231 Best Movies to Watch With Parents (Page 9)

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Hugh Jackman, Allison Janney, and Ray Romano star in this true story of a big academic corruption case. Hugh Jackman is (of course) excellent as a successful and dedicated superintendent with a complicated personal life. However, when a curious student with the school journal starts digging around in a project he promotes, she uncovers what will become the largest public school embezzlement in the history of the U.S. 

The performances stretch the story to its full potential, as this movie would be nothing without its incredible cast. It should be watched for the acting. Eventually, it suffers from a problem common to all movies based on newspaper articles: the story can be told in a single article.

Genre: Crime, Drama, History, TV Movie

Actor: Alex Wolff, Allison Janney, Annaleigh Ashford, Brent Langdon, Brian Sgambati, Catherine Curtin, Darlene Violette, Dina Pearlman, Doris McCarthy, Finnerty Steeves, Geraldine Viswanathan, Gino Cafarelli, Giuseppe Ardizzone, Halle Curley, Hari Dhillon, Hugh Jackman, Jeremy Shamos, Jimmy Tatro, John Scurti, Jorge Chapa, Justin Swain, Kathrine Narducci, Kayli Carter, Larry Romano, Natasha Goss, Pat Healy, Peter Appel, Rafael Casal, Ray Abruzzo, Ray Romano, Rene Ojeda, Robert 'Toshi' Kar Yuen Chan, Stephanie Kurtzuba, Stephen Spinella, Steve Routman, Victor Verhaeghe, Welker White, Will Meyers

Director: Cory Finley

Rating: TV-MA

Before anything else, Utama will knock you off your feet with its breathtaking beauty. Set in the Bolivian highlands, it captures the arid landscape both in gorgeous wide shots and in unique detail. Then, after you take it all in and remember the vastness of the world and the smallness of humanity, the film ushers you into the lives of Virginio and Sisa, an elderly couple who get by with llama grazing. 

Theirs is a small but peaceful life, but it is endangered when a drought in the area makes it harder for everyone—especially a sickly Virginio—to live. Underlying conflicts start to emerge, such as old vs. new and country vs. city, when everyone but Virginio considers leaving the mountains. It's a simple story told at a purposefully slow pace, but it's one worth viewing for the tender performances, the urgent themes, and of course, the stunning cinematography.

Genre: Drama

Director: Alejandro Loayza Grisi

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, 2021

A music documentary with its star as one of its main talking heads runs the risk of coming off like cheap PR, but Tina Turner's own articulate insights never restrict this retrospective on her life. If anything, she assists directors Dan Lindsay and TJ Martin in expanding the film's scope to cover the origins of rock music and the struggles of so many women in the public eye who only ever seem to be defined according to their abusers. Even if Tina is still ultimately a conventional doc that relies on interviews and archival footage, it has a strong emotional core that gives the film a relatively unique psychological edge.

Genre: Documentary, Music

Actor: Angela Bassett, Erwin Bach, Katori Hall, Kurt Loder, Oprah Winfrey, Roger Davies, Tina Turner

Director: Daniel Lindsay, T. J. Martin

Rating: R

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You may not know the name of Errol Morris, but you must have seen either Tinker Tailor Soldier Spy or The Night Manager, as films and TV have offered ripe adaptations of 20th century espionage novels under the disguise of simple entertainment. What you may not know is that the author of the books they are based on has been a spy himself, for most of his life. David John Moore Cornwell, better known as John le Carré (his pen name), is the subject of the latest work of detective-turned-filmmaker Errol Morris whose penchant for exploring the limits between fact and fiction has propelled the documentary form numerous times over the last decades. The film is a quasi-biographical doc with some exceptional reenactments that color Le Carré's own tales to try and outmanoeuvre the viewer's ceaseless desire to fix what one sees into either category: fact or fiction. With an ex-spy and a documentarian, you never know. 

Genre: Documentary

Actor: Charlotte Hamblin, Garry Cooper, John le Carré, Mike Noble, Simon Harrison

Director: Errol Morris

Rating: PG-13

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Partially based on the 860-page memoir, "A White House Diary", and on the actual audio recordings Claudia Alta Taylor Johnson made during her time as first lady, The Lady Bird Diaries is an intimate reworking of a past we still know very little about. Told from the vantage point of First Lady Johnson candidly and in detail, the audio track shapes the whole film. All the archival footage is nicely complemented by hand-drawn animations to fit the missing images, but all the visuals are always in service of the narration. In this way, the documentary becomes a piece of history and an archive in itself, its illustrative functions – a crucial storytelling tool for posteriority.

Genre: Documentary

Director: Dawn Porter

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Even for the greatest, things can change enough that what was once popular is now ignored, what was once appreciated is now neglected, and things eventually lose their spark. Originally written by iconic French filmmaker Jacques Tati for one of his daughters, the screenplay for The Illusionist landed in the hands of Sylvain Chomet, who turned Tati’s live-action script into a devastating animated father-daughter drama, where the titular Tatischeff meets Alice, whose childlike belief sparks inspiration again in his own art, whether it be straightforward vaudeville acts or advertisements he resorts to in order to sustain their living. While the hand-drawn animation enables the physical comedy, it does conceal the tragic reality behind Tati’s script, but even as it does so, it somehow mirrors how both Tati and Chomet’s genre created magic, however ephemeral it may be.

Genre: Animation, Drama

Actor: Didier Gustin, Eilidh Rankin, Jacques Tati, Jean-Claude Donda, Jil Aigrot

Director: Sylvain Chomet

Rating: PG

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The Automat is a charming documentary about the historic place it names—a spacious self-service cafeteria that fed thousands of people during a good part of the 20th century. Through nostalgic footage and delightful interviews with the likes of Mel Brooks, Howard Schultz, and Ruth Bader Ginsburg, The Automat successfully convinces you that more than just some gimmick, it was a cultural landmark, a piece of Americana whose existence alone taught an entire generation integral values like democracy, diversity, and hard work. It’s also straight-up hilarious, especially when Brooks attempts to direct the film himself, or other subjects salivate as they recall the Automat’s unbeatable menu. It’s more anecdotal than academic, so if you’re looking for a sweet, sentimental, and simple watch, this is it.

Genre: Documentary, Drama, History

Actor: Carl Reiner, Colin Powell, Elliott Gould, Howard Schultz, Mel Brooks, Ruth Bader Ginsburg

Director: Lisa Hurwitz

Rating: TV-PG

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One of Studio Ghibli’s overlooked gems, My Neighbors the Yamadas is a charming anthology film about a modern-day Japanese family. The film sets itself apart from other Ghibli films through its unique doodle-like watercolor animation and its short piano themes. While the vignettes may just depict regular family conflicts, the scenes still feel compelling due to the Yamadas’ imagination of the metaphors that they use. Exaggerating the metaphors keeps the audience breathless in certain strategic moments - most notably in the wedding day speech of the mother of the bride. While not as fantastical as Ghibli’s other offerings, the completely digital My Neighbors the Yamadas finds humor in and celebrates the mundane.

Genre: Animation, Drama, Family

Actor: Akiko Yano, Chôchô Miyako, Hayato Isohata, Masako Araki, Naomi Uno, Tamao Nakamura, Toru Masuoka, Yukiji Asaoka

Director: Isao Takahata

Rating: PG

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While it might not be the most inspired story featuring the titular caped crusader—nor is it a particularly Christmas-y tale—Merry Little Batman still stands out just for how bright and warm its versions of these characters are. In this Gotham, crime is literally pushed aside for once, and that odd sense of holiday isolation takes over for the heroes and villains of the city. It's all pretty silly when you give it more thought, but the film wholeheartedly embraces its tone, resulting in a Home Alone-esque adventure that moves briskly and is loaded with great visual gags and throwaways zingers. It could stand to have a more substantial emotional center, but for what it is, this is consistently entertaining holiday viewing for all ages.

Genre: Action, Animation, Comedy, Family

Actor: Brian George, Bumper Robinson, Chris Sullivan, Courtenay Taylor, Cynthia Kaye McWilliams, David Hornsby, Dolph Adomian, Fred Tatasciore, James Cromwell, Keith Ferguson, Luke Wilson, Michael Fielding, Natalie Palamides, Reid Scott, Roger Craig Smith, Yonas Kibreab

Director: Mike Roth

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There isn't a single moment of unnecessarily exaggerated emotion or comedy in this French-Danish animated film, which may keep its world very small compared to its peers, but it portrays everything with arguably more depth and beauty. Long Way North moves with a stately pace, giving it more dramatic heft and allowing us to take in all of the film's painterly surfaces and soft silhouettes. But it's not just the art style that sets the film apart; it also avoids what we expect from a traditional adventure, keeping the most important character beats private and internal. This may make the movie feel a little more distant than it should be, but the feeling that it leaves you with is undeniable—a sense that everything is connected, and those who are lost will always find a way home.

Genre: Adventure, Animation, Drama, Family

Actor: Audrey Sablé, Boris Rehlinger, Bruno Magne, Christa Théret, Féodor Atkine, Juliette Degenne, Loïc Houdré, Rémi Bichet, Stéphane Pouplard, Thomas Sagols

Director: Rémi Chayé

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Set in 1970s Italian countryside, this is a quirky movie that’s full of plot twists.

Lazzaro is a dedicated worker at a tobacco estate. His village has been indebted to a marquise and like everyone else, he works without a wage and in arduous conditions.

Lazzaro strikes a friendship with the son of the marquise, who, in an act of rebellion against his mother, decides to fake his own kidnapping. The two form an unlikely friendship in a story that mixes magical realism with social commentary.

Genre: Drama, Fantasy

Actor: Adriano Tardiolo, Agnese Graziani, Alba Rohrwacher, Alessandro Genovesi, Alice Rohrwacher, Antonio Salines, Carlo Massimino, Carlo Tarmati, Daria Deflorian, Daria Pascal Attolini, David Bennent, Elisabetta Rocchetti, Gala Othero Winter, Leonardo Nigro, Luca Chikovani, Natalino Balasso, Nicoletta Braschi, Pasqualina Scuncia, Sergi Lopez, Tommaso Ragno

Director: Alice Rohrwacher

Rating: PG-13

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After working on Prime's TV series Verdict, Argentinian director Anahí Berneri has now made her Netflix debut with Elena Knows, a mother-daughter drama based on the book of the same name by famous novelist Claudia Piñeiro (International Booker Prize Shortlist). Berneri has not lost her arthouse touch, on the contrary, Elena Knows looks lush and minimal at the same time. With the use of shallow focus, the cinematography presents the world as an inhospitable place to the protagonist, Elena (Mercedes Morán, recently in Netflix's The Kingdom), whose advanced Parkinson's robs her of her agency, day after day. Very early on in the film, she loses her daughter and carer, Rita (Erica Rivas you might know from Wild Tales), and her absence leaves a gaping hole in the life of the grubby elderly woman. Berneri's newest film owns up to its investigative thriller elements as Elena insists her daughter has been murdered, but at its heart, it holds a paradox: that of maternal love and parental hatred. 

Genre: Drama

Actor: Agustina Muñoz, Erica Rivas, Marcos Montes, Mercedes Moran, Mercedes Scápola, Miranda de la Serna, Mónica Gonzaga, Susana Pampín

Director: Anahí Berneri

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Mike Mills has always had an obsession with childhood and parenthood, often honing in on the beautiful, frustrating, and inevitable mess that comes with them. C’mon C’mon is no exception, but here, Mills blurs the lines between the two even more. Sometimes the kid acts more like an adult, and the adult more like a kid; sometimes the uncle acts as a surrogate mother, and the mother (unsurprisingly) takes on the role of an everywoman, attempting to be breadwinner, caretaker, and friend all at once. 

C’mon C’mon has no allegiances; it simply shows us the dynamics between one family and mirrors what we already know about ours. Shot in black and white, grounded in simple conversations, and interwoven with moving essay excerpts and real interviews, C’mon C’mon feels at once personal and universal; a moving feat of a film.

Genre: Drama

Actor: Artrial Clark, Brandon Rush, Callan Farris, Cooper Jack Rubin, Deborah Strang, Elaine Kagan, Gabby Hoffman, Gaby Hoffmann, Gita Reddy, Jaboukie Young-White, Jenny Eliscu, Joaquin Phoenix, Joseph Bishop, Kate Adams, Keisuke Hoashi, Mahfuzul Islam, Mary Passeri, Molly Webster, Scoot McNairy, Sunni Patterson, Todd D'Amour, Woody Norman

Director: Mike Mills

Rating: R

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, 2012

Boy is the highest-grossing New Zealand film of all time, and a masterpiece of compassion and good humor. Set in New Zealand's rural East Coast in 1984, the film's protagonist, Boy, imagines a world outside, dreaming of meeting Michael Jackson and having adventures. These fantasies serve to distract him from the sad circumstances of his life, living with his grandmother while his father serves out a prison sentence. However, adventure comes to Boy suddenly when his ex-convict father returns to find a long hidden bag of money. Written, directed, and starring Taika Waitit and featuring the new comer James Rolleston as Boy, it's a hilarious and heartwarming tale.

Genre: Comedy, Drama

Actor: Cherilee Martin, Chris Graham, Cohen Holloway, Craig Hall, Darcy Ray Flavell-Hudson, Haze Rewiti, Hoanihuhi Takotohiwi, James Rolleston, Jarod Rawiri, Maakariini Butler, Madeleine Sami, Manaia Callaghan, Mavis Paenga, Moerangi Tihore, Ngapaki Emery, Pana Hema-Taylor, Rachel House, Rajvinder Eria, RickyLee Waipuka-Russell, Stu Rutherford, Stuart Rutherford, Taika Waititi, Te Aho Aho Eketone-Whitu, Te Aho Eketone-Whitu, Tuhoro Ranihera Christie, Waimihi Hotere

Director: Taika Waititi, Topaz Adizes

Rating: Not Rated

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Blind Date Book Club packs many times unnatural mouthfuls of dialogue and writing, but at the same time conveys an incredibly wholesome, adorable earnestness at its core. The movie has such a pure meet cute, thanks to the chemistry of Meg Tompkins (Erin Krakow) and Graham Sterling (Robert Buckley), which is all it really needed to succeed. Writing critique scenes and author characters almost always come with a mild cringe—always seems like the lines are aimed at the work itself, or a tool for deflection—but when the world around it is wrapped in a nostalgic young love à la Flipped, that stuff makes it even better. It's light fun, and it stays tonally the same throughout, but it's so unapologetically sweet you've got to respect it.

Genre: Romance, TV Movie

Actor: Erin Krakow, Robert Buckley

Director: Peter Benson

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