Tag: USA-youtube (Page 38)

The Harry Potter movies undoubtedly changed the lives of its young stars forever — but a stuntman whose future the films had more tragic consequences for is the deserved focus of this moving documentary. David Holmes was just 17 when he was hired as Daniel Radcliffe’s stunt double, a role he held throughout the series. The two formed a close brotherly bond on set, growing up alongside one another for 10 years until a terrible accident during the final movie’s filming left him paralyzed from the chest down, a condition that has deteriorated over the years following post-surgery complications. 

This doc is an inspiring portrait of David, from his fearless childhood and dream-fulfilling work to the incredible resilience he’s shown since the accident. It’s also, though, a poignant testament to the loving, supportive community that Holmes inspired at work — friendships that only reached greater depths following the accident and the end of the movies. The doc’s focus empathetically expands from Holmes’ story to include its impact on his bond with Radcliffe (who features prominently here) and Holmes’ fellow stunt doubles — and, while the sheer force of Holmes’ personality would make for a compelling documentary on its own, it’s the tenderness and honesty that all of these participants show that makes this so poignant.

Genre: Documentary

Actor: Andy Holmes, Bonnie Wright, Chris Columbus, Daniel Radcliffe, David Holmes, David Yates, Emma Watson, Greg Powell, Marc Mailley, Rupert Grint, Sue Holmes, Tolga Kenan, Tom Felton

Director: Dan Hartley

Rating: PG-13

Legendary Talking Heads frontman David Byrne returns with this enigmatic stage show, and with Spike Lee in tow, the film reaches for the heights of the iconic concert doc Stop Making Sense. For those unfamiliar, Stop Making Sense directed by Jonathan Demme (Silence of the Lambs) captured the Talking Heads’ invigorating live show in their early eighties prime, and is often considered one of the best concert films of all time.

Now nearly forty years later Byrne attempts a resurrection of that spirit or a form of it given his former bandmates notably absent from the project. His propellant energy is on full display as he goes through the ‘Heads catalog with a backing band that dances in intricately choreographed sequences around him. Most notable, however, is the sparseness of the stage production which brings to mind a dirge-like atmosphere. Byrne’s righteous thrashings against Reagan’s America carry renewed weight in the despondency of the Trump-era. So despite his attempts at optimism, aching futility runs through the heart of the show; most pointed when Byrne sings the famous lines from in Once In A Lifetime: “Same as it ever was. Same as it ever was.”

Genre: Documentary, Drama, Music

Actor: Angie Swan, Bobby Wooten Iii, David Byrne, Jacqueline Acevedo, Mauro Refosco, Tendayi Kuumba

Director: Spike Lee

For a film made in the mid-90s, by a straight white man in his early 20s, Chasing Amy is startingly smart and sensitive, filled with more relatable moments than anyone would care to admit. Sure, by today’s standards, its exploration of sexuality is questionable at best and cringe-worthy at worst, but it’s also an honest depiction of how an era (and some people still) confront this reality. And for all the important issues it tries to address, like homophobia, racism, and toxic masculinity, it’s also at its core a confectionary romcom. If When Harry Met Sally asks, “Can women and men be friends?”, then Chasing Amy complicates it with a question of its own: “Can a lesbian and a guy who falls in love too quickly be friends?” You may or may not arrive at an answer by the film’s end, but you’ll find much to like in its earnestness and thoughtfulness.

Genre: Comedy, Drama, Romance

Actor: Ben Affleck, Brian O'Halloran, Carmen Llywelyn, Casey Affleck, Dwight Ewell, Ethan Suplee, Guinevere Turner, Jason Lee, Jason Mewes, Joe Quesada, Joey Lauren Adams, Kevin Smith, Matt Damon, Scott Mosier, Welker White

Director: Kevin Smith

Rating: R

In Lyon, the second biggest city in France after Paris, a man confronts the church about a prominent priest who sexually assaulted him and his friends when they were young.

The man, being religious, wanted to keep the issue within the church. He only asked that the pedophile’s priesthood be revoked so that he doesn’t assault more children.

When it becomes clear that the church will not act, he considers legal action, even though the statute of limitations has expired. But, as is usual in these cases, he was far from being the only victim.

Genre: Drama

Actor: Éric Caravaca, Alexandre Steiger, Amélie Daure, Amélie Prevot, Arnaud Viard, Aurélia Petit, Aurelia Petit, Baya Rehaz, Bernadette Le Saché, Bernard Verley, Chloé Astor, Christian Sinniger, Damien Jouillerot, David Geselson, Denis Ménochet, Denis Ménochet, Denis Simonetta, Éric Caravaca, Fayçal Safi, Fejria Deliba, Frédéric Pierrot, François Chattot, François Marthouret, François Chattot, François Marthouret, Frédéric Pierrot, Hélène Vincent, Hélène Vincent, Jeanne Rosa, John Sehil, Josiane Balasko, Jules Gauzelin, Julie Duclos, Juliette Moreaud, Laurence Roy, Lilly Rose Debos, Martine Erhel, Martine Schambacher, Max Libert, Melvil Poupaud, Nicolas Bauwens, Nicolas Bridet, Patrick Zimmermann, Pauline Ziadé, Philippe Legros, Pierre Lottin, Sébastien Lozach, Sébastien Pouderoux, Serge Flamenbaum, Stanislas Stanic, Stéphane Brel, Swann Arlaud, Timi-Joy Marbot, Vincent Berger, Xavier de Guillebon, Zuri François

Director: François Ozon, François Ozon

Before he developed his signature dollhouse visual style, Wes Anderson made his feature debut with this lowkey, heartwarming, and decidedly not-symmetrically-perfect comedy about a bunch of misfits. Bottle Rocket isn’t as much of an outlier in its director’s storied filmography as might initially seem, however. Written in partnership with college buddy Owen Wilson — who, along with brothers Luke and Andrew, made his acting debut here — the film is delightfully offbeat and unexpectedly moving in the way we’ve come to expect from Anderson. 

Dignan (Owen Wilson) and Anthony (Luke Wilson) are two drifting, boyish twenty-somethings, although only Anthony seems aware of his directionlessness, as Dignan has graciously developed a 50-year life plan for the two of them (complete with hilariously vague bullet-points such as “Make wise investments” and “Own multiple accommodations”). The means to these ambitious ends is a life of crime — specifically, pulling off grand heists. But Dignan’s meticulousness hasn’t accounted for distractions, and his madcap scheme falls at the first hurdle when Anthony falls in love with a housekeeper at the motel they hide out in (Lumi Cavazos). Their sweet romance is one of the film’s many delights, as is its barrelling deadpan humor, which never betrays the warmth of the Wilson brothers’ heartwarming depiction of ride-or-die friendship.

Genre: Comedy, Crime, Drama

Actor: Amanda Welles, Andrew Wilson, Antonia Bogdanovich, Brian Tenenbaum, Darryl Cox, Dipak Pallana, James Caan, Jenni Tooley, Jill Parker-Jones, Julio Cedillo, Julio Cesar Cedillo, Kumar Pallana, Luke Wilson, Lumi Cavazos, Melinda Renna, Ned Dowd, Nena Smarz, Owen Wilson, Robert Musgrave, Russell Towery, Stephen Dignan, Tak Kubota

Director: Wes Anderson

Rating: R

Best in Show’s cast list reads like a catalog of comic greats. Among others, it includes Parker Posey, Jane Lynch, John Michael Higgins, Jennifer Coolidge, and the unbeatable duo that is Catherine O’Hara and Eugene Levy. Their participation alone should you clue in on what kind of film this is: a delightful exercise in improvisational comedy. The jokes roll in fast and the spoofs are spot-on (Parker Posey gets a special mention for playing the faux-calm handler with rage issues bubbling up to a tee). And thanks to the mockumentary format, they’re supported by an abundance of visual gags. 

The cherry on top of this fun sundae is the adorable dogs who amusingly participate in human shenanigans. If you're ever looking for a watch that is equal parts comedic and cute, then this underrated comedy gem of a film could be it.

Genre: Comedy, Drama

Actor: Andrew Johnston, Andrew Wheeler, Bob Balaban, Camille Sullivan, Carmen Aguirre, Carrie Aizley, Catherine O'Hara, Christopher Guest, Colin Cunningham, Corrine Koslo, Deborah Theaker, Doane Gregory, Don Lake, Don S. Davis, Ed Begley Jr., Eugene Levy, Fred Willard, Fulvio Cecere, Hiro Kanagawa, Jane Lynch, Jay Brazeau, Jennifer Coolidge, Jim Piddock, John Michael Higgins, Larry Miller, Lewis Arquette, Linda Kash, Lynda Boyd, Madeleine Kipling, Malcolm Stewart, Merrilyn Gann, Michael Hitchcock, Michael McKean, Parker Posey, Patrick Cranshaw, Rachael Harris, Scott Williamson, Stephen E. Miller, Steven M. Porter, Teryl Rothery, Tony Alcantar, Will Sasso

Director: Christopher Guest

Rating: PG-13

Whether due to poverty, personal choice, or simply knowing no other way, there are people living by the river, forgoing the comforts and the cages of modern urban living. Not many films depict these communities, but seven years after Hurricane Katrina, Beasts of the Southern Wild shares a rare depiction of their lives in the outskirts. It’s a bit meandering, but it’s unique, with a folkloric feel, as the young heroine Hushpuppy full of awe towards the natural world their Cajun community is bound to, while also with a curiosity towards her missing mother and an awareness of how precarious their lives are that slowly grows through the film. Beasts of the Southern Wild is a surprising debut of a community rarely depicted.

Genre: Drama, Fantasy

Actor: Dwight Henry, Gina Montana, Levy Easterly, Lowell Landes, Quvenzhané Wallis

Director: Benh Zeitlin

Rating: PG-13

Even if you’re a huge Broadway fan, you’ve probably never heard of the “industrial musical." While it no longer exists in practice, in the 1970s industrial musicals were shows that corporations commissioned for some of the biggest Broadway names to produce. The script would be based on the company’s offerings and history, and privately performed by real Broadway actors to audiences made up exclusively of company and factory staff.

Now, a documentary about industrial shows doesn’t scream “entertaining,” but to describe Bathtubs Over Broadway in such a manner would be selling it way short. It’s really about Steve Young, a comedy writer for David Letterman, and how his life changed when he found his first industrial musical LP when leafing through a crate of old records for a Late Night segment he was working on.

Ultimately, what makes this such an enjoyable watch is the protagonist’s enduring passion over what at first appears to be nothing but a niche obsession. But with time, as he connects with other collectors and the people who were involved in the original industrial musical productions, his passion breeds community and lifelong bonds. Even if you’re no fan of Broadway, this makes for a great pop culture documentary and an unexpectedly touching story of human connection.

Genre: Comedy, Documentary, Drama, Music

Actor: Chita Rivera, David Letterman, Don Bolles, Florence Henderson, Jello Biafra, Martin Short, Melody Rogers, Sheldon Harnick, Steve Young, Susan Stroman

Director: Dava Whisenant

Rating: PG-13

There’s a cyclical tragedy at the heart of Bad Education, that starts with love, then continues in separation, and ends with hoping to redeem one’s self, and it would have felt repetitive if it wasn’t for the metafictional framing of Pedro Almodóvar. It boldly tackles the sexual abuse occurring in Catholic boarding schools, from which Almodóvar was educated under. It also explores it through a series of brilliant twists, as each reveal essentially repeats again and again, with each remix increasing the stakes, weaving a new layer to the love triangle, and exacerbating the consequences. Bad Education blends Enrique’s, and perhaps Almodóvar’s, life with fiction, with the brilliance and style Almodóvar is best known for.

Genre: Crime, Drama

Actor: Agustín Almodóvar, Alberto Ferreiro, Daniel Giménez Cacho, Fele Martínez, Francisco Boira, Francisco Maestre, Gael García Bernal, Javier Cámara, José María Yázpik, Juan Fernandez, Leonor Watling, Lluís Homar, Nacho Perez, Pau Poch, Petra Martínez, Pol Monen, Raul Garcia Forneiro, Sara Montiel

Director: Pedro Almodóvar

Rating: NC-17

A man is struggling to mourn his passing wife in this slow-burning Icelandic drama. The story starts with him converting an abandoned electricity station into a house, in an effort to find peace. Soon, however, questions about a possible extramarital affair that his wife disturb this peace and make it seem unattainable. 

The way A White, White Day's brilliant story unfolds might catch you off-guard a couple of times. Still, it's slow and requires a little bit of patience. Make sure you're in the mood for that to be rewarded with unmatched insight on how differently people process grief.

Genre: Drama

Actor: Arnmundur Ernst Björnsson, Björn Ingi Hilmarsson, Elma Stefanía Ágústsdóttir, Haraldur Ari Stefánsson, Hilmir Snær Guðnason, Ída Mekkín Hlynsdóttir, Ingvar E. Sigurðsson, Ingvar Eggert Sigurðsson, Ingvar Sigurdsson, Laufey Elíasdóttir, Sara Dögg Ásgeirsdóttir, Sigurður Sigurjónsson, Sverrir Þór Sverrisson, Thor Tulinius

Director: Hlynur Palmason

Somewhere near the border between Russia and Ukraine lies a shelter for kids coming from unstable homes. Their parents, either alcoholics or abusers, have nine months to prove that they’re fit to look after their children; otherwise, the kids are sent straight to the orphanage, with no chance of a goodbye. A House Made of Splinters is a documentary that quietly and closely follows the shelter’s occupants amid growing joys and pains, not to mention the ever-present danger of war.

Perhaps one of the most striking things about A House Made of Splinters is how attuned it is to the kids. It serves as a reminder of their immense sensitivity and observational skills (more than once, you’ll hear a child assess their home situation in the calmest of manners), as well as their clever ingenuity (there’s a lot of playing going on despite everything, which is heartwarming to watch.

Genre: Documentary, Drama

Director: Simon Lereng Wilmont