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The Birdcage could’ve gone wrong in so many ways. It could’ve mocked the minorities it centered in the film, or insensitively made light of heavy issues. But with Mike Nichols (The Graduate) and Elaine May (The Heartbreak Kid) at the helm, and with improv legend Robin Williams and theater staple Nathan Lane front and center, The Birdcage becomes a joyously messy romp, as well as a welcome reminder of how far we’ve gone in queer representation. The film is arranged like a play, as per May’s insistence, and so it brings the consistently breathless energy of the stage to the screen. And while it’s not as politically correct by 2020's standard, it’s still surprisingly subversive in how it combats homophobic conservative ideals and stays proud of its colorful cast.

Genre: Comedy

Actor: Amy Powell, Andre Fuentes, Ann Cusack, Brian Reddy, Calista Flockhart, Christine Baranski, Dan Futterman, Dante Henderson, David Sage, Dianne Wiest, Don LaFontaine, Dorothy Constantine, Elisa Bridges, Gene Hackman, Grant Heslov, Hank Azaria, James Hill, James Lally, Jay Leno, Jim Jansen, Jody Millard, Jordan Werner, Kenneth Stephens, Kevin Loreque, Kirby Mitchell, Lee Delano, Marjorie Lovett, Mary Major, Nathan Lane, Nina Dolci, Robin Williams, Ron Pitts, Scott Burkholder, Scott Kaske, Stanley DeSantis, Sylvia Short, Thelma Gutiérrez, Tim Kelleher, Tom McGowan, Tony Gonzalez, Trina McGee

Director: Mike Nichols

Rating: R

A thrilling and fun film about a British working class bunch who find themselves in confrontation with the rich and powerful. This happens when their once-in -a-lifetime job lands them not on ly the expected money and jewelry, but documents with big secrets. The phrase "the good version of Jason Statham" applies not only to the actor but to the whole film - as it is enjoyable like all similar heist movies but adds that sadly forgotten thing called character. If you liked The Italian Job, The Town, or even films like Argo; you will love The Bank Job.

Genre: Crime, Drama, Mystery, Thriller

Actor: Alistair Petrie, Alki David, Andrew Brooke, Angus Wright, Antony Gabriel, Bronson Webb, Colin Salmon, Craig Fairbrass, Daniel Mays, David Suchet, Don Gallagher, Dylan Charles, Georgia Taylor, Gerard Horan, Hattie Morahan, James Faulkner, Jason Statham, Julian Firth, Julian Lewis Jones, Keeley Hawes, Michael Jibson, Mick Jagger, Peter Bowles, Peter de Jersey, Richard Lintern, Rupert Frazer, Rupert Vansittart, Saffron Burrows, Sharon Maughan, Stephen Campbell Moore

Director: Roger Donaldson

Rating: R

There are few places more sacred than the hair salon. Sure, it’s not a place of worship, or a singular unique landmark, or a place where huge decisions are decided by any of the world’s governments, but part of the reason why it’s so ubiquitous is because the hair salon will make or break a life depending on the cut that was made. Steel Magnolias is centered around a salon in a small Louisiana town, and as Dolly Parton as Trudy cuts the townswomen’s hair, she also becomes a refuge for the women too, sharing their worries, doubts, fears, as well as their joy and happiness. It’s such an endearing portrait, one that happened to be made in honor of screenwriter Robert Harling’s sister, and that genuine emotion is the very reason this comedy drama has become a classic.

Genre: Comedy, Drama, Romance

Actor: Ann Wedgeworth, Bibi Besch, Bill McCutcheon, Carol Sutton, Daryl Hannah, Dolly Parton, Dylan McDermott, James Wlcek, Janine Turner, Jonathan Ward, Julia Roberts, Kevin J. O'Connor, Knowl Johnson, Nancy Parsons, Olympia Dukakis, Rick Hurst, Robert Harling, Sally Field, Sam Shepard, Shirley MacLaine, Tom Hodges, Tom Skerritt

Director: Herbert Ross

Rating: PG

Classroom chatter and inside jokes; the rhythmic routine of class, band practice, and communal mealtime; colorful paints and a keen Shakespeare play; paperback books, pages bookmarked with dogears. These are the precious, ordinary wonders of Headfort, a preparatory boarding school in Ireland. 

School Life observes Amanda and John Leyden, who have each taught at Headfort for over four decades. As they both near retirement, so too looms the promise of a tranquil retreat into the countryside—and questions of what they leave behind in their school, their classrooms, and their students. Idyllic and gentle, this documentary offers a brief but meaningful look into the school lives of bright children indelibly influenced by their earliest mentors.

Genre: Documentary

Director: David Rane, Neasa Ní Chianáin

Rating: PG-13

Told in a playful mockumentary format, Pinball: The Man Who Saved the Game delivers precisely what the title promises and a bit more. Apart from imparting interesting information about pinball's complicated past (it was only declared legal in New York as recently as 1976), the film doubles as a touching family drama and a fun experiment on genre. As Robert Sharpe, the real-life games expert who helped decriminalize pinball, Mike Faist is winsome, compelling, and maybe the best thing about the film.

While Pinball could've leaned into its silliness more instead of just dipping its toes in avant-garde territory, the film is pleasant enough with plenty of fun and tender moments to enjoy. 

Genre: Comedy, Drama, History, Romance

Actor: Bryan Batt, Christopher Convery, Connor Ratliff, Crystal Reed, Damian Young, Dennis Boutsikaris, Donna Del Bueno, Eric William Morris, Hope Blackstock, Jake Regal, Kenneth Tigar, Michael Kostroff, Mike Doyle, Mike Faist, Rosa Arredondo, Supriya Ganesh, Toby Regbo, Zac Jaffee

Director: Austin Bragg, Meredith Bragg

Before “burnout,” “bullshit jobs,” and “quiet quitting” became part of our everyday lexicon, there was a film in the ‘90s that prophesied the rise of these workplace problems. Office Space follows three co-workers who, having had enough of their dreary low-paying jobs, fight back against their company via an embezzlement scheme. 

Office Space makes the most out of its indie budget as it mostly takes place in the cramped quarters of a company, effectively bottling us into the cubicled windowless world of the characters. But the real beauty of the film is in the details, from its quick zingers and thoughtful takes on the essence of work down to its elaborate “planning to plan” scheme in the background and the employees’ forced politeness singing happy birthday to their boss. Modern viewers will notice that Office Space sits right in between the dystopian thriller Severance and the beloved sitcom The Office—a dark comedy that highlights the necessity of humanity in everyday work. 

Genre: Comedy, Drama

Actor: Ajay Naidu, Alexandra Wentworth, Ali Wentworth, Barbara George-Reiss, Cassie Townsend, Charissa Allen, David Herman, Diedrich Bader, Gabriel Folse, Gary Cole, Greg Pitts, Heath Young, Jack Betts, Jackie Belvin, Jennifer Aniston, Jennifer Jane Emerson, Jesse De Luna, Joe Bays, John C. McGinley, Josh Bond, Justin Possenti, K. Todd Lytle, Kinna McInroe, Kyle Scott Jackson, Linda Wakeman, Michael McShane, Mike Judge, Orlando Jones, Paul Willson, R.C. Keene, Richard Riehle, Ron Livingston, Rupert Reyes, Samantha Inoue Harte, Spencer Kayden, Stephen Root, Todd Duffey, Tom Schuster

Director: Mike Judge

Rating: R

Before you say it, yes, Kenneth Branagh’s 1993 adaptation of the same Shakespeare play is brilliant. But it can also be true that Joss Whedon’s version is brilliant, albeit in a different way. Where the former is colorful and epic in scale, the latter is modest and intimate, not to mention closer to our time so it feels more relatable. Shot over a weekend in Whedon’s house using only natural light and his favorite collaborators, this homegrown version could’ve been amateurish and clumsy in lesser hands. But under Whedon’s helm, it feels effortlessly joyous and cooly modern. There’s more skin, for one, and backstories for another. But importantly, Whedon retains Shakespeare’s lyrical dialogue, and the effect is astounding. It sounds like it should be difficult to understand, but the lived-in performances, location, and scenarios (like sneaking out of a one-night stand) feel so familiar and grounded that the words do so too. It’s as natural as any language used in love and life.

Genre: Comedy

Actor: Alexis Denisof, Amy Acker, Ashley Johnson, Brian McElhaney, Clark Gregg, Emma Bates, Fran Kranz, Nathan Fillion, Nick Kocher, Reed Diamond, Riki Lindhome, Romy Rosemont, Sabrina Hill, Sean Maher, Spencer Treat Clark, Tom Lenk

Director: Joss Whedon

Rating: PG-13

Hassan Fazili and Nargis Fazili are two filmmakers who, faced with death threats, escape their home in Afghanistan and start a journey to Europe that millions of others have taken over the past few years. But unlike most others, the Fazilis filmed everything on their way.

The result is not only a portrayal of the dangers they go through but it's also about less obvious and possibly more common aspects of the refugee experience. It's about the wait in refugee centers (that can last many years), the anticipation and also what it means to do all of this with children. Because watch out for the little Fazilis, who travel with their parents, for they will steal your heart.

Genre: Documentary

Director: Hassan Fazili

Rating: Not Rated

During wartime, war supersedes everything, including love. Wartime would have people ending relationships, forgoing potential dates, and seducing enemies to lead them to downfall, all in order to win, but sometimes, this rarely goes as planned. Lust, Caution is one such story, with the novella’s emotional repression making it a great match for director Ang Lee, main actor Tony Leung Chiu-wai as Japanese informant, and main actress Tang Wei, who made her breakthrough here. It’s not an easy watch. There are moments that falter and the film is a tad too long. But the smoldering stares shared by the two leads, with the lush production design and the beautiful direction, makes Lust, Caution a difficult contemplation of love and sexuality as Wang’s, and the nation’s, double-edged sword.

Genre: Action, Drama, Romance, Thriller

Actor: Akiko Takeshita, Anupam Kher, Cheng Yu-Lai, Chih-ying Chu, Chin Ka-lok, Chung Hua Tou, Hayato Fujiki, He Saifei, Jacqueline Zhu Zhi-Ying, Joan Chen, Johnson Yuen, Johnson Yuen Tak-Cheung, Kar Lok Chin, Ko Yu-Luen, Lawrence Ko, Lawrence Ko Yu-Luen, Lee Hom Wang, Leehom Wang, Lisa Lu, Liu Jie, Saifei He, Song Ruhui, Tang Wei, Tony Chiu-Wai Leung, Tony Leung Chiu-Wai, Tou Chung-Hua, Tou Tsung-Hua, Ven Kao, Vince Kao, Wang Lin, Wei Tang, Yan Su, Ying-hsien Kao

Director: Ang Lee

Rating: NC-17

Food can warm you, can nourish you, and can make you feel so much better. Food is also the way people can keep their culture, with techniques and knowledge passed down by generations to better make use of the ingredients in the country. However, in Like Water for Chocolate, food is the means for rebellion, for breaking free from tradition, with Tita, who’s stuck in the kitchen by her mom, infusing her creations with so much emotion that the rest of her family is compelled to find a love just as passionate as hers is for Pedro. It’s a passionate adaptation made by director Alfonso Arau for his wife and the novel’s author Laura Esquivel, and it’s just so well done that it’s easy to be swept up in the family’s unfulfilled desires.

Genre: Drama, Romance

Actor: Ada Carrasco, Andrés García Jr., Arcelia Ramírez, Claudette Maillé, Joaquin Garrido, Lumi Cavazos, Marco Leonardi, Margarita Isabel, Mario Iván Martínez, Regina Torné, Yareli Arizmendi

Director: Alfonso Arau

Rating: R