Genre: Documentary
Director: Stefan Forbes
Genre: Documentary
Director: Stefan Forbes
Big George Foreman ticks all the boxes of what a biopic should be. It shows us his troubled childhood, his bumpy rise to the top, and his eventual reconciliation with fame and boxing. It’s also nicely shot and polished, an accurately dressed period piece that looks and feels the part. But nothing about the film hits you as particularly new or exciting. Prickly topics like faith and infidelity aren’t so much explored as they are simply covered, and the dialogue sounds like something you’ve heard a thousand times. There’s also a sense that the filmmakers noticed this problem because halfway through, the movie switches into a more lighthearted tone, as if it were suddenly bored of itself. Sure, Big George Foreman is easy to follow and nice to look at, but its formulaic structure fails to distinguish itself from a long and ever-growing line of sports biopics.
Genre: Drama, History
Actor: Al Bernstein, Al Sapienza, Anthony Marble, Austin David Jones, Azaria Carter, Barry Hanley, Bill Martin Williams, Billy Slaughter, Brian Ibsen, Deion Smith, Deneen Tyler, Dwayne L. Barnes, Eric Hanson, Erica Tazel, Forest Whitaker, Greg Wattkis, Jasmine Mathews, John Magaro, Jonathan Mercedes, Joshua Wade, Judd Lormand, Julia Lashae, K. Steele, Kei, Khris Davis, Lara Grice, Lawrence Gilliard Jr., Madison Dirks, Martin Bats Bradford, Matthew Glave, Matthew Rimmer, Michael Harrity, Michael Papajohn, Philip Fornah, Raion Hill, Robert Cicchini, Robert Larriviere, Sam Trammell, Samantha Beaulieu, Shein Mompremier, Sonja Sohn, Sullivan Jones, T.C. Matherne, Tom Virtue, Zephaniah Terry
Director: George Tillman Jr.
As glad as I am to see a film celebrating the complex joys of interracial love and debunking the stigma of arranged marriages, I can’t help but wonder how and why a film about love got to be so dry and passionless. Is dating really this painfully awkward? Is marriage really this burdensome? Realistically, yes, but when you’re trying to make a point about true love supposedly trumping it all, including cultural differences and age-old traditions, then you should at least make it seem like the winner. The movie tries to have its cake and eat it too by serving us heaps of realism and fantasy on one plate, failing to understand that you only have to pick one to be palatable. “Love Contractually” is the title of Zoe’s documentary, but it’s also the name this movie should’ve gone with, seeing as how everyone acts like they’re obligated to be here.
Genre: Comedy, Romance
Actor: Alexander Owen, Alice Orr-Ewing, Asim Chaudhry, Ben Ashenden, Emma Thompson, Haqi Ali, Jamal Andreas, Jeff Mirza, Lily James, Michael Marcus, Mim Shaikh, Munir Khairdin, Nikkita Chadha, Nosheen Phoenix, Oliver Chris, Peter Sandys-Clarke, Ravi Aujla, Sajal Ali, Shabana Azmi, Shaheen Khan, Shazad Latif, Sindhu Vee, Taj Atwal, Wasim Zakir
Director: Shekhar Kapur
Like the action thriller Cellular (2004), Unseen plays with the idea of saving someone only through a phone. This time, however, Yoko Okumura’s directorial debut has video call instead of just audio, with video used to help nearly blind Emily run away from her kidnapper ex. Through split screen shots, occasional open hazy irises, and tiny phone screens, Unseen takes us on a desperate escape, an escape made possible by Emily’s connection with random stranger Sam. While some parts feel absolutely ridiculous, the thriller still feels like a wild ride, especially when focused on its two leads. It’s still enjoyable, if you can accept its silliness and the shallow way it approaches certain themes.
Genre: Horror, Mystery, Thriller
Actor: Brett Baker, Jolene Purdy, Michael Patrick Lane, Midori Francis, Missi Pyle, Nicholas X. Parsons, Ren Hanami
Director: Yoko Okumura
Yu Katayama lives in a remote village with a garbage disposal business that's slowly turning into a landfill. When his childhood friend Misaki Nakai returns to the village, she encourages Yu to make a better life for himself despite his mother's gambling and the village ostracizing him. The Village is a slow-burning film interested in Yu's struggles as an outcast and in discussing the takeover of small villages for capitalistic industrial motives. The film is shot beautifully with dark, brooding visuals and lingering shots of Yu's quiet intensity throughout the film. Unfortunately, secondary characters are not fully developed outside of their interactions with Yu, causing the film to feel flat outside of pivotal moments. An evocative idea with parts more memorable than the whole.
Genre: Drama
Actor: Arata Furuta, Daiken Okudaira, Hana Kino, Haru Kuroki, Naomi Nishida, Ryusei Yokohama, Sakuma Ryuto, Shidô Nakamura, Tetta Sugimoto, Wataru Ichinose
Director: Michihito Fujii
Genre: Comedy, Drama, Family
Actor: Angelina Jolie, Ariana Greenblatt, Betsy Graver, Brooklynn Prince, Bryan Cranston, Chaka Khan, Danny DeVito, Davina Sitaram, Dean Phillippi Sr., Eleanor Matsuura, Hannah Bourne, Helen Mirren, Indira Varma, Jacqueline Ramnarine, Jeremy Oliver, Kevin Mathurin, Kriss Dillon, Max Dowler, Mike White, Owain Arthur, Phillipa Soo, Ramón Rodríguez, Roberto Vivancos, Ron Funches, Sam Rockwell
Director: Thea Sharrock
Genre: Drama
Actor: Alanna Bale, Andrew Shaver, Brenda Kamino, Brie Larson, Brigette Lundy-Paine, Chandler Head, Charlie Shotwell, Chris Gillett, Darrin Baker, Dominic Bogart, Eden Grace Redfield, Ella Anderson, Hamza Haq, Iain Armitage, Joe Pingue, Josh Caras, Kenny Wong, Kyra Harper, Max Greenfield, Naomi Watts, Nathaly Thibault, Olivia Kate Rice, Philippe Hartmann, Robin Bartlett, Sabrina Campilii, Sadie Sink, Samantha Hodhod, Sarah Camacho, Sarah Snook, Shree Crooks, Tessa Mossey, Tyrone Benskin, Vlasta Vrana, Woody Harrelson
Director: Destin Daniel Cretton
A first feature by stuntman-turned-director Andy Armstrong, Squealer is supposedly based on real events that shook Canada in the 1990s. Robert Pickton or the Pig Farmer Killer was perhaps the inspiration for the eponymous Squealer in the 2023 film; the physical resemblance is uncanny. Extraordinarily cruel serial killers make good gore material and we love to see it, but the problem is that the audience today wants something new and fresher. Texas Chainsaw Massacre is a classic, but it's hard to make a film as misogynistic and hit the same charge as it used to. In Squealer, it is only female bodies that are shown dismembered, cut open, sliced, and diced; for men, all this happens off screen. This is only one example of how the film reiterates some of its onerous tropes, without really updating them. It's not exactly good taste to hammer bits of comedy in the dialogue too, as it feels disconcerting amidst the rivers of blood and cruelty.
Genre: Action, Horror, Thriller
Actor: Danielle Burgio, Graham Greene, Holly Kaplan, Katherine Moennig, Ramona DuBarry, Rebecca Knox, Ronnie Gene Blevins, Sydney Carvill, Theo Rossi, Tyrese Gibson, Wes Chatham
Director: Andy Armstrong
Loss can be straightforwardly heartwrenching, but it could also be bewildering, cryptic, and too sudden to even process. New Religion depicts a grieving mother, whose loss of her daughter, and her meet up with an eccentric photographer, causes her to behave strangely. The film goes through the events in a surreal, existential haze, with a skin-crawling scene that reveals the photographer’s nefarious reasons, but the sequences remain inscrutable and the themes and certain characters don’t mesh as well as they could have. New Religion might befuddle viewers just looking for a casual watch, but it’s definitely a thought provoking and promising debut from Keishi Kondo.
Genre: Drama, Horror
Actor: Daiki Nunami, Kaho Seto, Ryuseigun Saionji, Satoshi Oka, Yuki Nagata
Director: Keishi Kondo
Genre: Comedy, Horror, Romance
Actor: Ashton Leigh, Bryce Romero, Carla Gugino, Charlie Talbert, Cole Sprouse, Donna DuPlantier, Geraldine Singer, Henry Eikenberry, Jenna Davis, Jennifer Pierce Mathus, Joe Chrest, Joey Harris, Joshua Montes, Kathryn Newton, Liza Soberano, Luke Sexton, Paola Andino, Ray Gaspard, Ritchie Montgomery, Shane Partlow, Summer Selby, Sylvia Grace Crim, Trina LaFargue, Walker Babington, Wendy Miklovic
Director: Zelda Williams
Genre: Comedy, Crime, Drama, Mystery, Thriller
Actor: Ali Wills, Billy Magnussen, Callum Vinson, Faran Tahir, Fisher Stevens, John Posey, Julia Ford Collier, Kristine Nielsen, Peter Sarsgaard, Sarah Gadon, Skye P. Marshall
Director: Austin Stark, Joseph Schuman
The level of access that A Thousand Cuts gets to both the side of the press and of the administration is ultimately what makes it valuable. By being on the ground with journalists doing honest-to-goodness hard work, the film reframes Duterte's war on drugs (really a campaign to terrorize the poor into submission) as an information war between news outlets and government propaganda. Unfortunately, in the process, the film also winds up excluding the voices of working class people and how they both engage and are engaged by all this information. There should be a way to honor the work of these journalists without accidentally positioning them above the public they serve.
Genre: Documentary
Actor: Amal Clooney, George Clooney, Leni Robredo, Maria Ressa, Patricia Evangalista, Pia Ranada
Director: Ramona S. Diaz
Genre: Drama
Actor: Anson Boon, Ben Miles, Chris Larkin, Haley Bennett, Ian Conningham, Leo Suter, Natasha O'Keeffe, Paul Rhys, Sam Riley, Tom Sturridge
Director: Thomas Napper
Genre: Drama, Thriller
Actor: Arri Graham, Avery Pizzuto, Barbara Whinnery, Chris Coy, Clayne Crawford, Nicole Hawkins, Noah Kershisnik, Sepideh Moafi
Director: Robert Machoian
What seems like The Good Mother's biggest asset is actually its downfall. Yes, the three main actors (Swank, Cooke, and Jack Reynor as the civil servant son, Toby) are all good at what they do, but they're incapable of resuscitating a script that's never truly come to life. These casting choices, obviously made to give some clout to a very mediocre project, feel even more disappointing because the disconnect between actor and character is way too big. For example, Swank is not the alcoholic, fed-up mother we need her to be in this case, and its hard to see this as something else than a derogatory take on her previous more tender and glam roles. Director Miles Joris-Peyrafitte's Sundance-winning As You Are carried a whiff of fresh air, The Good Mother is drained out of all its energy, avoiding reflective depth at all costs, not to mention skirting around the ambivalences of motherhood.
Genre: Crime, Drama, Mystery, Thriller
Actor: Cliff Ware, Dilone, Frank Alfano, Hilary Swank, Hopper Penn, Jack Reynor, Karen Aldridge, Larry Fessenden, Laurent Rejto, Norm Lewis, Olivia Cooke
Director: Miles Joris-Peyrafitte