159 Best Movies With Alone On Netflix Canada (Page 11)

Staff & contributors

Movies that are best watched alone. Just like how some music is best enjoyed with headphones, these are movies are to be savored away from company.

Bogged down by a platonic best friendship with a suspicious lack of communication and the repetitive use of tacky nicknames, Seasons never gains enough momentum to justify 108 minutes of uninteresting romance tropes. Carlo Aquino and Lovi Poe's chemistry is overshadowed by the glaring mound of unoriginal dialogue and drawn-out story. The lack of awareness and childish antics that culminate at the tail-end of a 15-year-long friendship are more disappointing than believable. With no external (or personal) struggles of their own, every sequence reinforces how flat and underdeveloped our leads are, as if they only engage with the world when close to, or thinking about, each other. Love-me/Love-me-not is never enough to carry the film.

Genre: Drama, Romance

Actor: Carlo Aquino, Lovi Poe, Sarah Edwards, Sheenly Gener

Director: Easy Ferrer

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Whether you enjoy it or not, edgy, offensive comedy has become a legitimate style of its own—which means there's a way to get it right. Matt Rife has confidence and a decent range of tricks to keep his routines dynamic, but far too much of this set is spent simply pointing out different things and people who piss him off, for reasons that he doesn't articulate very well. Insults can be funny if they're cleverly written enough but Rife only ever sounds like he's trying to prove himself to his haters, not through his own creativity but by bragging that he has a Netflix special now. Even for comedians who like to punch down, you have to have some humility; anything less is just a drunken rant.

Genre: Comedy

Actor: Matt Rife

Director: Erik Griffin

Rating: R

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Given the nature of the subject (the discovery of a species that predates humans), this installment of the Unknown documentary movies has more fanfare than its predecessors. The narrative never transcends positing that a Homo Naledi is just like Homo Sapiens, but not really. The experts' enthusiasm is often unsettling when you quickly realize that no opposing view is mentioned. In other installments, the balance of arguments for and against discoveries made the narrative compelling. However, Cave of Bones is suspiciously wrapped in (and warped by) the need to have Homo Naledis feel different from humans. What is initially fascinating eventually lends itself to fatigue when discoveries and philosophized theories are repeatedly aggrandized. 

Genre: Documentary

Actor: Lee Berger

Director: Mark Mannucci

Rating: PG

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For almost the entirety of its runtime, Old Dads feels like it has something it's desperately trying to prove. But while the millennial generation and a newfound popular interest in political correctness are ripe for satire, this film chooses the lowest hanging fruit possible to make jokes about—inventing one senseless situation after another in order to laugh at people's "sensitivity" with little energy or wit. The main cast has tried and tested talent, but the material they're working with feels more artificial and whiny than truly perceptive of today's generational clashes. The movie tries to manufacture some sort of dramatic realization by the end, but it hardly changes the protagonists anyway. A film need not be PC to be good, of course, but it should at least stand for something instead of simply standing against so much.

Genre: Comedy, Drama

Actor: Abbie Cobb, Angela Gulner, Bill Burr, Bobby Cannavale, Bokeem Woodbine, Bruce Dern, C. Thomas Howell, Cameron Kelly, Carl Tart, Chelsea Marie Davis, Cody Renee Cameron, Dash McCloud, Erin Wu, Jackie Tohn, Josh Brener, Justene Alpert, Justin Miles, Katie Aselton, Katrina Bowden, Leland Heflin, Miles Robbins, Natasha Leggero, Paul Walter Hauser, Rachael Harris, Reign Edwards, Rick Glassman, Rory Scovel, Steph Tolev, Tom Allen

Director: Bill Burr

Rating: R

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The premise is really exciting to jump into: Paralympic domination feels original, but the cartoonish crime underbelly is not at all the best wrinkle to add to the initial idea. The sports and family drama side of the action feels grounded, full of heart, and far from being fleshed out to a satisfying degree. In contrast, the dark world side of the action has a Hollywood emptiness to it, which is ironic because the premise is heavy enough on its own, only to be overcrowded by this sci-fi noise. It could do without a lot of the elements, but maybe all the bloat is intentional to move the story away from a political conversation and into a safer albeit uneventful one.

Genre: Action, Adventure, Science Fiction

Actor: Bruno Gagliasso, Christian Malheiros, Danton Mello, Erika Januza, Gabz, Guta Ruiz, Jessica Córes, Klebber Toledo, Miguel Falabella, Nill Marcondes, Paulo Vilhena

Director: Afonso Poyart

Rating: R

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The fourth Kandasamys installment may only appeal to viewers who've been there from the beginning, but no matter your history with the South African Indian series, The Baby really offers far too little. With unconvincing third-act drama and extremely loose connection tissue between scenes, it becomes very difficult to see what the point of all this is, unless you are truly charmed by the bickering of this dysfunctional family. Unfortunately there isn't any wit to the clashing of personalities here; these are characters who aren't even trying to get on the same page, so set in their stubborn ways that it becomes infuriating to watch them butt heads for no good reason.

Genre: Comedy, Drama

Actor: Jailoshini Naidoo, Koobeshan Naidoo, Madhushan Singh, Maeshni Naicker, Mariam Bassa, Mishqah Parthiephal

Director: Jayan Moodley

Rating: PG-13

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Though it tries to root itself in the relatable situation of comparing oneself to others amid the often forced positivity of the Christmas season, Best. Christmas. Ever!'s disparate parts are so carelessly thrown together that it's hard to take any of it seriously. Potential conflicts in the marriages of its two central couples are tonally incompatible with the film's corny humor and a Miracle on 34th Street-esque subplot about the adults' children trying to prove that Santa is real. This is a totally mixed stew of Christmas movie tropes without rhyme or reason, which would have had a chance to at least be campy if its actors weren't phoning it in either.

Genre: Comedy, Family

Actor: Abby Villasmil, Allan Groves, Brandy Norwood, Camille Cadarette, Chase Ramsey, Heather Graham, Janet Lo, Jason Biggs, Madison Skye Validum, Matt Cedeño, Paul Kiernan, Wyatt Hunt

Director: Mary Lambert

Rating: PG

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This was an uncomfortable, unnecessary mess of a movie—it’d be a lot faster to just go to Literotica or something. It’s got rough romance dialogue; everyone’s faces are always pressed so close together; and worst of all is even the fight scenes are awkward. Outside of storylines, music from Olivia Rodrigo and Billie Eilish were made to be associated with this movie which mucks up their good name for people that haven't discovered them in neutral conditions. Caterina Ferioli’s performance as the film’s muse Nica, along with Nica’s warm girl-friendships, carries the entire thing to a semblance of watchability. But I'm not trying to give you hope, I'm saying just open your Incognito tab if you're here "for the plot."

Genre: Drama, Romance

Actor: Alessandro Bedetti, Anna Cianca, Caterina Ferioli, Eco Andriolo Ranzi, Eugenio Krauss, Juju Di Domenico, Laura Baldi, Matteo Capraro, Nicky Passarella, Orlando Cinque, Roberta Rovelli, Sabrina Paravicini, Simone Baldasseroni, Sveva Romano Candelletta

Director: Alessandro Genovesi

Rating: R

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If it's been said about one American stand-up comedian, it's been said about a dozen of them: just because a joke is edgy doesn't mean it's brave, nor does it mean it's actually a well-written joke. Throughout this hour-long special, Mike Epps rambles from one topic to another with little sense of direction, usually resorting to making fun of a vulnerable group, or making dull "observations" about relationships and everyday life when he hits a wall. There's no real perspective to what he says here, not even an attempt to criticize more progressive points of view. It's hard to see what's so funny about somebody stating the obvious loudly and arrogantly.

Genre: Comedy

Actor: Mike Epps

Director: Royale Watkins

Rating: R

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