Kanopy Suggestions

A young woman’s coming-of-age threatens to topple the uneasy hierarchy of her family in this striking debut from Croatian director Antoneta Alamat Kusijanović. The trigger for Julija’s (Gracija Filipović) angsty rebellion is the arrival of her parents’ enigmatic wealthy friend, Javi (Cliff Curtis), whom her controlling father Ante (Leon Lučev) is hoping to squeeze a juicy investment out of. Part of hot-headed Ante’s strategy involves playing on Javi’s still-simmering feelings for Ante's wife Nela (Danica Čurčić) — a dicey game to play when you have a temper like his. It’s also a very manipulative one, and the film lives in the atmosphere of claustrophobia that comes with being a woman in Ante’s life. Though her mother seems resigned to acceptance, Julija yearns for liberation, and it’s her burgeoning awareness of her own power as a woman that fires this drive for freedom. With its stunning Adriatic setting and haunting underwater sequences — the family are keen spearfishers — Murina is a film of natural beauty and human ugliness, a slow burn of a psychological drama that uses volatile teenage emotions as its incendiary fuel.

Genre: Drama

Actor: Cliff Curtis, Danica Curcic, Gracija Filipović, Jonas Smulders, Klara Mucci, Leon Lucev, Milan Štrljić, Zoran Tadić

Director: Antoneta Alamat Kusijanović

Watch this documentary and find yourself amazed at how much of Hollywood history was determined by one woman: legendary casting director Marion Dougherty. At a time when studios were casting actors based on “type,” Dougherty revolutionized the process with her preternatural ability to see the potential in budding actors like Al Pacino, Dustin Hoffman, Robert Redford, and Glenn Close. Her work in introducing NYC’s theater actors to the silver screen launched countless careers and indelibly shaped iconic films like Midnight Cowboy and Lethal Weapon.

And yet, Dougherty’s work — and that of those who followed in her steps — is criminally underappreciated, as this doc both lays bare and seeks to redress. A largely female profession, casting was long devalued by a casually misogynistic industry, the persistent legacy of which is subtly highlighted in some interviews here. Among the talking heads sharing appreciation and anecdotes are many of the actors and casting directors whose careers Dougherty launched, as well as filmmakers (including Martin Scorsese) testifying to the pivotal role casting has played in their work. Playing the villain is Ray director Taylor Hackford, who believes casting directors add little to the filmmaking process — an argument that the doc wryly disproves with the sheer weight of refuting evidence it offers up.

Genre: Documentary

Actor: Al Pacino, Amanda Mackey, Bette Midler, Buck Henry, Burt Young, Clint Eastwood, Cybill Shepherd, Danny Glover, David Rubin, Deborah Aquila, Diane Lane, Dustin Hoffman, Ed Asner, Ed Lauter, Ellen Chenoweth, Ellen Lewis, Glenn Close, Jeff Bridges, John Lithgow, John Papsidera, John Sayles, John Travolta, Jon Voight, Juliet Taylor, Lora Kennedy, Lynn Stalmaster, Marion Dougherty, Martin Scorsese, Mel Gibson, Mike Fenton, Nancy Klopper, Ned Beatty, Norman Lear, Oliver Stone, Paul Mazursky, Paul Rudd, Peter Bogdanovich, Richard Donner, Richard Dreyfuss, Risa Bramon Garcia, Rita Hayworth, Robert De Niro, Robert Duvall, Robert Redford, Ronna Kress, Ronny Cox, Taylor Hackford, Tony Bill, Woody Allen

Director: Tom Donahue

This cult classic is the first hip-hop movie in cinema’s history — and, aptly, one of the most sampled movies in rap music. With a cast drawn exclusively from the NYC graffiti, breakdancing, and rap subcultures that it spotlights, Wild Style wisely doesn’t try too hard to construct a conventional drama. Instead, there are toe-tapping scenes in neon-lit, smoke-filled clubs that stretch far beyond usual cinematic limits because they’re following the dynamic pace and infectious rhythm of the battling emcees, not film’s rules.

In lieu of a plot, Wild Style captures the singular atmosphere of the period it was filmed in, when hip-hop culture was thriving and art curators had begun to look to graffiti artists to fill their galleries. That uneasy turning point in the culture is chronicled here through the perspective of Zoro (real graffiti “writer” Lee Quiñones), a young artist who looks on with disdain as his peers embrace the commercialization of their medium by NYC’s art world. (As he shrewdly puts it, risk is central to graffiti’s identity — made for subway cars and walls, not framed canvases.) Brilliantly capturing the freewheeling spirit of NYC’s hip-hop scene, this is a time capsule that never feels dusty thanks to the appropriately off-the-cuff filmmaking.

Genre: Drama, Music

Actor: Fab 5 Freddy, Grandmaster Flash, Lady Pink, Lee Quiñones, Patti Astor, ZEPHYR

Director: Charlie Ahearn

Rating: R

Celebrated Malian filmmaker Souleyman Cissé crafted Yeelen (which means ‘brightness’) as an explicit antidote to the “ethnographic” lens through which Western directors often told Africa-set stories. That intention is certainly felt, because Yeelen doesn’t trouble itself to translate its folklore-drawn premise for audiences unfamiliar with 13th-century Malian myths. Rejecting Western storytelling conventions, it instead uses those of the culture it depicts — a looping approach to time and matter-of-fact magical realism — to present the tale of Nianankoro (Issiaka Kane), a supernaturally gifted young man whose sorcerer father (Niamanto Sanogo) plots to kill him because of the threats he poses to the elder man's power. 

 A basic primer to the customs central to Yeelen is provided in the opening titles, but knowledge of the culture it communicates through isn’t a prerequisite to watching and enjoying the film because its epic conflicts — both Oedipal (father versus son) and religious (flesh versus spirit) — and otherworldly sensibilities make it both instinctively familiar and mesmerizing. A deserved winner of the Cannes Jury Prize, though the fact that it was the first African film to win one of the festival's awards — 40 years into its existence — makes this an unjustly belated milestone.

Genre: Drama

Actor: Aoua Sangare, Balla Moussa Keita, Ismaila Sarr, Issiaka Kane, Niamanto Sanogo

Director: Souleymane Cissé

Rating: NR

German writer-director Christian Petzold tells a story of a fateful encounter trapped in a love triangle. Thomas, Laura, and her husband Ali quickly become enmeshed in a three-way relationship rich with desire, pressure, and betrayal. Another Hitchcockian tribute by Petzold, Jerichow has all the elements of a neo-noir, but it's set in broad daylight. The plotting, the secret love affairs, the femme fatale with no back up plan: all the necessary ingredients for a chaotic tale, wrangled by desirous tensions, to say the least.  A film whose mystique is rather haunting, but far from spectral, Jerichow doesn't conceal its clear references to "The Postman Always Rings Twice".

Genre: Drama

Actor: Andre Hennicke, Benno Fürmann, Claudia Geisler-Bading, Hilmi Sözer, Knut Berger, Marie Gruber, Nina Hoss

Director: Christian Petzold

Transit is based on a WWII novel — though you wouldn’t be able to tell from first glance. While the characters talk of German fascists occupying France, anachronistic details (like modern technology and clothing) suggest we haven’t gone back in time at all. Director Christian Petzold isn’t trying to confuse us: by blurring the backdrop, he’s making the terror and the desperation of the story more immediate — removing the distance that might have prevented us from really feeling what happens.

The uncanny historical echo effect works as intended, because the parallels Transit subtly draws between the past and today are horribly clear. What’s more, the movie’s intentionally ambiguous framing suffuses the plot with an otherworldly sense of mystery, a quality that gradually intensifies as Georg (Franz Rogowski) desperately searches for a one-way ticket out of hellish bureaucratic limbo before he finds himself waylaid by that most mysterious emotion of all: love. Unshakably haunting and undeniably poignant, this is a movie that will live under your skin.

Genre: Drama

Actor: Àlex Brendemühl, Barbara Auer, Emilie de Preissac, Franz Rogowski, Godehard Giese, Justus von Dohnányi, Lilien Batman, Maryam Zaree, Matthias Brandt, Paula Beer, Ronald Kukulies, Sebastian Hülk, Trystan Putter

Director: Christian Petzold

Barbara (Petzold regular Nina Hoss) has fallen from grace, at least by the standards of 1980s Germany. A renowned doctor at a prestigious East Berlin hospital, she has been demoted to a paediatrician at a tiny town on the Baltic coast: a punishment for daring to try and leave the DDR. The Stasi spy on her, threaten her, and on occasion, abuse her. But Barbara does not give up in her attempts to establish a better life for herself, if only she could cross the sea and dock in Denmark. With such a politically-conscious premise, Christian Petzold's sixth film became a hit on the European scene and transformed his relatively modest career into something more transnational. Even if Barbara feels very local—the way in which Germany's divide conditions every movement and gesture of its characters—the tropes of a spy thriller come to the fore and make a legible, rewarding viewing out of something one may deem too particular. The film owes a lot to its lead, Hoss, who has become a staple of Petzold's career, with her stoicism and towering presence as Barbara – a symbol of obstructed mobility.

Genre: Drama

Actor: Alicia von Rittberg, Christina Hecke, Christoph Krix, Claudia Geisler-Bading, Irene Rindje, Jannik Schümann, Jasna Fritzi Bauer, Jens Okking, Kirsten Block, Mark Waschke, Nina Hoss, Peter Benedict, Rainer Bock, Ronald Zehrfeld, Rosa Enskat, Susanne Bormann, Thomas Neumann

Director: Christian Petzold

Whether graffiti is art or not is the question guiding this fascinating documentary about the spray can-wielding artists of ‘80s New York. Wherever you come down in the debate — though this presents compelling arguments that graffiti is a medium worthy of critical attention — you’ll undoubtedly come away with a reverence for the kids who went hard with the paint on NYC’s walls and subway cars. Candid interviews with these young pioneers (whose cultural contributions are now less in contention) reveal that they’re not simply rebelling for rebellion’s sake: they’re largely motivated by a desire to make their mark on their beloved city — to stand out and have their work seen by the millions riding the subway every day.

The doc largely embeds itself with the artists, but it also interviews the “other side”: then-mayor Ed Koch and police officers, who were ramping up their aggressive “war on graffiti” campaign during filming. It’s clear that these interviewees have little interest in understanding what drives the kids to create their murals — a lack of curiosity that Style Wars blessedly counters. Not just a thoughtful contribution to its period and a fascinating time capsule, but also a thought-provoking reminder that art is art, whether it's made outside of the system or not.

Genre: Documentary, Music, TV Movie

Actor: Cap, Daze, Dondi, Ed Koch, Eric Haze, Gene Anthony Ray, Irene Cara, Kase 2

Director: Tony Silver

With its detailed portraits of seven of Istanbul’s most adored felines, Kedi affirms what anyone who’s spent some time with a cat will know: they really do all have fully-fledged, complex personalities of their own. More than just a celebration of some supremely cute kitties, though, this documentary about the city’s teeming street cat population also presents a moving example of a way of living that embraces — rather than tramples over — our animal neighbors.

Immersive cinematography from the cats’ eye levels is weaved with interviews with the people who care for them, whether voluntarily or because the cats simply demand it. That independence emerges as a much-admired characteristic in the documentary; as one interviewee puts it, “Dogs think people are God, but cats don’t. They’re not ungrateful, they just know better.” It’s impossible not to read a wistful note in the interviewees’ odes — indeed, for many of the people featured here, cats are a point of spiritual and personal reconnection, a reminder of what life is really about underneath all the mind-numbing dross we’ve made up. The magic of Kedi is that it not only perceptively recognizes the healing effect that cats have on humans, but recreates it so that these 70-something minutes feel like therapy.

Genre: Documentary

Actor: Bülent Üstün

Director: Ceyda Torun

Rating: NR

There’s a natural competitive thrill to this chronicle of the 1999 Scripps National Spelling Bee and eight of its bright young participants, but Spellbound has more than an edge-of-your-seat pull going for it. For one, there’s its holistic approach to profiling the competitors: director Jeffrey Blitz makes this as much a portrait of the village that raises these kids by interviewing their proud families and supportive communities. We get intimate snapshots of each of their disparate young lives, which together represent a cross-section of American society: from Angela — the self-taught daughter of Mexican ranchers who don’t speak English — to Neil, whose parents employ an army of tutors to prepare him for the oncoming “war.”

Spellbound ultimately sees the good in everyone — even the pushiest parents — and charitably foregrounds the obvious love and pride they all have for their kid geniuses, no matter what happens. What’s even more impressive, though, is the inspiring resilience and emotional intelligence of the young competitors themselves, some of whom have transcended deeply entrenched social inequalities to earn their place in the contest. Even those who don’t have a stirring backstory are nonetheless compelling characters (see: the delightful Harry), making Spellbound an alternately emotional, funny, and always gripping watch.

Genre: Documentary

Director: Jeffrey Blitz