592 Best Movies to Watch With Alone (Page 3)

After you've watched a few films by Hong Sang-soo, you should know the general outline of what to expect: long, unbroken shots of long, unbroken conversations between characters (who are probably drinking alcohol), with very minimal movement on screen, a few recurring character types, and probably actress Kim Min-hee. But where a number of Hong's films tend to make excuses for its burdened, self-righteous artist characters, The Novelist's Film expresses not just a self-awareness of Hong's usual perspective but a sincere willingness to imagine something beyond himself. With one of the strongest screenplays he's had in a long time, unexpected new touches to his usual style, and a powerful lead performance by Lee Hye-young, the film manages to infuse a newfound sense of vitality and vulnerable emotion into tis familiar beats. There's plenty of humor and light tension to be found in the film's many conversations about the purpose of art—boiling things down to the most foundational reasons for why we make and respond to creative works in the first place. Whether you're a longterm fan or longterm skeptic of Hong's work, The Novelist's Film adds something undeniably new to his oeuvre.

Genre: Drama

Actor: Gi Ju-bong, Kim Min-hee, Kwon Hae-hyo, Lee Hye-young, Park Mi-so, Seo Young-hwa

Director: Hong Sang-soo

Rating: NR

The original Swedish mystery thriller that was later remade by David Fincher. It's the same story of a wealthy man hiring a journalist and scrappy hacker to solver a murder, but told better. This version is slower, has more attention to detail and pace. In casting, authenticity triumphs over good looks. In staging, aesthetics are given as much importance as thrills. And in the story, intelligence wins over plot. This gives the main character of Lisbeth Salander (played by Noomi Rapace) better space to deploy her full mysticism and enigmatic nature. Danish director Niels Arden Oplev masterfully brings everything together to make for a movie that will forever be remembered.

Genre: Crime, Drama, Mystery, Thriller

Actor: Alexandra Pascalidou, Annika Hallin, Barbro Enberg, Bjorn Granath, Christian Fiedler, Daniel Abreu, David Dencik, Emil Almén, Ewa Fröling, Fredrik Ohlsson, Georgi Staykov, Gösta Bredefeldt, Gunnel Lindblom, Henrik Knutsson, Henrik Kvarnlöt, Ingvar Hirdwall, Jacob Ericksson, Jan Mybrand, Jannike Grut, Julia Sporre, Kalled Mustonen, Karl Oscar Törnros, Lena Endre, Lennart R. Svensson, Louise Ryme, Margareta Stone, Marika Lagercrantz, Michael Nyqvist, Michalis Koutsogiannakis, Mikael Rahm, Nina Norén, Noomi Rapace, Pale Olofsson, Peter Andersson, Peter Haber, Reuben Sallmander, Shaun R.L. King, Sofia Ledarp, Sovi Rydén, Stefan Sauk, Sven-Bertil Taube, Tehilla Blad, Tomas Köhler, Willie Andréason, Yasmine Garbi

Director: Niels Arden Oplev

Rating: R

Clocking in at just over four hours and shot in vivid color, Norte, the End of History stands not only as Filipino auteur Lav Diaz's best work since his earliest films, but as the easiest entry point into his unique filmography. Told on a sweeping yet intimate scale, the film has all the trademarks of Diaz's work: slow, lengthy shots; bursts of dense dialogue and philosophizing; and copious amounts of human despair and systemic corruption. As our three protagonists' souls (who rarely share the screen, if at all) are pushed to the limit after a terrible crime is committed, everything heads toward universal truths—the perseverance of love, and the inevitability of divine justice.

It can be difficult to recommend any film of this length and deliberate pace, but Norte remains a masterful example of how to use time itself to build a monumental story.

Genre: Crime, Drama

Actor: Angeli Bayani, Archie Alemania, Barbie Capacio, Hazel Orencio, Ian Lomongo, Kristine Kintana, Mae Paner, Mailes Kanapi, Moira Lang, Noel Sto. Domingo, Perry Dizon, Sheenly Gener, Sid Lucero, Soliman Cruz

Director: Lav Diaz

This surprising documentary follows Jiro, an 85 year old Japanese chef, his Michelin-starred restaurant in the Tokyo underground, and his eager sons. While ostensibly about sushi – and believe me, you’ll learn about sushi and see absolutely gorgeous images of the raw-fish creations – the film’s dramatic impetus is carried by the weight of tradition, the beauty of a labor of love, obsession, and the relationship between father and son. Truly a must-watch.

Genre: Documentary

Actor: Daisuke Nakazama, David Gelb, Hachiro Mizutani, Harutaki Takahashi, Jiro Ono, Masuhiro Yamamoto, Yoshikazu Ono

Director: David Gelb

Rating: PG

Fear of abandonment is at the heart of The Vanishing. Lovers Rex and Saskia are separated on their way to France after the latter vanishes without a trace. For the next three years, Rex dedicates his life to finding out what happened to Saskia in whatever way possible, endangering his own safety in the process. George Sluizer’s chilling psychological thriller shows the evils that curiosity and obsession can bring, and is a uniquely perverse look at the ugly side of truth-seeking.

Genre: Drama, Mystery, Thriller

Actor: Bernadette Le Saché, Bernard-Pierre Donnadieu, Caroline Appéré, Didier Rousset, Gene Bervoets, Gwen Eckhaus, Johanna ter Steege, Pierre Forget, Roger Souza, Tania Latarjet

Director: George Sluizer

All Quiet on the Western Front is a period epic that unflinchingly shows us the savagery and senselessness of war. Set at the tail end of World War I, it follows two main stories: that of German soldier Paul Bäumer (Felix Kammerer), whose boyish eagerness for warfare is diminished with each bloody step he takes towards the frontline, and that of Matthias Erzberger (Daniel Brühl), the real-life German politician tasked to negotiate a ceasefire between the French and German forces.

Grim and sobering, the movie will leave you nothing less than stunned after viewing. Like 1917 before it, All Quiet on the Western Front relies on the juxtaposition of raw brutality and peaceful quiet to effectively forward its anti-war message. The film is Germany’s official entry for the 2023 Academy Awards.

Genre: Action, Drama, History, War

Actor: Aaron Hilmer, Adrian Grünewald, Albrecht Schuch, André Marcon, Andreas Döhler, Anthony Paliotti, Anton von Lucke, Cyril Dobrý, Dan Brown, Daniel Brühl, Daniel-Frantisek Kamen, Devid Striesow, Edin Hasanović, Felix Kammerer, Felix von Bredow, Gregory Gudgeon, Hendrik Heutmann, Jakob Diehl, Joe Weintraub, Luc Feit, Marek Simbersky, Markus Tomczyk, Martin Němec, Michael Pitthan, Michael Stange, Michael Wittenborn, Moritz Klaus, Nico Ehrenteit, Peter Sikorski, Sascha Nathan, Sebastian Hülk, Sebastian Jacques, Thibault de Montalembert, Tobias Langhoff, Tomáš Weber

Director: Edward Berger

Rating: R

Even before any blood is inevitably shed during A Short Film About Killing (which serves as the expansion of another episode from director Krzysztof Kieślowski's Dekalog miniseries, alongside A Short Film About Love), there's something positively oppressive and sinister even just in the way the movie is shot. Kieślowski and cinematographer Witold Adamek use color filters to make the film deliberately ugly—as if the image is degrading right in front of us. Oftentimes shadows obscure the edges of the frame, shining a sickly yellow spotlight on the characters on screen. It's the perfect way to get right into the heads of these people existing in a lawless land driven by primal instinct.

When crime and punishment finally occur, they're equally difficult to watch unfold, but in different ways. Kieślowski lingers on the details—the tools and processes that we tell ourselves will make the act of killing easier. And what he's ultimately able to expose is how capital punishment has been made to seem humane, just, or necessary, when it's often even more barbaric, cruel, and unproductive than a crime borne of desperation. The very government that does nothing to address the roots of crime is the same one most eager to kill criminals instead.

Genre: Crime, Drama

Actor: Aleksander Bednarz, Andrzej Gawroński, Artur Barciś, Barbara Dziekan, Jan Tesarz, Jerzy Zass, Krystyna Janda, Krzysztof Globisz, Leonard Andrzejewski, Małgorzata Pieczyńska, Mirosław Baka, Olgierd Łukaszewicz, Władysław Byrdy, Zbigniew Borek, Zbigniew Zapasiewicz, Zdzisław Rychter, Zdzisław Tobiasz

Director: Krzysztof Kieślowski

Based on the Austrian novel, The Piano Teacher is as brilliant and as disturbed as its protagonist. The film follows Erika Kohut (Isabelle Huppert), the repressed masochist in question, and the trainwreck of a relationship that she develops with her student Walter Klemmer (Benoît Magimel). Their dynamic is undeniably toxic. Austrian auteur Michael Haneke frames each scene with clinical detachment, but it is absolutely brutal how the two characters try to assert control over each other, engage in sadomasochism, and repeatedly violate each other’s boundaries. Huppert’s heartrending performance fully commits to the merciless treatment Erika receives. But more tragic is the way Erika’s unusual relationship could’ve freed her, could’ve helped her process her abuse, and instead, reinforces her repression. It’s scary to make yourself vulnerable by admitting your desires, only for them to be used against you.

Genre: Drama, Romance

Actor: Anna Sigalevitch, Annemarie Schleinzer, Annie Girardot, Benoit Magimel, Cornelia Köndgen, Dieter Berner, Eva Green, Gabriele Schuchter, Georg Friedrich, Gerti Drassl, Isabelle Huppert, Karoline Zeisler, Klaus Händl, Liliana Nelska, Michael Schottenberg, Rudolf Melichar, Susanne Lothar, Thomas Weinhappel, Udo Samel, Vivian Bartsch, William Mang

Director: Michael Haneke

Rating: R