18 Best Gripping Movies On Tubi Canada

The bare bones of The Limey’s story — vengeful Cockney ex-con Wilson (Terence Stamp) flies to LA to investigate the suspicious death of his daughter Jenny — are gripping enough, but what Steven Soderbergh does with them elevates this neo-noir thriller into something utterly singular and stacked with layers upon layers of meaning. An icon of London’s Swinging ‘60s scene, Stamp is pitted against laidback symbol of ‘60s American counterculture Peter Fonda (as Jenny’s sleazy older boyfriend), giving their face-off grander cultural stakes. The extra-textual significance of the casting is deepened by Soderbergh’s ingenious references to the actors’ heyday: in flashbacks to Wilson’s happier past, for example, we’re shown the actual Stamp in his younger years (courtesy of scenes borrowed from 1967’s Poor Cow).

The Limey is also a brilliant showcase for editor Sarah Flack’s technical inventiveness: though the narrative is largely linear, the film cuts to and from scenes and sounds at unexpected points, giving the film an almost David Lynch-like sense of eerie fragmentation. Conjuring up a nightmare LA atmosphere isn’t all the editing does, either, as the film’s puzzle pieces are expertly reassembled to reveal an emotional gut-punch of an ending. In short, this high point in Soderbergh’s filmography is a must-see for any fan of cinema.

Genre: Crime, Drama, Mystery

Actor: Allan Graf, Amelia Heinle, Barry Newman, Bill Duke, Brandon Keener, Brooke Marie Bridges, Carl Ciarfalio, Carol White, Clement Blake, Dwayne McGee, George Clooney, Jim Jenkins, Joe Dallesandro, John Cothran, John Robotham, Johnny Sanchez, Lesley Ann Warren, Luis Guzman, Matthew Kimbrough, Melissa George, Michaela Gallo, Nancy Lenehan, Nicky Katt, Ousaun Elam, Peter Fonda, Rainbow Borden, Randy Lowell, Steve Heinze, Terence Stamp, Wayne Pére, William Lucking

Director: Steven Soderbergh

Rating: R

Named for all the connections that form a functioning society, Threads is a harrowing look at what might happen when those ties are rent apart by nuclear war. This British TV movie — released during the Cold War — so violently seized on the nuclear anxieties of the time that its premiere was dubbed “the night the country didn’t sleep.” Depressingly, it hasn’t lost that initial resonance, and so it remains a panic attack-inducing watch.

Threads begins in the kitchen-sink vein of a Ken Loach movie. In the northern industrial town of Sheffield, a young couple from different social classes (Reece Dinsdale and Karen Meagher) discover they’re about to be parents — but looming above their small-scale drama are the clouds of war, as televisions and radios blare out the details of escalating tensions between the US and the USSR. And then, it happens: the town is strategically bombed, and Threads unfurls into an unrelenting nightmare. In the documentary-like approach that follows, it spares no graphic or emotional detail, charting both the personal devastation caused by the bomb and the annihilating impact of the nuclear holocaust on all the vital infrastructure we take for granted. In short, one of the bleakest, most terrifying movies ever made.

Genre: Drama, Horror, Science Fiction, War

Actor: Ashley Barker, Brian Grellis, David Brierly, Dean Williamson, Ed Bishop, Harry Beety, Henry Moxon, Jane Hazlegrove, Joe Belcher, Karen Meagher, Lesley Judd, Maggie Ford, Michael O'Hagan, Nat Jackley, Patrick Allen, Peter Faulkner, Phil Rose, Reece Dinsdale, Richard Albrecht, Rita May, Ruth Holden, Steve Halliwell, Ted Beyer

Director: Mick Jackson

There’s more than a touch of Louis Theroux to this engrossing documentary — fronted by New Zealander pop-culture journalist David Farrier — about an innocuous-seeming Internet phenomenon: the actually-sinister subculture of “competitive endurance tickling”, in which young men undergo “tickle torture” for money on camera. When Farrier unassumingly requests an interview with an American producer of tickle content, it kickstarts a bizarre campaign of harassment and opens up a rabbit hole of unbelievable twists and turns. The wild places this documentary goes are best left as unspoiled as possible, but it’s no spoiler to say this emerges from its seemingly lighthearted premise as a deeply unnerving story about money, power, sex, and shame in the Internet age.

Genre: Documentary, Drama

Actor: David Farrier

Director: David Farrier, Dylan Reeve

The film that catapulted Kevin Costner to fame, No Way Out, is based on a novel by Kenneth Fearing, "The Big Clock", and is also preceded by a film adaptation of it, around 40 years prior. Director Roger Donaldson found himself in charge of a film, haunted by the Cold War and spy thriller tropes, but already aligning itself with the late 80s erotic thriller. In a way, No Way Back is a symbol of this transitional period, but by retaining the classic noir vibe (deception, fleeing, yearning), it becomes a tribute to the past. In the film's own past, a love triangle is taking shape in a rather unconventional way: layered with all three of the aforementioned dispositions. Two men want the same women, but their relationship is further complicated by professional hierarchies and the quest to own the past they both shared with Susan. 

Genre: Thriller

Actor: Brad Pitt, Charles Walker, Chris D., David Armstrong, David Paymer, Dennis Burkley, Fred Thompson, Gene Hackman, George Dzundza, Howard Duff, Iman, Jason Bernard, John D'Aquino, Kevin Costner, Leo Geter, Leon Russom, Marshall Bell, Matthew Barry, Michael Shillo, Nicholas Worth, Peter Bell, Sean Young, Will Patton

Director: Roger Donaldson

Rating: R

If you enjoy wondering aloud to yourself how filmmakers were able to make a movie at all, 1988's almost wordless tale of two bears trying to survive the Canadian mountains was somehow shot with real, expressive bear "actors," despite the film being a work of fiction. A cross between a stunningly photographed nature documentary and a brutal folktale, The Bear gets right to the uncompromising conditions out in the wild, where human beings are portrayed as just as savage—and just as merciful—as the beasts they hunt. Clever editing and Jean-Jacques Annaud's directorial vision hide all the seams in the movie's magic tricks, allowing us to fall in love quickly with these majestic bears and the all-too-human emotions they seem to be expressing.

Genre: Adventure, Drama, Family

Actor: André Lacombe, Bart The Bear, Jack Wallace, Tchéky Karyo, Youk the Bear

Director: Jean-Jacques Annaud

Bull is a gritty and haunting drama featuring a phenomenal performance by Rob Morgan as a bullfighter. In a poor Houston suburb, he plays an aging and lonely black man doing everything he can to survive. He brushes off unrelenting racism, rides even when it's life-threatening and raises chickens to sell them. His next-door neighbor is a grandmother taking care of her daughter's kids while the daughter is in jail. One day one of these grandaughters harms the chickens and vandalizes Abe's house, prompting them to clash.

Genre: Drama

Actor: Amber Havard, Rob Morgan, Sarah Albright, Troy Hogan, Yolonda Ross

Director: Annie Silverstein

Despite being remade, parodied, and absorbed into pop culture over the years, the original Ring defiantly marches to the beat of its own drum. Focused entirely on building a slow-burn mystery instead of dispensing scares, the film provides ample space for a number of interpretations: on the spread of technology, the erasure of traditional beliefs, or even motherhood. It's all relentlessly quiet and extremely creepy, the tension building with the same energy as ghost stories told around a campfire. And while famous for its eerie images and the rules surrounding its cursed videotape, Ringu also serves as a reminder that great horror should compel the audience to keep on watching, even if they already know exactly what awaits them if they do.

Genre: Drama, Horror, Thriller

Actor: Daisuke Ban, Hiroyuki Sanada, Hiroyuki Watanabe, Hitomi Satô, Katsumi Muramatsu, Kiriko Shimizu, Masako, Miki Nakatani, Miwako Kaji, Nanako Matsushima, Rie Ino'o, Rikiya Ôtaka, Yôichi Numata, Yôko Ôshima, Yûko Takeuchi, Yûrei Yanagi, Yutaka Matsushige

Director: Hideo Nakata

He may be out of office, but films about Donald Trump's racist and xenophobic immigration policies will continue to feel urgent for the ripple effect they've left on so many immigrants—and these films aren't just coming from within the United States either. A Spanish production, Upon Entry boils down a presidential term's worth of discrimination to just a few hours in the lives of a couple being interrogated at the airport. Directors Alejandro Rojas and Juan Sebastián Vásquez shoot in a style that almost feels like they're telling the story in real-time, with very few bursts of emotion and lots of quiet agonizing in the claustrophobia of windowless rooms. Every interaction is fraught with tension, as the couple, Diego and Elena, keep weighing if they should stand up for themselves or submit to the authorities' bullying.

The film eventually makes a bid for more drama by putting the couple's relationship and mutual trust into question, but this choice brings the movie dangerously close to validating the psychological manipulation used by the immigration officers. It momentarily loses sight of the bigger picture: that all this relationship drama is beside the point. Still, as a portrait of how discriminatory laws not only lock people out but tear them apart from each other, it's a potent, painful watch.

Genre: Drama, Thriller

Actor: Alberto Ammann, Ben Temple, Bruna Cusí, Colin Morgan, David Comrie, Laura Gómez

Director: Alejandro Rojas, Juan Sebastián Vásquez

Much like the 1976 horror classic Carrie, Thelma centers on a young telekinetic woman whose religious upbringing and sexual repression give way to unpredictable moments of fury and rage. When she meets the cool, charismatic Anja, she falls in love immediately, but the wave of emotions that overwhelm her threaten to destabilize not just their budding romance, but other relationships and lives as well. 

Thelma recalls Carrie in other ways too, most notably in the way it uses supernatural elements to allude to female fury and lust, but it also stands on its own as a singular piece of work; the mesmerizing transitions, the slow-burn pace, and the undercurrent of melancholia are all known trademarks of director Joachim Trier. This layering of old and new makes Thelma an intriguing watch, at once recognizable and wholly original. 

 

Genre: Drama, Fantasy, Horror, Mystery, Thriller

Actor: Anders Mossling, Camilla Belsvik, Eili Harboe, Ellen Dorrit Petersen, Grethe Eltervag, Henrik Rafaelsen, Ingrid Jørgensen Dragland, Ingrid Unnur Giæver, Irina Eidsvold Tøien, Isabel Christine Andreasen, Kaya Wilkins, Lars Berge, Marte Magnusdotter Solem, Sigve Bøe, Steinar Klouman Hallert, Tom Louis Lindstrøm, Vanessa Borgli

Director: Joachim Trier

Rating: Not Rated