38 Best Movies From Japan On Itunes Australia

Staff & contributors

The title of this 2018 Palme D'or winner is not to be taken metaphorically: Shoplifters is about a marginalized family of day workers, crooks, and small-time outlaws, who live on the fringes of Japanese society. Osamu (Lily Franky) and Nobuyo (Sakura Andô) both have jobs but spruce up their low-wage income by committing petty crimes. One day in winter, Osamu takes in a bruised girl he finds outside in the cold and introduces her to the family in his ramshackle house. But when the second-youngest member of the family, Shota (Kairi Jyo), finds himself teaching her how to shoplift, he faces a moral dilemma that threatens to unravel the family's fabric. If you were hitherto unfamiliar with the unique storytelling and social realism of Hirokazu Koreeda, we really recommend checking it out—as well as his other movies, namely, Still Walking, Like Father, Like Son, I Wish, and After the Storm. His 2018 outing features the last ever performance of Kirin Kiki, who plays the elderly matriarch and passed away that same year. Like many of Koreeda's works, Shoplifters is an understated, beautiful, and mysterious study of the effects of poverty and trauma and a delicate portrait of a family in Japan's urban underbelly.

Genre: Crime, Drama, Family, Thriller

Actor: Aju Makita, Akira Emoto, Chizuru Ikewaki, Hajime Inoue, Haruna Hori, Jyo Kairi, Kairi Jo, Kairi Jyo, Kengo Kora, Kirin Kiki, Lily Franky, Mayu Matsuoka, Miyu Sasaki, Moemi Katayama, Nana Mizoguchi, Naoto Ogata, Sakura Andô, Sosuke Ikematsu, Yoko Moriguchi, Yuki Yamada, 山田裕貴, 松冈茉优, 蒔田 彩珠

Director: Hirokazu Kore-eda, Hirokazu Koreeda

Rating: R

From Drive My Car director Ryusuke Hamaguchi comes another film featuring long drives, thoughtful talks, and unexpected twists. An anthology of three short stories, Wheel of Fortune and Fantasy ponders over ideas of love, fate, and the all-too-vexing question, “what if?” 

What if you didn’t run away from the one you love? What if you didn’t give in to lust that fateful day? What if, right then and there, you decide to finally forgive?

Big questions, but without sacrificing depth, Hamaguchi does the incredible task of making every single second feel light and meaningful. Wheel of Fortune and Fantasy will leave you with mixed emotions: excited, startled, dejected, hopeful. But one thing you won’t feel is regret over watching this instant classic of a film.

Genre: Drama, Romance

Actor: Aoba Kawai, Aoba Kawai 河井清叶, Ayumu Nakajima, Fusako Urabe, Hitoshi Omika, Hyunri, Katsuki Mori, Kiyohiko Shibukawa, Kotone Furukawa, Shouma Kai

Director: Ryusuke Hamaguchi

Rating: R-13

In Drive My Car, a widowed artist travels to Hiroshima for his latest production. There he meets a young woman enlisted to drive him around the area. They forge an unexpected bond and soon share pithy observations and long-buried secrets, which culminate in a touching scene of catharsis and forgiveness.

Not a lot is said in this three-hour film, but when words (and signals) are shared, they are always underlaid with simple but transcendent truths. Drive My Car is a gripping film that explores love and loss in its own quiet way, at once intense and intimate.

Genre: Drama

Actor: Ahn Hwi-tae, Ahn Hwitae, Hidetoshi Nishijima, Hiroko Matsuda, Jin Dae-yeon, Masaki Okada, Park Yu-rim, Perry Dizon, Reika Kirishima, Ryo Iwase, Satoko Abe, Shoichiro Tanigawa, Sonia Yuan, Toko Miura, Toshiaki Inomata

Director: Ryusuke Hamaguchi

Rating: Unrated

This surprising documentary follows Jiro, an 85 year old Japanese chef, his Michelin-starred restaurant in the Tokyo underground, and his eager sons. While ostensibly about sushi – and believe me, you’ll learn about sushi and see absolutely gorgeous images of the raw-fish creations – the film’s dramatic impetus is carried by the weight of tradition, the beauty of a labor of love, obsession, and the relationship between father and son. Truly a must-watch.

Genre: Documentary

Actor: Daisuke Nakazama, David Gelb, Hachiro Mizutani, Harutaki Takahashi, Jiro Ono, Masuhiro Yamamoto, Yoshikazu Ono

Director: David Gelb

Rating: PG

, 1995

Like a long, slow drag of a cigar, Smoke is a patient pleasure. Adam Holender’s leisurely lingering camera and the film’s relaxed editing allow us to savor the actors’ performances and the thoughtful script uninterrupted, trusting in their ability to captivate us. And captivate us is exactly what novelist Paul Auster’s screenplay and the film’s superlative ensemble do.

The film kicks off in Auggie Wren’s (Harvey Keitel) Brooklyn smoke shop, where myriad customers linger to chat and unexpected friendships form. The serendipitous network around which Smoke revolves unfurls gradually, like a curling wisp of smoke: Auggie’s patron Paul (William Hurt), a writer's block-struck novelist grieving the violent death of his pregnant wife some years ago, has his life saved by Harold Perrineau’s Rashid, the estranged 17-year-old son of a struggling mechanic (Forest Whitaker). Ashley Judd and Stockard Channing also feature in Auggie’s portion of the film, one of its five loose vignettes (although the film flows much more fluidly than a chapterized structure suggests). Auster’s contemplative, dialogue-driven screenplay — along with the film’s unhurried editing and luxuriating cinematography — make Smoke a gorgeous example of the art of savoring, which is exactly what you want to do with this wonderful movie.

Genre: Comedy, Drama

Actor: Ashley Judd, Baxter Harris, Clarice Taylor, Deirdre OConnell, Erica Gimpel, Forest Whitaker, Giancarlo Esposito, Harold Perrineau, Harvey Keitel, Jared Harris, José Zúñiga, Malik Yoba, Mary B. Ward, Mel Gorham, Michelle Hurst, Murray Moston, Stephen Gevedon, Stockard Channing, Victor Argo, William Hurt

Director: Wayne Wang

Rating: R

, 2022

Adapted from the Japanese film Ikiru, which in turn was adapted from the Russian story The Death of Ivan Ilyich, Living is a parable about, well, living. Specifically, it's about the importance of wonder and the magic of the mundane. It's also about legacy and the stories we leave in our wake, which live on long after we're gone. This familiar premise could have very easily been turned into another trite and cheesy movie that warns you to make the most out of your life, but thanks to a lean script, assured camerawork, and powerfully restrained performances, Living is elevated into something more special than that. It’s a technically beautiful, well told, and profoundly moving film, with Bill Nighy giving a career-best turn as a repressed man aching for meaning in his twilight years. 

Genre: Drama

Actor: Adrian Rawlins, Aimee Lou Wood, Alex Sharp, Barney Fishwick, Bill Nighy, Celeste Dodwell, David Summer, Edward Wolstenholme, Eunice Roberts, Ffion Jolly, Grant Gillespie, Hubert Burton, Jamie Wilkes, John MacKay, Jonathan Keeble, Lia Williams, Mark James, Matilda Ziegler, Michael Cochrane, Michael James, Nichola McAuliffe, Nicky Goldie, Oliver Chris, Patsy Ferran, Richard Cunningham, Robin Sebastian, Rosie Sansom, Thomas Coombes, Tom Burke, Zoe Boyle

Director: Oliver Hermanus

Hayao Miyazaki is no stranger to the fantastical. Howl’s Moving Castle and Spirited Away conjure worlds of spirits and demons, monsters and witches, imaginary wars and extraordinary heroes. But in Kiki’s Delivery Service, the real magic arises from the mundane.

The titular teenaged Kiki leaves home, setting out to become a better witch. She arrives in the idyllic seaside town of Koriko with only her broom and best friend, a black cat named Jiji. When she serendipitously meets Osono, the gentle owner of a bakery, Kiki begins a delivery service as part of her training.

Kiki’s Delivery Service may be one of Miyazaki’s more understated films, but it’s a beautiful reminder that believing in oneself is a magical act of courage that we should all undertake.

Genre: Adventure, Animation, Drama, Family, Fantasy

Actor: Akio Otsuka, Chika Sakamoto, Haruko Kato, Hiroko Maruyama, Hiroko Seki, Kappei Yamaguchi, Keiko Toda, Kikuko Inoue, Kôichi Miura, Koichi Yamadera, Michihiro Ikemizu, Mieko Nobusawa, Mika Doi, Minami Takayama, Rei Sakuma, Shinpachi Tsuji, Takashi Taguchi, Takaya Hashi, Tomomichi Nishimura, Yoshiko Asai, Yoshiko Kamei, Yûko Kobayashi, Yûko Maruyama, Yuko Tsuga, Yuriko Fuchizaki, Yuuko Kobayashi, 丸山裕子

Director: Hayao Miyazaki

Studio Ghibli has brought us moving, remarkable animated films such as Spirited Away, My Neighbor Totoro, and Princess Mononoke. One of Studio Ghibli’s most overlooked movies is Yoshifumi Kondou’s Whisper of the Heart, which finds magic in the ordinary every day. Shizuku is a young girl with great aspirations to become a writer—the only thing stopping her is herself. When she comes across a curious antique shop, she befriends a mysterious boy and his grandfather, who are just the push she needs to look inward and discover her own artistic capabilities.

If you have ever wanted to create something bigger and better than yourself—a story, a song, a poem, a painting, a work of art—then Whisper of the Heart will excite you, will call to you, will remind you to answer your heart’s calling.

Genre: Animation, Drama, Family

Actor: Issey Takahashi, Kazuo Takahashi, Keiju Kobayashi, Maiko Kayama, Mayumi Iizuka, Mayumi Izuka, Minami Takayama, Mitsuaki Ogawa, Naohisa Inoue, Shigeru Muroi, Shigeru Tsuyuguchi, Shiro Kishibe, Takashi Tachibana, Tatsuya Okada, Toshio Suzuki, Yoko Honna, Yorie Yamashita, Yoshifumi Kondo, Yoshimi Nakajima

Director: Yoshifumi Kondô, Yoshifumi Kondou

Rating: G

Surreal, strange, yet wondrous, Penguin Highway never takes a straightforward approach to its story. Penguins pop up out of nowhere, leading the nerdy and precocious Aoyama to study them via empirical observation and logical deduction. These studies don’t end up with a feasible explanation– in fact, by the final act, the film abandons all laws of physics. But the journey to that act feels intuitively right. This journey feels like an indescribable formative experience. Aoyama may be obsessed with growing up and committing to the reasonable adult mindset, but he is still a child. From fending off bullies to forming connections with others, his childhood imagination served him better than science could. The film reveres this discovery as well as it should.

Genre: Adventure, Animation, Comedy, Drama, Fantasy

Actor: Hidetoshi Nishijima, Kana Kita, Landen Beattie, Mamiko Noto, Megumi Han, Miki Fukui, Misaki Kuno, Naoto Takenaka, Rie Kugimiya, Winston Bromhead, Yu Aoi

Director: Hiroyasu Ishida

Rating: Not Rated

“It is better to live miserable than to die happy,” or so says one of the characters in Jia Zhangke’s anthology film A Touch of Sin. On its surface, the “sin” referenced in the title might pertain to the acts of murder that the four protagonists commit, but in the context of China’s rapidly changing capitalist landscape (a theme explored in the director’s other pictures), it reveals itself as a malady shared by Chinese laborers treated as dispensable resources by the powers-that-be. Murder, then, is explored as an extremity, the effectual breaking point of people no longer able to contain the injustice within themselves. Beneath the splatters of blood is a plea for empathy and understanding, at once remorseful and full of conviction.

Genre: Action, Crime, Drama

Actor: Baoqiang Wang, Han Dong, Jiang Wu, Jin Zhang, Li Meng, Lu Liu, Luo Lanshan, Qiang Wang, Wang Baoqiang, Wang Hongwei, Wang Qiang, Zhang Jiayi, Zhang Jin, Zhao Tao

Director: Jia Zhangke

This beautiful, realistic, and nostalgic anime movie about childhood is one that almost anyone can relate to. Set in the year of 1982, twenty-seven-year-old Taeko Okajima is traveling to the countryside by train. Along her journey, she gets flashbacks of her childhood: mostly in elementary school, stealing glances at a boy, and navigating puberty. The movie goes back and forth between past and present, easily making one long for sun-filled summers of yesteryear and silly jokes between playfriends. As well as telling a story about Taeko's past, Only Yesterday also tells a story about her present, and the combined realism of the plotline with the beautiful animation grips you and doesn’t let go. Only Yesterday truly feels like home.

Genre: Animation, Drama, Romance

Actor: Chie Kitagawa, Ichirō Nagai, Issey Takahashi, Masahiro Ito, Masahiro Itou, Mayumi Iizuka, Mayumi Izuka, Michie Terada, Miki Imai, Toshiro Yanagiba, Yoko Honna, Yorie Yamashita, Yoshimasa Kondô, Yuki Minowa, Yuuki Masuda

Director: Isao Takahata

Rating: PG

In what was originally intended to be his final film, Hayao Miyazaki is at his most lucid with The Wind Rises. Fluid and luminous, it cleanly moves between a grounded, historical reality and an intuitive, imaginative dreamscape. Here Miyazaki reflects on the process of creation and what it means to be an artist, drawing parallels between his own meticulousness as a filmmaker with Horikoshi’s immutable passion for flight and efficient design.

But questions of responsibility and duty arise, as Horikoshi—and by extension, Miyazaki—must reckon with the reality that even things as beautiful as aeroplanes can be destructive, and that even dreams can be violent. This meditative film does not offer any easy answers but it provides solace in its prevailing sentiment: The wind is rising, we must try to live.

Genre: Animation, Drama, Family, History, Romance, War

Actor: Hayao Miyazaki, Hideaki Anno, Hidetoshi Nishijima, Jun Kunimura, Kaichi Kaburagi, Keiko Takeshita, Mansai Nomura, Martin Short, Masahiko Nishimura, Miori Takimoto, Mirai Shida, Morio Kazama, Sascha, Shinobu Otake, Stephen Alpert

Director: Hayao Miyazaki

Rating: PG-13

Snowpiercer is an under-the-rader post-apocalyptic thriller that offers the grittiness that many times only Asian cinema may achieve. South Korean director Joon-ho Bong forces audiences to forget that Chris Evans was ever a Marvel superhero, as he leads a revolt of his fellow “low-class” citizens against the self-appointed gentry in a train that contains all remaining members of the planet. With immersive environments and a layered script, this film melds together social commentary and moral discourse in a visually arresting and vastly entertaining package.

Genre: Action, Drama, Mystery, Science Fiction

Actor: Adnan Haskovic, Alison Pill, Chris Evans, Clark Middleton, Dana Green, Ed Harris, Emma Levie, Ewen Bremner, Go A-sung, Go Ah-sung, Griffin Seymour, Jamie Bell, Jim High, John Hurt, Joseph Bertót, Kendrick Roger Ong, Kenny Doughty, Ko A-sung, Ko Asung, Luke Pasqualino, Luna Sophia Bar-Cohen, Magda Weigertová, Marcanthonee Reis, Octavia Spencer, Parry Shen, Paul Lazar, Peter Hallin, Robert Russell, Sean Connor Renwick, Seisuke Tsukahara, Song Kang-ho, Stephen Park, Steve Park, Tilda Swinton, Tomáš Dianiška, Tómas Lemarquis, Tyler John Williams, Vlad Ivanov

Director: Bong Joon-ho

Rating: R

As impressive as Studio Ghibli’s collection of films are, I am still stubborn to believe that Porco Rosso is its most underrated film. Porco Rosso, directed by Hayao Miyazaki, is the story of a World War military aviator-turned-bounty hunter who has mysteriously been transformed into a pig. 

Bright with humor, heart, and flight (Miyazaki is largely influenced and inspired by the art of aviation), Porco Rosso manages to also acknowledge and reckon with the horrors of war. It also boasts one of, if not the greatest, line in any Ghibli film: I’d rather be a pig than a fascist.

Genre: Adventure, Animation, Comedy, Drama, Family

Actor: Akemi Okamura, Akio Otsuka, Bunshi Katsura, Bunshi Katsura Vi, Hiroko Seki, Mahito Tsujimura, Minoru Yada, Osamu Saka, Reizō Nomoto, Sanshi Katsura, Shûichirô Moriyama, Tokiko Kato, Tsunehiko Kamijo, Yoko Soumi, Yu Shimaka

Director: Hayao Miyazaki

Rating: PG

, 2022

It's inspiring to see that, even after Jordan Peele made the jump to blockbuster budgets, he hasn't lost the ability to evoke the sheer visceral panic of seeing something that isn't supposed to be there. Nope is that increasingly uncommon kind of film whose dense air of mystery isn't frustrating—and in fact uses to great effect the very human instinct to understand the unknowable, even if we know it'll hurt us. Its characters might not be the most three-dimensional and the development of its themes seems to depend on a lot of extrapolation and educated guessing, but the way Nope transforms from alien invasion, to monster movie, to western adventure, to cosmic horror still makes the film much greater than the sum of its parts.

Genre: Horror, Mystery, Science Fiction

Actor: Alex Hyde-White, Andrew Patrick Ralston, Barbie Ferreira, Brandon Perea, Daniel Kaluuya, Devon Graye, Donna Mills, Eddie Jemison, Evan Shafran, Hetty Chang, Jacob Kim, Jennifer Lafleur, Keith David, Keke Palmer, Lincoln Lambert, Liza Treyger, Malcolm Jae O'Shea, Mark Casimir Dyniewicz Jr., Michael Wincott, Osgood Perkins, Oz Perkins, Pierce Kang, Ryan W. Garcia, Sophia Coto, Steven Yeun, Terry Notary, Wrenn Schmidt

Director: Jordan Peele

Rating: R