3 Best Movies to Watch In Bambara

Celebrated Malian filmmaker Souleyman Cissé crafted Yeelen (which means ‘brightness’) as an explicit antidote to the “ethnographic” lens through which Western directors often told Africa-set stories. That intention is certainly felt, because Yeelen doesn’t trouble itself to translate its folklore-drawn premise for audiences unfamiliar with 13th-century Malian myths. Rejecting Western storytelling conventions, it instead uses those of the culture it depicts — a looping approach to time and matter-of-fact magical realism — to present the tale of Nianankoro (Issiaka Kane), a supernaturally gifted young man whose sorcerer father (Niamanto Sanogo) plots to kill him because of the threats he poses to the elder man's power. 

 A basic primer to the customs central to Yeelen is provided in the opening titles, but knowledge of the culture it communicates through isn’t a prerequisite to watching and enjoying the film because its epic conflicts — both Oedipal (father versus son) and religious (flesh versus spirit) — and otherworldly sensibilities make it both instinctively familiar and mesmerizing. A deserved winner of the Cannes Jury Prize, though the fact that it was the first African film to win one of the festival's awards — 40 years into its existence — makes this an unjustly belated milestone.

Genre: Drama

Actor: Aoua Sangare, Balla Moussa Keita, Ismaila Sarr, Issiaka Kane, Niamanto Sanogo

Director: Souleymane Cissé

Rating: NR

Taking place almost entirely in a single classroom, the two-hour-plus runtime of this French drama breezes past thanks to its sheer unrelenting energy. You’d be forgiven for assuming The Class is a documentary, so fly-on-the-wall is the filming and so naturalistic the dialogue, much of which was improvised from loose guidelines.

Unlike so many cinematic teachers, Monsieur Marin (played by co-screenwriter François Bégaudeau) doesn’t pull off any educational miracles with his class of backchatting 15-year-olds at an inner-city Paris school. Although the French literature teacher does make some inroads with disaffected kids like Souleymane (Franck Keïta), what really boosts The Class’ grade is its refusal to valorize its central figure. There are no rousing Dead Poets Society-style scenes here — in fact, the film builds from free-flowing lively debates to a tense climax that stems directly from a grave faux pas committed by none other than the teacher himself. Crucially, though, The Class is evenhanded in its treatment of its characters, recognizing both how complex each of these kids is underneath the blunt assessments contained on their report cards and how difficult and thankless the role of a teacher is.

Genre: Drama

Actor: Damien Gomes, Esmeralda Ouertani, Farida Ouchani, François Bégaudeau, Louise Grinberg, Rabah Nait Oufella, Valérie Benguigui

Director: Laurent Cantet