16 Best Movies From Canada On Hoopla

Leave No Trace is the amazing new movie from the director of Winter's Bone, Debra Granik. It's the story of a father and his daughter who live completely off the grid in a national park in Portland, and their quiet quest to not be separated and remain off the grid. It's not the sensational, tear-jerker story that you'd expect something with this premise to be. Rather, and like Winter's Bone, it chooses a humane and realistic approach to the subject matter. The decision to live outside society is almost irrelevant to this movie. More so, its inevitability for certain people with certain mindsets is what is interesting. A stunningly quiet movie, really well-acted too.

Genre: Drama, Mystery

Actor: Alyssa McKay, Art Hickman, Ayanna Berkshire, Ben Foster, Dale Dickey, Dana Millican, Debra Granik, Derek John Drescher, Isaiah Stone, Jeff Kober, Jeffery Rifflard, Michael Draper, Michael J. Prosser, Spencer S. Hanley, Thomasin Harcourt McKenzie, Thomasin McKenzie

Director: Debra Granik

Rating: PG

I’m Not There is an unusual biopic in that it never refers to its subject, Bob Dylan, by name. Instead, Todd Haynes’ portrait of the singer mimics his constant reinvention by casting six separate actors to play as many reincarnations of the same soul. It’s an ingenious spin on a usually stale genre, one that liberates the film from the humdrum restrictions of a literal retelling of Dylan's life.

If there’s anyone who warrants such an inventive approach to biography, it’s Dylan, whose public and private personas are so numerous that it’s only by angling six different mirrors at him that Haynes can hope to catch some of his essence. Impressionistic editing toggles freely between these vignettes, each visually distinct: from the 11-year-old Woody Guthrie-obsessive (Marcus Carl Franklin) and the black-and-white Super 16mm-shot poet (Ben Whishaw) to the aging cowboy outlaw (Richard Gere), all by way of Christian Bale, Heath Ledger, and Cate Blanchett’s incarnations. To be sure, this is a somewhat challenging film, reflecting, in places, the enigmatic surrealism of Dylan’s lyrics and his refusal to be pinned down to one thing. But, as Blanchett’s embodiment says, “Mystery is a traditional fact,” and that’s no more true than of Dylan, making Haynes’ film a fascinatingly fitting spiritual biopic.

Genre: Drama, Music

Actor: Al Vandecruys, Alison Folland, Andrew Shaver, Andrew Simms, Angela Galuppo, Arthur Holden, Ben Whishaw, Benz Antoine, Bill Croft, Bob Dylan, Brett Watson, Bruce Greenwood, Cate Blanchett, Catherine Colvey, Charlotte Gainsbourg, Christian Bale, Craig Thomas, Danny Blanco Hall, David Cross, David Gow, Dennis St John, Dominic James, Don Francks, Emmanuel Schwartz, Eric Newsome, Eugene Brotto, Fanny La Croix, Garth Gilker, Gordon Masten, Graham Cuthbertson, Greg Kramer, Heath Ledger, Hélèna Laliberté, Holly Uloth, Ivan Freud, Jane Gilchrist, Jane Wheeler, Jason Cavalier, Jennifer Rae Westley, Jesse Todd, Jessica Kardos, Jim James, Jodie Resther, Joe Cobden, Joey Burns, John Koensgen, Julianne Moore, Kathleen Fee, Kim Gordon, Kim Roberts, Kris Kristofferson, Kristen Hager, Kyle Gatehouse, Kyle Switzer, Larry Day, Leif Anderson, Leigh Ann Taylor, Lina Roessler, Lisa Bronwyn Moore, Lorne Brass, Maggie Castle, Marcus Carl Franklin, Marie-Julie Rivest, Mark Camacho, Matt Holland, Matthew Boylan, Matthew Harbour, Melantha Blackthorne, Michelle Williams, Nathalie Girard, Noel Burton, Patrick Costello, Paul Cagelet, Paul Johnston, Paul Spence, Pauline Little, Peter Friedman, Phyllis Gooden, Pier Paquette, Pierre Leblanc, Pierre-Alexandre Fortin, Richard Gere, Richard Jutras, Richard Robitaille, Richie Havens, Rob Burns, Roc LaFortune, Sharlene Royer, Shaun Balbar, Shawn Baichoo, Steve Godin, Susan Glover, Terry Haig, Thiéry Dubé, Tim Post, Trevor Hayes, Tyrone Benskin, Vito DeFilippo, Wyatt Bowen, Yolonda Ross

Director: Todd Haynes

Rating: R

How to Change the World is an insightful and candid documentary about the formation of Greenpeace in 1971 by a small group of environmentalists and activists in Vancouver, British Columbia. Beginning with their attempt to disrupt U.S. nuclear testing in Amchitka, Alaska, the film follows their subsequent efforts to thwart commercial whaling in the Pacific, their anti-sealing campaign in Newfoundland, and their ongoing efforts to defend the natural world against what they perceive as excessive human intervention and abuse. How to Change the World is as much a poignant tale of inspired activism as it is an interesting study of the organization’s early tribulations: idealism vs. anarchy, social movement vs. organizational structure (or lack thereof) and leadership vs. disunity. The voice of co-founder Robert Hunter (de facto leader of Greenpeace from inception) is heard posthumously throughout via narrator Barry Pepper, and it adds an impassioned air of gravitas to the film, detailing the many complexities Greenpeace experienced over the course of its early years of growth and development. A compelling and educational viewing experience.

Genre: Documentary, History

Actor: Bill Darnell, Bobbi Hunter, David Garrick, Emily Hunter, Jerry Rothwell, Paul Watson, Rex Weyler

Director: Jerry Rothwell

Rating: Not Rated

It's impossible not to be moved by this passionate love letter to the medium of film and its singular abilities to witness, commemorate, connect, educate, and, yes, entertain. The Living Record is more than that, though: it’s also an urgent clarion call for better support of the infrastructure and people who preserve and restore the celluloid reels that contain so much of our history.

In two hours, it packs in a lot — perhaps even too much, because there is so much fascinating material here that it’s almost overwhelming to take it in all at once. The doc draws on a sweeping line-up of contributors who collectively illuminate every facet of the need for preservation and restoration, from archivists to filmmakers like Jonas Mekas, Ken Loach, and Costa-Gavras. Its scope is just as commendably exhaustive, featuring nuanced discussions of the dangers politics poses to preservation efforts, as well as the particular need for archives in formerly colonized countries to prevent “cultural amnesia.” Despite all the challenges it highlights, its tone isn’t hopeless, as the film draws strength from the tireless efforts of archivists and cinematic saviors like Martin Scorsese. It’s impossible to watch this and not come away affirmed or converted into similarly passionate champions of preservation.

Genre: Documentary, Drama

Actor: Ben Mankiewicz, Costa-Gavras, Fernando Trueba, Jonas Mekas, Ken Loach, Laure Adler, Margaret Bodde, Martin Scorsese, Patricio Guzman, Ridley Scott, Vittorio Storaro, Wim Wenders

Director: Inés Toharia Terán

Stories We Tell got on everyone’s radar when, back in 2015, it made the list of the all-time top ten list of Canadian films. That speaks to both the caliber of this movie and its relevance to North America. It’s in fact a first-person account about (and made by) actress Sarah Polley (Mr. Nobody, Exotica, Away from Her, Take This Waltz). In the film, she investigates the rumor that she was the product of an affair, and that her father might not be her biological father. Her family and suspected fathers are all storytellers, and many of them Academy Award winners. Ultimately, the movie becomes about her family’s remembrance of her now-deceased mother (the famous actress Diane Polley). It’s an examination of how the same story can be told so differently by different people and across time. Lies get added and truths are hidden, and all of that enriches Polley’s pursuit.

Genre: Documentary

Actor: Alex Hatz, Alexandra "Allie" MacDonald, Allie MacDonald, Anne Tait, Cathy Gulkin, Christine Horne, Dave Kiner, Deirdre Bowen, Geoffrey Bowes, Harry Gulkin, Jeanie Calleja, Jeff Mallory, Joanna Polley, John Buchan, Lani Billard, Mairtin O'Carrigan, Marie Murphy, Mark Polley, Michael Polley, Mort Ransen, Pixie Bigelow, Rebecca Jenkins, Robert MacMillan, Sarah Polley, Susy Buchan, Thomas Hauff, Tom Butler, Tracey Ferencz, Wayne Curnew

Director: Sarah Polley

Rating: PG-13

Starring Ryan Gosling, Emily Mortimer, Paul Schneider, Kelli Garner and Patricia Clarkson. Lars and the Real Girl is a funny and thought-provoking look at the psychology of loneliness and the healing power of love. I rented this a few years back because of Ryan Gosling - he had just blown me away in Fracture so I was trying to catch up on his other movies. It was an unexpected gem. One of the sweetest movies I have ever seen - it was kind of like a fairy tale. With a blow-up doll. Yes, that's right.

Genre: Comedy, Drama, Romance

Actor: Alec McClure, Angela Vint, Annabelle Torsein, Arnold Pinnock, Aurora Browne, Billy Parrott, Boyd Banks, Doug Lennox, Emily Mortimer, Joe Bostick, Joshua Peace, Karen Robinson, Kelli Garner, Lauren Ash, Liisa Repo-Martell, Lindsey Connell, Liz Gordon, Maxwell McCabe-Lokos, Nancy Beatty, Nicky Guadagni, Patricia Clarkson, Paul Schneider, R.D. Reid, Ryan Gosling, Sally Cahill, Tannis Burnett, Tommy Chang, Torquil Colbo

Director: Craig Gillespie

Rating: PG-13

When German forces occupy Paris in 1942, a close-knit Jewish family tearfully sends their two youngest sons, Jo and Maurice, to escape the city on foot, with promises that they will all eventually be reunited in the Free Zone in the South. Told from the perspective of Jo – and based on the 1973 memoir of Joseph Joffo – what follows is a story of adventure, discovery, loss, love and the resilience of family bonds. A tapestry of cherished memories woven together with traumatic ones, the tone shifts again and again as Jo and his brother reach the bright shores of Nice––before they are driven to hiding again. Above all else, this is a story about the power of a family’s love, and of children who rise against the odds by their own courage and tenacity.

Genre: Drama, War

Actor: Émile Berling, Batyste Fleuria, Batyste Fleurial, Bernard Campan, César Domboy, Candide Sanchez, César Domboy, Christian Clavier, Coline Leclère, Dorian Le Clech, Elsa Zylberstein, Émile Berling, Eric Bougnon, Etienne Chicot, Fred Epaud, Frédéric Epaud, Holger Daemgen, Ilian Bergala, Jocelyne Desverchère, Joël Dupuch, Kev Adams, Luc Palun, Lucas Prisor, Patrick Bruel, Pierre Kiwitt, Vincent Nemeth

Director: Christian Duguay

Rating: Not Rated

This original comedy-drama is about a young man on the autism spectrum called Luke. Propelled by a scandalous grandpa with no filters, Luke decides that what he needs in his life is to lose his virginity.

His dysfunctional family setting, which includes a mother who left him and a neurotic step-mother, makes his search more difficult but more also pressing. Luke decides he first has to get a job, and with a world that doesn’t expect much from him, his unbreakable determination is a joy to watch.

Genre: Comedy, Drama

Actor: Al Sapienza, Ann Holloway, Art Hindle, Cary Elwes, Dewshane Williams, Jayne Eastwood, John Boylan, Kenneth Welsh, Kristin Bauer, Kristin Bauer van Straten, Lisa Ryder, Lou Taylor Pucci, Mackenzie Munro, Michael Kinney, Pam Hyatt, Sabryn Rock, Seth Green, Zoë Belkin

Director: Alonso Mayo

Rating: Not Rated

Xavier Dolan’s emotionally charged directorial debut centers on the complex relationship between 16-year-old Hubert and his mother, brought to life by Dolan himself and Anne Dorval, respectively. The film paints an authentic and all-too-familiar picture of two people who love each other yet clash in similarly self-centered and stubborn ways.

The mother-and-son duo vacillate between love and hate in a screenplay full of drama. The cinematography, relying much on negative space, perfectly evokes a sense of disconnect and animosity. However, there is little subtlety to be found here, much like Hubert’s sexuality being embodied by a poster of River Phoenix displayed in his bedroom. The rawness and heightened telling of events indicate that this story is as fresh and unpolished as then 19-year-old Dolan’s own feelings about family dysfunction, particularly mommy issues. The heavy-handedness and moments of exaggeration in his quasi-autobiography are obvious, a fault of execution that one can attribute to lack of experience.

Still, the powerful visuals and dialogue hint at a vision of what more to expect in Dolan’s now-celebrated career. I Killed My Mother, by all accounts, fulfills its role as his promising directorial debut.

Genre: Drama

Actor: Anne Dorval, Benoît Gouin, Émile Mailhiot, Francis Ducharme, François Arnaud, Hugolin Chevrette, Johanne-Marie Tremblay, Laurent-Christophe De Ruelle, Manuel Tadros, Marianne Verville, Monique Spaziani, Niels Schneider, Patricia Tulasne, Pierre Chagnon, Suzanne Clément, Xavier Dolan

Director: Xavier Dolan

In this neo-noir crime drama, John Cusack, Anjelica Huston and Annette Bening play a trio of con-artists in modern day (1990) California. Roy (Cusack) is a small-stakes hustler prone to swindling bartenders and drunken sailors for pocket money, while Lilly (Huston) plays his estranged mother who reappears in his life while working a series of horse track bluffs. Myra (Bening) notches in between the two of them as Cusack’s boisterous yet conniving girlfriend, and the instant mutual dislike between her and Lilly sets the film’s course of action in motion. It’s a fun, edgy thriller that will leave you guessing up until it's shocking finale. Elevated immeasurably by Elmer Bernstein’s old-fashioned, hard boiled music score, The Grifters is a real feather in the hat for both director Stephen Frears and producer Martin Scorsese.

Genre: Crime, Drama

Actor: Anjelica Huston, Annette Bening, Billy Ray Sharkey, Charles Napier, David Sinaiko, Eddie Jones, Frances Bay, Gailard Sartain, Gregory Sporleder, Henry Jones, Ivette Soler, J.T. Walsh, Jan Munroe, Jeff Perry, Jeremy Piven, Jimmy Noonan, John Cusack, Jon Gries, Juliet Landau, Lou Hancock, Martin Scorsese, Michael Laskin, Micole Mercurio, Noelle Harling, Pat Hingle, Paul Adelstein, Richard Holden, Robert Weems, Sandy Baron, Stephen Tobolowsky, Steve Buscemi, Sy Richardson, Teresa Gilmore, Xander Berkeley

Director: Stephen Frears

Rating: R