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After Loving Vincent, DK and Hugh Welchman’s iconic oil paint animation initially seems like old hat, but this time the style is actually more fitting for their second feature. As an adaptation of the iconic Polish novel, The Peasants had to live up to the book’s reputation as the Nobel-winning depiction of the Polish countryside, one of the first to take an intimate look into the lives of the commonfolk, their customs, beliefs, and traditions. The Welchmans’ naturalist, impressionist art style lines up with the way the original Chłopi was inspired by these movements, as does L.U.C’s selection of mesmerizing, haunting Polish folk songs. While the plot is a tad cliché, it only does so in the way folklore tends to weave the same threads. It just so happens that the threads in The Peasants lead to violent ends.

Genre: Animation, Drama, History

Actor: Andrzej Konopka, Andrzej Mastalerz, Anna Grzeszczak, Cezary Łukaszewicz, Cyprian Grabowski, Dorota Stalińska, Ewa Kasprzyk, Hugh Welchman, Jadwiga Wianecka, Jarosław Gruda, Julia Wieniawa, Kamila Urzędowska, Klara Bielawka, Lech Dyblik, Maciej Musiał, Małgorzata Kożuchowska, Małgorzata Maślanka, Marek Pyś, Mariusz Kiljan, Mariusz Urbaniec, Mateusz Rusin, Matt Malecki, Mirosław Baka, Piotr Srebrowski, Robert Gulaczyk, Sonia Bohosiewicz, Sonia Mietielica, Szymon Kukla, Tomasz Więcek

Director: DK Welchman, Hugh Welchman

Rating: R

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Like a Wes Anderson movie, The Last Black Man in San Francisco takes artistic risks and nails every one of them. There are many quirky, aesthetically well-studied, and even funny aspects to this moving story.

Jimmie has been maintaining a typical San Francisco Victorian house, regularly painting the windows and watering the plants. One small problem: other people live there and they don’t want him around. It turns out this was once Jimmie’s family house, having been built by his grandfather in 1948, and he misses it deeply.

This story is based on writer Jimmie Fails’ life, as he tried to reclaim his family home in SF. However, it’s not a movie that limits itself to gentrification. It transcends that to being about the universal yearning to find a place to call home.

Genre: Drama

Actor: Andy Roy, Daewon Song, Danny Glover, Finn Wittrock, Isiain Lalime, Jamal Trulove, Jello Biafra, Jimmie Fails, John Ozuna, Jonathan Majors, Mari Kearney, Mike Epps, Rob Morgan, Thora Birch, Tichina Arnold, Tonya Glanz, Warren Keith

Director: Joe Talbot

Rating: R

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A Spanish orchestra conductor receives a break-up message from his girlfriend before she vanishes, only to find himself as one of the police suspects behind her disappearance. Sounds like just another thriller? Far from it. To fully appreciate how the film

shies away from the genre, you have to be patient and make sure you don’t look up any information before you watch it. The story is very easy to follow and entertaining with its plot twists and flashbacks, while the three lead actors offer gripping performances. If you enjoy thrillers and Latin American cinema, make sure you don’t miss this one.

Genre: Drama

Actor: Alexandra Stewart, Clara Lago, Jose Luis Garcia, Maria Soledad Rodriguez, Martina Garcia, Quim Gutierrez

Director: Andres Baiz

Rating: R

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The shiver-inducing talents of Stephen King, David Cronenberg, and Christopher Walken meld to produce this supremely chilly supernatural thriller adaptation. Schoolteacher Johnny’s (Walken) perfect life is overturned when a horrific car accident puts him in a coma that robs him of five years of his life — and with them, his job and girlfriend Sarah (Brooke Adams), who moves on with someone else.

For anyone familiar with Cronenberg’s films, the director’s involvement might lead you to expect results from this premise as idiosyncratic as Crash or Videodrome’s, but The Dead Zone takes a decidedly more mainstream path than those works. In the place of graphic body horror is more palatable — but no less affecting — emotional bleakness, as Johnny contends with losing Sarah and a reality-warping new ability: he now has the power to see into the future of anyone he touches. While being forewarned about house fires and nuclear war might be a blessing for those whose lives he saves, Johnny struggles with the emotional burden of being responsible for preventing these future tragedies. More than any of the chilling setpieces — a frantic hunt for a serial killer, the attempted assassination of a demagogue — it’s Johnny’s grappling with this gift-slash-curse that gives The Dead Zone its fierce intensity.

Genre: Horror, Science Fiction, Thriller

Actor: Anthony Zerbe, Barry Flatman, Brooke Adams, Chapelle Jaffe, Christopher Walken, Cindy Hinds, Claude Rae, Colleen Dewhurst, David Rigby, Géza Kovács, Hardee T. Lineham, Helene Udy, Herbert Lom, Jackie Burroughs, James Bearden, John Koensgen, Julie-Ann Heathwood, Ken Pogue, Leslie Carlson, Martin Sheen, Nicholas Campbell, Peter Dvorsky, Ramon Estevez, Roberta Weiss, Roger Dunn, Sean Sullivan, Seirge LeBlanc, Tom Skerritt, Vladimir Bondarenko, William B. Davis

Director: David Cronenberg

Rating: R

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A young lawyer has to defend a murderer after passing the bar only three months prior in this satisfying German drama. To make matters worse, the victim happens to be his mentor, a wealthy and seemingly kind-hearted business man. As for the perpetrator, he refuses to say a single word. Caspar, the lawyer, is from a German-Turkish background, which is a hint to where the complexity of this legal drama lies: in Germany's history and racial legacy. The Collini Case is satisfying to a fault, but if you’re looking for substance-filled entertainment, this is some of the best you’ll get.

Genre: Crime, Drama, Thriller

Actor: Alexandra Maria Lara, Anne Haug, Axel Moustache, Bettina Lohmeyer, Catrin Striebeck, Cem Sultan Ungan, Elyas M'Barek, Esther Maria Pietsch, Falk Rockstroh, Felix Everding, Franco Nero, Frederik Götz, Hannes Wegener, Heiner Lauterbach, Ilknur Boyraz, Jannis Niewöhner, Levi Kirchhoff, Ludwig Simon, Lutz Blochberger, Manfred Zapatka, Margarethe Tiesel, Max Wagner, Omid Memar, Peter Prager, Pia Stutzenstein, Rainer Bock, Sabine Timoteo, Sandro Di Stefano, Sina Reiß, Stefano Cassetti, Stephan Schad, Tara Fischer, Thomas Limpinsel, Thomas Stecher, Tom Jahn

Director: Marco Kreuzpaintner

Rating: Not Rated

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A riveting take on one of the most prestigious forms of modern art, The Best Offer is a film laced with symbolism and thick, posh accents. Virgil Oldman (Geoffrey Rush) ends up pursuing a socially inept woman through Robert (Jim Sturgess), who guides him in winning her heart, albeit, rather unconventionally. What starts out as something Oldman brushes off to be some poor laid-out scam ends up a mystery he begins obsessing over, turning his life to shambles of sorts. This uncanny film by Academy Award-winning director Giuseppe Tornatore delivers sharp twists and appropriately-timed surprises in a suspense-thriller served on a silver platter.

Genre: Crime, Drama, Mystery, Romance

Actor: Amanda Walker, Brigitte Christensen, Dermot Crowley, Donald Sutherland, Gen Seto, Geoffrey Rush, Giuseppe Tornatore, Hannah Britland, Jim Sturgess, John Benfield, Jun Ichikawa, Kiruna Stamell, Klaus Tauber, Laurence Belgrave, Liya Kebede, Maximilian Dirr, Miles Richardson, Philip Jackson, Rita Davies, Sean Buchanan, Sylvia Hoeks

Director: Giuseppe Tornatore

Rating: R

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If you enjoy wondering aloud to yourself how filmmakers were able to make a movie at all, 1988's almost wordless tale of two bears trying to survive the Canadian mountains was somehow shot with real, expressive bear "actors," despite the film being a work of fiction. A cross between a stunningly photographed nature documentary and a brutal folktale, The Bear gets right to the uncompromising conditions out in the wild, where human beings are portrayed as just as savage—and just as merciful—as the beasts they hunt. Clever editing and Jean-Jacques Annaud's directorial vision hide all the seams in the movie's magic tricks, allowing us to fall in love quickly with these majestic bears and the all-too-human emotions they seem to be expressing.

Genre: Adventure, Drama, Family

Actor: André Lacombe, Bart The Bear, Jack Wallace, Tchéky Karyo, Youk the Bear

Director: Jean-Jacques Annaud

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In an age where recent horror films mostly use the jump-scare as a crutch to make their CGI-spawned (not to mention generic) creatures seem scary, The Babadook portrays real scares, relatable characters and a moving story. Jennifer Kent (director and writer) sets this on the backdrop of heavily Lars von Trier-inspired cinematography, elevating The Babadook from a shot at an amazing horror to a resemblance of an art house film. The unease felt during this film only increases as it creeps towards its conclusion. Whenever the Babadook (the monster of the film) is seen lurking in the peripherals of the camera, appearing in television sets and the shadows to create a sense of omnipresence that disturbs the viewer on a deeper, more primal level than that of so many recent horror films could even hope to reach. It leaves the audience with the sensation that they are being lowered onto a lit candle, spine-first. In short; the seamless acting, the beautiful shots, the slow-burning terror together creates a masterpiece that strides past any horror film of the past decade (maybe even further) and stands toe-to-toe with the greats without even breaking a sweat.

Genre: Drama, Horror

Actor: Adam Morgan, Barbara West, Ben Winspear, Benjamin Winspear, Carmel Johnson, Cathy Adamek, Chloe Hurn, Craig Behenna, Daniel Henshall, Essie Davis, Hayley McElhinney, Jacquy Phillips, Michael Gilmour, Michelle Nightingale, Noah Wiseman, Peta Shannon, Pippa Wanganeen, Stephen Sheehan, Terence Crawford, Tiffany Lyndall-Knight, Tim Purcell

Director: Jennifer Kent

Rating: Not Rated

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Sunshine is a sci-fi thriller that details pretty much exactly what you don't want to happen on your journey into space. It follows the struggles of a crew who know that they are humanity's last hope to rekindle a dying sun and save their loved ones back home. Out of radio contact with Earth, relationships become strained and when things start to go horribly wrong the diverse cast give a fantastic performance as they encapsulate both the terror and humanity that arises from such an alien situation. Directed by Danny Boyle (Trainspotting, 28 Days Later).

Genre: Drama, Horror, Science Fiction, Thriller

Actor: Benedict Wong, Chipo Chung, Chris Evans, Cillian Murphy, Cliff Curtis, Hiroyuki Sanada, Mark Strong, Michelle Yeoh, Paloma Baeza, Rose Byrne, Troy Garity

Director: Danny Boyle

Rating: R

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Named after the Celtic concept of heaven, Summerland is a rare queer period drama that feels hopeful rather than despairing. The film takes us to the countryside in World War II, where our protagonist, the reclusive writer Alice Lamb (Gemma Arterton), studies the folklore about Summerland. We know that her isolation wasn’t fully chosen; her refusal to marry causes adults to gossip and causes children to speculate that she’s a witch. But this all changes when a young evacuee is entrusted to Alice’s care.

Gemma Arterton shines as a reluctant guardian stifled by repressed grief, and she makes Alice’s dynamic with Frank (Lucas Bond) and her former lover Vera (Gugu Mbatha-Raw) incredibly believable. And while it would have been lovely to see more of Vera, even just their first meeting easily captures that heady sense of pure enchantment with another person. It’s no wonder that Alice has to cling to folklore the same way we do. For many of us, it’s the only way we can express our hopes, fears, and dreams.

Genre: Drama, Romance, War

Actor: Amanda Lawrence, Amanda Root, Casper Allpress, Daniel Eghan, David Ajao, David Horovitch, Dixie Egerickx, Fergal McElherron, Gemma Arterton, Gugu Mbatha-Raw, Jessica Gunning, Joshua Riley, Lucas Bond, Martina Laird, Nimmy March, Penelope Wilton, Rakhee Thakrar, Sally Scott, Siân Phillips, Thomas Coombes, Toby Osmond, Tom Courtenay

Director: Jessica Swale

Rating: N/A, PG

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Beautifully directed and blessed to be led by the wonderfully gentle and curious dog Zeytin, Stray commits to its unique point of view by reimagining Istanbul as a place made up of cars, torsos, and trash on the street. Such constraints on one's filmmaking might make it seem like director Elizabeth Lo is in the perfect position to manipulate her animal characters in order to get the "story" she wants, but it genuinely never feels that way. If anything, Zeytin is the one who pulls Lo into orbit, and there's a sense that the director is simply recording what the dog is revealing to us about human beings' daily rituals and how they end up creating structure, culture, and (sadly) outcasts from this culture.

Genre: Documentary

Director: Elizabeth Lo

Rating: NR

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A big part of Strange Darling’s charm is its ability to surprise you with one twist after another, so it’s best not to get into too many details here. What we will say is that director J.T. Mollner and his cast execute those twists with great finesse, making sure not to waste even a second of your time. The non-linear approach might seem gimmicky at first, but once Mollner presents all the pieces of the puzzle, it ends up feeling like a satisfying payoff. Even if you manage to guess where the film is headed, it still makes for an entertaining watch. Willa Fitzgerald is especially captivating.

Genre: Crime, Horror, Thriller

Actor: Barbara Hershey, Bianca A. Santos, Ed Begley Jr., Eugenia Kuzmina, Giovanni Ribisi, Jason Patric, Kyle Gallner, Madisen Beaty, Robert Craighead, Steven Michael Quezada, Willa Fitzgerald

Director: JT Mollner

Rating: R

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There’s a natural competitive thrill to this chronicle of the 1999 Scripps National Spelling Bee and eight of its bright young participants, but Spellbound has more than an edge-of-your-seat pull going for it. For one, there’s its holistic approach to profiling the competitors: director Jeffrey Blitz makes this as much a portrait of the village that raises these kids by interviewing their proud families and supportive communities. We get intimate snapshots of each of their disparate young lives, which together represent a cross-section of American society: from Angela — the self-taught daughter of Mexican ranchers who don’t speak English — to Neil, whose parents employ an army of tutors to prepare him for the oncoming “war.”

Spellbound ultimately sees the good in everyone — even the pushiest parents — and charitably foregrounds the obvious love and pride they all have for their kid geniuses, no matter what happens. What’s even more impressive, though, is the inspiring resilience and emotional intelligence of the young competitors themselves, some of whom have transcended deeply entrenched social inequalities to earn their place in the contest. Even those who don’t have a stirring backstory are nonetheless compelling characters (see: the delightful Harry), making Spellbound an alternately emotional, funny, and always gripping watch.

Genre: Documentary

Director: Jeffrey Blitz

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It’s always tricky translating literature to screen. In Shortcomings’ case, it struggles to make its Berkeley and New York settings appear more lived-in than just a few postcard-like frames. You could also tell that the conversations it stirs up about things like representation and mixed-race relationships began in the early aughts, when the novel it was adapted from was first released. But those lapses are small and forgivable in the face of a lovely ensemble cast and a whipsmart script. It also takes a special kind of skill to make a character as fiercely unlikeable as Ben (Min) watchable, to hold up a mirror to the audience and make them stay. Thankfully, it's a skill that Tomine and first-time director Randall Park display with such grace. Ben, Alice (Sherry Cola), and Miko (Ally Maki) are flawed and often pathetic, but they’re also honest reflections of who we become when the demands of self-preservation and romantic openness clash. It’s a little unnerving to hear them verbalize what we've always feared about ourselves, but it’s also exhilarating, not to mention comforting, knowing that we're not alone in feeling this way. Shortcomings works because it doesn't confine itself to genre: it's a character study first, and a romantic comedy second.

Genre: Comedy, Drama, Romance

Actor: Adam Enright, Adrian Tomine, Ally Maki, Boran Anh, Daniel Hank, Debby Ryan, George Deihl Jr., Jacob Batalon, Jess Nahikian, Justin H. Min, Melanie J. Newby, Mike Cabellon, Nikhaar Kishnani, Randall Park, Ronny Chieng, Scott Seiss, Sheldon Best, Sherry Cola, Sonoya Mizuno, Stephanie Hsu, Tavi Gevinson, Theo Iyer, Timothy Simons

Director: Randall Park

Rating: R

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If you like any of the following: Irish accents, Woody Harrelson, Pulp Fiction, or dark comedy;  then this is the movie for you. This mix of violence, mafia, existential talk, and painfully comical situations might not be for everyone, but it has every component to make its target audience very pleased. And given how chaotic and crazy it can get, it should be enjoyed one take at a time, focusing on each delightful scene rather than the overall plot. Directed by Martin McDonagh, Seven Psychopaths makes a perfect comeback after In Bruges, without veering very much from it (consequently if you like this movie make sure you check out In Bruges too).

Genre: Comedy, Crime

Actor: Abbie Cornish, Amanda Warren, Brendan Sexton III, Christian Barillas, Christine Marzano, Christopher Gehrman, Christopher Walken, Colin Farrell, Crispin Glover, Frank Alvarez, Gabourey Sidibe, Harry Dean Stanton, Helena Mattsson, James Landry Hébert, John Bishop, Johnny Bolton, Joseph Lyle Taylor, Kevin Corrigan, Kiran Deol, Linda Bright Clay, Long Nguyen, Martin McDonagh, Michael Pitt, Michael Stuhlbarg, Olga Kurylenko, Patrick O'Connor, Richard Wharton, Ronnie Gene Blevins, Sam Rockwell, Samantha Cutaran, Tai Chan Ngo, Tom Waits, Woody Harrelson, Zeljko Ivanek

Director: Martin McDonagh

Rating: R

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