20 Best Movies From Australia On Itunes Canada

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Not one but two Oscars as well as a Golden Globe are among this movie’s never-ending list of accolades. It was the first Iranian film ever to get an Oscar and the first non-English film ever nominated for Best Screenplay. Originally titled The Separation of Nader from Simin in Persian, it homes in on the dissolving relationship of a middle-class couple from Teheran – and the unintended consequences of tragic events.

However, this film is so intense, well-acted, and well-written, it defies categorization. To be sure, the movie does offer a painful look at a deteriorating marriage. It’s also timely, dealing with the politics of theocracy, economic underdevelopment, and social alienation. It presents tense moral dilemmas without pointing a finger. If you’re curious to learn about the humans of Iran and, by cultural extension, the humans of the Middle East beyond the scope of global politics, A Separation is also for you.

But please don’t call it world cinema, because this is no Slumdog Millionaire. Above all, it is a searing portrayal of human conflict, relationships, and morals. It is an almost perfect depiction of how many bad people are simply good people running out of options.

Genre: Drama

Actor: Ali-Asghar Shahbazi, Babak Karimi, Bahareh Riahi, Kimia Hosseini, Leila Hatami, Merila Zare'i, Payman Maadi, Peyman Maadi, Peyman Moaadi, Sahabanu Zolghadr, Sare Bayat, Sareh Bayat, Sarina Farhadi, Shahab Hosseini, Shirin Yazdanbakhsh

Director: Asghar Farhadi

Rating: PG-13

Mary and Max is the tale of an overlooked 8-year-old girl from Australia starting an unlikely friendship via mail with a middle-aged Jewish man from New York. Shot completely in monocromatic claymotion, it is the first feature film by Australian stop-motion animation writer, Adam Elliot, and the first ever animated film to score the opening slot at Sundance Festival. In all its playful absurdity, Mary and Max is an emotional and wise gem of a film that examines the human condition through the eyes of a troubled child and an autistic American. In contrast to its clay-based animation, it deals with some pretty dark and adult themes, but succeeds in balancing those with happiness and absurd humor. Moreover, Elliott gathered an ensemble cast to do the voice-overs, which includes Philip Seymour Hoffman, Toni Collette, and Eric Bana. We recommend it 8 condensed milks out of 10.

Genre: Animation, Comedy, Drama

Actor: Adam Elliot, Barry Humphries, Bethany Whitmore, Carolyn Shakespeare-Allen, Christopher Massey, Eric Bana, Henry Karjalainen, Ian 'Molly' Meldrum, Ian Meldrum, John Flaus, Julie Forsyth, Michael Ienna, Philip Seymour Hoffman, Renée Geyer, Renée Geyer, Toni Collette

Director: Adam Elliot

Rating: Not Rated

Russel Crowe, Nicole Kidman, and the immensely talented young actor Lucas Hedges (Manchester By the Sea) form an amazing pack of talent in this excellent drama. The story is based on the memoir by Garrard Conley, a true story. Set among deeply pious Christians in Arkansas, Hedges plays 18-year-old Jared Eamons, who discovers that he is gay. Crowe plays the father, a car dealer and a preacher, and Kidman the mom, who is a sweet-natured hairdresser with traditional values. When their son comes out to them after concealing his sexuality for some time, they pressure Jared into going to a Christian conversion camp, where his “lifestyle choice” is to be “prayed away”. The unspeakable camp is led by the Victor Sykes, who is as sinister as he is stupid, played with aplomb by Joel Edgerton, the writer and director. It's a funny sidenote to a serious movie that many actors in this Southern drama are from Australia, including Edgerton, Crowe, and Kidman as well as Red Hot Chili Peppers bass player extraordinaire, Flea, who plays a drill-instructor-type PE teacher at the camp. The powerful performances are indeed what drive this drama and they contribute significantly to telling a story that needed to be told.

Genre: Drama

Actor: Brasher Russell, Britton Sear, Cherry Jones, David Ditmore, David Joseph Craig, Drew Scheid, Emily Hinkler, Flea, Frank Hoyt Taylor, Jason Davis, Jesse LaTourette, Jesse Malinowski, Joe Alwyn, Joel Edgerton, Joy Jacobson, Kevin Linehan, Lindsey Moser, Lucas Hedges, Madelyn Cline, Malerie Grady, Matt Burke, Nicole Kidman, Paige Henry, Randy Havens, Russell Crowe, Théodore Pellerin, Tim Ware, Troye Sivan, Victor McCay, Will Kindrachuk, William Ngo, Xavier Dolan

Director: Joel Edgerton

Rating: R

This film really satisfied my craving for an original thriller, despite the fact that I spent most of it thinking about how Logan Marshall-Green looks like a budget Tom Hardy.

He plays a guy whose wife is killed during a violent mugging that also leaves him paralyzed in the aftermath. When a billionaire approaches him with an Artificial Intelligence solution that would "upgrade" his body, he has a chance to take vengeance.

This is Robocop meets Ex Machina meets Blade Runner. It's original, low-budget without feeling low-budget, and honestly just so thrilling. It gives the genre of sci-fi a much needed upgrade.

Genre: Action, Drama, Science Fiction, Thriller

Actor: Abby Craden, Arthur Angel, Benedict Hardie, Betty Gabriel, Christopher Kirby, Clayton Jacobson, Douglas Embry, Emily Havea, Harrison Gilbertson, James Ao, Kai Bradley, Kenny Low, Liam Howarth, Linda Cropper, Logan Marshall-Green, Melanie Vallejo, Michael M. Foster, Ming-Zhu Hii, Puven Pather, Renah Gallagher, Ri-Jie Kwok, Richard Anastasios, Richard Cawthorne, Rosco Campbell, Sachin Joab, Simon Maiden, Steve Danielsen, Yuki Nagashima, Zia Kelly

Director: Leigh Whannell

Rating: R

A plot straight out of a horror film: two young, but penniless foreigners find themselves stuck in a town ruled by miners and their drinking habits. This is the real story of Lina and Steph (surnames withheld), twenty-something women who have just been robbed out of their credit cards and cash in Bali. Their around-the-world trip takes them to Australia, by way of an agency that offers seasonal work, room, and board. The cost is small: you have to be "okay with a little male attention" in this particular place. A mining town called Coolgardie becomes synonymous with hell for the two women as seen through Pete Gleeson's camera that's inobtrustive, distant, "a-fly-on-the-wall". Precisely that distance makes exacerbates the ick factor when watching the documentary today, even if its content is not judgemental. Because of how easily the camera blends in to the surroundings, we're left to wonder exactly how deep racism and sexism run in that particular microcosmos. After all, according to the manager, customers “grow a new leg” when “fresh meat” comes to town.

Genre: Documentary

Director: Pete Gleeson

The Royal Hotel sees Hanna (Julia Garner) and Liv (Jessica Henwick) resorting to take up a dire live-in job behind the bar in a remote desert part of Western Australia. Although they're warned that they'd "have to be okay with a little male attention" in the outcast mining town, their financial precarity overrides the potential fear. Curiously enough, the fiction film is based on a real story, already told in the 2016 documentary Hotel Coolgardie by Pete Gleeson, but The Assistant director Kitty Green pulls no punches when representing how suffocating it must feel to be encircled by such unmediated male aggression. The brawls, the spilled beer, the c-word as a greeting all form the unnerving paraphernalia of life then and there. For Australian independent film devotees, there is actor Toby Wallace, who reprises his bad boy role from Babyteeth, and he's joined by the ranks of Herbert Nordrum (The Worst Person in the World) and an utterly terrifying Hugo Weaving (The Matrix).

Genre: Drama, Mystery, Thriller

Actor: Alex Malone, Barbara Lowing, Baykali Ganambarr, Bree Bain, Bruce R. Carter, Daniel Henshall, Herbert Nordrum, Hugo Weaving, James Frecheville, Jessica Henwick, Julia Garner, Kate Cheel, Patrick Frost, Toby Wallace, Ursula Yovich, Valerie Berry

Director: Kitty Green

Rating: R

One of the most original time-travel thrillers since 12 Monkeys. A brilliant subversion of the Time Paradox trope, with enough plot twists to keep you entertained until well after the movie is finished. Predestination is an amazing movie with great performances from Ethan Hawke and Sarah Snook. It's a movie that will feel like Inception, when it comes to messing with your mind and barely anyone has heard of it. It is highly underrated and unknown, sadly.

Genre: Science Fiction, Thriller

Actor: Alicia Pavlis, Annabelle Norman, Arielle O'Neill, Ben Prendergast, Carolyn Shakespeare-Allen, Cate Wolfe, Christopher Bunworth, Christopher Kirby, Christopher Sommers, Christopher Stollery, Dennis Coard, Dick York, Elise Jansen, Eliza D'Souza, Eliza Matengu, Ethan Hawke, Felicity Steel, Finegan Sampson, Freya Stafford, Giordano Gangl, Grant Piro, Hayley Butcher, Jim Knobeloch, Katie Avram, Kristie Jandric, Kuni Hashimoto, Lucinda Armstrong Hall, Madeleine West, Maja Sarosiek, Marky Lee Campbell, Milla Simmonds, Monique Heath, Noah Taylor, Noel Herriman, Olivia Sprague, Paul Moder, Raj Sidhu, Rebecca Cullinan, Rob Jenkins, Sara El-Yafi, Sarah Snook, Sharon Kershaw, Sophie Cusworth, Tony Nikolakopoulos, Tyler Coppin, Vanessa Crouch

Director: Michael Spierig, Peter Spierig, The Spierig Brothers

Rating: R

Although it opens on Janet Frame’s first steps as a baby, this Jane Campion-directed biopic of the celebrated New Zealand writer doesn’t take an exhaustive approach to its subject’s life. We frequently only learn of milestones — the many awards she won, the death of her mother — later on and in passing. In a beautiful gesture that feels like a tiny righting of the many wrongs done to Janet, it’s her perspective that guides the film. 

That embedded approach also makes the emotions that come with her heartbreaking yet uplifting story more profound. And there is much heartbreak here: alongside the several tragic losses Janet experienced as a child, she was misdiagnosed as schizophrenic as a young woman and spent eight harrowing years in psychiatric hospitals. Throughout all of this, she wrote fiction and poetry, work that saved her life in more ways than one: as well as being a rare constant source of joy, it won her a literary prize just days before she was scheduled for a lobotomy, prompting her doctors to reconsider. Neither Campion nor Janet allowed this experience to define her, however, and the film empathetically grants her real moments of joy and choice throughout — making for a deeply sensitive and uplifting watch.

Genre: Drama

Actor: Alexia Keogh, Alison Bruce, Alistair Douglas, Andrew Robertt, Brenda Kendall, Brian Flegg, Celia Nicholson, David Letch, David Stott, Elizabeth McRae, Faye Flegg, Fiona Kay, Francesca Collins, Gerald Bryan, Iris Churn, Jessie Mune, Jim Rawdon, Julia Calvo, Karen Fergusson, Katherine Murray-Cowper, Kerry Fox, Kevin J. Wilson, Lilian Enting, Mark Clare, Mark Morrison, Martyn Sanderson, Melina Bernecker, Paul Norell, Peter Needham, Robert Jayne, Ruth Dudding, Sheryl Stewart, Tiffany de Castro, Timothy Bartlett, Willa O'Neill

Director: Jane Campion

Rating: R

Muriel is a young social outcast who spends her time obsessively planning a dream wedding without ever having been on a date. Her life is flipped upside down when she steals $15,000 from the family business to go on a tropical getaway. This brilliant comedy is memorable as much for Toni Collete’s breakout role as it is for its snarky subversion of rom-com tropes.

Muriel’s Wedding arrived in a wave of bright and brash Australian comedies of the early 90s like Priscilla Queen of the Desert and Strictly Ballroom. And like these counterparts, its heightened reality gives way to a surprising and heartbreaking emotional core. Director PJ Hogan would go on to direct My Best Friend’s Wedding - a fun but watered-down imitation of the surprising storytelling that made this a cult classic.

Genre: Comedy, Drama, Romance

Actor: Annie Byron, Barry Crocker, Basil Clarke, Belinda Jarrett, Bill Hunter, Cecily Polson, Chris Haywood, Dan Wyllie, Daniel Hepner, Daniel Lapaine, Darrin Klimek, Di Smith, Frankie Davidson, Fred Rouady, Gabby Millgate, Geneviève Picot, Gennie Nevinson, Heather Mitchell, Ineke Rapp, Jacqueline Linke, Jeanie Drynan, John Gaden, John Walton, Jon-Claire Lee, Julian Garner, Kevin Copeland, Kirsty Hinchcliffe, Kuni Hashimoto, Louise Cullen, Matt Day, Nathan Kaye, Penne Hackforth-Jones, Pippa Grandison, Rachel Griffiths, Richard Carter, Richard Morecroft, Richard Sutherland, Rob Steele, Robert Alexander, Robyn Pitt Owen, Roz Hammond, Scott Hall-Watson, Sophie Lee, Susan Prior, Toni Collette, Vincent Ball

Director: P.J. Hogan

Rating: R

As the third instalment in Paul Schrader's "man in a room" trilogy after First Reformed (2017) and The Card Counter (2021), Master Gardner rounds up the issues at stake in a most profound way. For anyone who's seen a film either scripted by Schrader (such as Taxi Driver) or directed by him, there will be no surprises here: lost men, despairing men, men who are desperate to believe in something. But the salvation of love lurks around the corner and the new film makes no exception. An unconventional couple, Joel Edgerton and Quintessa Swindell (as Maya) make up the beating heart of this suspenseful drama with an emotional push and pull delivered in small doses. What could have been a kitschy, insensitive work blossoms into a treatise on how gentle the harshness of life can be. 

Genre: Drama, Romance, Thriller

Actor: Amy Le, Eduardo Losan, Esai Morales, Ja'Quan Monroe-Henderson, Jared Bankens, Joel Edgerton, Matt Mercurio, Quintessa Swindell, Rick Cosnett, Sean Richmond, Sigourney Weaver, Suzette Lange, Timothy McKinney, Victoria Hill

Director: Paul Schrader

Rating: R

In an age where recent horror films mostly use the jump-scare as a crutch to make their CGI-spawned (not to mention generic) creatures seem scary, The Babadook portrays real scares, relatable characters and a moving story. Jennifer Kent (director and writer) sets this on the backdrop of heavily Lars von Trier-inspired cinematography, elevating The Babadook from a shot at an amazing horror to a resemblance of an art house film. The unease felt during this film only increases as it creeps towards its conclusion. Whenever the Babadook (the monster of the film) is seen lurking in the peripherals of the camera, appearing in television sets and the shadows to create a sense of omnipresence that disturbs the viewer on a deeper, more primal level than that of so many recent horror films could even hope to reach. It leaves the audience with the sensation that they are being lowered onto a lit candle, spine-first. In short; the seamless acting, the beautiful shots, the slow-burning terror together creates a masterpiece that strides past any horror film of the past decade (maybe even further) and stands toe-to-toe with the greats without even breaking a sweat.

Genre: Drama, Horror

Actor: Adam Morgan, Barbara West, Ben Winspear, Benjamin Winspear, Carmel Johnson, Cathy Adamek, Chloe Hurn, Craig Behenna, Daniel Henshall, Essie Davis, Hayley McElhinney, Jacquy Phillips, Michael Gilmour, Michelle Nightingale, Noah Wiseman, Peta Shannon, Pippa Wanganeen, Stephen Sheehan, Terence Crawford, Tiffany Lyndall-Knight, Tim Purcell

Director: Jennifer Kent

Rating: Not Rated

A cracking cast including Guy Pearce and Joel Edgerton elevate this dark and gripping Australian crime drama, which was received with glowing reviews from critics but was sadly forgotten with time.

Breakout star James Frecheville plays J, a teenager who goes to live with his grandmother, the head of a Melbourne crime organization. As the heat closes in and things go awry, J finds himself caught between his family and a detective who wants to save him.

Jacki Weaver is outstanding as the conniving grandma and the film put Ben Mendelsohn on the road to Hollywood stardom. Animal Kingdom is a superior crime saga with plenty of emotional depth to match the tense drama.

Genre: Crime, Drama, Mystery, Thriller

Actor: Andy McPhee, Anna Lise Phillips, Anthony Ahern, Anthony Hayes, Ben Mendelsohn, Ben Ouwehand, Bert LaBonté, Brenda Palmer, Bryce Lindemann, Chris Weir, Christina Azucena, Clayton Jacobson, Dan Wyllie, David Michôd, Dom Phelan, Guy Pearce, Jack Heanly, Jacki Weaver, Jacqueline Brennan, James Frecheville, James Saunders, Joel Edgerton, Josh Helman, Justin Rosniak, Kieran Darcy-Smith, Laura Wheelwright, Luke Ford, Michael Vice, Mirrah Foulkes, Paul Smits, Sullivan Stapleton, Susan Prior, Tim Phillipps

Director: David Michôd

Rating: R

After you get back home, and you tuck your kids to bed, we search for some easy entertainment in the late-night talk show. Quips about today’s news and intimate conversations with guests are just the thing to wind down, but theoretically, anything can happen at late night. Late Night with the Devil plays as a pseudo-documentary centered on late show host Jack Delroy on a Halloween night, pairing the charged, uncensored atmosphere with a supernatural twist. The film alternates between the color-toned show and black-and-white behind the scenes, and as Delroy tries to lead the show to safe entertainment, with David Dastmalchian’s genial aura, things don’t go as planned as Lily becomes host to a scary demon with Ingrid Torelli’s terrifying physicality. It’s creepy and slightly comedic, with the classic selling of the soul for fame interrupted with words from their sponsors, and it’s certainly a fun twist to the late night we’re used to seeing.

Genre: Horror

Actor: Adam Batt, Christopher Kirby, Clare Chihambakwe, David Dastmalchian, Elise Jansen, Fayssal Bazzi, Gaby Seow, Georgina Haig, Ian Bliss, Ingrid Torelli, John O'May, Josh Quong Tart, Laura Gordon, Michael Ironside, Miles Brown, Nicole Chapman, Paula Arundell, Rhys Auteri, Rik Brown, Steve Mouzakis, Tamala Shelton

Director: Cameron Cairnes, Colin Cairnes

Rating: R

The directorial debut of Australian twin brothers Danny and Michael Philippou—more popularly known together as the YouTube creators RackaRacka—Talk to Me finds a surprisingly unique way of exploring themes that contemporary horror films have made commonplace. At its heart this is still a movie about one's inability to come to terms with loss, but the emotions that come with this experience are filtered through suburban ennui and the numbing effect that social media has on depictions of tragedy. It's in this specific milieu where Mia (a terrific Sophie Wilde) feels compelled to act irresponsibly and continue inviting a malevolent presence into her life. Her feelings are real, but because her peers and the adults around her aren't the best at being vulnerable, Mia begins to underestimate how destructive her grief really is.

Talk to Me only grows more despairing the longer it goes. But impressively, the film doesn't rely on the usual jump scares and excesses that would normally make a YouTube horror short go viral. The situations escalate organically (if you can suspend a little disbelief for the moments when the characters simply watch terrible things happen) and as the supernatural forces haunting these teenagers get stronger, so do Mia's isolation and her desperation to make up for her mistakes. It's bleak stuff, but sharp direction and great performances (especially from Wilde and young Joe Bird) make this a particularly exciting vision of horror.

Genre: Horror, Thriller

Actor: Alexandra Jensen, Alexandria Steffensen, Ari McCarthy, Chris Alosio, Ethan Payne, Harli Ames, Harry Lewis, Jacek Koman, Jodie Dry, Joe Bird, Josh Bradley, Kelly Butler, KSI, Leeanna Walsman, Marcus Johnson, Mark Duncan, Miranda Otto, Otis Dhanji, Robin Northover, Simon Minter, Sophie Wilde, Tobi Brown, Vik Barn, Zoe Terakes

Director: Danny Philippou, Michael Philippou

Rating: R

This artistic Australian coming-of-age drama stars Eliza Scanlen (Little Women, Sharp Objects) as Milla, a teen from a dysfunctional family. The father is a psychologist and the mother suffers from depression, so he medicates her under the table. Meanwhile, Milla, a 16 year old, starts dating a charismatic almost-homeless 24 year old drug dealer. Unusual circumstances make the family tolerate the relationship in this story where every character feels like the main one. 

If you're looking for something different, you will love Babyteeth. Something happens to Milla in the 10 minute mark that descriptions and reviews online all mention - but is definitely a spoiler. Just know that it's not all romance and coming-of-age, there is slow-burning darkness to this movie. 

Genre: Comedy, Drama, Romance

Actor: Andrea Demetriades, Arka Das, Ben Mendelsohn, Charles Grounds, Eliza Scanlen, Emily Barclay, Essie Davis, Eugene Gilfedder, Georgina Symes, Jaga Yap, Justin Smith, Michelle Lotters, Priscilla Doueihy, Quentin Yung, Renee Billing, Toby Wallace, Zack Grech

Director: Shannon Murphy

Rating: MA-17, Not Rated