steve Zahn, Teddy Van Ee, Trin Miller, Viggo Mortensen

Director: Matt Ross

Rating: R

This gorgeous documentary opens on the snowy fields of its rural French setting, but the single classroom it spends much of its time in couldn’t be warmer or more inviting. That comforting atmosphere — which the film imbibes, too — is all thanks to the kindness and patience of Monsieur Lopez, the man responsible for the education of all of the village’s kids (up to age 11). Chronicling the final year of his career before retirement, this doc shares the instinctive empathy its chief subject has for his pupils and, accordingly, shoots them quite simply, trusting that the high drama of their little lives is enough to sustain the film.

And it is: from the cheeky antics of happy-go-lucky four-year-old Jojo to the crippling anxiety of older kids grappling with parental illness and the terrifying move to middle school, we’re plunged deep into a full spectrum of raw emotion. Inspiringly, Monsieur Lopez doesn’t just teach the kids maths and spelling — he also gently coaches them in off-syllabus skills, like talking about feelings and reconciling differences (even turning a fraught relationship between two boys into loyal friendship by the end of the year). There’s so much to learn from him and his perpetually wonderstruck kids here.

Genre: Documentary, Drama

Director: Nicolas Philibert

This surprising documentary follows Jiro, an 85 year old Japanese chef, his Michelin-starred restaurant in the Tokyo underground, and his eager sons. While ostensibly about sushi – and believe me, you’ll learn about sushi and see absolutely gorgeous images of the raw-fish creations – the film’s dramatic impetus is carried by the weight of tradition, the beauty of a labor of love, obsession, and the relationship between father and son. Truly a must-watch.

Genre: Documentary

Actor: Daisuke Nakazama, David Gelb, Hachiro Mizutani, Harutaki Takahashi, Jiro Ono, Masuhiro Yamamoto, Yoshikazu Ono

Director: David Gelb

Rating: PG

After third-grader Ali loses the only pair of shoes his sister Zahra owns, the siblings agree to share Ali's sneakers for school. Zahra uses the tattered, ill-fitting footwear in the morning, and in the afternoon, she hands them over to Ali, who then races to get into school in time. The siblings wait for things to get better at home before they mention anything to their already-burdened parents, but in the meantime, they persevere, scooping up every bit of silver lining they find, whether it's popping soap bubbles or taking in the city's ultramodern sights. 

In this way, Children of Heaven is neither cynical nor cheesy. It presents the harsh reality of Tehran's poor without robbing them of hope and agency, giving the movie the right amount of self-aware and feel-good that elevates it into a classic. Thanks to this masterful balance, plus many awe-inspiring shots and lines, it should come as no surprise that Children of Heaven is the first Iranian film to be nominated for Best Foreign Language Feature at the Oscars.

Genre: Drama, Family, Kids

Actor: Amir Farrokh Hashemian, Bahare Seddiqi, Kamal Mirkarimi, Mohammad Amir Naji, Reza Naji

Director: Majid Majidi

Everything about This Is Not a Film revolves around state censorship. Documentarian Mojtaba Mirtahmasb records Iranian cinema giant Jafar Panahi’s life under house arrest, maneuvering through the legal loopholes on Panahi’s 20-year ban on filmmaking and screenwriting. Here Panahi describes one of his unmade films that was rejected by the Iranian ministry, creating makeshift sets out of tape and his apartment’s living room, further emphasizing the ridiculousness of the state-imposed limitations on his artistic freedom. The result is a quasi-documentary that functions paradoxically, its un-cinematic quality essential for aesthetics as well as narrative. That this film had to be smuggled from Iran to Cannes on a flash drive hidden inside a birthday cake is a testament to political cinema’s power to be a vessel of pro-democracy sentiments, a fist raised proudly against state censors.

Genre: Documentary, Drama

Actor: Jafar Panahi

Director: Jafar Panahi, Mojtaba Mirtahmasb

This incredible documentary is about the elusive Iranian artist Bahman Mohassess, whose work has the uniqueness of a Picasso or a Salvador Dalí.

But unlike his European counterparts, most of Mohassess’ work has been destroyed. Some in the aftermath of the Islamic Revolution in Iran but most, interestingly, by the artist himself.

After the revolution, he went into exile. For 40 years his whereabouts remained unknown — until an Iranian filmmaker based in Paris tracked him in a hotel in Rome.

Very early in the film, director Mitra Farahani points out that Mohassess died half an hour after one of their filming sessions.

The urgency of their conversations, the genius of Mohassess and his relationship to his art, and the uniqueness of the untold story of his life, all make this more than just another documentary. It’s a work of immeasurable historic value.

Genre: Documentary

Director: Mitra Farahani

Rating: Unrated

There’s a lot of good to be found in the charming, poignant, and endlessly quotable Marcel the Shell With Shoes On. It follows a documentarian named Dean, who has as his subject the one-inch talking shell that is Marcel. Marcel looks after an empty house along with his grandma Connie, and together they run a delightfully intricate system subsisting on electric mixers, tennis balls, and the occasional human hair.

Despite his small size, Marcel unwittingly makes big observations about life and the world around him, often moving Dean (and this writer) close to tears. It’s a simple film with a grand message, with lots to say about the importance of participating in life as opposed to merely observing it. But ultimately this is a movie with a precocious talking shell at the heart of it all, so really, what’s not to like?

Genre: Adventure, Animation, Comedy, Drama, Family, Fantasy, Kids

Actor: Andy Richter, Avan Jogia, Blake Hottle, Brian Williams, Conan O'Brien, Dean Fleischer-Camp, Isabella Rossellini, Jamie Leonhart, Jenny Slate, Jeremy Evans, Jessi Klein, Joe Gabler, Lesley Stahl, Nathan Fielder, Peter Bonerz, Rosa Salazar, Samuel Painter, Sarah Thyre, Scott Osterman, Shari Finkelstein, Thomas Mann, Victoria Justice

Director: Dean Fleischer-Camp

Rating: PG

How to Change the World is an insightful and candid documentary about the formation of Greenpeace in 1971 by a small group of environmentalists and activists in Vancouver, British Columbia. Beginning with their attempt to disrupt U.S. nuclear testing in Amchitka, Alaska, the film follows their subsequent efforts to thwart commercial whaling in the Pacific, their anti-sealing campaign in Newfoundland, and their ongoing efforts to defend the natural world against what they perceive as excessive human intervention and abuse. How to Change the World is as much a poignant tale of inspired activism as it is an interesting study of the organization’s early tribulations: idealism vs. anarchy, social movement vs. organizational structure (or lack thereof) and leadership vs. disunity. The voice of co-founder Robert Hunter (de facto leader of Greenpeace from inception) is heard posthumously throughout via narrator Barry Pepper, and it adds an impassioned air of gravitas to the film, detailing the many complexities Greenpeace experienced over the course of its early years of growth and development. A compelling and educational viewing experience.

Genre: Documentary, History

Actor: Bill Darnell, Bobbi Hunter, David Garrick, Emily Hunter, Jerry Rothwell, Paul Watson, Rex Weyler

Director: Jerry Rothwell

Rating: Not Rated

Man on Wire is a true technical masterpiece. You can almost feel the director telling the cameraman what angle to choose, or thinking about the questions that will generate the most resounding answers. However, this does not diminish the story this documentary tells one bit. It’s one that is glorious, riveting, and fun. It’s one where you feel like an insider to a world lived on and below wires, with high-stake risks. Hopefully the edge of your seat is comfortable, because this is where the movie will keep you till the very end.

Genre: Documentary

Actor: Annie Allix, David Forman, Jean François Heckel, Jean-Louis Blondeau, Mark Lewis, Philippe Petit

Director: James Marsh

Rating: PG-13

It's impossible not to be moved by this passionate love letter to the medium of film and its singular abilities to witness, commemorate, connect, educate, and, yes, entertain. The Living Record is more than that, though: it’s also an urgent clarion call for better support of the infrastructure and people who preserve and restore the celluloid reels that contain so much of our history.

In two hours, it packs in a lot — perhaps even too much, because there is so much fascinating material here that it’s almost overwhelming to take it in all at once. The doc draws on a sweeping line-up of contributors who collectively illuminate every facet of the need for preservation and restoration, from archivists to filmmakers like Jonas Mekas, Ken Loach, and Costa-Gavras. Its scope is just as commendably exhaustive, featuring nuanced discussions of the dangers politics poses to preservation efforts, as well as the particular need for archives in formerly colonized countries to prevent “cultural amnesia.” Despite all the challenges it highlights, its tone isn’t hopeless, as the film draws strength from the tireless efforts of archivists and cinematic saviors like Martin Scorsese. It’s impossible to watch this and not come away affirmed or converted into similarly passionate champions of preservation.

Genre: Documentary, Drama

Actor: Ben Mankiewicz, Costa-Gavras, Fernando Trueba, Jonas Mekas, Ken Loach, Laure Adler, Margaret Bodde, Martin Scorsese, Patricio Guzman, Ridley Scott, Vittorio Storaro, Wim Wenders

Director: Inés Toharia Terán

Similar in spirit and in subject matter to the Oscar-winning documentary 20 Feet from Stardom, The Wrecking Crew pulls back the curtain on the recording of many of the greatest American songs of the 1960s and '70s: that a single group of unassuming session musicians were responsible for bringing out the sound in these tracks. The film is a treasure trove for musicians and music fans, making you hear certain instrumental nuances in a different light and deepening your perception of music between what was written and what was recorded. Then inevitably and tragically, the realization sets in that few—if any—of these musicians have received the recognition they truly deserve, as essential but unfairly small parts of a music industry ecosystem that often cares more about image and entertainment than musicianship.

Genre: Documentary, Family, Music

Actor: Adam West, Al Casey, Al Jardine, Annette Funicello, Bones Howe, Brian Wilson, Bruce Johnston, Carl Wilson, Carol Kaye, Cher, Dean Martin, Dick Clark, Eva Gabor, Frank Sinatra, Frank Zappa, Frankie Avalon, Glen Campbell, Graham Nash, Hal Blaine, Herb Alpert, Jan Berry, Jimmy Webb, Jody McCrea, Lou Adler, Micky Dolenz, Mike Love, Nancy Sinatra, Peter Tork, Ricky Nelson, Sam Cooke, Sammy Davis Jr., Sonny Bono, Tommy Kirk, Tommy Sands

Director: Denny Tedesco

For the background singers featured in 20 Feet from Stardom, music is a vocation. It is not merely an occupation or a pastime; it is a way of life, a “higher calling,” as the legendary Lisa Fischer would say. For 90 minutes, director Morgan Neville superbly maps out the development of back-up singing in the US throughout the decades, exploring its deep connection with African-American culture and women’s history. It’s fun to finally put names and faces on the oohs and aahs we hear on records aplenty, but the film always finds its grounding on the singers’ own unique voices, where its true soul lies.

Genre: Documentary, Drama, Music

Actor: Bette Midler, Bruce Springsteen, Chris Botti, Claudia Lennear, Darlene Love, Judith Hill, Lisa Fischer, Lou Adler, Lynn Mabry, Merry Clayton, Mick Jagger, Patti Austin, Sheryl Crow, Stevie Wonder, Stevvi Alexander, Sting, Tata Vega, Ula Hedwig

Director: Morgan Neville