626 Best Movies to Watch With Alone (Page 37)

For the entirety of Where Was I, Trevor Noah is comfortably in his pocket—speaking to an audience that's clearly familiar with his style and his views (if the respectful silences and occasional cheering are any indication) and branching off into sharing more serious facts between the jokes. And Noah's style is clearly refined, as he speaks clearly and sticks to a coherent structure at all times. But at a certain point his level of comfort here also leads to punchlines that are too easy or unsurprising, with too much focus placed on the kinds of voices and accents he can put on rather than the content of what he's saying. Noah remains a strong entertainer, but when you know how scathing he can get, this feels more like a warmup round.

Genre: Comedy, Documentary

Actor: Trevor Noah

Director: David Paul Meyer

Rating: PG-13

This film lays its foundation nicely: it’s got slapstick romance and an absurdly wholesome motivation, and juxtaposes it with a murder plot, telling you right away the kind of movie you’re going to get. Its mystery aspect is intertwined with comedy, and its comedy stems from an avoidance of direct confrontation, while being so casual with death. The combinations give the movie an exciting and comforting feeling, even with the awkward wrinkles and vaguely ominous pop of red and warm colors throughout. Still, it suffers from a lot of uneventful fluff and underwhelming payoffs. It's a good thing it's funny, then.

Genre: Comedy, Crime

Actor: Angela Finocchiaro, Antonino Bruschetta, Christian De Sica, Claudio Colica, Darko Peric, Dharma Mangia Woods, Fioretta Mari

Director: Giovanni Bognetti

It's a pretty nifty idea to expand on just one section of Bram Stoker's Dracula that's essentially just a footnote but implies something much more violent and horrific. And to its credit, The Last Voyage of the Demeter takes this sliver of the source material very seriously—with strong, period-specific production design and a cast that brings humanity and morality to their otherwise two-dimensional characters. Unfortunately, the film just doesn't know what to do with itself. As a creature feature, the thrills are uninspired and difficult to see properly on screen; as a supposedly character-driven horror movie, it only ever gestures toward deeper ideas but fails to give the tragic nature of its story any weight. And Dracula himself has none of the terror or the sophistication that has made him such an enduring figure throughout all of fiction. He's just a thing with wings.

Genre: Fantasy, Horror, Thriller

Actor: Adam Shaw, Aisling Franciosi, Chris Walley, Christopher York, Corey Hawkins, David Dastmalchian, Graham Turner, Javier Botet, Jon Jon Briones, Liam Cunningham, Malcolm Galea, Martin Furulund, Nicolo Pasetti, Nikolai Nikolaeff, Noureddine Farihi, Sally Reeve, Stefan Kapičić, Vladimir Cabak, Woody Norman

Director: André Øvredal

Just in time for Halloween, Netflix has shelled out for a new, high production value doc about demonic possession. It has all the right ingredients: a true story (that of Arne Cheyenne Johnson, also known as the "Devil Made Me Do It" case of 1981), some convincing re-enactments, the air of exclusivity (use of real archives), but it still feels like a let-down to the true horror buffs who'd tune in expecting something fresh. After all, Netflix has been in the game for a while and it's not a good look to settle for something as mediocre. For The Devil on Trial, it seems like the execs have just upped the budget on a regular cable-TV-haunted-house after hours special and then patted themselves on the back. Even the interviews featured are full of cliches, which strips down the horrifying potential of authenticity.

Genre: Documentary

Actor: Arne Cheyenne Johnson, Lorraine Warren, Tony Spera, Victor Serfaty

Director: Chris Holt

Rating: R

Strictly for football movie completionists and fans of the title athlete, That Peter Crouch Film is about as basic a sports documentary as they come, with a straightforward mix of talking heads interviews and archival footage. There's not much to be learned about the sport and its inner workings here, even for a football newbie, and one could argue that Crouch's story doesn't necessarily have the drama needed for a film of his own. Still, it's refreshing to have somebody as unassuming as Crouch at the center; even he doesn't seem convinced that his story is special, but his humility and sense of humor make it easy to root for him. It'd be hard to blame any footballer for taking an opportunity like this to become sentimental about their own career, but Crouch treats his success simply as a product of hard work and a bit of luck.

Genre: Documentary

Actor: Abbey Clancy, Harry Redknapp, Jack Whitehall, Peter Crouch, Steven Gerrard, Sven-Göran Eriksson

Director: Benjamin Hirsch

Taylor Tomlinson clearly has more of a writer's approach to stand-up than a performer's, for better or worse. On the one hand, every word in this special feels considered (even those that she has to come up with on the spot during audience interactions), with a cadence meant to draw you towards the writing itself. On the other hand, this means that her comedy can come off too mannered—more knowingly clever than spontaneously funny. It certainly helps that Tomlinson has the energy to commit to her jokes even if they aren't particularly interesting, though; she has a clear vision for how her routine should flow, and that's worth respecting.

Genre: Comedy

Actor: Taylor Tomlinson

Director: Kristian Mercado Figueroa

Rating: R

The beginning instantly captures Kodama’s essence, and quickly sets lofty expectations with the regal intro sequence and the clean narration and reenactments. But it’s basically a feature length interview of the subject, who shares her screen time with the supporting cast to her action drama life (assistants, love interests, the usual), tackling the big scandals that brought trouble to Kodama. It’s a worthy watch, if only for the deep Nelma Kodama and laundering iceberg; however, it does get very long and redundant in feel, which may be necessary to paint the whole picture, but at some point it’s a bunch of branches that lead to other branches and the tree is big.

Genre: Crime, Documentary

Actor: Anzu Lawson, Nelma Kodama

Director: João Wainer

Rating: R

The set starts off rather harmless, as Koy puts over New York as a racially diverse island, and other wholesome sentiments marinated with cussing. He makes a genuine effort to directly connect with his audience, like he’s really lubing them up for something big, but nothing ever comes of it. He just corners his audience into laughing and tells them that laughing is good, and in fairness it kind of works. After a cult-y opening salvo, we get the rest of the Jo Koy staples: the cartoon voices, the patronizing, some questionable stuff. He settles nicely into age-related topics like chronic pains and back-in-the-day diatribes, where his timing and material really come together, and see the performance through to an admittedly abrupt end.

Genre: Comedy

Actor: Jo Koy

Director: Shannon Hartman

Rating: R

The film certainly catches you by surprise within its opening minutes, setting the bounds for its humor. That, plus the very straightforward web of characters on this island just makes everything funnier by default. On the romcom end, every new wrinkle to the John Allman lore adds all sorts of tension and twists to the romance story we root for. The role of romance almost seems secondary to John’s reclusivenes, which ties into the story’s interesting primary location on the edge of a cliff. It’s still a cheesy and ridiculous romcom, but also self-aware and accountable, showing you that love isn’t stupid, just willing to look it.

Genre: Comedy, Music, Romance

Actor: Agni Scott, Ali Fumiko Whitney, Antonis Katsaris, Athina Roditou, Clarence Smith, Harry Connick Jr.

Director: Stelana Kliris

In terms of the quality of the material delivered in Son I Never Had, this special is really just okay at best. Heather McMahan has charisma and personality, but she has a tendency to run directly into the set-ups for her jokes, without the kind of build-up between segments that would make the whole hour flow better. And the comedy here is pretty standard, lightly raunchy fare that's often amusing but never really cuts deep into the various topics McMahan brings up. Where she's really successful, instead, is in the way she uses humor to contrast the lingering but gentle grief she feels over her father's passing. Son I Never Had, in its own roundabout way, becomes a sort of extended eulogy, emphasizing how our loved ones remain with us in our every memory.

Genre: Comedy

Actor: Heather McMahan

Director: Jen Zaborowski

Rating: R

Based on the novel by Women Talking author Miriam Toews, this adaptation of All My Puny Sorrows holds clear reverence for its source material but falls short of making a case for its existence as a film. Toews's prose—significant parts of which writer/director Michael McGowan has kept intact in the dialogue—may be appropriate for a book that allows full internal access to its narrator, but on film her words come across as overly articulate and artificial, even if they speak beautiful, harsh truths about grief. And without a defined visual identity or proper flow of ideas to back up its admittedly complex characters (played with authentic tenderness and force by Alison Pill, Sarah Gadon, and Mare Winningham), the film ends up stuck in its own darkness, unable to give a proper form to all its thoughts.

Genre: Drama

Actor: Alison Pill, Aly Mawji, Amybeth McNulty, Boyd Banks, Donal Logue, Elizabeth Saunders, Mare Winningham, Marin Almasi, Martin Roach, Michael Musi, Mimi Kuzyk, Morgan Bedard, Racine Bebamikawe, Sarah Gadon

Director: Michael McGowan

Rating: R