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, 2001

While surpassed by the masterpiece Tár, Todd Field already garnered critical acclaim by his first feature debut In The Bedroom all the way back in 2001. The story is a familiar revenge drama that we might have heard from stories from small towns, but the way Field captures it is fascinating, with its challenging, layered dialogue, and the juxtaposed young and old love hinting at both couples’ insecurities, jealousy, and possessiveness, particularly with regards to the potential college graduate Frank has. It’s slow-paced, haunting, and Tom Wilkinson and Sissy Spacek share a sense of heartbreaking intimacy only true couples can wield against each other. In The Bedroom showed us Todd Field’s brilliant filmmaking that we hope to see more soon.

Genre: Drama, Thriller

Actor: Celia Weston, Daran Norris, Erin Barksdale, Frank T. Wells, Justin Ashforth, Karen Allen, Kevin Chapman, Marisa Tomei, Nick Stahl, Ronald Russell, Sissy Spacek, Tom Wilkinson, Veronica Cartwright, William Mapother, William Wise

Director: Todd Field

Rating: R

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, 2011

Divorce is hard, even with a fairly civil separation and moving to another place entirely free from the divorced parent. The main emotional stakes are usually carried by the parent, but even then, children have some stake in this relationship, seeing that this permanently affects their relationship with both parents and any siblings they may have. I Wish tackles a separated family through the kids’ eyes– taking a rumored wish-making pair of bullet trains to get their family together, but in the optimistic reality kids tend to have, rather than a fantastical fairytale adventure. Through Hirokazu Kore-eda’s frames, and the precocious real life brothers portraying the main duo, I Wish effectively balances its hopeful tone all throughout, capturing the kids’ hopes and dreams in an endearing, but not overly sentimental, way.

Genre: Drama

Actor: Hiroshi Abe, Isao Hashizume, Joe Odagiri, Kanna Hashimoto, Kirin Kiki, Koki Maeda, Kyara Uchida, Masami Nagasawa, Nene Otsuka, Oshiro Maeda, Rento Isobe, Ryoga Hayashi, Yoshio Harada, Yui Natsukawa

Director: Hirokazu Kore-eda

Rating: PG

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, 2014

This South Korean coming-of-age story, an award-winning debut from Lee Su-jin, is centered around a high school student named Han Gong-ju. There's a dark aura surrounding our teenage protagonist, as she avoids making new friends and closes herself off from the world. More than anything, she is afraid that people will discover the secret behind her shy persona, and the past events that changed her life forever. This is an intricate and truly devastating tale, sensitively told, and is likely to leave even the most hardened viewers filled with rage at those who have wronged Han Gong-ju.

Genre: Drama

Actor: Baek Ji-won, Baik Ji-won, Beom-taek Kwon, Chun Woo-hee, Dong Hyun-bae, In-seon Jeong, In-sun Jung, Ji Soo, Jo Dae-hee, Jung In-sun, Kim Hyun-joon, Kim Ji-soo, Kim Jung-pal, Kim So-young, Kimchoi Yong-Joon, Kwon Beom-taek, Kwon Bum-taek, Lee Young-lan, Min Kyung-jin, Oh Hee-joon, Oh Hee-jun, So-young Kim, Son Seul-gi, Woo-hee Chun, Yeong-ran Lee, Yim Dong-seok, Yoo Seung-mok, Young-lan Lee

Director: Lee Su-jin, Su-jin Lee

Rating: R

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, 1997

Of the many violence-inflected black comedies that Pulp Fiction spawned, Grosse Pointe Blank ranks among the best. Though it’s patently inspired by Tarantino’s magnum opus — John Cusack plays a sardonic, amoral hitman, and the film features bursts of stylized violence and a retro soundtrack — it never feels derivative. The film finds its own identity as a quirky romcom when Cusack’s character, Martin Blank, returns to his hometown for a 10-year high-school reunion on the advice of his terrified therapist (Alan Arkin).

Martin is experiencing professional disillusionment as part of the quarter-life crisis that often takes hold when one realizes it’s been a whole decade since high school. His profession puts a darkly comic spin on that convention, but the film doesn’t treat that element entirely flippantly. Unlike Martin — and so many of the film’s Pulp Fiction-inspired brethren — Grosse Pointe Blank isn’t nihilistic, but quite sincerely romantic. Its hybrid nature and surprising heart come to the fore in Martin’s renewed relationship with the girlfriend he jilted at prom: Debi (Minnie Driver), now a ska-loving radio DJ. Cusack and Driver have sparkling chemistry, which makes the sincerity with which their characters grapple with the possibility of a second chance at happiness all the more absorbing to watch.

Genre: Action, Comedy, Drama, Romance, Thriller

Actor: Alan Arkin, Ann Cusack, Barbara Harris, Belita Moreno, Benny Urquidez, Bill Cusack, Bobby Bass, Carlos Jacott, Dan Aykroyd, David Barrett, Doug Dearth, Hank Azaria, Jenna Elfman, Jeremy Piven, Joan Cusack, John Cusack, K. Todd Freeman, Lance Gilbert, Michael Cudlitz, Minnie Driver, Mitchell Ryan, Steve Pink

Director: George Armitage

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, 1998

When a shy student somehow attracts the attention of the most popular guy at school, it’s pretty much the stuff of plenty of straight teenage romcoms. Get Real is this, but gay, but there’s a tenderness to the way these teenage archetypes are portrayed, and simply placing Steven and John’s closeted relationship side-by-side with the usual straight sexual shenanigans of the classic teen genre immediately challenges the double standard. It’s a simple and straightforward approach (heh), but at the same time, it’s ahead of its time, yet oh-so-very 90s. It’s surprising that Get Real hasn’t garnered the cult status it deserves.

Genre: Drama, Romance

Actor: Andy Rashleigh, Ben Silverstone, Brad Gorton, Charlotte Brittain, David Lumsden, Ian Brimble, Jacquetta May, Judy Buxton, Kate McEnery, Morgan Jones, Richard Hawley, Stacy Hart, Steven Elder, Tim Harris

Director: Simon Shore

Rating: R

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, 2013

Frances (Greta Gerwig) lives in New York – but not the glamorous NYC of Woody Allen movies. Taking place primarily in the gritty and rapidly gentrifying North Brooklyn, the black and white film paints a picture of an extended adolescence. Focusing on the goofy and carefree Frances, who loses her boyfriend, her best friend and her dream of being a dancer. She moves in with two guys, both of whom are more successful than her, and becomes even more determined to fulfil her goals, impractical as they may be. Fans of HBO’s Girls and other odes to not being a “real person” yet will love this film.

Genre: Comedy, Drama

Actor: Adam Driver, Britta Phillips, Charlotte d'Amboise, Christine Gerwig, Cindy Katz, Daiva Deupree, Dean Wareham, Eleanor Smith, Finnerty Steeves, Gibson Frazier, Gordon Gerwig, Grace Gummer, Greta Gerwig, Hannah Dunne, Isabelle McNally, Josh Hamilton, Juliet Rylance, Justine Lupe, Laura Parker, Lindsay Burdge, Marina Squerciati, Maya Kazan, Michael Esper, Michael Zegen, Michelle Hurst, Mickey Sumner, Noah Baumbach, Patrick Heusinger, Peter Scanavino, Ryann Shane, Teddy Cañez, Vanessa Ray

Director: Noah Baumbach

Rating: R

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, 2020

Two misfits, an immigrant and a traveling cook, team up to start an unlikely enterprise in this slow but captivating drama. The story, set in 19th century Pacific Northwest, evolves around the arrival of the first cow to that part of the world. This presents a unique opportunity that the two main characters try to benefit from. First Cow is a mix between a Western and a modern-day plot-less indie drama.  It has likable characters, stunning scenery, and a fascinating look into how social outcasts lived back then.

Genre: Drama, History, Western

Actor: Alia Shawkat, Don MacEllis, Dylan Smith, Eric Martin Reid, Ewen Bremner, Gary Farmer, Jean-Luc Boucherot, Jeb Berrier, John Keating, John Magaro, Kevin-Michael Moore, Lily Gladstone, Mary Ann Perreira, Mike Wood, Mitchell Saddleback, Orion Lee, Patrick D. Green, Phelan Davis, Rene Auberjonois, Scott Shepherd, T. Dan Hopkins, Ted Rooney, Toby Jones, Todd A. Robinson

Director: Kelly Reichardt

Rating: PG-13

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, 1987

British director Adrian Lyne (9 1/2 Weeks) is famous for his uncompromising treatment of seedy eroticism and charged stories. Fatal Attraction is a staple of the erotic thriller genre and with good reason, it's steamy and very 1980s in the best possible way. Like a good vintage, it has the whiff of old times, but with the pleasure of a spectacle that belongs to the past. That's the lens through which you can view the story of a deranged mistress who won't stop at anything to ruin your life and marriage, and still savour some sanity in the 21st century. Seen from a slightly removed perspective, the film becomes a stylized variation on conservative AIDS panic and a provocation to conservative heteronormativity. It has to be said that not all of the film has aged well, especially the gender politics at play. But if you can soothe yourself with a revisionist reading, it pairs well with Paul Verhoeven's Basic Instinct: the things Michael Douglas's characters do for (extramarital) thrills...

Genre: Drama, Romance, Thriller

Actor: Anna Thomson, Anne Archer, Barbara Harris, Carol Schneider, Christine Farrell, Christopher Rubin, David McCharen, Ellen Foley, Ellen Hamilton Latzen, Faith Geer, Fred Gwynne, Glenn Close, Greg Rhodes, J.D. Hall, J.J. Johnston, James Eckhouse, Jan Rabson, Jane Krakowski, Judi M. Durand, Justine Johnston, Larry Moss, Lois Smith, Lynnanne Zager, Marilyn Schreffler, Mary Joy, Meg Mundy, Michael Arkin, Michael Douglas, Mike Nussbaum, Rocky Krakoff, Sam Coppola, Stuart Pankin, Tom Brennan, Vladimir Skomarovsky

Director: Adrian Lyne

Rating: R

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, 2023

Evil Does Not Exist begins a simple enough parable about the dangers of disrupting the delicate balance of nature, particularly through capitalistic greed. It’s easy to follow and root for the right characters, while the majestic views of rural Japan and the curious ways the film is edited (all abrupt musical cuts and shaky cameras) add to the movie’s charm. But fans of director Ryusuke Hamaguchi (Drive My Car, Wheel of Fortune and Fantasy) know better than to trust a seemingly straightforward path, which is of course not what you get in Evil Does Not Exist. The film takes a turn for the supernatural, maybe too late in its run, but it's beguiling and thought-provoking nonetheless. It’s worth watching for many reasons, but the jarring realization that you might not know what this film—and indeed life—is really about is the true highlight.

Genre: Drama

Actor: Ayaka Shibutani, Hazuki Kikuchi, Hiroyuki Miura, Hitoshi Omika, Ryo Nishikawa, Ryuji Kosaka, Taijirō Tamura, Yoshinori Miyata

Director: Ryusuke Hamaguchi

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, 1989

You can tell Drugstore Cowboy was written by someone who has been through drug abuse and incarceration himself. This is the kind of film that has to be lived, not researched. It’s realistic, sure, and it gets at the interiority of a drug user with ease. But there is no judgment to be found here, no preachy criticism or misguided glorification of a hardened lifestyle. Bob (Matt Dillon) and his wife Dianne (Kelly Lynch) have created a nomadic, transient life that allows them to live on drugstore lootings one district at a time, while looking out for each other and the other couple they live with, Rick (James LeGros) and Nadine (Heather Graham). They chose this outlaw life, and because of the agency the film affords them, there is joy to be found despite their difficulties. It’s an authentic story, elevated by imaginative editing, a jazzy, heart-thumping score, and believable performances by a quartet of capable actors.

Genre: Crime, Drama

Actor: Beah Richards, Eric Hull, George Catalano, Grace Zabriskie, Gus Van Sant, Heather Graham, James Le Gros, James Remar, Kelly Lynch, Matt Dillon, Max Perlich, Michael Parker, Ray Monge, Robert Lee Pitchlynn, Ted D'Arms, William S. Burroughs

Director: Gus Van Sant

Rating: R

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, 2001

Like 12 Angry Men before it, Conspiracy follows a group of men who come to a standstill when asked to make a crucial, fateful decision. The two films are mostly stationary and dialogue-heavy, but where the former is hopeful, the latter is purely heinous. Sure, the Nazi officials argue amongst themselves about the Final Answer to the Jewish Question—in other words, the genocide of European Jews—but the debate is less about the morality of the act than the practicality of it. No one in that room is redeemable. They’re varying levels of evil, but evil nonetheless. It’s a testament to the filmmakers, then, the entire film manages to be stirring. Loring Mandel’s script is incredibly taut and intelligent but never lets you fall for the officials’ wise-sounding traps. Director Frank Pierson, for his part, expertly paces the movie, knowing when to bring out the big guns (mostly via Colin Firth’s impassioned Wilhelm Stuckart) and when to rely on subtlety. It’s a fine example of how a film can succeed with few but quality parts, but more importantly, it’s a timeless reminder of how unnervingly plain evil can look.

Genre: Drama, History, TV Movie, War

Actor: Barnaby Kay, Ben Daniels, Brendan Coyle, Brian Pettifer, Colin Firth, David Threlfall, Dirk Martens, Ewan Stewart, Florian Panzner, Hinnerk Schönemann, Ian McNeice, Jonathan Coy, Kenneth Branagh, Kevin McNally, Nicholas Woodeson, Owen Teale, Peter Sullivan, Ross O'Hennessy, Stanley Tucci, Tom Hiddleston

Director: Frank Pierson

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, 2014

The film for which Kristen Stewart became the first American actress to win the César Award. The Twilight star turned indie prodigy plays next to another award favorite, Juliette Binoche, as her assistant. When rehearsing for the play that launched her career many years earlier, Binoche's character, Maria, blurs the line between fiction and reality, her old age and her assistant's young demeanor, and the romance story portrayed in the play and her own life. The movie itself is stylized as a play, adding another interesting layer of artistic creativity to the complex plot line. A film for film lovers.

Genre: Drama

Actor: Aljoscha Stadelmann, Angela Winkler, Ben Posener, Benoit Peverelli, Brady Corbet, Caroline De Maigret, Chloë Grace Moretz, Claire Tran, Gilles Tschudi, Hanns Zischler, Jakob Köhn, Jerry Kwarteng, Johnny Flynn, Juliette Binoche, Kristen Stewart, Lars Eidinger, Luise Berndt, Nora von Waldstätten, Nora Waldstätten, Ricardia Bramley, Sean McDonagh, Steffen Mennekes, Stuart Manashil

Director: Olivier Assayas

Rating: R

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, 2022

When he’s accepted into the prestigious Islamic university Al-Azhar, fisherman’s son Adam (Tawfeek Barhom) gets an eye-opening education — but not the kind he expected. A place associated with notions of purity is imagined as a hotbed of hypocrisy and corruption here, as naive young Adam finds himself unwittingly embroiled in a state plot to seize control of Al-Azhar (because, as one government official puts it, “We can’t accept having two pharaohs in the land”). Cairo Conspiracy's intricate plot confronts monsters in government and strips away religious leaders’ veneer of divinity as a reminder that they’re merely fallible men. What's more, the film grapples with the knotty mess of politics raging inside the institution’s walls in such a way that even its palatial courtyard feels claustrophobic. Rife with paranoia and subterfuge, Cairo Conspiracy feels utterly unique thanks to this skillful transposing of the shadowy machinations of courtly intrigue dramas and '70s paranoid thrillers into a very contemporary Egyptian setting.

Genre: Drama, Thriller

Actor: Fares Fares, Jalal Altawil, Makram J. Khoury, Mehdi Dehbi, Mohammad Bakri, Sherwan Haji, Tawfeek Barhom

Director: Tarik Saleh

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, 2018

Vague statement alert: Burning is not a movie that you “get”; it’s a movie you experience. Based on a short story by Murakami, it’s dark and bleak in a way that comes out more in the atmosphere of the movie rather than what happens in the story. Working in the capital Seoul, a young guy from a poor town near the North Korean border runs into a girl from his village. As he starts falling for her, she makes an unlikely acquaintance with one of Seoul’s wealthy youth (played by Korean-American actor Steven Yeun, pictured above.) This new character is mysterious in a way that’s all-too-common in South Korea: young people who have access to money no one knows where it came from, and who are difficult to predict or go against. Two worlds clash, poor and rich, in a movie that’s really three movies combined into one - a character-study, a romance, and a revenge thriller.

Genre: Drama, Mystery, Thriller

Actor: Ah-in Yoo, Ban Hye-ra, Cha Mi-Kyung, ChoI Seung-ho, Jang Won-hyung, Jeon Jong-seo, Jeon Seok-chan, Jeong Da-yi, Jong-seo Jun, Jun Jong-seo, Kim Shin-rock, Kim Shin-rok, Kim Sin-rock, Kim Soo-kyung, Lee Bong-ryeon, Lee Joong-ok, Lee Jung-ok, Lee Soo-jeong, Min Bok-gi, Moon Sung-keun, Ok Ja-yeon, Song Duk-ho, Soo-Kyung Kim, Steven Yeun, Yoo Ah-in

Director: Chang-dong Lee, Lee Chang-dong

Rating: Not Rated

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, 2023

Led by Rosy McEwen's commanding performance brimming with fear and self-loathing, Blue Jean pours all of the anguish and defiance felt by the LGBTQ+ community under Margaret Thatcher's administration into a single character. Writer-director Georgia Oakley keeps her plot light, but through conversations with other beautifully portrayed queer women (especially those played by Kerrie Hayes and Lucy Halliday), she piles on one conflicted emotion after another about what this lesbian woman's responsibility is toward herself and her community when they find themselves threatened. But even as the film takes a definite stance, it validates every response as authentic—borne out of a need to protect the people whom one loves.

Genre: Drama

Actor: Amy Booth-Steel, Aoife Kennan, Becky Lindsay, Deka Walmsley, Edmund Wiseman, Farrah Cave, Gavin Kitchen, Kate Soulsby, Kerrie Hayes, Lainey Shaw, Lucy Halliday, Lydia Page, Rosy McEwen, Scott Turnbull, Stacy Abalogun

Director: Georgia Oakley

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