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The Teacher’s Lounge is one of those movies where a simple misunderstanding is blown out of proportion, so much so that it causes the fabric of a community to unravel into chaos. Aided by a precise score, it ticks like a timebomb, with every second filled with so much dread and anxiety you have to remind yourself to breathe. It’s an impeccable and taut thriller, but it also works as an allegory about modern-day surveillance and authority. Director İlker Çatak gives the Gen-Z students and their much older teachers a level field where they struggle for control, and the result is both bleak and funny. It’s often said that schools are a microcosm of the real world, but nowhere is that more apparent than here.

Genre: Drama, Thriller

Actor: Anne-Kathrin Gummich, Antonia Luise Krämer, Canan Samadi, Eva Löbau, Katharina M. Schubert, Kathrin Wehlisch, Katinka Auberger, Leonard Stettnisch, Leonie Benesch, Lisa Marie Trense, Michael Klammer, Özgür Karadeniz, Rafael Stachowiak, Sarah Bauerett, Uygar Tamer

Director: İlker Çatak

Rating: PG-13

There are movies that leave you matured after you finished watching. You mature because you are forced to walk in someone's shoes and confront yourself with issues that you are not affected by. The Sea Inside is one of those movies –⁠ and won an Academy Award and a Golden Globe for it. Directed by Alejandro Amenábar, who you might know as the director of The Others, it tells the true story of Ramón Sampedro's decade-long fight for the right to end his own life. After he became quadriplegic after a diving accident, he was confined to the same bed in the same room for 26 years, except when he visited the hospital. Not an easy subject to say the least but Amenábar helps the fascinating story along with stylish directing, while Javier Bardem delivers a stellar performance to go with it. Thanks also to Ramón Sampedro's sunny real-life nature, this heart-wrenching watch also has plenty of uplifting moments.

Genre: Drama

Actor: Adolfo Obregón, Alberto Amarilla, Alberto Jiménez, Alberto Jiménez, Andrea Occhipinti, Belén Rueda, Belén Rueda, Celso Bugallo, César Cambeiro, Clara Segura, Federico Pérez Rey, Francesc Garrido, Javier Bardem, Joan Dalmau, Jordi Ballester, José Luis Rodríguez, Josep Maria Pou, Julio Jordán, Lola Dueñas, Lola Dueñas, Mabel Rivera, Marta Larralde, Tamar Novas, Xosé Manuel Olveira

Director: Alejandro Amenábar

Rating: PG-13

Co-directed and narrated by legendary German director Wim Wenders in collaboration with Salgado's son, Juliano, this unique film tells Sebastião Salgado's life story from his childhood in Northern Brazil, his early career as an economist, and how he shifted towards photography to become a world-renowned photojournalist. Shot in stunning black and white by Juliano Salgado and Hugo Barbier, The Salt of the Earth is a mesmerizing exhibition of one man's lifelong dedication to capture the suffering of humanity and of nature. Most famously, the nightmarish images of the teeming workers of Serra Pelada, a Brazilian mountain gold mine. While creating these images raises some ethical questions that Salgado was confronted with throughout his career, it is an utterly enthralling experience, upsetting at times in its frank display of war, death, and devastation. Ultimately, however, Salgado's elegance and kindness pull us back in and what we see is truth, awareness, and beauty.

Genre: Documentary

Actor: Juliano Ribeiro Salgado, Lélia Wanick Salgado, Régis Muller, Sebastião Salgado, Wim Wenders

Director: Juliano Ribeiro Salgado, Wim Wenders

Rating: PG-13

A Good Movie to Watch features almost every work of Asghar Farhadi for the sole reason that his films, although highly acclaimed and brilliant, are criminally under-watched. As always, Farhadi offers complex, compelling, and contemporary drama and piercing insight into human relationships and emotions. Expect the twists, subtleties, and emotional limbo that you're probably familiar with from A Separation or About Elly. That said, The Past is a bit different, because, for one, it focuses on romantic relationships, and, secondly, it plays in the far more permissive world of a Parisian suburb –⁠ and not in theocratic Teheran. Independent of its location, The Past's key subject is the universally human phenomenon of having to deal with the choices made in the past. In addition to Farhadi's intricate directing and the sensitive script, it is imperative to mention the powerful performances by Ali Mosaffa, Tahar Rahim, and, above all, Bérénice Bejo. An unforgettable experience.

Genre: Drama, Mystery

Actor: Ali Mosaffa, Babak Karimi, Bérénice Bejo, Eléonora Marino, Elyes Aguis, Jeanne Jestin, Pauline Burlet, Sabrina Ouazani, Tahar Rahim, Valéria Cavalli

Director: Asghar Farhadi

Rating: PG-13

Before you press play on this movie, we highly recommend you take a few very deep breaths. This 2018 thriller is wound so tight, you will need the extra oxygen to get through it without fainting. In his directorial debut, Swedish-danish filmmaker Gustav Möller uses very little in terms of resources to create this breath-taking atmosphere. While The Guilty feels like it was made on a $100 million budget, all it physically brings to the table is one man in a dark room. It plays with our imagination instead of blinding it with special effects. Similarly, the plot is also short and sweet: a police officer is temporarily sent to do emergency dispatch, when he receives a call that turns an ordinary shift into a hell ride. This is all we are going to give away before you've completed your breathing exercises. The movie's minimalist approach is held together by great acting from Jakob Cedergre, a screenplay to match, and incredible sound design. A real white-knuckle ride.

Genre: Crime, Drama, Mystery, Thriller

Actor: Alexander Clement, Anders Brink Madsen, Camilla Lau, Gustav Möller, Gustav Möller, Jacob Lohmann, Jacob Ulrik Lohmann, Jakob Cedergren, Jeanette Lindbæk, Jessica Dinnage, Johan Olsen, Katinka Evers-Jahnsen, Laura Bro, Morten Suurballe, Morten Thunbo, Omar Shargawi, Peter Christoffersen, Simon Bennebjerg

Director: Gustav Möller

Rating: R

Directed by celebrated artist-turned-filmmaker Julian Schnabel, who won an award in Cannes for it, The Diving Bell and the Butterfly is the true story of the Parisian journalist and fashion editor Jean-Dominique Bauby (Mathieu Amalric), who suffered a devastating stroke at the age of 43. Paralyzed almost completely by what is termed locked-in syndrome, his left eye was the only part of his body that he was still able to move. In a Herculean effort, Bauby learned to blink in an alphabet code that eventually enabled him to communicate. The film alternates between Bauby's interaction with his visitors and caretakers (including painstakingly dictating his memoir, the titular Le Scaphandre et le Papillon) and dream-like fantasies and memories of his life prior to paralysis. The title alludes to this juxtaposition: the diving bell representing his final state of isolation, akin to a deep-sea diver under a bell, and the butterfly as a symbol for his blinking eye and the freedom he has in his mind, dreams, and imagination. Shot from Bauby's perspective, we see what he sees. Be it his divorced but loyal wife and his family visiting him, or his old father, played by Max von Sydow, which is probably the scene in this fascinating movie that will make you lose it and weep like the rest of us.

Genre: Drama, History

Actor: Agathe de La Fontaine, Anne Alvaro, Anne Consigny, Emma de Caunes, Emmanuelle Seigner, Fiorella Campanella, Françoise Lebrun, Gérard Watkins, Isaach De Bankolé, Jean-Philippe Écoffey, Jean-Pierre Cassel, Laure de Clermont-Tonnerre, Lenny Kravitz, Marie-Josée Croze, Marina Hands, Mathieu Amalric, Max von Sydow, Michael Wincott, Nicolas Le Riche, Niels Arestrup, Olatz Lopez Garmendia, Patrick Chesnais, Talina Boyaci, Zinedine Soualem

Director: Julian Schnabel

Rating: PG-13

Between 1967-1975, a group of Swedish filmmakers traveled to America to document the Black Power movement. The resulting archival footage of Black activists and intellectuals, including Bobby Seale, Huey P. Newton, Eldridge Cleaver, and the amazing Angela Davis, was hidden in an archive until it was unearthed and woven together by Göran Olsson, a Swedish director. Angela Davis also supplies some contemporary voice commentary alongside many others, such as Erykah Badu, Harry Belafonte, and The Roots drummer and rap culture's No. 1 record keeper Questlove, who also co-scored the film. This adds to the mixtape feel of the film as does the raw and unfiltered piecing together of the historic footage, giving the viewer an authentic impression of the movement and the struggles of the time. Being Swedish, the filmmakers dared to go where American mainstream TV might have never gone.

Genre: Documentary, History

Actor: Abiodun Oyewole, Angela Davis, Bobby Seale, Erykah Badu, Harry Belafonte, John Forte, Kathleen Cleaver, Kwame Ture, Melvin Van Peebles, Sonia Sánchez, Stokely Carmichael, Talib Kweli

Director: Göran Olsson

Rating: Not Rated

While billed as a “ramen western”, Tampopo satirizes plenty of other American genres, including, but not limited to: 1) the inspirational sports film, with Tampopo’s diligent training, 2) the erotic, arthouse drama through its egg yolk kiss, 3) the witty, social comedy pointing out the absurd in dinnertime tables, and 4) the melodramatic mafia romance with its room-serviced hotel getaway. But the film doesn’t buckle under the weight of carrying all these genres– instead, the customer vignettes are all delicately plated to balance out the hearty journey of a store owner learning about ramen and the bemused, yet cohesive contemplation about food. Tampopo is one of a kind.

Genre: Comedy

Actor: Akio Tanaka, Chōei Takahashi, Fukumi Kuroda, Gō Awazu, Hideji Ōtaki, Hisashi Igawa, Hitoshi Takagi, Hyōe Enoki, Isao Hashizume, Izumi Hara, Ken Watanabe, Kenso Kato, Kinzō Sakura, Kōji Yakusho, Mariko Okada, Masahiko Tsugawa, Naritoshi Hayashi, Nobuko Miyamoto, Nobuo Nakamura, Rikiya Yasuoka, Ryutaro Otomo, Toshimune Kato, Toshiya Fujita, Tsutomu Yamazaki, Yoriko Dōguchi, Yoshi Katō, Zenpaku Kato

Director: Jūzō Itami

Rating: NR

Summer 1993 charts a formative summer in the life of young Frida (Laia Artigas), a brooding six-year-old who, having just been orphaned by AIDS, is sent from her home in Barcelona to live in the countryside with her uncle (David Verdaguer), his wife (Bruna Cusí), and their little girl (Paula Robles). Catalan director Carla Simón drew on her own childhood experiences for the film, making Summer 1993 feel intimately told. It’s shot from the perspective of its young protagonist and is guided by the unpredictable rhythms of memory: we experience Frida’s new life the way she might remember it when she’s older, via snapshots of moments that stand out to a child, like the day she spent amongst the chickens in a neighbor’s farm or the moment another kid asks her why she isn’t more visibly upset about her mother’s recent death.

That emotional enigmaticness is what makes Artigas’s naturalistic performance so absorbing: she never plays Frida in a predictable dramatic register, so much so that it’s easy to forget we’re not watching a documentary. The unexpected little ways her grief manifests itself — along with Simón’s assured, impressionistic directing — make this a profoundly heart-rending watch throughout, and especially so in its gut-punch of a final scene.

Genre: Drama

Actor: Bruna Cusí, David Verdaguer, Fermí Reixach, Isabel Rocatti, Laia Artigas, Quimet Pla

Director: Carla Simón

Koreeda is a master of the tender gaze. He deals so softly, elegantly, and emphatically with the characters in his films, it will make you feel like you're watching life itself in all its complex, emotional splendor. Maybe this is particularly true for this movie because it has been inspired by Koreeda's memories of his own childhood and the passing of his mother. Still Walking is a quietly toned movie spanning a period of 24 hours in the life of the Yokoyama family, as they gather to commemorate the passing of their eldest son. At the center of the story is the father, an emotionally distant man who commands respect both from his family and community. Opposite from him sits the other son, the black sheep, who seeks his father's validation. Directed, written, and edited by Koreeda, this dynamic is one of many in this slice-of-life movie about how families deal with loss. And, however distant the culture or setting in Japan may seem to the outsider, you're bound to recognize either yourself or your family among the tender scenes of this masterful drama.

Genre: Drama, Family

Actor: Haruko Kato, Hiroshi Abe, Hotaru Nomoto, Kazuya Takahashi, Kirin Kiki, Ryoga Hayashi, Shohei Tanaka, Susumu Terajima, Yoshio Harada, You, Yui Natsukawa

Director: Hirokazu Kore-eda, Hirokazu Koreeda

Rating: Not Rated

Frequently considered one of the greatest animated movies of all times, and certainly the highest-grossing film in Japanese history, Spirited Away is Hayao Miyazaki and Studio Ghibli at their very best. It was also the first non-English animation movie to win an Oscar. On the surface, it's a film about a Chihiro Ogino (Hiiragi), a young girl who stumbles into an abandoned theme park with her parents. In a creepy spiritual world full of Shinto folklore spirits, she sees all kinds of magic and fantastic creatures, while having to find a way to save her parents and escape. In addition to the adventure, the coming-of-age theme, and the motifs of ancient Japanese lore, the film can also be understood as a critique of the Western influence on Japanese culture and the struggle for identity in the wake of the 1990s economic crisis. A deep, fast-paced, and hypnotizing journey.

Genre: Animation, Family, Fantasy

Actor: Akiko Tomihira, Akio Nakamura, Bob Bergen, Bunta Sugawara, Daveigh Chase, David Ogden Stiers, Hayashikoba, Hiromi Takeuchi, Ikuko Yamamoto, Jack Angel, Jason Marsden, Jim Ward, John Ratzenberger, Kaori Yamagata, Katsutomo Shîbara, Kazutaka Hayashida, Keiko Tsukamoto, Ken Yasuda, Koba Hayashi, Lauren Holly, Mari Natsuki, Masayuki Kizu, Mayumi Saco, Michael Chiklis, Michiko Yamamoto, Mina Meguro, Minako Masuda, Miyu Irino, Naoto Kaji, Noriko Kitou, Orika Ono, Paul Eiding, Rina Yamada, Rodger Bumpass, Rumi Hiiragi, Ryunosuke Kamiki, Shigeru Wakita, Shigeyuki Totsugi, Shinobu Katabuchi, Shiro Saito, Shirou Saitou, Sonoko Soeda, Susan Egan, Suzanne Pleshette, Takashi Naito, Takehiko Ono, Tara Strong, Tatsuya Gashuin, Tetsurô Ishibashi, Tsunehiko Kamijo, Tsuzuki Kayako, Yasuko Sawaguchi, Yayoi Kazuki, Yo Oizumi, Yoko Ono, Yoshitaka Sukegawa, Yumi Tamai, 沢口靖子

Director: Hayao Miyazaki

Rating: PG

Nothing about Saint Omer is easy. A female Senegalese migrant (Guslagie Malanga) is put to trial for committing infanticide, but throughout the film, it becomes clear how much of a victim she is too, of an uncaring and deeply prejudiced society. “What drove her to madness?” Her attorney asks at one point. We’re not sure. We're not necessarily asked to side with her, nor answer the many hard-hitting questions brought up in the film, but we sit with the uneasiness of it all and, in that silence, confront our ideas about motherhood, womanhood, personhood. This confusion is what makes the film so compelling. Despite the court’s best efforts, Laurence isn’t meant to be understood. She’s meant to be an example of the ever-ambiguous, forever-complicated, always-hurt person. It’s human nature after all to be this complex and messed up. The film shows us that the best that we can do in situations like this is to listen, understand, and as our protagonist Rama (Kayije Kagame) does, make peace with the noise.

Genre: Crime, Drama

Actor: Adama Diallo Tamba, Alain Payen, Aurelia Petit, Charlotte Clamens, Guslagie Malanda, Kayije Kagame, Louise Lemoine Torrès, Roald Iamonte, Robert Cantarella, Salimata Kamate, Seyna Kane, Thomas De Pourquery, Valérie Dréville, Xavier Maly

Director: Alice Diop

From the legendary Hayao Miyazaki, and courtesy of Studio Ghibli, which also brought you Spirited Away, comes this epic whirlwind of a story. Set during a fantastical late Muromachi period, the medieval era of Japan, in a time when many humans were still living among nature, while others set out to conquer and tame it, the movie follows a young man named Ashitaka, who he seeks cure for the curse of a boar god, giving him superhuman powers but eventually killing him. He rides west on a fantastic beast, where he eventually sees a young woman named San, also known as Princess Mononoke. What unfolds from here, is an epic tale of mythical war on many fronts, between the nature gods and humans. While this may sound like a dichotomy, it never is that morally simplistic. The story is action-packed and fast-paced, drawing freely from Japanese mythology as well as modern hot-topic political issues. Add to this the fantastic visuals: Hayao Miyazaki uses a mixture of hand drawings and 3D rendering that are nothing short of spectacular. In short, Princess Mononoke is movie history. If you haven't seen it yet, do it now.

Genre: Adventure, Animation, Fantasy

Actor: Akihiro Miwa, Akira Nagoya, Akira Sakamoto, Alex Fernandez, Billy Bob Thornton, Billy Crudup, Claire Danes, Corey Burton, Daikichi Sugawara, Debi Derryberry, Gillian Anderson, Hisaya Morishige, Ikuko Yamamoto, Jada Pinkett Smith, John DeMita, John DiMaggio, Kaoru Kobayashi, Keith David, Kiho Iinuma, Kimihiro Reizei, Makoto Satō, Masahiko Nishimura, Minnie Driver, Mitsuko Mori, Mitsuru Satô, Shiro Saito, Shirou Saitou, Sumi Shimamoto, Takako Katou, Tara Strong, Tetsu Watanabe, Tsunehiko Kamijo, Tsuzuki Kayako, Yayoi Kazuki, Yôji Matsuda, Yoshimasa Kondô, Youji Matsuda, Yûko Tanaka, Yuriko Ishida

Director: Hayao Miyazaki

Rating: PG-13

Proving that children's entertainment can be legitimate art like any other kind of cinema, the sequel to 2014's Paddington displays a stronger love for community and storytelling than many other adult-oriented productions. It may be cutesy and innocent, but Paddington 2 also uses its stunning visual effects and intricate production design to prop up a sophisticated story about discrimination, staying true to one's self, and (most surprisingly) the prison-industrial complex. It's a proper throwback to another era of family movies that offers something far more substantial to young children and genuinely moving moments for the parents and children at heart.

Genre: Adventure, Comedy, Family, Kids

Actor: Aaron Neil, Alex Jordan, Ben Miller, Ben Whishaw, Brendan Gleeson, Cal McCrystal, Catherine Shepherd, Claire Keelan, Dan Antopolski, David J Biscoe, David Sant, Deepak Anand, Eileen Atkins, Enzo Squillino Jr., Geoffrey Lumb, Gus Brown, Hiten Patel, Hugh Bonneville, Hugh Grant, Imelda Staunton, Jag Patel, Jamie Demetriou, Jessica Hynes, Jim Broadbent, Joanna Lumley, Joel Fry, Julie Walters, Justin Edwards, Kobna Holdbrook-Smith, Kya Garwood, Louis Partridge, Madeleine Harris, Maggie Steed, Marie-France Alvarez, Meera Syal, Michael Gambon, Michael Mears, Nadine Marshall, Nicholas Lumley, Nicholas Woodeson, Noah Taylor, Peter Capaldi, Richard Ayoade, Robbie Gee, Sally Hawkins, Samuel Joslin, Sanjeev Bhaskar, Shola Adewusi, Simon Farnaby, Stephen McDade, Tim Fitzhigham, Tom Conti, Tom Davis, Tom Knight

Director: Paul King

From Korean director Park Chan-wook, who also brought you the far quieter The Handmaiden, comes a movie that is positively terrifying. Its premise alone is enough for any sentient human being to shudder. On his daughter's birthday, the good-for-nothing Oh Dae-su (played by Choic Min-sik) gets drunk and is arrested by the police. A friend eventually bails him out and, while he is making a phone call, Oh Dae-su disappears. Not knowing why, he is held in the same room for 15 years for no apparent reason. Until, one day, he is released. That's all that can be revealed about this winner of the Grand Jury Prize at Cannes in 2004 without giving away too much. All we can add here is the way we recommend Oldboy to people admitting to not having seen it yet: “Watch Oldboy. You're welcome. We're sorry.” A crazy, twisted film that goes to extremes. A cult classic and a statement.

Genre: Action, Drama, Mystery, Thriller

Actor: Byeong-ok Kim, Cho Sang-kyung, Choi Jae-sup, Choi Min-sik, Dae-han Ji, Dae-yeon Lee, Han Jae-duk, Heo Myeong-haeng, Hye-jeong Kang, Ji Dae-han, Ji-tae Yu, Jin-Seo Yoon, Jin-seo Yun, Kang Hye-jeong, Kang Hye-jung, Kim Byeong-Ok, Kim Byung-ok, Kim Su-hyun, Kim Yeong-ae, Kwang-rok Oh, Lee Dae-yeon, Lee Seung-shin, Lee Young-hee, Min-sik Choi, Oh Dal-su, Oh Gwang-rok, Oh Kwang-rok, Oh Tae-kyung, Oh Young-joo, Park Jae-Woong, Park Myung-shin, Seo Myeong-Seok, Seung-Shin Lee, Syd Lim, Yoo Il-han, Yoo Ji-tae, Yoo Yeon-seok, Yoon Jin-seo, Yoon Jin-yul, You Il-han

Director: Chan-wook Park, Park Chan-wook

Rating: R