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Hulu Suggestions

Discover the very best Hulu suggestions. Everything you see here follows the agoodmovietowatch criteria: a viewer score of at least 7/10 (on IMDb for example) and at the same time a critic score of at least 70% (on Rotten Tomatoes).

, 2023

While gay acceptance has been improving in most of the world, unfortunately, this acceptance isn’t universal to all sexualities and queer gender identities, especially for people of color. Femme depicts this difference through the relationship of Jules, a black gay drag queen, and Preston, a white masculine closeted gay drug dealer. As Jules deepens their relationship for revenge, and Preston opens up and allows himself to become more vulnerable, the film explores the way toxic masculinity and violence still dictates most of their dynamic, through an unsettling, sexually charged, stylish approach from the debut co-writers and directors Sam H. Freeman and Ng Choon Ping. However, Femme is particularly uneven, more focused on humanizing the aggressor rather than prioritizing the survivor.

Genre: Drama, Thriller

Actor: Aaron Heffernan, Antonia Clarke, Asha Reid, George MacKay, John McCrea, Luis Torrecilla, Moe Bar-El, Nathan Stewart-Jarrett, Nima Taleghani, Peter McPherson

Director: Ng Choon Ping, Sam H. Freeman

Rating: NR

When everyone around you is cheating, the temptation to join in is tempting, especially if you’re not confident in your own abilities. 12th Fail is the story of IPS officer Manoj Kumar Sharma, and it’s a story about how one instance of honesty sets him on a path to become the same honest police officer that helped save his brother’s life. While it does take a fairly standard message, and the pace falters a bit as it goes on, the biopic depicts this from an understanding of how things are unfairly stacked against people like Manoj, but also with an understanding that the country needs more everyday people in their ranks. 12th Fail may be a familiar underdog story, but it’s lovely, well-made, and unironically sincere in its message to be honest, even when the odds are stacked against you.

Genre: Drama, History

Actor: Abhishek Sengupta, Anant Joshi, Anshumaan Pushkar, Geeta Agrawal Sharma, Harish Khanna, Medha Shankr, Priyanshu Chatterjee, Sanjay Bishnoi, Sarita Joshi, Sonal Jha, Vidhu Vinod Chopra, Vikrant Massey

Director: Vidhu Vinod Chopra

When Toni Morrison taught at Princeton, she told her students, “Don’t write about your little life. Create something.” This documentary follows her instruction by being more than a simple biography. Apart from telling the story of her rich, fully-lived life, The Pieces I Am doubles as an artful and educational history lesson about the unique African-American experience. It’s dotted with beautiful artworks and insightful anecdotes shared by Morrison’s colleagues from the various schools and publishing houses she worked at. But most important of all, Morrison gets to narrate the film in her own beautiful, poetic words and, in the process, reveals different facets of herself. There’s Morrison the teacher, editor, writer, and mother, but also: the delightful baker, the supportive friend, the party enjoyer, the critical philosopher. The Pieces I Am is a great collection of many things, a moving collage that pieces together the most interesting parts about the beloved writer in question.

Genre: Documentary

Actor: Angela Davis, Barack Obama, Bill Moyers, Dick Cavett, Fran Lebowitz, Hilton Als, Muhammad Ali, Oprah Winfrey, Peter Sellars, Robert Gottlieb, Russell Banks, Sister Rosetta Tharpe, Toni Morrison, Walter Mosley

Director: Timothy Greenfield-Sanders

Rating: PG-13

In The Promised Land, director Nikolaj Arcel (A Royal Affair) and Mads Mikkelsen reunite to create another intense, enjoyable drama based on true historical events. Mikkelsen is reliably gripping as Captain Ludwig Kahlen, but it’s his back-and-forths with the diabolical landowner Frederik Schinkel (Simon Bennebjerg) that are the standout scenes here. And though The Promised Land resembles modern Westerns in its macho standoffs and sweeping backdrops, it has a surprising and satisfying feminist bent to it. It’s a historical epic that doubles as a revenge thriller and succeeds in both cases.

Genre: Drama, History

Actor: Adam Pengsawang, Amanda Collin, Arved Friese, Felix Kramer, Finn Nielsen, Gustav Lindh, Jacob Ulrik Lohmann, Joen Højerslev, Karel Heřmánek, Kristine Kujath Thorp, Lise Risom Olsen, Mads Mikkelsen, Magnus Krepper, Martin Feifel, Michael Brostrup, Morten Burian, Morten Hee Andersen, Nanna Finding Koppel, Simon Bennebjerg, Søren Malling, Thomas W. Gabrielsson, Zdeněk Dvořáček

Director: Nikolaj Arcel

To plenty of countries around the globe, democracy has become so ubiquitous that we forget it’s relatively new, at least relative to the rest of human history. Bhutan is one of the last countries that became a democracy, and writer-director Pawo Choyning Dorji chose to depict a slice of how they made the shift in The Monk and the Gun. As Tashi sets out to obtain two weapons for his mentor, and Ron seeks a specific antique gun, Dorji presents slice-of-life moments of the beautiful Bhutan countryside, intercut with the subtle ways tradition still persists amidst modernity, and the funny ways change can clash with culture. It’s no wonder The Monk and the Gun was chosen as the Bhutanese entry for the Best International Feature at the 96th Academy Awards.

Genre: Comedy, Drama

Actor: Choeying Jatsho, Deki Lhamo, Pema Zangmo Sherpa, Tandin Sonam, Tandin Wangchuk

Director: Pawo Choyning Dorji

As in his previous films, Director Andrew Haigh explores the delicate nature of loneliness, grief, and love in All of Us Strangers, except this time he does so through a supernatural lens. The result is mesmerizing: amid the tenderness the film draws from its characters, there’s a swirl of mystery too: how is it possible that Adam is conversing with his dead parents? Who, exactly, is Harry? The intrigue is there, and Haigh builds to a satisfying climax that answers all these questions. The mystery also lends the film an ethereal style that makes it visually resemble a horror or thriller more than it does a romance or drama. But as superb as it looks and as compelling as the ambiguity is, they never distract from the film’s central goal, which is to bring us into the complex emotional journey Adam goes through as he simultaneously develops a relationship with Harry and parses his childhood trauma with his parents. It’s a hefty film, filled with big emotional moments that will have you crying, smiling, longing, and healing all at the same time. And like any good film, it will haunt you for days on end.

Genre: Drama, Fantasy, Romance

Actor: Ami Tredrea, Andrew Scott, Carter John Grout, Claire Foy, Jamie Bell, Paul Mescal

Director: Andrew Haigh

Rating: R

For public toilet cleaner Hirayama, “enjoy the little things in life” is more than just an adage: it’s a philosophy. Every day, he follows a strict routine of watering his plants, going to work, taking a break at a nearby shrine, and having dinner at his favorite stalls. It seems unexceptional, and yet Hirayama manages to find small, meaningful joys in between (and at) those very moments. A tree branch dancing in the breeze and shadows making funny shapes are enough to make him chuckle, while it seems like a good book and a trusty cassette are all he needs to be at peace. Hirayama’s mundane miracles are life-affirming, but make no mistake: this isn’t one of those cheesy films that push you to be happy no matter what. Director Wim Wenders (Paris, Texas, Wings of Desire) infuses the film with a certain gloom so that the overall tone is one of deep, poignant melancholy. Through vague clues about Hirayama’s past, we learn that his attempts at capturing joy might also be bids to escape a traumatic life. All this builds to a powerful ending that speaks to the complexity of human emotion. We can be happy and sad, peaceful and troubled, lonely and content all at the same time, and it’s okay. At the end of the day, we’ll still have our favorite book passage, our favorite singer, a great artwork, or a beautiful park to return to, and sometimes that’s all the reminder you need that life can be worth living.

Genre: Drama

Actor: Aki Kobayashi, Aoi Iwasaki, Aoi Yamada, Arisa Nakano, Atsushi Fukazawa, Bunmei Harada, Daigo Matsui, Gan Furukawa, Hairi Katagiri, Hiroto Oshita, Inuko Inuyama, Isao Matsui, Kisuke Shimazaki, Kōji Yakusho, Makiko Okamoto, Masahiro Koumoto, Mijika Nagai, Min Tanaka, Miyako Tanaka, Morio Agata, Morooka Moro, Motomi Makiguchi, Nao Takahashi, Naoko Ken, Nari Saitô, Nijika Tonouchi, Sayuri Ishikawa, Shunsuke Miura, Soraji Shibuya, Taijirō Tamura, Tamae Ando, Tateto Serizawa, Tokio Emoto, Tomokazu Miura, Tomoyuki Shibata, Yasushi Okuwa, Yoneko Matsukane, Yumi Asou, Yuriko Kawasaki

Director: Wim Wenders

Rating: PG

Imagine a fanboy makes a film about his hero—you’d expect something mawkish and fawning, a tribute that praises the icon but sidesteps the flaws. Maybe in less expert hands, that could be the case. But despite being a longtime admirer of writer Kurt Vonnegut, Robert B. Weide’s documentary isn’t any of those things. Sure, it’s lovingly made, but it’s balanced and objective as it sketches a profile of Vonnegut not a lot of us have seen before. It’s also more than just a chronological account of his life; it’s simultaneously a film about this film, which has been in the making for 40 years, ever since Weide first met Vonnegut in 1988 and followed him through his death in 2007. At some point, their lives become tightly intertwined, and it’s impressive to see not just that friendship blossom but to watch it seamlessly fuse into the documentary. When Weide pitches the documentary to Vonnegut, he optimistically promises that it’ll be the definitive guide to his life. He’s right, it’s all that and a bit more.

Genre: Documentary

Actor: Edie Vonnegut, Kurt Vonnegut, Kurt Vonnegut Jr., Morley Safer, Robert B. Weide, Sam Waterston

Director: Don Argott, Robert B. Weide

Diane von Furstenberg has no doubt lived a rich, fascinating life, but the documentary struggles to strike a balanced tone and instead comes off as an advertisement of DVF’s (admittedly beautiful) dresses. It’s not that the designer doesn’t merit the glowing praise given to her by friends, family, and experts in the documentary, but that the other side of the coin is never explored in depth. The creases to her character (and there are plenty) aren’t given any airtime as von Furstenberg is portrayed as an admirable albeit flat role model. The only exception here is when daughter Tatiana recalls the time her mother has been absent virtually all throughout her childhood, but even then, the documentary just glosses over this thorny part of their past. The film is fun and aspirational, loaded with delightful collages of home videos and designer clothes, but it’s hardly inspiring or relatable. Even in her old age, von Furstenberg seems to admit that she carries no business sense, and only stumbles into financial success with luck and plenty of help. Thankfully, she doesn’t feign ignorance about her privilege, even if the directors bafflingly insist on a rags-to-riches narrative.

Genre: Documentary

Actor: Diane von Fürstenberg

Director: Sharmeen Obaid-Chinoy, Trish Dalton

Rating: R

It’s hard not to botch a documentary about one of the most endearing, beloved, and talented celebrities to come out of the industry, so in subject matter alone, Love, Gilda is a winner. But director Lisa Dapolito rightly understands that Radner’s life is more than just the usual Hollywood story of stumbling into fame and fortune as she mines something quite special out of Radner’s journey. More than a biography, Love, Gilda is also a manifesto for female comedians, a relatable tale of girlhood, and a comforting message for those afflicted with similar illnesses that they’re not alone. Also, by the end, it turns into a great love story you can’t help but long for.

Genre: Documentary

Actor: Amy Poehler, Bill Hader, Bill Murray, Cecily Strong, Chevy Chase, Gene Wilder, Gilda Radner, Laraine Newman, Lorne Michaels, Martin Short, Maya Rudolph, Melissa McCarthy, Paul Shaffer

Director: Lisa D’Apolito

, 2024

If you’re coming into this expecting to relive your favorite ‘80s coming-of-age moments from The Breakfast Club to St. Elmo’s Fire, then you’ll get a taste of that, but don’t expect to be fully satisfied. Instead, the reunion that happens in Brats resembles group therapy more than anything. Here, director Andrew McCarthy (Pretty in Pink, St. Elmo’s Fire) seems to be on a journey to heal from his troubled past, which he believes was caused, in part, by a defamatory article that called him and a crop of young actors in the ‘80s “The Brat Pack.” The film follows McCarthy as he travels across the country to discuss the label with fellow Brat Packers, who funnily enough, don’t share his contempt for it. Sure, they’re annoyed, but they’ve moved on for the most part. McCarthy on the other hand doesn’t possess the self-awareness to know this, which is perhaps why he’s fallen trap to the Streisand Effect. “The Brat Pack” isn’t nearly as negative as he thinks it to be, but because he keeps ranting about it, he's unwittingly fueling the accusations against him. He just might be the vain celebrity, the brat, he claims he's not. Still, the documentary has its moments. The way it’s modestly filmed is charming and inventive, the artful blend of old footage and 80s music hits the nostalgic spot, and the conversations can be interesting. Who would’ve thought Demi Moore would be the wisest person in the room?

Genre: Documentary

Actor: Ally Sheedy, Andrew McCarthy, Bret Easton Ellis, Demi Moore, Emilio Estevez, Eric Stoltz, Howard Deutch, Jacqueline Bisset, James Spader, Joel Schumacher, John Ashton, John Cusack, John Hughes, Jon Cryer, Judd Nelson, Lauren Shuler Donner, Lea Thompson, Malcolm Gladwell, Marci Liroff, Molly Ringwald, Phil Donahue, Richard Schickel, Rob Lowe, Sammy Davis Jr., Sean Penn, Timothy Hutton, Tom Cruise, Tom Myers

Director: Andrew McCarthy

So far, chemical waste hasn't mutated amphibious creatures enough to create giant monsters large enough to swallow people whole… yet. This sort of monster film premise is familiar, especially for fans of 1950s sci-fi movies, but in the hands of director Bong Joon-ho, The Host transforms what could have been B-movie schlock into a drama examining the ways generations within a family, as well as generations within a country and within the world, have failed each other. As the Park family try to save their own, the actions they take feel all the more important, knowing what’s at stake on multiple levels. While at the time, there were doubts that Bong Joon-ho and the Korean film industry could pull off the monster, The Host proved that there was more to come from the then emerging film giant.

Genre: Drama, Horror, Science Fiction

Actor: Ah-sung Ko, Bae Doona, Baek Do-bin, Bong Joon-ho, Byun Hee-bong, Byun Heebong, Choi Dae-sung, Choi Jae-sup, David Anselmo, David Joseph Anselmo, Doona Bae, Go A-sung, Hae-il Park, Hie-bong Byeon, Jeong In-gi, Jeong Kang-hee, Jung Seo-yoon, Kang-ho Song, Kim Bi-bi, Kim Choo-wol, Kim Hak-seon, Kim Jin-seon, Kim Nan-hee, Kim Roi-ha, Ko A-sung, Ko Chang-seok, Koh Soo-hee, Kwon Byung-gil, Kwon Hyeok-Pung, Lee Dong-ho, Lee Dong-yong, Lee Eung-jae, Lee Jae-eung, Lee Jong-yoon, Min Kyung-jin, Oh Dal-su, Park Hae-il, Park Jin-woo, Park No-shik, Paul Lazar, Philip Hersh, Pil-sung Yim, Ra Mi-ran, Scott Wilson, Seo Young-ju, Shin Hyeon-jong, Son Jin-ho, Son Young-soon, Song Kang-ho, Yim Pil-sung, Yoo Seung-mok, Yoo Yeon-soo, Yoon Je Moon

Director: Bong Joon-ho, Joon-ho Bong

Rating: R

The Two of Us could have been a sweet romantic drama all about lifelong devotion regardless of the circumstances, but instead, first time director Filippo Meneghetti makes it feel more like an unsettling thriller that captures the paranoia and near insanity it feels to be closeted– with Nina having to beg Mado to tell her family, having to hide in what has become her own home, and having to bargain and manipulate her way to Madeleine’s side. Two of Us is quite a stunning debut with such a unique depiction of a lesbian relationship.

Genre: Drama, Romance

Actor: Aude-Laurence Clermont Biver, Barbara Sukowa, Denis Jousselin, Eugenie Anselin, Jérôme Varanfrain, Léa Drucker, Martine Chevallier, Muriel Bénazéraf

Director: Filippo Meneghetti

Rating: NR

When we think about dog films, we think about overly sentimental, feel-good flicks, with the dogs sometimes voiced by famous actors, that affirm the relationship between man and his best friend. White God is a dog movie, but it’s not that kind of dog movie. The dogs are not voiced, but yet they feel so personable as co-writer and director Kornél Mundruczó turns Hagen’s time in the street into a series of escapades, some exciting and some downright terrifying, where he evades the cruelty of man. And as the film alternates between Hagen and the young Lili, Mundruczó questions the ways we treat our furball best friends, the way we also treat those that are in our care.

Genre: Drama

Actor: András Hidvégi, András Réthelyi, Attila Mokos, Body, Diána Magdolna Kiss, Edit Frajt, Erika Bodnár, Ervin Nagy, Gera Marina, Gergely Bánki, Gergely Kovács, János Derzsi, Károly Ascher, Kata Wéber, Kornél Mundruczó, Krisztián Vranik, László Gálffi, László Melis, Lili Horvát, Lili Monori, Luke, Natasa Stork, Orsolya Tóth, Roland Rába, Sándor Terhes, Sándor Zsótér, Szabolcs Thuróczy, Tamás Polgár, Thuróczy Szabolcs, Virág Marjai, Zsófia Psotta

Director: Kornél Mundruczó

Rating: R

Not to be confused with James Cameron’s 1989 film, The Abyss isn’t the worst disaster film, but it could have been so much more. Inspired by the earthquake that actually happened in the real life town of Kiruna, there’s an important story here about worker safety, responsible mining, improving emergency protocols, and preserving the environment. However, like plenty of disaster movies, the film plays out in the most predictable ways, attaching a frankly irrelevant family drama that takes time away from the terrifying, claustrophobic nightmare that could have been. It does have decent effects, and even some decent scenes, but The Abyss is more interested in using the real life earthquake to manufacture drama, rather than actually looking into the manmade disaster.

Genre: Action, Drama, Thriller

Actor: Angela Kovács, Edvin Ryding, Felicia Truedsson, Göran Gillinger, Jakob Hultcrantz Hansson, Jakob Öhrman, Jonathan Fredriksson, Kardo Razzazi, Katarina Ewerlöf, Peter Franzén, Tintin Poggats Sarri, Tuva Novotny

Director: Richard Holm

Rating: R

With a script that seems to have been written for a medieval fantasy, but set in a present-day Ivorian jail, Night of the Kings immediately situates itself between the realms of reality and imagination. Whether or not one thinks that certain details about the prison's strange rituals have been lost in translation, the mysticism surrounding the events of the movie remains impossible to shake. The idea of improvising one's way out of trouble should make sense in any cultural context after all, and this is what keeps the film on edge—and what helps Night of the Kings work as such a singular vision from an often underrepresented region of world cinema.

Genre: Drama, Fantasy

Actor: Denis Lavant, Digbeu Jean Cyrille, Issaka Sawadogo, Koné Bakary, Rasmané Ouédraogo, Simon Rieber, Steve Tientcheu

Director: Philippe Lacôte

Too Funny to Fail isn’t just a documentary about funny people. It’s a documentary that’s hilarious in its own right. Director Josh Greenbaum assembles the comedic powerhouse behind the short-lived Dana Carvey Show and has them recall the idiosyncratic, subversive skits they did on the show. They are, of course, naturally funny, but it’s the questions Greenbaum asks them off-cam, the clips he shows, and the titles he picks for them (Bill Hader, as a fan who used to watch the show in lieu of going to classes, is stuck with “once skipped school”) that gives the documentary its own comedic signature. The spectacular failure of The Dana Carvey Show is also an inspirational story of sorts, given the astronomical success its staff and cast have and are continuing to enjoy since its cancellation.

Genre: Comedy, Documentary

Actor: Bill Hader, Dana Carvey, Jon Glaser, Louis C.K., Robert Carlock, Robert Smigel, Spike Feresten, Stephen Colbert, Steve Carell

Director: Josh Greenbaum

Rating: NR

Produced by ABC News, Print It Black is a documentary that opts for a straightforward approach instead of a stylish one. It’s more breaking news than investigative, more TV than film, but it works to highlight the urgent issue at hand. Well, two issues, which it sometimes clumsily handles. On the one hand, Print It Black is about the devastating Robb Elementary massacre and how the small town of Uvalde is further divided in the aftermath. On the other, it’s about the relevancy of the town paper, The Uvalde Leader-News, and the crucial role it plays at a time when more and more news publications are shutting down. At the intersection of these two stories is Kimberly Rubio, a staff reporter for the paper whose 10-year-old daughter was one of the victims of the massacre. Without Rubio, the two threads come undone and the documentary fails to feel like a cohesive story. Odd decisions, like leaving out the identity and motivations of the perpetrator and allotting virtually zero screentime to the other nine victims, start to become glaringly obvious. It’s a shame because both are worthy topics that deserve their own features; here, they seem unfairly smushed into a feature that’s unconfident about the way it handles them.

Genre: Documentary

Actor: Beto O'Rourke, Craig Garnett, Meghann Garcia, Pete Luna, Sheila Jackson Lee

Director: Tomas Navia

Rating: NR

For people having difficulty bearing a child, artificial insemination is one way to go for parenthood, but going to sperm banks can be expensive, shrouded with too much anonymity, and have had many incidents of malpractice. Some people would rather take things into their own hands. Spermworld explores the journeys of three different internet sperm donors, who meet with hopeful parents. It can be awkward, even when the donors are fairly ordinary guys with fairly decent motives, but the way director Lance Oppenheim approaches the community is disarmingly human, acknowledging the strange quirks that come with the donation, but also the interesting parental desires human beings do have.

Genre: Documentary

Actor: Ari Nagel, Atasha Peña Clay, Rachel Stanley, Steve Walker, Tyree Kelly

Director: Lance Oppenheim

Rating: R

The main subject that Hold Your Fire promises to be about—negotiation tactics first used in resolving a New York City standoff at a sporting goods store—is ultimately its most least interesting aspect. These supposed tactics aren't too well, and they end up putting a damper on all the human drama that comes before it, which proves strikingly three-dimensional. As the film revisits the details of the hostage situation from the perspective of those who were actually there, it also complicates the situation by compelling us to think of it in a dense, sociopolitical sense rather than a reductive lens of crime and punishment. It's this build-up to the actual negotiation that may actually hold more insight into these kinds of crises.

Genre: Documentary

Director: Stefan Forbes

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