13 Best Movies to Watch In Hungarian

On Body and Soul is the impeccably crafted winner of the 2017 Berlin Film Festival and an Academy Award nominee for Best Foreign Language Film. Is it possible that two people dream the same dream? And meet each other in that same dream? This unique drama directed by Hungarian filmmaker Ildikó Enyedi studies this possibility against the unlikely backdrop of a slaughterhouse. Middle-aged, inconspicuous manager Endre (Géza Morcsányi) can't help but noticing a new girl at work, Maria (Alexandra Borbély), the abattoir's new hygiene manager. They fall in love, but not, as you might suspect, during a fateful mandatory hygiene inspection, but in their dreams—in the shape of two deer in a mysterious, snow-covered forest. The Hungarian director had taken an 18-year break from making movies, which was probably the prerequisite for making something as striking and unconventional as On Body and Soul.

Genre: Drama, Fantasy, Romance

Actor: Alexandra Borbély, Ervin Nagy, Eva Bata, Géza Morcsányi, Itala Bekes, Júlia Nyakó, Morcsányi Géza, Nora Rainer-Micsinyei, Pal Macsai, Reka Tenki, Zoltán Schneider, Zsuzsa Jaro

Director: Ildikó Enyedi

Rating: Not Rated

Ryan Gosling plays a Jewish Neo-Nazi in this extremely riveting window into the definition of inner conflict. It is a prime example of how character development should be done and it put Gosling on the map for me. He starts out as an exemplary student in Hebrew school until he starts questioning his teachings and exploring alternative ideologies, leading him to the neo-Nazi movement. Won the Grand Jury Prize at Sundance

Genre: Drama

Actor: A.D. Miles, Billy Zane, Chuck Ardezzone, David Bailey, Ebon Moss-Bachrach, Elizabeth Reaser, Garret Dillahunt, Glenn Fitzgerald, Heather Goldenhersh, Henry Bean, Joel Garland, Joel Marsh Garland, Jordan Lage, Joshua Harto, Kris Eivers, Lucille Patton, Michael Port, Peter Meadows, Ronald Guttman, Ryan Gosling, Sascha Knopf, Sig Libowitz, Summer Phoenix, Theresa Russell, Tibor Feldman, Tommy Nohilly

Director: Henry Bean

Rating: R

Sisters Martine and Filippa, daughters of a founder of a religious sect, live a simple and quiet life in a remote coastal village in Denmark. Throughout the course of their lives, they reject possible romances and fame as part of their commitment to deny earthly attachments. This is upended by the sudden arrival of a French immigrant named Babette, who served as their house help to escape the civil war raging in her country.

Babette’s Feast is an inquiry into simplicity and kindness, and whether these would be sufficient to achieve a life of contentment. The religious undertones perfectly fit with the film’s parable-like structure, where bodily and spiritual appetites are satisfied through a sumptuous feast of love, forgiveness, and gratitude.

Genre: Comedy, Drama

Actor: Asta Esper Hagen Andersen, Axel Strøbye, Bendt Rothe, Bibi Andersson, Birgitte Federspiel, Bodil Kjer, Cay Kristiansen, Ebbe Rode, Else Petersen, Finn Nielsen, Gert Bastian, Ghita Nørby, Ghita Nørby, Holger Perfort, Jarl Kulle, Jean-Philippe Lafont, Lars Lohmann, Lisbeth Movin, Preben Lerdorff Rye, Stéphane Audran, Stéphane Audran, Therese Hojgaard Christensen, Thomas Antoni, Vibeke Hastrup, Viggo Bentzon

Director: Gabriel Axel

Rating: G

Krzysztof Kieślowski’s trilogy reflects both the colors and the values of the French republic: liberté, égalité, fraternité. In Trois couleurs : Blanc (Three Colors: White), Kieślowski explores not only the theme of equality, but also the ramifications of defining and “achieving” equality as a European ideal.

After failing to consummate their marriage, Dominique (the ever-bewitching Julie Delpy) divorces Karol (Zbigniew Zamachowski), leaving him broke and humiliated. Karol plots to exact revenge on his ex-wife, becoming richer and cruller in the process. 

Although this is often regarded as the weakest of the trilogy, White is worth a watch not just for completionists. Kieślowski interrogates what it means to be equal in sex and socioeconomic class—and if when we strive to move upward in society, whether we are really debasing our basic humanity and humility.

Genre: Comedy, Drama, Mystery

Actor: Aleksander Bardini, Andrzej Precigs, Barbara Dziekan, Bartłomiej Topa, Cezary Harasimowicz, Cezary Pazura, Grażyna Szapołowska, Grzegorz Warchoł, Janusz Gajos, Jerzy Nowak, Jerzy Stuhr, Jerzy Trela, Julie Delpy, Juliette Binoche, Marzena Trybała, Philippe Morier-Genoud, Piotr Machalica, Piotr Zelt, Teresa Budzisz-Krzyżanowska, Zbigniew Zamachowski, Zdzisław Rychter

Director: Krzysztof Kieślowski

Welcome to the Dollhouse tells the story of Dawn, an unpopular seventh-grader mercilessly bullied at school and ignored at home. Her day-to-day is painful to watch; her classmates make fun of her, her teachers never believe her, and her parents punish her, blatantly favoring her other siblings over her. But all this she puts up with, as if going through the murky in-between stage that is adolescence isn't confusing enough. Dawn finds no respite elsewhere, except perhaps in her friend Ralphy (another target of bullying) and her crush, the high schooler Steve.  

A Sundance jury winner back in '96, Welcome to the Dollhouse is as darkly funny as it is grim. It takes on a deadpan approach in handling its more serious topics; it doesn't make fun of them so much as it shines them in a new and blinding light. It's difficult to look away from this frank and well-balanced film; a sure good watch for anyone curious to know what it's really like to be a teenage loner.

Genre: Comedy, Drama

Actor: Angela Pietropinto, Bill Buell, Brendan Sexton III, Christina Brucato, Christina Vidal, Daria Kalinina, Eric Mabius, Heather Matarazzo, Ken Leung, Matthew Faber, Rica Martens, Richard Gould, Siri Howard, Stacey Moseley, Teddy Coluca, Victoria Davis, Will Lyman

Director: Todd Solondz

Rating: R

Tied together by a song that seems to drive people to end their own lives, Gloomy Sunday's tale of polyamorous love torn apart by the advent of the Second World War is one that doesn't operate according to your usual narrative structure. Its stranger elements might not always work with the very real horrors of the Nazis' invasion of Hungary, but the film still expresses this horror in a unique way. Even long before the war begins, this song that joins our three lovers together seems to touch on a sense of doom everybody is feeling—warning signs of Hitler's rise to power that ordinary people seem to have been powerless to stop in time. It's certainly unique for a non-action-driven war film, bathed in tragedy and bitter irony.

Genre: Drama, History, Romance, War

Actor: András Bálint, Ben Becker, Denis Moschitto, Dorka Gryllus, Erika Marozsán, Ferenc Némethy, Joachim Krol, Karl Fischer, László I. Kish, Markus Hering, Márta Bakó, Rolf Becker, Sebastian Koch, Stefan Weinert, Stefano Dionisi, Veit Stübner, Wanja Mues

Director: Rolf Schübel

Despite a solid premise that should lead to compelling drama—about men scarred by war and the morally grey inner workings of the police—Confidential Informant devolves into a half-baked thriller that's as dull as its title. Flat direction, a lack of connective tissue between scenes, and an unfortunately visible lack of production resources suck the life out of the script and from the actors' performances. There's clearly a foundation to be built upon here, but the film makes a crucial mistake in trying to have its cake and eat it too: it wants to deliver all the (unsatisfying) thrills of an antihero police procedural, but it just doesn't have the money or the creativity to do this, on top of being a character drama. And so any tension that it tries to build up deflates by the end, its characters nothing but hollow shells, stuck in a story that that never gives them a chance to be anything more interesting.

Genre: Action, Mystery, Thriller

Actor: Arielle Raycene, Dominic Purcell, Erik Valdez, Jon Lindstrom, Kate Bosworth, Mel Gibson, Nick Stahl

Director: Michael Oblowitz

Rating: R