612 Best Movies to Watch With Alone (Page 16)

Despite being based on a 19th-century serial novel, Lost Illusions feels remarkably close to contemporary concerns about fake news and the devaluing of art for profit. But as the story is also, obviously, set in the 19th century, all this bribery and these backdoor dealings are done entirely through the written word and by sending runners from one Parisian theater to the next—and the result is uniquely thrilling. Nearly every character is a terrible person (like in an old-timey Goodfellas way) and it can get tiring seeing the film glorify their hustle, but the energy it brings is rare to find in any other period drama.

Genre: Drama, History, Romance, Thriller

Actor: Alexis Barbosa, André Marcon, Benjamin Voisin, Candice Bouchet, Cécile de France, Édouard Michelon, Gaëlle Lebert, Gérard Depardieu, Isabelle De Hertogh, Jean-François Stévenin, Jean-Marie Frin, Jean-Paul Bordes, Jean-Paul Muel, Jeanne Balibar, Louis-Do de Lencquesaing, Maryne Bertieaux, Michèle Clément, Pierre Poirot, Saïd Amadis, Salomé Dewaels, Vincent Lacoste, Xavier Dolan

Director: Xavier Giannoli

This Oscar-nominated French movie is set in Montfermeil, the Paris suburb where Victor Hugo wrote Les Misérables but which today is a rough neighborhood.

Inspired by instances of police violence that happened in 2008, the movie follows a squad of police officers who try to keep the neighborhood under control. Their methods, or lack thereof, inevitably cause things to explode. This is a thriller with a message, one which sometimes feels forced; but the payoff at the end will make you forget all of that.

Genre: Crime, Drama, Thriller

Actor: Al-Hassan Ly, Alexis Manenti, Almamy Kanoute, Bonnie Duvauchelle, Damien Bonnard, Djebril Zonga, Djibril Zonga, Issa Perica, Jaihson Lopez, Jeanne Balibar, Ly Lan Chapiron, Marine Sainsily, Nizar Ben Fatma, Romain Gavras, Sofia Lesaffre, Steve Tientcheu

Director: Ladj Ly

Rating: R

The idea of representation in movies is often limited to superficial gestures of putting on screen people who look a certain way. Kokomo City is a reminder of cinema's possibilities when one really tries to queer filmmaking itself, with genuine queer voices driving a production. This documentary is messy and incredibly playful in its style—in ways that might read to some as lacking cohesiveness, or as tonally inconsistent. But the way director D. Smith is able to capture the dynamic energy of a series of conversations makes these powerful, funny, tragic anecdotes and dialogues feel truly grounded in people's everyday experiences, and makes the plea for protection of trans lives all the more urgent.

Throughout Kokomo City, this collection of individuals goes off on various tangents that never become difficult to follow. They speak about the nature of sex work, hidden desires felt by traditionally masculine male clients, and various degrees of acceptance within the Black community. And between these statements alternating from impassioned to emotional to humorously candid, Smith injects cheeky cutaway footage, layers text on screen, and plays an eclectic rotation of music throughout. It's about as real and as three-dimensional as these trans lives have ever been shown on screen.

Genre: Documentary

Actor: Daniella Carter, Dominique Silver, Koko Da Doll, Liyah Mitchell, XoTommy

Director: D. Smith

Rating: R

If Katrina Babies seems like a somewhat disjointed account of the myriad responses to Hurricane Katrina and the U.S. government's horrible, anti-poor response to the disaster, director Edward Buckles Jr. uses this structure with much more intent. For once this is a documentary that feels like citizen reporting and not a sanitized report from experts who have little to no real personal stake in the subject. As the film swings from one talking point to the next, you get the sensation of just how much the people of New Orleans are still trying to comprehend; the loose structure brings to this film a sense of helplessness that, for some, just can't be overcome.

Genre: Documentary

Actor: Arnould Burks, Calvin Baxter, Cierra Chenier, Damaris Calliet, Quintina Thomas Green

Director: Edward Buckles

Rating: R

There's a remarkable harshness to every moment of I Have Electric Dreams, even if it doesn't seem like much is happening. Beautiful textures in its cinematography and the dreamlike movement of its editing can't mask the pain that protagonist Eva feels, as she drifts through the ruin of her own family in search of any shred of comfort or anything she can still call her own. There's tension in every interaction she has, as this messy divorce has torn down any divide between parent and child—revealing Eva to be both more mature and more naive than she realizes, and revealing her parents as still stuck in their own insecurities. It's frequently difficult viewing that gets surprisingly graphic, but the film's ear for character is undeniable.

Genre: Drama

Actor: Daniela Marín Navarro, José Pablo Segreda Johanning, Mayté Ortega, Reinaldo Amien Gutiérrez, Vivian Rodríguez Barquero

Director: Valentina Maurel

An insightful and thoughtful Canadian coming-of-age drama, Giant Little Ones is about two seventeen-year-old best friends whose relationship changes after an incident one night. Spanning a quick 90 minutes, it manages to tell its story quickly and honestly, as it touches on themes of sexual identity not only for the teenagers but for their parents as well. And it has a great message about tolerance. It's a lovely and wholesome movie. 

Genre: Drama

Actor: Carson MacCormac, Cory Lee, Darren Mann, Evan Marsh, Hailey Kittle, Jeff Clarke, Josh Wiggins, Kiana Madeira, Kyle MacLachlan, Maria Bello, Niamh Wilson, Olivia Scriven, Peter Outerbridge, Stephanie Moore, Taylor Hickson

Director: Keith Behrman

Rating: R

For the longest time, American media coverage was skewed to justify the presence of US forces in Arab states. Control Room unveils that bias by following Al Jazeera at the start of the Iraq War in 2003. One of the biggest Arab media outlets at the time, Al Jazeera dared to cover both sides of the war, but by doing so put a target on its back. It was vilified by both the US government, which called it an Osama mouthpiece and the Arab world, which called it a Bush ally. 

Control Room shows the difficulty (if not sheer impossibility) of achieving journalistic balance, objectivity, and integrity. Through interviews with Al Jazeera reporters and US military officers, we witness how lines are blurred, loyalties are tested, and purpose is shifted in a state of war. A seminal work on media bias and press control, Control Room is vital and enlightening, a must-watch to understand the inner workings of the fourth estate. 

Genre: Documentary, War

Actor: Abdul Jabbar Al-Kubeisi, Donald Rumsfeld, George W. Bush, Hassan Ibrahim, Josh Rushing, Muafak Tawfik, Nabeel Khoury, Omar Al-Issawi, Tom Mintier

Director: Jehane Noujaim

Filmed in Paul Greengrass' signature documentary style, Bloody Sunday captures one of the worst tragedies in Northern Ireland's recent history with stunning attention to detail and a single-minded focus that most thrillers only dream of having. But this film doesn't dress up its violence with Hollywood flashiness or contrived suspense. Everything is presented in a matter-of-fact way (and over the course of just one day), emphasizing how unjust the balance of power was between the Irish citizens and the British Army. It's a remarkably realistic reenactment that should inspire plenty of angry tears, having already made a mark by winning the prestigious Golden Bear at the 2002 Berlin International Film Festival.

Genre: Drama, History

Actor: Allan Gildea, Carmel McCallion, Christopher Villiers, David Clayton Rogers, David Pearse, Gerard Crossan, Gerard McSorley, James Hewitt, James Nesbitt, Kathy Kiera Clarke, Mary Moulds, Nicholas Farrell, Tim Pigott-Smith

Director: Paul Greengrass

Even if you’re a huge Broadway fan, you’ve probably never heard of the “industrial musical." While it no longer exists in practice, in the 1970s industrial musicals were shows that corporations commissioned for some of the biggest Broadway names to produce. The script would be based on the company’s offerings and history, and privately performed by real Broadway actors to audiences made up exclusively of company and factory staff.

Now, a documentary about industrial shows doesn’t scream “entertaining,” but to describe Bathtubs Over Broadway in such a manner would be selling it way short. It’s really about Steve Young, a comedy writer for David Letterman, and how his life changed when he found his first industrial musical LP when leafing through a crate of old records for a Late Night segment he was working on.

Ultimately, what makes this such an enjoyable watch is the protagonist’s enduring passion over what at first appears to be nothing but a niche obsession. But with time, as he connects with other collectors and the people who were involved in the original industrial musical productions, his passion breeds community and lifelong bonds. Even if you’re no fan of Broadway, this makes for a great pop culture documentary and an unexpectedly touching story of human connection.

Genre: Comedy, Documentary, Drama, Music

Actor: Chita Rivera, David Letterman, Florence Henderson, Jello Biafra, Martin Short, Melody Rogers, Sheldon Harnick, Steve Young, Susan Stroman

Director: Dava Whisenant

Rating: PG-13