90 Best Movies With Friends On Netflix Canada

Journalist LLoyd Vogel (Matthey Rhys) scoffs at the prospect of a profile commission, or a "puff piece", as he calls it. His self-respect and professional ruthlessness has driven people away and this assignment may well be a test from his editor. But it is serendipity that brings Lloyd to American TV host Mister Roger (Tom Hanks) and his child-oriented show, at a time when he, a new father, is confronted with his own paternal trauma. No heavy psychological lifting here, but A Beautiful Day in the Neighborhood might be one of the most profound films about father-son relationships ever made. Notably, the film is directed by a woman, Marielle Heller (The Diary of a Teenage Girl). In her film as in his show, Mister Roger doesn't have to do much: he listens, he speaks, he suggests, and while his kindness may seem frustrating at times, it is truly radical. Additionally, Lloyd's character is based loosely on writer Tom Junod, whose encounter with Rogers ended up a profile in Esquire magazine.

Genre: Drama, History

Actor: Alex Pérez, Chris Cooper, Christine Lahti, Enrico Colantoni, Fred Rogers, Gavin Borders, Gregory Bromfield, Gretchen Koerner, Jessica Hecht, Joanne Rogers, Joe Fishel, Kelley Davis, Kevin L. Johnson, Khary Payton, Kitty Crystal, Krizia Bajos, Maddie Corman, Maryann Plunkett, Matthew Rhys, Michael Masini, Noah Harpster, Patrick McDade, Susan Kelechi Watson, Tammy Blanchard, Tom Bonello, Tom Hanks, Wendy Makkena

Director: Marielle Heller

Rating: PG

A healthy mix of despair and self-deprecation has always been Bo Burnham's signature, but Inside takes it to the next level. It's a deconstructed film, rather than a simple one-night special; a one-man-show that constantly undercuts itself. Even more so, it sabotages its own immersive qualities and explores the depths of self-loathing by turning oneself into comedy material. Some may say, it's a classic move, but the pandemic reality and Burnham's unkempt look predispose us to embrace all the cringe (YouTube reactions), quirkiness, (the sock puppet), and frightening angst (suicide jokes) he puts forward. Emotional rawness and a polished DIY look fits the Netflix bill, but as far as the content goes, this one goes straight to the world heritage lockdown archives.

Genre: Comedy, Drama

Actor: Bo Burnham

Director: Bo Burnham

Rating: R

After the successful run of the first instalment, The Conjuring 2 brings back lead couple Ed and Lorraine Warren for yet another real life-based case of demonic possession. This time, it's the Enfield poltergeist, a case which gained popularity in the London Borough of Enfield between 1977 and 1979, and while the Warrens in the film show reluctance to take on a new job amongst growing skepticism, we're so glad they did so in the end. The franchise's second chapter is perfectly built: a good amount of character establishment, a fair bit of rekindling allegiance with the Warrens, and a lot of ingenious scaries. What makes The Conjuring 2 a pitch-perfect horror of its kind is precisely this multivalence, combining empathetic characters and well-crafted, yet extremely disturbing visuals. When the supposedly simple case becomes a fight between good and proper evil, the film shifts gear to an obscenely dark, vengeful mode. You can't tell from its beginning, but the second Conjuring is even more proficient, deeply troubling, and most of all, bold in the way it renders the possession horror genre a canonical must.

Genre: Horror, Thriller

Actor: Abhi Sinha, Annie Young, Benjamin Haigh, Bob Adrian, Bonnie Aarons, Emily Brobst, Emily Tasker, Frances O'Connor, Franka Potente, Jason Liles, Javier Botet, Jennifer Collins, Joseph Bishara, Kate Cook, Lauren Esposito, Madison Wolfe, Maria Doyle Kennedy, Nancy DeMars, Patrick McAuley, Patrick Wilson, Robin Atkin Downes, Shannon Kook, Simon Delaney, Simon McBurney, Sterling Jerins, Steve Coulter, Vera Farmiga

Director: James Wan

Rating: R

Real life tragedies, especially one that's as sensationalized as the Miracle in the Andes, can be tough to depict on screen. On one hand, the film has to keep true to the story but also maintain some form of spectacle to keep people watching. Past depictions of the 1972 crash are preoccupied with the cannibalism portrayed by big name actors, but Society of the Snow takes a different route. The actors are newcomers, the threats to their lives don't require daring action stunts, and the cannibalism is limited to small chunks indistinguishable from animal meat. Instead, the spectacle of Society of the Snow is the human spirit– the vulnerability, the respect, and the generosity they've given each other in order to survive. It’s still an uncomfortable watch, especially since we get to know some of the survivors before the crash, but it’s definitely a transcendent addition to the genre dedicated to the miracle of existence.

Genre: Drama, History

Actor: Agustín Berruti, Agustín Della Corte, Agustín Lain, Agustín Pardella, Alfonsina Carrocio, Andy Pruss, Benjamín Segura, Blas Polidori, Carlos Miguel Páez Rodríguez, Daniel Patricio Antivilio Acuña, Diego Vegezzi, Emanuel Parga, Emanuel Sobré, Enzo Vogrincic, Esteban Bigliardi, Esteban Kukuriczka, Esteban Pico, Facundo Roure, Fede Aznárez, Federico Formento, Felipe González Otaño, Felipe Otaño, Felipe Ramusio, Felipe Ramusio Mora, Fernando Contigiani García, Francisco Bereny, Francisco Burghi, Francisco Romero, Gustavo Zerbino Stajano, Jerónimo Bosia, Juan Caruso, Juandi Eirea Young, Julian Bedino, Lautaro Bakir, Louta, Lucas Mascarena, Luciano Chattón, Mariano Rochman, Matías Recalt, Pablo Tate, Paula Baldini, Rafael Federman, Roberto Suárez, Rocco Posca, Santiago Vaca Narvaja, Simon Hempe, Sofía Lara, Tea Alberti, Tomas Wolf, Toto Rovito, Valentino Alonso, Virgínia Kauffmann

Director: J.A. Bayona

Rating: R

Many comedians use humor as a way to ease into more serious subject matter, though there always exists a risk that a comedy special can skew too far down the silly or the self-reflective route. Mike Birbiglia has come about as close to the perfect balance as possible, in this recording of his one-man Broadway show at the Vivian Beaumont Theater. Key to this is the fact that Birbiglia tells one very cohesive story throughout these 77 minutes, frequently branching off to other humorous anecdotes but always returning with a pensive self-consciousness to the real possibility of him dying sooner than he'd want.

This filmed version of Birbiglia's show doesn't give a full idea of its multimedia qualities (Birbiglia occasionally has words and images projected onto the curved screen behind him, which he also physically interacts with), but the comedian's sincere style of storytelling more than makes up for the lack of audiovisual tricks we're permitted to see. And don't get it confused: this is a very funny stand-up special, whose jokes always come from the most unexpected places—it also just happens to contain some truly moving moments that come out of nowhere, but make total sense alongside all the laughter.

Genre: Comedy

Actor: Mike Birbiglia

Director: Seth Barrish

Rating: PG-13

The film starts with an atmosphere of almost peaceful defeat. We see a rather stealthy Godzilla, but it doesn’t last long until we’re back to regular programming with the metal-chewing monster. Time spent without Godzilla is spent on people trying to be heroes, armed with admirable optimism. The many scenes of wreckage turn this into a very human story about shared trauma. Godzilla vs other kaiju is usually an easy sell, but Godzilla vs people is a hard story to root for, just because of how unbalanced it gets. But the film finds a way to make it work—the final battle is epic, packed with a lot of heart and preparation.

Genre: Action, Horror, Science Fiction

Actor: Akio Nakadai, Eisuke Sasai, Etsuji Harada, Gohshuu, Hidemasa Mase, Hidetaka Yoshioka, Hirotaka Akatsuma, Hiroyuki Toritani, Ippei Sasaki, Keisuke Fujita, Kenji Anan, Kenji Mizuhashi, Kentaro Furuyama, Kisuke Iida, Kiyomi Aratani, Kota Kawabata, Kunihiro Suda, Kuranosuke Sasaki, Mami Tokuda, Masataka Matsubara, Michael Arias, Miki Mirai, Minami Hamabe, Mio Tanaka, Munetaka Aoki, Ozuno Nakamura, Ryunosuke Kamiki, Saki Nakatani, Sakura Andô, Saori, Seiji Okuda, Sentarou Kusakabe, Shinsuke Kasai, Sho Nishigaki, Shohei Abe, Shoji Omiya, Shota Taniguchi, Takato Yonemoto, Takumi Matsui, Tetsu Hirahara, Tetsunori Akira, Touta Tawaragi, Yosuke Minokawa, Yuji Komatsu, Yuki Takao, Yuki Yamada, Yukio Tsukamoto, Yuya Endo

Director: Takashi Yamazaki

Rating: PG-13

A recent holiday classic you likely haven't seen, Arthur Christmas uses its premise of the North Pole as a massive spy organization to touch on how commercialization tears people apart. It's a surprisingly smart film with a fascinating dynamic among its family of Santas, with an incredibly funny script full of dry, British wit. And while the animation may already look dated at first glance, Arthur Christmas more than makes up for its looks with truly imaginative art direction and director Sarah Smith's fast-paced set pieces. This is that rare Chirstmas movie that doesn't just surrender to schmaltz; the lessons learned by the characters here are unique, complex, and timeless.

Genre: Adventure, Animation, Comedy, Drama, Family, Kids

Actor: Adam Tandy, Alistair McGowan, Andy Serkis, Ashley Jensen, Bill Nighy, Brian Cummings, Bronagh Gallagher, Clint Dyer, Cody Cameron, Danny John-Jules, David Menkin, David Schneider, Deborah Findlay, Dominic West, Donnie Long, Emma Kennedy, Eva Longoria, Hugh Laurie, Iain McKee, Ian Ashpitel, Imelda Staunton, James McAvoy, Jane Horrocks, Jerry Lambert, Jim Broadbent, Joan Cusack, Julia Davis, Kerry Shale, Kevin Cecil, Kevin Eldon, Kris Pearn, Laura Linney, Marc Wootton, Michael Palin, Peter Baynham, Ramona Marquez, Rhys Darby, Rich Fulcher, Rich Hall, Robbie Coltrane, Sanjeev Bhaskar, Sarah Smith, Seamus Malone, Seeta Indrani, Stewart Lee, Tamsin Greig

Director: Barry Cook, Sarah Smith

Rating: PG

You don't need to be familiar with the rest of the Rurouni Kenshin live-action movie series—or the original manga and anime, for that matter—to appreciate The Beginning as a powerful period drama in its own right. This is a story that courses its historical context about a tumultuous time in Japan's past through a stoic, fearsome protagonist who can't seem to escape the violence that's become his only function. And even more impressively, as a prequel, the film keeps a heavy sense of dread about it, even if you're sure about which characters are meant to survive in order to appear in the previous films. It's the mark of any great tragedy that even the things that are destined can still feel so painful.

Genre: Action, Adventure, Drama, Romance

Actor: Eiki Narita, Eita Okuno, Emi Takei, Hoshi Ishida, Issey Takahashi, Kasumi Arimura, Kazuki Kitamura, Kinari Hirano, Makiko Watanabe, Mansaku Ikeuchi, Masanobu Ando, Masataka Kubota, Mayu Hotta, Nijiro Murakami, Shima Onishi, Soko Wada, Takahiro Fujimoto, Takeru Satoh, Towa Araki, Wataru Ichinose, Yosuke Eguchi

Director: Keishi Otomo

Rating: R

Even if you aren't familiar with the original, Tony Award-winning Broadway production from Lin-Manuel Miranda, this adaptation of In the Heights is still infused with the same infectious energy and loaded with many of the same eclectic songs. This is musical theater at its most fundamental (cheesy, us-against-the-world romance; unstoppable optimism) and also at some of its most unique—with old-school Broadway numbers mixing seamlessly with hip hop, Latin dance, and cheery 2000s pop. But beyond its music, In the Heights offers a gorgeous tapestry of stories about life in a proud immigrant community and the challenges of staying rooted to home while reaching for the stars.

Genre: Drama, Family, Music, Romance

Actor: Anthony Ramos, Ariana Greenblatt, Christopher Jackson, Corey Hawkins, Daphne Rubin-Vega, Dascha Polanco, Dean Scott Vazquez, Gregory Diaz IV, Javier Muñoz, Jimmy Smits, Leslie Grace, Lin-Manuel Miranda, Marc Anthony, Mateo Gómez, Melissa Barrera, Olga Merediz, Olivia Perez, Patrick Page, Ryan Woodle, Seth Stewart, Stephanie Beatriz, Susan Pourfar, The Kid Mero, Valentina

Director: Jon M. Chu