If there’s one thing that Bosco does that’s really worth admiring, it’s that it works around its lower budget much for effectively than many other films its size. It would be easy to make a prison drama—set mostly between bare walls and corridors—look cheap, but this one clearly puts in the effort to communicate how its protagonist views his claustrophobic surroundings, instead of just aiming for bland realism. That said, the story Bosco tells unfortunately doesn’t display the same tightness and elegance. The film tries to articulate itself in a more poetic way but it just ends up being too clean, too measured versus the reality of prison life. And whichever supporting characters pop up are far too underdeveloped to complete the world being presented to us.