141 Best Movies to Watch With Class (Page 5)

Although Who We Are is essentially a professionally recorded masterclass interspersed with additional interviews, it only emphasizes Jeffery Robinson's skill as an orator and his compassion as a teacher. In a clear and levelheaded manner, he lays out how even the historical documents that formed the blueprint of the United States are exclusionary in key ways. Robinson does this not to condemn his country, but to challenge the way we view traditions as sacred, and to see how modern-day white nationalism is upheld by these institutions, intentionally or not. The new interviews that accompany Robinson's talk take these lessons on the road, reminding us of those who are directly affected by these centuries-old decisions.

Genre: Documentary

Actor: Jeffery Robinson, Martin Luther King Jr.

Director: Emily Kunstler, Sarah Kunstler

The Earth Is Blue as an Orange chronicles the lives of a single mother and her four children as they live in the war-torn Donbas region of Ukraine. Despite the constant threat of violence, the family finds solace in the arts (more specifically in filmmaking). While striving for normalcy in these tumultuous times, they channel their efforts into creating a film about the effect of war on their family. Even as they try to lead individual lives, nurturing this collective project, bombs, debris, and their reality is unavoidable. 

This film is a moving testament to the power of art, creativity, and hope in the darkest times. 

Genre: Documentary, Drama

Director: Iryna Tsilyk

If Katrina Babies seems like a somewhat disjointed account of the myriad responses to Hurricane Katrina and the U.S. government's horrible, anti-poor response to the disaster, director Edward Buckles Jr. uses this structure with much more intent. For once this is a documentary that feels like citizen reporting and not a sanitized report from experts who have little to no real personal stake in the subject. As the film swings from one talking point to the next, you get the sensation of just how much the people of New Orleans are still trying to comprehend; the loose structure brings to this film a sense of helplessness that, for some, just can't be overcome.

Genre: Documentary

Actor: Arnould Burks, Calvin Baxter, Cierra Chenier, Damaris Calliet, Quintina Thomas Green

Director: Edward Buckles

Rating: R

An intriguing, funny and rather bizarre movie which serves as a fantastic introduction to 'new-wave' German cinema. Featuring a cast of young talented actors and excellent direction, this movie takes place around the time the Berlin wall fell and East and West Berlin were still united. Christiane, a devout socialist activist in East Berlin suffers an accident which leaves her in a coma, during which time the Berlin wall comes down and Western capitalism encroaches on her beloved East Berlin. Fearing that she may relapse into a coma after waking up, her doctors warn that she must remain calm and not endure any shocks. Despite the somewhat contrived premise, the film really takes off from this point as her son Alex and his friend aim to hide this fact from her, by faking news reports on the television, coming up with excuses for a giant Coca Cola banner and a whole host of other amusing exploits to prevent her from knowing. While categorised as a comedy, it is also a moving portrayal of a loving family enduring great, historic change.

Genre: Comedy, Drama, Romance

Actor: Alexander Beyer, Armin Dillenberger, Arndt Schwering-Sohnrey, Burghart Klaussner, Christine Schorn, Chulpan Khamatova, Daniel Brühl, Eberhard Kirchberg, Ernst-Georg Schwill, Florian Lukas, Fritz Roth, Hanna Schwamborn, Hans-Uwe Bauer, Jochen Stern, Jürgen Holtz, Jürgen Vogel, Katrin Saß, Marc Bischoff, Maria Simon, Martin Brambach, Mennan Yapo, Michael Gerber, Michael Gwisdek, Peter Kurth, Stefan Walz, Svea Timander

Director: Wolfgang Becker

Rating: R

In Lyon, the second biggest city in France after Paris, a man confronts the church about a prominent priest who sexually assaulted him and his friends when they were young.

The man, being religious, wanted to keep the issue within the church. He only asked that the pedophile’s priesthood be revoked so that he doesn’t assault more children.

When it becomes clear that the church will not act, he considers legal action, even though the statute of limitations has expired. But, as is usual in these cases, he was far from being the only victim.

Genre: Drama

Actor: Éric Caravaca, Alexandre Steiger, Amélie Daure, Amélie Prevot, Arnaud Viard, Aurélia Petit, Aurelia Petit, Baya Rehaz, Bernadette Le Saché, Bernard Verley, Chloé Astor, Christian Sinniger, Damien Jouillerot, Denis Ménochet, Denis Ménochet, Denis Simonetta, Éric Caravaca, Fayçal Safi, Fejria Deliba, Frédéric Pierrot, François Chattot, François Marthouret, François Chattot, François Marthouret, Frédéric Pierrot, Hélène Vincent, Hélène Vincent, Jeanne Rosa, John Sehil, Josiane Balasko, Jules Gauzelin, Julie Duclos, Laurence Roy, Lilly Rose Debos, Martine Erhel, Martine Schambacher, Max Libert, Melvil Poupaud, Nicolas Bauwens, Nicolas Bridet, Pierre Lottin, Sébastien Pouderoux, Serge Flamenbaum, Stéphane Brel, Swann Arlaud, Timi-Joy Marbot, Xavier de Guillebon, Zuri François

Director: François Ozon, François Ozon

Filmed in Paul Greengrass' signature documentary style, Bloody Sunday captures one of the worst tragedies in Northern Ireland's recent history with stunning attention to detail and a single-minded focus that most thrillers only dream of having. But this film doesn't dress up its violence with Hollywood flashiness or contrived suspense. Everything is presented in a matter-of-fact way (and over the course of just one day), emphasizing how unjust the balance of power was between the Irish citizens and the British Army. It's a remarkably realistic reenactment that should inspire plenty of angry tears, having already made a mark by winning the prestigious Golden Bear at the 2002 Berlin International Film Festival.

Genre: Drama, History

Actor: Allan Gildea, Carmel McCallion, Christopher Villiers, David Clayton Rogers, David Pearse, Gerard Crossan, Gerard McSorley, James Hewitt, James Nesbitt, Kathy Kiera Clarke, Mary Moulds, Nicholas Farrell, Tim Pigott-Smith

Director: Paul Greengrass

The story that Whale Rider tells is a familiar one: that of a young girl challenging the expectations of a patriarchal community in order to claim her rightful place in a position of authority. But this isn't a superficial girl-power movie; writer/director Niki Caro maintains the utmost reverence for this Māori community, even if its customs might not appear fair to an outsider's point of view. It's a film full of realistically flawed people, whose struggles are all borne from a common love for their culture in their little corner of the world. What could have been generic and simplistic is made beautiful—especially thanks to a truly moving performance from Keisha Castle-Hughes, who at the time became the youngest nominee for the Best Actress Oscar.

Genre: Drama, Family

Actor: Cliff Curtis, Grant Roa, Keisha Castle-Hughes, Mana Taumaunu, Rachel House, Rawiri Paratene, Tahei Simpson, Tammy Davis, Taungaroa Emile, Vicky Haughton

Director: Niki Caro

A documentary about two "climbing" friends who attempt to summit Siula Grande in the Peruvian Andes in 1985. I say climbing friends because they are both somewhat egotistical, yuppie risk takers and seem to be the type who are only friends when their interests align. Nevertheless, they are truly ambitious, driven adventurers. A storm hits and one of the climbers gets injured. They both know that this is a death sentence, and events go on from there. The story is epic and nearly unbelievable, but for the fact that it actually happened. I am not a climber, but the plot and story will speak to any adventurer who must accept inherent risks, including death, in their outdoor endeavors.

Genre: Action, Adventure, Documentary, Drama

Actor: Brendan Mackey, Joe Simpson, Nicholas Aaron, Richard Hawking, Simon Yates

Director: Kevin Macdonald

Rating: R

Surprisingly dramatic for a documentary but without exoticizing its central characters for a privileged audience, The Territory is that rare film that rightfully portrays indigenous peoples as living firmly in the present. In their continuing struggle to protect their land and culture, the Uru-eu-wau-wau people of the Amazon may be vulnerable, but they aren't helpless. They're organized, have access to technology, and know exactly how they want to represent themselves—armed with bows and arrows and defending what's theirs in beautiful, thrilling footage. In this way, even as The Territory ultimately touches on issues that have affected all of Brazil, namely the destructive effects of Jair Bolsonaro's presidency, it still feels like a documentary co-authored by these indigenous people themselves.

Genre: Documentary

Director: Alex Pritz

When citizenship and rights can only be achieved through federal service, you have no choice but to militarize. Johnny Rico is young, impressionable, but noble; in other words, he is an archetypal hero even if he initially enlists just to be close to his girlfriend Carmen (Denise Richards). From then on, Starship Troopers unfolds as a high-strung high school drama, but in the middle of a space colonization. During one such mission, a highly evolved insectoid race, Arachnids, proves to be the most dangerous enemy to human supremacy and the fight is on. What's interesting about Starship Troopers is that it shows how a well-oiled propaganda machine works and for that reason, it was accused of indoctrination and army endorsement. Even more, it was dubbed fascist, instead of the fascist satire it claimed to be. But today, it's indisputably a cult film and a great introduction to the Paul Verhoeven's work in Hollywood.

Genre: Action, Adventure, Science Fiction, Thriller

Actor: Aaron Stielstra, Amy Smart, Anthony Ruivivar, Betty Hankins, Blake Lindsley, Brad Kane, Brenda Strong, Brooke Morales, Bruce Gray, Bruce Holman, Casper Van Dien, Christopher Curry, Clancy Brown, Curnal Achilles Aulisio, Dale Dye, Dan Olivo, David Rey, Dean Norris, Denise Dowse, Denise Richards, Dina Meyer, Edward Neumeier, Eric Bruskotter, Eric DaRe, Farnaz Samiinia, Greg Travis, Hunter Bodine, Jake Busey, John Cunningham, Jon Davison, Julianna McCarthy, Julie Pinson, Kai Lennox, Lenore Kasdorf, Mara Duronslet, Marshall Bell, Mary Ann Schmidt, Matt Duggan, Matt Entriken, Matt Levin, Michael Ironside, Michael Papajohn, Mylin Brooks, Neil Patrick Harris, Parry Shen, Patrick Bishop, Patrick Muldoon, R. Lee Ermey, Ray Quiroga, Robert David Hall, Rue McClanahan, Seth Gilliam, Stephanie Erb, Steven Ford, Tami-Adrian George, Timothy McNeil, Timothy Omundson, Tyrone Tann, Ungela Brockman, Walter Adrian, Whitney Hall, Zoë Poledouris

Director: Paul Verhoeven

Rating: R

It would be understandable if it only occurs to you midway through that Little Girl isn't actually a narrative feature but a gorgeously made documentary. Director Sébastien Lifshitz approaches his main character of Sasha not just with respect and empathy for her identity, but with a dedication to bring out the euphoria of feeling comfortable in one's skin. As a result, Lifshitz seems to intentionally avoid any and all scenes where Sasha may face discrimination (especially at school), but even if this choice occasionally make the material feel thin, getting to see Sasha gradually learning to express herself more—or even just just seeing her enjoy a quiet moment on her own—is more precious than anything.

Genre: Documentary

Director: Sébastien Lifshitz

You know that the people you choose to follow for a documentary are great characters when the film itself can survive as straightforward coverage of their actions, no fancy directorial flourishes needed. But this is not to downplay what director Meg Switzgable does. In fact, her dedication to sticking by Frank Kaler and the other citizens of South Brunswick on the ground—and therefore capturing them as three-dimensional, inspirational human beings—is arguably the core value that all documentarians should possess. This also means that the access Switzgable has to this issue of government negligence is obstructed by the same red tape Kaler encounters, making the film (already just an hour long) feel too short. Still, a modest documentary like this shouldn't feel this thrilling. And by the end, all these New Jersey residents look like rock stars.

Genre: Documentary

Director: Meg Switzgable

While named as a “how-to”, How to Have Sex is less of an instruction manual, and more of a collection of summer break moments presented as is. At the start, when Tara, Em, and Skye run to the freezing ocean water, the film seemed like it would have all the nostalgic coming-of-age moments that they would remember forever. But as the film progresses, and the girls meet other teenagers at the resort, there’s an eerie, foreboding feel that starts to build up, with every beer bottle, with every whisper, and with every insinuation Tara receives. And rather than preach about consent, writer-director Molly Manning Walker makes them fumble around without the concept of it, the same way teens tend to do, making it much more potent than a cautionary tale.

Genre: Drama

Actor: Anna Antoniades, Daisy Jelley, Eilidh Loan, Elliot Warren, Enva Lewis, Eric Manaka, Guy Lewis, Lara Peake, Mia McKenna-Bruce, Samuel Bottomley, Shaun Thomas

Director: Molly Manning Walker

Rating: NR