Genre: Drama, Thriller
Actor: Arri Graham, Avery Pizzuto, Barbara Whinnery, Chris Coy, Clayne Crawford, Nicole Hawkins, Noah Kershisnik, Sepideh Moafi
Director: Robert Machoian
Movies that are best watched alone. Just like how some music is best enjoyed with headphones, these are movies are to be savored away from company.
Genre: Drama, Thriller
Actor: Arri Graham, Avery Pizzuto, Barbara Whinnery, Chris Coy, Clayne Crawford, Nicole Hawkins, Noah Kershisnik, Sepideh Moafi
Director: Robert Machoian
What seems like The Good Mother's biggest asset is actually its downfall. Yes, the three main actors (Swank, Cooke, and Jack Reynor as the civil servant son, Toby) are all good at what they do, but they're incapable of resuscitating a script that's never truly come to life. These casting choices, obviously made to give some clout to a very mediocre project, feel even more disappointing because the disconnect between actor and character is way too big. For example, Swank is not the alcoholic, fed-up mother we need her to be in this case, and its hard to see this as something else than a derogatory take on her previous more tender and glam roles. Director Miles Joris-Peyrafitte's Sundance-winning As You Are carried a whiff of fresh air, The Good Mother is drained out of all its energy, avoiding reflective depth at all costs, not to mention skirting around the ambivalences of motherhood.
Genre: Crime, Drama, Mystery, Thriller
Actor: Cliff Ware, Dilone, Frank Alfano, Hilary Swank, Hopper Penn, Jack Reynor, Karen Aldridge, Larry Fessenden, Laurent Rejto, Norm Lewis, Olivia Cooke
Director: Miles Joris-Peyrafitte
Those looking for a nature documentary or cultural deep dive into the ways that sharks really behave and have been perceived throughout human history are likely to be disappointed by this. Sharksploitation only occasionally takes a greater interest in the actual animals that have become staple movie monsters since 1975's Jaws—which makes all of the doc's numerous examples lack a greater connective tissue. But with all that said, it's rare to find what's essentially a catalog of other movies be so amusing just in how it geeks out over its subject matter. Sharksploitation is, at the end of the day, a sincere celebration of B-movies and ripoffs that sheds light on a much weirder but no less passionate side of the film industry. As easy as it is to make fun of the Sharknados of the world, there's a different kind of creativity that goes into films like this. It's a blessing that they don't take themselves so seriously.
Genre: Documentary
Actor: Carl Gottlieb, Chris Kentis, Joe Dante, Johannes Roberts, Roger Corman
Director: Stephen Scarlata
Depressingly, Scout's Honor isn't necessarily an exposé about the crimes of the Boy Scouts of America because—as the documentary reminds us—this institution has been caught red-handed many times over since its inception, and yet it evades real accountability. The film is more like a renewed call for justice, with its approach being one of blunt force. This means that the documentary can be sloppy, piling on one case after another without much synthesis, and taking out its anger on one current representative of the Boy Scouts, whom the filmmakers constantly interrupt and interrogate during his interview, That said, it's also hard to object to this kind of approach, as the patterns of abuse become too damning to ignore. Maybe a different film will be able to unpack the systems that allow the Boy Scouts to get away with this, but for now this cry of rage is enough.
Genre: Crime, Documentary
Director: Brian Knappenberger
Pushing an already extreme activity even further beyond its limits, Ueli Steck and Dani Arnold have became the world champions of speed climbing—a variation of the sport that places much greater importance on direct competition over communing with nature. It's fascinating to hear what drives Steck and Arnold to courting death like this, and to see how their vastly different backgrounds and processes have still made them equals in the field. The documentary eventually runs out of ideas, however, as it clumsily shifts tones leading into its last third, and concludes abruptly without much synthesis of everything that had come before. It's still a worthwhile adventure whether or not one is into climbing; it's just disappointing that this story of such a unique rivalry settles into a more generic rhythm by the end.
Genre: Action, Adventure, Documentary
Actor: Dani Arnold, Ueli Steck
Director: Götz Werner, Nicholas de Taranto
As a story, Knuckle Girl settles for the simplest beats, at times strung together by odd, obligatory choices (for example, a training montage that comes out of nowhere, or the film's abrupt ending). It's not particularly sophisticated as far as thriller narratives go. But taken as a showcase for boxing-centered action, the film really sets itself apart from many countless action movies on streaming. The fist-fights here are brutal and kinetic, shot through lots of dynamic footage and crunchy sound design—making every punch that's thrown feel desperate. And in the lead role, Ayaka Miyoshi makes for a convincing, everyman action star who always seems in over her head but perseveres all the same.
Genre: Action, Drama, Thriller
Actor: Ayaka Miyoshi, Eishin, Goki Maeda, Hideaki Ito, Kanata Hosoda, Kotona Minami, Masaki Miura, Narimi Arimori, Ruka Matsuda, Satoshi Jinbo, Yoshimasa Kondô, Yosuke Kubozuka, Yuichi Yasoda
Director: Chang
Painfully intimate and told with very, very little dialogue, All Dirt Roads Taste of Salt resembles the experience of flipping through a photo book and pausing to admire every page. Which is to say that this is a film that requires not only one's complete attention but—like many other arthouse dramas—a willingness to sit with the mundane until it reveals something more profound. The nearly silent nature of its storytelling can be a little awkward, given how lifelike the rest of the movie is, but one should hopefully get used to the idea that this is an attempt to represent something closer to memory than reality. Whether or not the experience sticks or strikes an emotional chord, it's all beautifully put together, with lush cinematography, impeccably detailed sound design, and thoughtful sequencing of one image after another.
Genre: Drama
Actor: Charleen McClure, Chris Chalk, Kaylee Nicole Johnson, Moses Ingram, Reginald Helms Jr., Sheila Atim, Zainab Jah
Director: Raven Jackson
There is some dissonance here. A heavy coming of age backstory serves as the foundation to an otherwise straightforward, even feel-good plot involving fighting and protecting kaiju. The film doesn’t do the best job merging the shiny animations and cute story beats with the threat of the kaiju and the weight of the atmosphere set early on. Individually, however, each side is enjoyable, with the strained father-son relationship in particular being a worthwhile endeavor and full of honesty. But all things considered, there isn’t a whole lot of tension here, even for a film intended for younger audiences, making its 2-hour runtime unnecessarily long given everything it lacks.
Genre: Action, Animation, Family, Science Fiction
Actor: Artt Butler, Bret Marnell, Brittany Ishibashi, Christopher Sean, François Chau, Frank Buckley, Gedde Watanabe, Jonathan Groff, Julia Harriman, Julia Kato, Keone Young, Lee Shorten, Masa Kanome, Mayumi Yoshida, Paul Nakauchi, Rob Fukuzaki, Robert Yasumura, Tamlyn Tomita, Vic Chao
Director: Shannon Tindle
Producer-turned director Sean King O'Grady has some fresh ideas about what can shake up the dystopia genre, but The Mill needs more than a corporate critique to lift it off the ground. Even with Lil Rel Howery's apt acting skills (you'll probably remember him from Get Out), the film falls flat in its second half, losing the momentum built up by the original idea of the gristmill as an exteriorization of the corporate grind and its meaningless nature. The issue is that, aside from this smart use of symbolism, The Mill plays it rather safe by relating dystopia to capitalism. It's almost like O'Grady hasn't the slightest clue that capitalism and dystopia have been one and the same thing for decades now; if only he would have taken the equation to much, much darker places...
Genre: Horror, Science Fiction
Actor: Allya F. Robinson, Blair Wilson, Getchie Argetsinger, Jaiden K. Brown, Karen Obilom, Lil Rel Howery, Pat Healy, Patrick Fischler
Director: Sean King O'Grady
As the first original Filipino film on Prime Video, Ten Little Mistresses can often feel stuck as an entertaining pitch for a film rather than a fully fleshed out story. Like many mystery-comedies, this is a movie that relies on its star power and its big twists over any convincing narrative or thematic ideas. But oddly enough, the sooner you accept this, the easier the film goes down. As a loud and proud example of camp comedy, even its most ridiculous and incongruous elements feel like an authentic expression of Filipino humor; it never tries to pander to a Western audience that might be expecting something more familiar to their sensibilities. And with a cast this dedicated to out-chewing the scenery from each other, it's hard not to get swept up in the insanity of it all.
Genre: Comedy, Mystery
Actor: Adrianna So, Agot Isidro, Angie Castrence, Arci Muñoz, Carmi Martin, Cherry Pie Picache, Christian Bables, Dolly Dulu, Donna Cariaga, Eugene Domingo, Iana Bernardez, John Arcilla, Kate Alejandrino, Kris Bernal, Pokwang, Sharlene San Pedro
Director: Jun Robles Lana
They did it. They took advantage of Pinoy movies’ penchant for sappy writing and used it to deliver on its premise. Coming into it blind more-so, you see the violent shift in writing and energy, with everything feeling more relaxed, organic, and truthful after the premise sets in. But they take that subversion a step further by unironically sticking with the sappy elements and not drowning in them; using dramatic backstories, catchphrases, and the staple recurring '80s theme song to tease and anchor the drama throughout. By Filipino drama standards, it might be an unconventional family film, but with how well they used the tropes, it might also be the quintessential Filipino family film.
Genre: Drama, Family
Actor: Alfred Vargas, Euwenn Mikaell, Iza Calzado, Joel Torre, Joem Bascon, Juan Karlos Labajo, Markki Stroem, Meryll Soriano, Nico Antonio, Shaina Magdayao
Director: Benedict Mique
Composed of archival footage of the titular musical legend and testimonials from those who worked with him or whose lives were profoundly impacted by his courage, Little Richard: I Am Everything feels comprehensive but is also oddly lacking. The documentary makes a bold, confident claim: that all popular music today can be directly traced to his work. And when the film lets itself get into full music nerd mode, it's easy to be convinced. But after you accept that perspective on Little Richard, the rest of the movie seems like it's just spinning its wheels, covering key moments in the artist's life and career without really challenging or substantiating long-held ideas about him.
Chief among these is Little Richard's shifting feelings toward his own queerness—proudly expressing his true self one year, then openly denouncing his own homosexuality the next. This subject matter is ripe for difficult but insightful analysis, which the film just never gets around to. It begins to feel like the believes there is no more discussion to be had about him. And that may very well be true; he deserves the flowers that were denied him for so long. But this attitude doesn't necessarily make for the best documentary.
Genre: Documentary, Music
Actor: Alan Freed, Billy Porter, Elvis Presley, John Lennon, John Waters, Little Richard, Mick Jagger, Nile Rodgers, Nona Hendryx, Pat Boone, Paul McCartney, Tom Jones, Valerie June
Director: Lisa Cortés
As a story, Bruiser isn't the most tightly written thing in the world, with a somewhat long-winded first half and a conclusion that feels too easy given the complicated things we learn about each character. But at its core, it remains impressively perceptive about how men perform their masculinity as a game of aggression and dominance—even if they feel that they're simply trying to protect the children closest to them. Bruise takes on quite a bit of suspense for a drama, as tempers slowly boil over and everybody involved in this supposed battle over who claims authority over a teenage boy reveals themselves to be right and wrong in equal measure.
Genre: Drama
Actor: Frank Oakley III, Gavin Munn, Jalyn Hall, Jay Santiago, Jonah Bishop-Pirrone, Kiah Alexandria Clingman, Moses Jones, Sarah Bock, Shamier Anderson, Shinelle Azoroh, Trevante Rhodes
Director: Miles Warren
This installment in Netflix's series of sports documentary films, Untold, relies too heavily on information to pad its runtime. Even with intriguing parallel storylines that explain what Victor Conte was doing to secretly deal performance-enhancing drugs, and what investigators were doing to try and catch him, the story begins to repeat itself, forgetting to place more emphasis on analyzing this information and finding personal insights into the BALCO scandal. That said, Victor Conte himself is admittedly a fascinating criminal, seemingly remorseful for the lives and careers he's damaged, but still fascinated by the idea of synthesizing substances to push sports beyond their physical limits. By the end, there's a real moral grayness to this whole ordeal, putting into question what some athletes' goals really are, and whether or not certain sports organizations willingly play along with fraudulence or not.
Genre: Crime, Documentary
Actor: Barry Bonds, George W. Bush, Joe Biden, John Ashcroft, Matt Biondi
Director: Bryan Storkel
Unabashedly proud of its own weirdness whether you like or not, The (Almost) Legends falls somewhere between being a surreal comedy, a Mexican banda musical, and a racing movie without really fully committing to any one of these identities. The result is a film that thrillingly plays to the beat of its own drum, but also frequently struggles to have all of its flashiness mean something coherent and insightful. Still, while the emotions it hopes to inspire—about coming to terms with grief and taking pride in one's true self—fall somewhat flat, the film's vivid colors, meticulous production direction, and sentimental heart make this kaleidoscope consistently worth keeping an eye on.
Genre: Comedy, Music
Actor: Benny Emmanuel, Dagoberto Gama, Harold Azuara, Nora Velázquez, Silverio Palacios
Director: Ricardo Castro Velázquez