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A big part of Strange Darling’s charm is its ability to surprise you with one twist after another, so it’s best not to get into too many details here. What we will say is that director J.T. Mollner and his cast execute those twists with great finesse, making sure not to waste even a second of your time. The non-linear approach might seem gimmicky at first, but once Mollner presents all the pieces of the puzzle, it ends up feeling like a satisfying payoff. Even if you manage to guess where the film is headed, it still makes for an entertaining watch. Willa Fitzgerald is especially captivating.

Genre: Crime, Horror, Thriller

Actor: Barbara Hershey, Bianca A. Santos, Ed Begley Jr., Eugenia Kuzmina, Giovanni Ribisi, Jason Patric, Kyle Gallner, Madisen Beaty, Robert Craighead, Steven Michael Quezada, Willa Fitzgerald

Director: JT Mollner

Rating: R

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There’s a natural competitive thrill to this chronicle of the 1999 Scripps National Spelling Bee and eight of its bright young participants, but Spellbound has more than an edge-of-your-seat pull going for it. For one, there’s its holistic approach to profiling the competitors: director Jeffrey Blitz makes this as much a portrait of the village that raises these kids by interviewing their proud families and supportive communities. We get intimate snapshots of each of their disparate young lives, which together represent a cross-section of American society: from Angela — the self-taught daughter of Mexican ranchers who don’t speak English — to Neil, whose parents employ an army of tutors to prepare him for the oncoming “war.”

Spellbound ultimately sees the good in everyone — even the pushiest parents — and charitably foregrounds the obvious love and pride they all have for their kid geniuses, no matter what happens. What’s even more impressive, though, is the inspiring resilience and emotional intelligence of the young competitors themselves, some of whom have transcended deeply entrenched social inequalities to earn their place in the contest. Even those who don’t have a stirring backstory are nonetheless compelling characters (see: the delightful Harry), making Spellbound an alternately emotional, funny, and always gripping watch.

Genre: Documentary

Director: Jeffrey Blitz

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It’s always tricky translating literature to screen. In Shortcomings’ case, it struggles to make its Berkeley and New York settings appear more lived-in than just a few postcard-like frames. You could also tell that the conversations it stirs up about things like representation and mixed-race relationships began in the early aughts, when the novel it was adapted from was first released. But those lapses are small and forgivable in the face of a lovely ensemble cast and a whipsmart script. It also takes a special kind of skill to make a character as fiercely unlikeable as Ben (Min) watchable, to hold up a mirror to the audience and make them stay. Thankfully, it's a skill that Tomine and first-time director Randall Park display with such grace. Ben, Alice (Sherry Cola), and Miko (Ally Maki) are flawed and often pathetic, but they’re also honest reflections of who we become when the demands of self-preservation and romantic openness clash. It’s a little unnerving to hear them verbalize what we've always feared about ourselves, but it’s also exhilarating, not to mention comforting, knowing that we're not alone in feeling this way. Shortcomings works because it doesn't confine itself to genre: it's a character study first, and a romantic comedy second.

Genre: Comedy, Drama, Romance

Actor: Adam Enright, Adrian Tomine, Ally Maki, Boran Anh, Daniel Hank, Debby Ryan, George Deihl Jr., Jacob Batalon, Jess Nahikian, Justin H. Min, Melanie J. Newby, Mike Cabellon, Nikhaar Kishnani, Randall Park, Ronny Chieng, Scott Seiss, Sheldon Best, Sherry Cola, Sonoya Mizuno, Stephanie Hsu, Tavi Gevinson, Theo Iyer, Timothy Simons

Director: Randall Park

Rating: R

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If you like any of the following: Irish accents, Woody Harrelson, Pulp Fiction, or dark comedy;  then this is the movie for you. This mix of violence, mafia, existential talk, and painfully comical situations might not be for everyone, but it has every component to make its target audience very pleased. And given how chaotic and crazy it can get, it should be enjoyed one take at a time, focusing on each delightful scene rather than the overall plot. Directed by Martin McDonagh, Seven Psychopaths makes a perfect comeback after In Bruges, without veering very much from it (consequently if you like this movie make sure you check out In Bruges too).

Genre: Comedy, Crime

Actor: Abbie Cornish, Amanda Warren, Brendan Sexton III, Christian Barillas, Christine Marzano, Christopher Gehrman, Christopher Walken, Colin Farrell, Crispin Glover, Frank Alvarez, Gabourey Sidibe, Harry Dean Stanton, Helena Mattsson, James Landry Hébert, John Bishop, Johnny Bolton, Joseph Lyle Taylor, Kevin Corrigan, Kiran Deol, Linda Bright Clay, Long Nguyen, Martin McDonagh, Michael Pitt, Michael Stuhlbarg, Olga Kurylenko, Patrick O'Connor, Richard Wharton, Ronnie Gene Blevins, Sam Rockwell, Samantha Cutaran, Tai Chan Ngo, Tom Waits, Woody Harrelson, Zeljko Ivanek

Director: Martin McDonagh

Rating: R

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For better or worse, death strikes us all, fast and unexpectedly. It’s tough enough if the death is caused by ill health or accidents, but when premeditated by another person– it can be easy to lose faith in a higher power. Secret Sunshine depicts a grieving mother trying to start a new life in the countryside, though certain events make it tough to fit in. There’s a well-meaning, long-term bachelor who’s interested in her, though she’s not ready to reciprocate, and there’s townsfolk that would like to invite her to their church, though she’s reluctant to join. There’s curious, gossipy neighbors ready to comment on her every action. Secret Sunshine reveals a darker layer to the countryside towns we retreat to to cope, but it also examines the ways we grieve, cope, and deal with forgiveness, in a community that would prioritize itself at the expense of what's morally right.

Genre: Drama

Actor: Cha Mi-kyeong, Do-yeon Jeon, Go Seo-hee, Jang Hye-jin, Jeon Do-yeon, Jo Young-jin, Kang-ho Song, Kim Jong-soo, Kim Mee-kyeong, Kim Mi-hyang, Kim Min-jae, Kim Yeong-jae, Kim Young-jae, Ko Seo-hie, Lee Dong-yong, Lee Hee-jun, Lee Sung-min, Lee Yoon-hee, Mi-kyung Kim, Oh Man-seok, Park Myeong-shin, Park Myung-shin, Seon Jeong-yeop, Seon Jung-yeop, Shin An-jin, Song Kang-ho, Yeom Hye-ran, Yeong-jin Jo

Director: Chang-dong Lee, Lee Chang-dong

Rating: Not Rated, NR

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This coming-of-age story starts in the present time, where Elle Marja, now a grandmother, reluctantly goes to her sister's funeral held by her old indigenous Sámi community in Northern Sweden. Understanding her reluctance requires going back to when Elle Marja was 14 and was preparing to go to boarding school with her little sister. These schools were racist establishments meant to integrate the Sámi children into Swedish culture and language, while at the same time limiting their prospects of seeking further education. Elle Marja and her sister chose to respond to this discrimination in two completely different ways that this movie explores without judgment. The central performance of the young girl is incredible.

Genre: Drama

Actor: Ánne Biret Somby, Maj-Doris Rimpi, Olle Sarri

Director: Amanda Kernell

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This fun comedy-drama is about Bridget, a 34-year-old who hasn't quite got it all figured out, but at least she’s trying: after terminating an accidental pregnancy, she gets herself a summer gig as a nanny for a fearless six-year-old by the name of Frances. 

Tackling a myriad of "taboo" topics including abortion, menstruation, and depression, the movie visually normalizes human experiences that remain underrepresented in mainstream cinema. And writer Kelly O’Sullivan, who also plays Bridget, has a screenplay that manages to do it all without feeling didactic.

Genre: Comedy, Drama

Actor: Bradley Grant Smith, Charin Alvarez, Chris Coats, Courtney Rioux, Danny Catlow, Francis Guinan, H.B. Ward, Hanna Dworkin, Jackson Evans, Jim True-Frost, Kelly O'Sullivan, Lily Mojekwu, Mary Beth Fisher, Max Lipchitz, Meighan Gerachis, Noah Williams, Ramona Edith Williams, Rebecca Buller, Rebecca Spence, Rebekah Ward, Roger Welp, Sophia Rubin

Director: Alex Thompson

Rating: N/A

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Running on Empty is a movie that covers many timely themes including capitalism, education, and social class. It tells the story of a family who have to go on the run and hide their true identity for the rest of their lives. Director Sidney Lumet’s light touch on heavy topics gives the movie a tender and intimate atmosphere throughout. Aside from the great script, River Phoenix's performance is definitely one of the biggest highlights of this movie, where he successfully delivers a restrained yet fascinating performance. Christine Lahti and Judd Hirsch also give a top-notch performance that adds to the movie’s thrill. In short, Running on Empty is the kind of movie that shows there is courage in running away when it's the right thing to do.

Genre: Crime, Drama, Romance

Actor: Alice Drummond, Angela Pietropinto, Augusta Dabney, Bobo Lewis, Burke Pearson, Christine Lahti, Daniel Dassin, David Margulies, Donna Hanover, Ed Crowley, Elżbieta Czyżewska, Herb Lovelle, Jenny Lumet, Jonas Abry, Judd Hirsch, Justine Johnston, L.M. Kit Carson, Leila Danette, Lynne Thigpen, Marcia Jean Kurtz, Martha Plimpton, Michael Boatman, River Phoenix, Ronnie Gilbert, Sloane Shelton, Steven Hill, William Foeller

Director: Sidney Lumet

Rating: PG-13

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In Rounders, Matt Damon plays a law student and reformed poker player who is forced back into the game in order to help his newly-paroled best friend (Edward Norton) pay off overwhelming gambling debts. It’s an enjoyable insider’s look into the world of high stakes gambling and of Poker specifically, giving the viewer compelling insights into Poker in terms of strategy as well as human psychology. Damon and Norton are well-cast in their roles — Norton particularly great as the sleazy and manipulative “Worm”. Not-overly-surprising in its storytelling, yet highly enjoyable from beginning to end, this one will appeal to fans of gambling and sports films, as well as those who enjoy modern film noir and pseudo-noir films with a nice dramatic edge.

Genre: Crime, Drama

Actor: Adam LeFevre, Alan Davidson, Allan Havey, Beeson Carroll, Bill Camp, Brian Anthony Wilson, Charlie Matthes, Chris Messina, David Zayas, Dominic Marcus, Edward Norton, Erik LaRay Harvey, Famke Janssen, Goran Visnjic, Gretchen Mol, Jay Boryea, Joe Zaloom, Joey Vega, John Di Benedetto, John Gallagher Jr., John Malkovich, John Turturro, Johnny Chan, Josh Mostel, Josh Pais, Kerry O'Malley, Kohl Sudduth, Lenny Clarke, Lenny Venito, Lisa Gorlitsky, Mario Mendoza, Martin Landau, Matt Damon, Melina Kanakaredes, Merwin Goldsmith, Michael Arkin, Michael Lombardi, Michael Rispoli, Michael Ryan Segal, Murphy Guyer, Neal Hemphill, Nicole Brier, P.J. Brown, Paul Cicero, Peter Yoshida, Ray Iannicelli, Richard Mawe, Sal Richards, Slava Schoot, Sonny Zito, Tom Aldredge, Tony Hoty

Director: John Dahl

Rating: R

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Before Games of Thrones delivered court intrigues, shocking murders, and adulterous affairs, Queen Margot delivered all these nearly two decades earlier, depicting the dramatized, real life events of the French Wars of Religion. While it doesn’t have dragons, it has style, with some of the most stunning scenes intercut with some of the most gruesome, pushing the envelope with a freedom only possible due to none of their descendants still holding the French throne. It’s also one of the most expensive French films ever made, but every franc was put to good use, with luxurious sound, sets, costumes, and camerawork excellently supporting the cast’s performances. Initially released to mixed reception in America with 20 minutes cut from the runtime, La Reine Margot has thankfully been restored and re-released in full for its 20th anniversary in 2014.

Genre: Drama, History, Romance

Actor: Asia Argento, Barbet Schroeder, Bernard Nissile, Bernard Verley, Bruno Todeschini, Charlie Nelson, Claudio Amendola, Daniel Auteuil, Daniel Breton, Dominique Blanc, Dörte Lyssewski, Emmanuel Salinger, Grégoire Colin, Isabelle Adjani, Jean Douchet, Jean-Claude Brialy, Jean-Hugues Anglade, Jean-Marc Stehlé, Jean-Philippe Écoffey, Johan Leysen, Julie-Anne Roth, Julien Rassam, Laure Marsac, Luís Gaspar, Marc Citti, Marina Golovine, Miguel Bosé, Nicolas Vaude, Orazio Massaro, Otto Tausig, Pascal Greggory, Philippe Duclos, Thomas Kretschmann, Tolsty, Ulrich Wildgruber, Valeria Bruni Tedeschi, Vincent Perez, Virna Lisi

Director: Patrice Chéreau

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Some films struggle to balance style with substance, but Problemista isn’t one of them. It’s brandished with Torres’ unique brand of surrealist aesthetic, which is colorful, freakish, and fun, while also accurately relaying the pains of coming to and making it in America as an outsider. We see Alejandro accept increasingly debasing gigs as he runs out of time and money in the deep maze that is America’s immigration bureaucracy. And all the while, he’s being both genuinely funny and painfully incisive. Torres is not the first person to point out that in this day and age, the monsters we face are overbearing employers, greedy bankers, and exploitative companies, but he just might be one of the few to do it with such imaginative grace.

Genre: Comedy

Actor: Amy Zimmer, Bardia Salimi, Brian Belovitch, Carlos E. Navedo, Catalina Saavedra, Charlene Incarnate, Eudora Peterson, Glo Tavarez, Greta Lee, Greta Titelman, Isabella Rossellini, Jack P. Raymond, James Scully, Jason Furlani, Jordan Mendoza, Julio Torres, Kelly McCormack, Laith Nakli, Larry Owens, Logan J. Alarcon-Poucel, Megan Stalter, Miles G. Jackson, Paul Cooper, Roman Maldonado, Ronald Peet, Ruba Thérèse Mansouri, RZA, Sandra Caldwell, Shakina Nayfack, Sheila Moikangoa, Spike Einbinder, Theo Maltz, Tilda Swinton, Yvette Mercedes

Director: Julio Torres

Rating: R

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Jim Jarmusch’s latest film is the story of a pair of vampires, Adam and Eve (Tom Hiddleston and Tilda Swinton), married for thousand of years and living thousands of miles apart, subsequently reunited in modern-day Detroit to find Hiddleston in state of disrepair and depression. Their lives are shaken up by the sudden appearance of Swinton’s wayward young vampire sister Ava (Mia Wasikowska) that sets their lives into tumult. It's the type of evenly-paced and wryly amusing dramedy that only Jarmusch could craft. I loved the atmosphere and sensibility of this film, not to mention the various literary allusions along with the dark, somber soundtrack. Less of a narrative and more of a modern-day-vampire-slice-of-life, this is one of those films that gets under skin and stays awhile (and not in a bad way).

Genre: Drama, Romance

Actor: Ali Amine, Anton Yelchin, Aurélie Thépaut, Carter Logan, Ego Sensation, Jeffrey Wright, John Hurt, Marc Codsi, Mia Wasikowska, Slimane Dazi, Tilda Swinton, Tom Hiddleston, Wayne Brinston, Yasmine Hamdan

Director: Jim Jarmusch

Rating: R

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With a script that seems to have been written for a medieval fantasy, but set in a present-day Ivorian jail, Night of the Kings immediately situates itself between the realms of reality and imagination. Whether or not one thinks that certain details about the prison's strange rituals have been lost in translation, the mysticism surrounding the events of the movie remains impossible to shake. The idea of improvising one's way out of trouble should make sense in any cultural context after all, and this is what keeps the film on edge—and what helps Night of the Kings work as such a singular vision from an often underrepresented region of world cinema.

Genre: Drama, Fantasy

Actor: Denis Lavant, Digbeu Jean Cyrille, Issaka Sawadogo, Koné Bakary, Rasmané Ouédraogo, Simon Rieber, Steve Tientcheu

Director: Philippe Lacôte

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A dark and sophisticated slow-burning drama, Never Let Me Go is adapted from the highly acclaimed novel of the same name by Japanese-born British author Kazuo Ishiguro. It stars Carey Mulligan, Keira Knightley, and Andrew Garfield as boarding school raised teenagers eager to explore the outside world when they learn a secret that will threaten their very existence. Anything more is a spoiler, watch it.

Genre: Drama, Romance, Science Fiction

Actor: Amy Lennox, Andrea Riseborough, Andrew Garfield, Anna Maria Everett, Carey Mulligan, Charles Cork, Charlie Rowe, Charlotte Rampling, Chidi Chickwe, Damien Thomas, David Sterne, Domhnall Gleeson, Ella Purnell, Fidelis Morgan, Hannah Sharp, Huggy Leaver, Isobel Meikle-Small, Izzy Meikle-Small, John Gillespie, Kate Bowes Renna, Kate Sissons, Keira Knightley, Luke Bryant, Lydia Wilson, Monica Dolan, Nathalie Richard, Sally Hawkins

Director: Mark Romanek

Rating: R

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When categorizing Lars von Trier's oeuvre, critics speak of a "Depression Trilogy" bookended by Antichrist and Nymphomaniac, but Melancholia is the one that really embodies the concepts and worries nested at the heart of this project. The Danish director may be known for his provocative approach to filmmaking and disregard of taboos, but with this film, he makes room for vulnerability. On the character of Justine (Dunst) he places the weight of the world, only after allowing her to be weak, small, and socially unacceptable at her own wedding celebration. A rather subversive decision, but vesting these expectations in someone as wide-ranging as Kirsten Dunst assures an absolute win, even if there remain some questionable characteristics that align too well with abstract male fantasies of what a woman in distress would look like.

Genre: Drama, Science Fiction

Actor: Alexander Skarsgård, Brady Corbet, Charlotte Gainsbourg, Charlotte Rampling, Christian Geisnæs, Jesper Christensen, John Hurt, Katrine A. Sahlstrøm, Kiefer Sutherland, Kirsten Dunst, Stellan Skarsgård, Udo Kier

Director: Lars von Trier

Rating: R

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