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Journeying from Africa to Europe without an official permit isn’t just risky, it’s dehumanizing, if not lethal. And though we’ve heard about the many unfortunate ways migrants have suffered, never has the crisis been as intimately and intensely portrayed as in Io Captain. Here, we get to see who Seydou and Moussa were before the voyage out of Senegal, before they were reduced to anonymous bodies bound to torture, slavery, and racism. Director Matteo Garrone takes care not to exploit their lives and instead highlights the joy and hope they left behind and continue to find in small but meaningful portions. Garrone achieves a delicate balance between stark, depressing reality and heartwarming hope, and it’s beautiful to watch. All this in addition to stunning cinematography and unbelievable performances by the two young leads makes Io Capitano easily one of the best films in recent years.

Genre: Adventure, Drama

Actor: Affif Ben Badra, Bamar Kane, Doodou Sagna, Hichem Yacoubi, Issaka Sawadogo, Moustapha Fall, Princess Erika, Seydou Sarr

Director: Matteo Garrone

Gosford Park inspired screenwriter Julian Fellowes to create Downton Abbey — but don’t let that association fool you, because this is no quaint, sentimental period drama but a scalding satire of 1930s England class relations (even though Maggie Smith does play a withering dowager countess here, too). Robert Altman, master orchestrator of ensembles, assembled a banquet of performers here, including Michael Gambon, Kristin Scott Thomas, and Charles Dance as the well-to-do attendees of a hunting party on a grand estate. Working furiously to meet their every whim is the house’s domestic staff, played by such talents as Emily Watson, Helen Mirren, Kelly Macdonald, and Clive Owen.

The murder comes over an hour into the film, which ought to tell you about its real focus (Altman actually called Gosford Park a “who cares whodunnit”). In place of Agatha Christie-style intrigue is brilliant characterization and storytelling. Even at 137 minutes, 30-plus characters mean time is of the essence, but Altman and his actors miraculously find a way to convey a deep sense of each person — especially those downstairs. This tangle of rich lives never gets overwhelming, though, because Gosford Park is expertly paced. It’s nothing less than a joy to sit back and experience the masterful unraveling of its many threads, each more revelatory than the last.

Genre: Drama, Mystery, Thriller

Actor: Adrian Scarborough, Alan Bates, Bob Balaban, Camilla Rutherford, Charles Dance, Claudie Blakley, Clive Owen, Derek Jacobi, Eileen Atkins, Emily Watson, Emma Buckley, Finty Williams, Frances Low, Frank Thornton, Geraldine Somerville, Gregor Henderson-Begg, Helen Mirren, James Wilby, Jeremy Northam, Jeremy Swift, Joanna Maude, John Atterbury, Kelly Macdonald, Kristin Scott Thomas, Laura Harling, Laurence Fox, Leo Bill, Lucy Cohu, Maggie Smith, Meg Wynn Owen, Michael Gambon, Natalie Danks-Smith, Natasha Wightman, Richard E. Grant, Ron Webster, Ryan Phillippe, Sarah Flind, Sophie Thompson, Stephen Fry, Teresa Churcher, Tom Hollander, Trent Ford

Director: Robert Altman

Rating: R

This movie is gentle and utterly chaotic, intimate and massive, beautiful and ugly... it tries to be so many things and somehow pulls it off. It tells two stories parallel in time, based on the real-life diaries of two European scientists who traveled through the Amazon in the early and mid-twentieth century. Their stories are some of the only of accounts of Amazonian tribes in written history. The main character and guide in the movie is a shaman who met them both. At times delicate to the point of almost being able to feel the water, at times utterly apocalyptic and grand... to watch this movie is to take a journey through belief systems, through film... and to be brought along by cinematography that is at times unbelievably and absurdly beautiful. Meditative, violent, jarring, peaceful, luminous, ambitious, artful, heavy handed, graceful... it's really an incredible film.

Genre: Adventure, Drama

Actor: Antonio Bolivar, Brionne Davis, Jan Bijvoet, José Sabogal, Luigi Sciamanna, Nicolás Cancino, Nilbio Torres, Yauenkü Miguee

Director: Ciro Guerra

An absolutely beautiful film about superficiality, arrogance, and heartbreak. It focuses on the life of Aydin, a retired actor who now lives very comfortably managing a small hotel and a number of other small properties. Throughout the film Aydin's image shifts as he tackles the problems of his rather typical life. Having said this, there is nothing else typical about this film. It captures human relationships with an almost frightening precision. It almost feels as though you have an inside view into someone's actual life as Aydin battles it out with his sister Necla and his young wife Nihal. To me this is easily one of the best dramas of the decade, and if you so much as like movies that focus on humans and their interactions, it will be that for you too.  Nuri Bilge Ceylan will make 3 hours pass more quickly than they ever have before.

Genre: Drama

Actor: Ayberk Pekcan, Demet Akbag, Ekrem İlhan, Emirhan Doruktutan, Haluk Bilginer, Mehmet Ali Nuroğlu, Mehmet Ali Nuroğlu, Melisa Sözen, Nadir Sarıbacak, Nadir Sarıbacak, Nejat İşler, Nejat İşler, Serhat Kılıç, Serhat Mustafa Kılıç, Serhat Mustafa Kılıç, Tamer Levent

Director: Nuri Bilge Ceylan

Rating: Not Rated, Unrated

Based on the Austrian novel, The Piano Teacher is as brilliant and as disturbed as its protagonist. The film follows Erika Kohut (Isabelle Huppert), the repressed masochist in question, and the trainwreck of a relationship that she develops with her student Walter Klemmer (Benoît Magimel). Their dynamic is undeniably toxic. Austrian auteur Michael Haneke frames each scene with clinical detachment, but it is absolutely brutal how the two characters try to assert control over each other, engage in sadomasochism, and repeatedly violate each other’s boundaries. Huppert’s heartrending performance fully commits to the merciless treatment Erika receives. But more tragic is the way Erika’s unusual relationship could’ve freed her, could’ve helped her process her abuse, and instead, reinforces her repression. It’s scary to make yourself vulnerable by admitting your desires, only for them to be used against you.

Genre: Drama, Romance

Actor: Anna Sigalevitch, Annemarie Schleinzer, Annie Girardot, Benoit Magimel, Cornelia Köndgen, Dieter Berner, Eva Green, Gabriele Schuchter, Georg Friedrich, Gerti Drassl, Isabelle Huppert, Karoline Zeisler, Klaus Händl, Liliana Nelska, Luz Leskowitz, Martina Resetarits, Michael Schottenberg, Petra Reichel, Philipp Heiss, Rudolf Melichar, Susanne Lothar, Thomas Auner, Thomas Weinhappel, Udo Samel, Vivian Bartsch, William Mang

Director: Michael Haneke

Rating: R

Before Turning Red and Crazy Rich Asians, there was The Joy Luck Club. Based on the bestselling novel, the film adaptation centers around the four Chinese-American women and their relationships with their mainland-born mothers. Explaining that the club isn’t particularly joyful or lucky, the film starts from June’s perspective, a perspective of a Chinese-American woman who’s lived all her life in America. However, through strategic screenplay structure and effective sequence arrangement, we learn the struggles of the founding club members, the struggles that brought them to another country, which forms the dynamics between them and their American daughters. Because of how comprehensive and layered the film is, this underrated film adaptation is a phenomenal take on the immigrant experience. Tears are inevitable with how they deal with difficulties, but so is hope.

Genre: Drama

Actor: Andrew McCarthy, Chao Li Chi, Christopher Rich, Diane Baker, Fen Tian, France Nuyen, Irene Ng, Kiều Chinh, Lauren Tom, Lisa Lu, Michael Paul Chan, Ming-Na Wen, Philip Moon, Rosalind Chao, Russell Wong, Tamlyn Tomita, Tsai Chin, Victor Wong, Vivian Wu, Yu Feihong

Director: Wayne Wang

Rating: R

Of all the Christmas-set films to have come out over the last couple of months that were, inexplicably, about grief and regret (you'd be surprised by how many there are), The Holdovers easily outdoes its contemporaries by being confident enough to just sit with its characters. Like the best of director Alexander Payne's other films, there are no melodramatic crescendos or overcomplicated metaphors; there are only flawed individuals going about their lives, occasionally noticing the things that bind them together. Payne's gentle touch means the characters (and the audience) aren't forced to "solve" their grief, but allowed to come to terms with it in their own way, with each other. Payne evokes the film's 1970s setting through a muted color palette and analog—almost tactile—sound design, giving warmth to this New England despite all its snow and chilly interiors. It's understandable that these characters are similarly cold to each other on the surface at first, but they manage to thaw the ice simply by taking the chance to listen to each other's pain. It's the kind of film in which relationships develop so gradually, that you hardly notice until the end how much mutual respect has formed between them when they return from their dark nights of the soul back to their status quo.

Genre: Comedy, Drama

Actor: Alexander Cook, Andrew Garman, Bhanu Gopal, Bill Mootos, Brady Hepner, Carrie Preston, Carter Shimp, Cole Tristan Murphy, Colleen Clinton, Da'Vine Joy Randolph, Dakota Lustick, Dan Aid, Darby Lee-Stack, David J. Curtis, Dominic Sessa, Dustin Tucker, Gillian Vigman, Ian Dolley, Ian Lyons, Jim Kaplan, Joe Howell, Jonathan von Mering, Kelly AuCoin, Kevin Daigneault, Kevin Fennessy, Melissa McMeekin, Michael Malvesti, Michael Provost, Naheem Garcia, Oscar Wahlberg, Osmani Rodriguez, Pamela Jayne Morgan, Paul Giamatti, Rena Maliszewski, Stephen Thorne, Tate Donovan

Director: Alexander Payne

Rating: R

A hilarious and smart comedy that is almost impossible to hate. It doesn’t matter if you liked The Room or not; or if you’ve even heard of it, you will find The Disaster Artist extremely enjoyable. Same applies for James Franco, it’s irrelevant if you think he’s the hottest man walking or a complete waste of screen-time - this movie is better approached without any preconceived ideas. It follows the true events surrounding Tommy Wiseau’s making of The Room, a movie so bad it actually became a worldwide hit. Tommy’s character, played by Franco, is 100% mystery. He pops out of nowhere and does and says things that contain little to no logic. Capitalizing on this, the movie is both absolutely hilarious and intriguing from beginning to end.

Genre: Comedy, Drama

Actor: Adam Scott, Adwin Brown, Alison Brie, Amechi Okocha, Andrew Santino, Angelyne, Ari Graynor, Bob Odenkirk, Brett Gelman, Brian Huskey, Bryan Cranston, Cameron Brinkman, Casey Wilson, Cate Freedman, Charlyne Yi, Christopher Mintz-Plasse, Corey Weber, Danny McBride, Dave Franco, David DeCoteau, Dree Hemingway, Dylan Minnette, Eliza Coupe, Elizabeth Hirsch-Tauber, Eloho Josephine Okujeni, Erin Cummings, Frank Lui Geo, Frankie Ponce, Frederick Keeve, Greg Sestero, Hannibal Buress, Ike Barinholtz, J.J. Abrams, Jacki Weaver, James Franco, Jason Mantzoukas, Jason Mitchell, Javi Sánchez-Blanco Boyer, Jenna Curtis, Jerrod Carmichael, Jessie Ennis, Joe Mande, John Early, Jolie Mitnick Salter, Josh Hutcherson, Judd Apatow, June Diane Raphael, Kara Gibson, Kate Upton, Katherine Neff, Keegan-Michael Key, Kelly Oxford, Kether Donohue, Kevin Smith, Krista West, Kristen Bell, Lauren Ash, Lizzy Caplan, Max Valentine, Megan Ferguson, Megan Mullally, Melanie Griffith, Michelle Arthur, Nathan Fielder, Nicole Gordon-Levitt, Paul Scheer, Peter Gilroy, Phillip E. Walker, Ramona Tibrin, Randall Park, Ricky Mabe, Ron Saylor, Seth Rogen, Shane Ryan-Reid, Sharon Stone, Slim Khezri, Steven Liu, Sugar Lyn Beard, Tamzin Brown, Taylor DeVoe, Tom Franco, Tommy Wiseau, Tudor Munteanu, Vincent Marinelli, Xosha Roquemore, Zac Efron, Zach Braff, Zhubin Rahbar, Zoey Deutch

Director: James Franco

Rating: R

Summer of Soul would already be remarkable if it was just a collection of some of the greatest live performances ever put to film. Boasting a roster that includes Stevie Wonder, Nina Simone, Gladys Knight, and Sly and the Family Stone, the nearly-forgotten 1969 Harlem Cultural Festival featured in the documentary was an all-star catalog of some of the biggest names in popular music, all at pivotal moments in their careers. Seeing them at the height of their powers, in front of a Black audience that meant so much to them, makes for an unexpectedly emotional experience. But Summer of Soul also expands beyond the actual concert, using the Harlem Cultural Festival to represent a turning point in Black culture and history, especially after the death of Martin Luther King Jr. Through the film's pristine, electric editing and gorgeous archival restoration, music becomes a communal act of mourning, a rallying cry to face the uncertain future, and a celebration of a people and a heritage continuing to fight against erasure and persecution.

Genre: Documentary, Drama, History, Music

Actor: Abbey Lincoln, B. B. King, Chris Rock, David Ruffin, Fidel Castro, Herbie Mann, Hugh Masekela, Jesse Jackson, John F. Kennedy, John V. Lindsay, Lin-Manuel Miranda, Mahalia Jackson, Malcolm X, Martin Luther King Jr., Mavis Staples, Max Roach, Moms Mabley, Nina Simone, Questlove, Redd Foxx, Richard Nixon, Robert F. Kennedy, Sly Stone, Stevie Wonder, Tony Lawrence, Walter Cronkite

Director: Questlove