51 Best Movies to Watch With Siblings (Page 3)

The documentary offers a simplified, reflective look at the origins of meme culture and hive mind, and how online anonymity has led to toxic beliefs and behaviors in real life. It features a nostalgic collection of 2000s memes and references that awaken the sleeping cringe, as well as valuable insights from people who have contributed to or lived through the destructive milestones that ironic memes created. At best, it is an informative work that doesn't waste time or become so overwhelming—it even comes with short, entrancing animations that serve as a respite from the depressing subject. At worst, it's preaching to the choir.

Genre: Documentary

Director: Arthur Jones, Giorgio Angelini

Rating: R

The documentary starts off with a feeler that this is a wild soap opera, a real life science experiment that cannot be enacted in good conscience. If you'd never read the blurb, you’d see the coincidences slowly revealed layer by layer until the story finally clicks. Early on, it feels reliant on telling as opposed to showing, but it could just be a case of working with what you have footage-wise. The openness of our main interviewees does get better with time, but the exploration of the psychological effect and implications of such an event was lacking considering the level of coincidence we’re dealing with. All in all, it’s heartwarming, albeit with the exciting story beats very spaced out.

Genre: Documentary

Director: Alessandro Angulo

Rating: PG-13

This is maybe the last Montreal Screwjob documentary the world will ever need, but in other respects, it’s an incredibly insightful look at the increasingly raunchy late ‘90s WWF through the eyes of the straight-laced Bret “The Hitman” Hart. We get insights into his bond with his sadistic dad Stu Hart, his priorities when caught between a WWF and WCW bidding war, and his loyal fans who in crowd interviews can be described as the coherent and smarter section of the audience. But what makes this one of the greatest and most important pro wrestling documentaries of all time is its divine timing, getting into Bret’s headspace talking about his future before leaving WWF, hearing his wonder before any of the unfortunate events shortly after.

Genre: Documentary

Actor: Bob Marella, Bret Hart, Brian James, Brian Lee Harris, Brian Pillman, Charles Warrington, Curt Hennig, Dave Meltzer, Davey Boy Smith, David Smith, Del Wilkes, Diana Joyce Hart-Smith, Dustin Runnels, Earl Hebner, Edward Ellsworth Annis, Glenn Ruth, Harry Smith, Jim Neidhart, Joe Laurinaitis, Jose Estrada Jr, Juan Rivera, Kevin Nash, Larry Pfohl, Leon White, Marc Mero, Mark Calaway, Mark Canterbury, Michael Hickenbottom, Michael James Hegstrand, Michael Seitz, Mick Foley, Miguel Pérez Jr., Mike Hegstrand, Owen Hart, Pat Patterson, Paul Lévesque, Paul Michael Lévesque, Pierre Clermont, Randy Poffo, Randy Savage, Rena Marlette Lesnar, Rick Rood, Robert Howard, Roddy Piper, Scott Hall, Shane McMahon, Steve Austin, Stu Hart, Sunny, Tammy Lynn Sytch, Ted Turner, Tom Brandi, Vince McMahon, Vince Russo, Wayne Farris

Director: Paul Jay

A tribute to Windham Rotunda’s life may be next to impossible without the WWE, where he spent over a decade dazzling audiences with his talents in pro wrestling. In this thoughtfully crafted documentary, we learn about the inspirations and thought processes behind the Wyatt Family and the eerie vignettes called the Firefly Funhouse. Members of Windham's family, as well as his closest peers, also share their memories of the man behind Bray Wyatt—a supportive, ever-present family guy and friend. It’s a touching celebration of Windham’s life, even though a thinly veiled company slant frames his obsessive creative process as being “difficult to work with,” which felt unnecessary. But that’s WWE for you and you take what you get.

Genre: Documentary, Drama

Actor: Adam Scherr, Alexis Cabrera, Cody Runnels, Colby Lopez, Dwayne Johnson, Hulk Hogan, John Cena, Jon Huber, Joseph Ruud, Mark Calaway, Mike Rotunda, Paul Michael Lévesque, Rebecca Quin, Taylor Rotunda, Windham Rotunda

Director: Steve Conoscenti

This story involves a jealous sister and a boy, which is enough of a foundation for a suspenseful story. Though a bit lacking in depth, onscreen interactions carry a lot of emotional weight and strike the balance of having enough said and unsaid. The upbeat pop hits and casual banter throughout goes a long way to at least break up the film's heavy atmosphere. At its heaviest, it is raw and glorious in its unraveling, placing the ugly side of grief next to the alluring side of envy. But throughout it all, it treats the plot with enough respect to not just be some cheap glorified fantasy.

Genre: Drama

Actor: Alva Bratt, Edvin Ryding, Felicia Truedsson, Ida Engvoll, Mustafa Al-Mashhadani, Zara Larsson

Director: Sigge Eklund

What seems like The Good Mother's biggest asset is actually its downfall. Yes, the three main actors (Swank, Cooke, and Jack Reynor as the civil servant son, Toby) are all good at what they do, but they're incapable of resuscitating a script that's never truly come to life. These casting choices, obviously made to give some clout to a very mediocre project, feel even more disappointing because the disconnect between actor and character is way too big. For example, Swank is not the alcoholic, fed-up mother we need her to be in this case, and its hard to see this as something else than a derogatory take on her previous more tender and glam roles. Director Miles Joris-Peyrafitte's Sundance-winning As You Are carried a whiff of fresh air, The Good Mother is drained out of all its energy, avoiding reflective depth at all costs, not to mention skirting around the ambivalences of motherhood. 

Genre: Crime, Drama, Mystery, Thriller

Actor: Cliff Ware, Dilone, Frank Alfano, Hilary Swank, Hopper Penn, Jack Reynor, Karen Aldridge, Larry Fessenden, Laurent Rejto, Norm Lewis, Olivia Cooke

Director: Miles Joris-Peyrafitte

Rating: R

Two people with different thoughts on love discover a common ground: they’re both anti-romantics. Realizing they got off on the wrong foot, they spend more time with each other and bond over realistic ideas of modern love. At one point, Maria (Rosalie Thomass) and Karl (Laurence Rupp) even diss romantic comedies for their cheesy music and naive understanding of fate and destiny. Their conversations are engaging and thoughtful, even and especially when they oppose one another. But just when you think you’re watching something smart and novel, Maria and Karl fall into the same implausible trappings they claim to hate. Suddenly, the film turns soft and transforms into the romantic comedy it once criticized. If only it had pushed into anti-romance territory even further and allowed Maria and Karl to truly hash out their differences, thorns and tension and all, then this could have been a truly interesting romantic film. Instead, it’s a standard romantic comedy that’s worse off for pretending to be above the genre, even though it’s really not.

Genre: Comedy, Drama, Romance

Actor: Arash Marandi, Charleen Deetz, Cora Trube, Denise M'Baye, Jakob Schreier, Jerry Hoffmann, Laurence Rupp, Margarethe Tiesel, Maria Hofstätter, Özgür Karadeniz, Paula Schramm, Rosalie Thomass

Director: Shirel Peleg

Rating: PG-13

The Beautiful Game starts off with a hilarious, brilliantly written opening sequence that should have set the tone for the film. Then almost immediately, we're met with some shoddy writing, and in a strange way, that is what sets the tone for the film, instead. This film presents the story of the Homeless World Cup and how it empowers those who feel they have no direction, and so naturally we want to feel their triumph. But the film seems to want to cross over the jovial and wholesome line and deeper into the characters' struggles, and while some characters only need a glimpse of it, it generally comes across like a jarring lack of commitment. The film isn't carrying home any writing gold, but it's not really about winning, is it?

Genre: Drama

Actor: Anna Maria Everett, Aoi Okuyama, Bill Nighy, Callum Scott Howells, Colin Azzopardi, Cristina Rodlo, Daniel Attwell, Gabriel Akuwudike, James McNicholas, Jessye Romeo, Kazuhiro Muroyama, Kit Young, Layo-Christina Akinlude, Massimo Scola, Micheal Ward, Robin Nazari, Shane Casey, Sheyi Cole, Sian Reese-Williams, Susan Wokoma, Tom Vaughan-Lawlor, Valeria Golino

Director: Thea Sharrock

Rating: PG-13

Parenting is hard by itself, but it’s moreso hard when done alone, especially if there was supposed to be a partner alongside the journey. Thank You, I’m Sorry depicts this through Sara, who has to deal with her husband’s absence and difficulties in connecting with her husband’s family in his stead, on top of her pregnancy, but it’s her connection with her estranged sister Linda that can make or break her journey. The dynamic between the sisters is what drives the film. Sanna Sundqvist and Charlotta Björck manage to depict the strained yet clearly loving relationships naturally, and it’s lovely to see the mundane ways they reestablish their bond. It’s a unique story, though it does feel rushed and some of the humor can be totally off-putting.

Genre: Comedy, Drama

Actor: Charlotta Björck, Ia Langhammer, Jonatan Rodriguez, Juan Rodríguez, Sanna Sundqvist, Ville Virtanen

Director: Lisa Aschan

Rating: PG-13

They did it. They took advantage of Pinoy movies’ penchant for sappy writing and used it to deliver on its premise. Coming into it blind more-so, you see the violent shift in writing and energy, with everything feeling more relaxed, organic, and truthful after the premise sets in. But they take that subversion a step further by unironically sticking with the sappy elements and not drowning in them; using dramatic backstories, catchphrases, and the staple recurring '80s theme song to tease and anchor the drama throughout. By Filipino drama standards, it might be an unconventional family film, but with how well they used the tropes, it might also be the quintessential Filipino family film.

Genre: Drama, Family

Actor: Alfred Vargas, Euwenn Mikaell, Iza Calzado, Joel Torre, Joem Bascon, Juan Karlos Labajo, Markki Stroem, Meryll Soriano, Nico Antonio, Shaina Magdayao

Director: Benedict Mique

This film lays its foundation nicely: it’s got slapstick romance and an absurdly wholesome motivation, and juxtaposes it with a murder plot, telling you right away the kind of movie you’re going to get. Its mystery aspect is intertwined with comedy, and its comedy stems from an avoidance of direct confrontation, while being so casual with death. The combinations give the movie an exciting and comforting feeling, even with the awkward wrinkles and vaguely ominous pop of red and warm colors throughout. Still, it suffers from a lot of uneventful fluff and underwhelming payoffs. It's a good thing it's funny, then.

Genre: Comedy, Crime

Actor: Angela Finocchiaro, Antonino Bruschetta, Christian De Sica, Claudio Colica, Darko Peric, Dharma Mangia Woods, Fioretta Mari

Director: Giovanni Bognetti

Just in time for Halloween, Netflix has shelled out for a new, high production value doc about demonic possession. It has all the right ingredients: a true story (that of Arne Cheyenne Johnson, also known as the "Devil Made Me Do It" case of 1981), some convincing re-enactments, the air of exclusivity (use of real archives), but it still feels like a let-down to the true horror buffs who'd tune in expecting something fresh. After all, Netflix has been in the game for a while and it's not a good look to settle for something as mediocre. For The Devil on Trial, it seems like the execs have just upped the budget on a regular cable-TV-haunted-house after hours special and then patted themselves on the back. Even the interviews featured are full of cliches, which strips down the horrifying potential of authenticity.

Genre: Documentary

Actor: Arne Cheyenne Johnson, Lorraine Warren, Tony Spera, Victor Serfaty

Director: Chris Holt

Rating: R