Tag: USA-vudufree (Page 5)

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61. Little Girl, 2020

It would be understandable if it only occurs to you midway through that Little Girl isn't actually a narrative feature but a gorgeously made documentary. Director Sébastien Lifshitz approaches his main character of Sasha not just with respect and empathy for her identity, but with a dedication to bring out the euphoria of feeling comfortable in one's skin. As a result, Lifshitz seems to intentionally avoid any and all scenes where Sasha may face discrimination (especially at school), but even if this choice occasionally make the material feel thin, getting to see Sasha gradually learning to express herself more—or even just just seeing her enjoy a quiet moment on her own—is more precious than anything.

Genre: Documentary

Director: Sébastien Lifshitz

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62. Drugstore Cowboy, 1989

	
You can tell Drugstore Cowboy was written by someone who has been through drug abuse and incarceration himself. This is the kind of film that has to be lived, not researched. It’s realistic, sure, and it gets at the interiority of a drug user with ease. But there is no judgment to be found here, no preachy criticism or misguided glorification of a hardened lifestyle. Bob (Matt Dillon) and his wife Dianne (Kelly Lynch) have created a nomadic, transient life that allows them to live on drugstore lootings one district at a time, while looking out for each other and the other couple they live with, Rick (James LeGros) and Nadine (Heather Graham). They chose this outlaw life, and because of the agency the film affords them, there is joy to be found despite their difficulties. It’s an authentic story, elevated by imaginative editing, a jazzy, heart-thumping score, and believable performances by a quartet of capable actors.Genre: Crime, Drama
Actor: Beah Richards, Eric Hull, George Catalano, Grace Zabriskie, Gus Van Sant, Heather Graham, James Le Gros, James Remar, Kelly Lynch, Matt Dillon, Max Perlich, Michael Parker, Ray Monge, Ted D'Arms, William S. Burroughs
Director: Gus Van Sant
Rating: R

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63. Birds of Passage, 2018

	
Organized crime and drug dealing has been a topic of many a film, sometimes even glamorizing the whole endeavor, but rarely do these depictions acknowledge the weight it can do to a culture, particularly indigenous cultures. Birds of Passage is a film about drug dealers, but it’s a much more distinct take, tackling Colombia’s reputation for the drug trade through the lens of an indigenous group that hasn’t been totally colonized, that still keeps its language, rituals, and legends, but is still pushed to the brink due to far more lucrative reasons. It does take fairly familiar plot points, but Birds of Passages transforms the narco crime drama with a different direction.Genre: Crime, Drama
Actor: Carmiña Martínez, Greider Meza, José Acosta, José Vicente, Natalia Reyes
Director: Ciro Guerra, Cristina Gallego

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64. Welcome to Chechnya, 2020

Featuring real, in-the-moment footage of operations to rescue young queer individuals from the continuing anti-gay purges in the Chechen Republic, Welcome to Chechnya makes for a demanding but essential call to action. There's a genuine sense of fear that pervades the documentary, not just for those being rescued after being forcibly outed, beaten, and trapped by the people around them, but for the filmmakers themselves, whose operations are built on meager resources and desperate, spur-of-the-moment decisions. It's a remarkably courageous film—one that also presents new ways of keeping sensitive subjects safe through the thoughtful use of deepfake technology, keeping their identities hidden while allowing them to freely express themselves.

Genre: Documentary

Actor: Ramzan Kadyrov, Vladimir Putin, Zelim Bakaev

Director: David France

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65. Tomorrow, 2015

When filmmaker and actress Mélanie Laurent (Breathe, Inglorious Basterds) was pregnant with her son, she learned about a study that predicted that climate change would cause human civilization to crumble by 2050. Like many soon-to-be parents, she worried about what it means to bring a child to a world where that’s a scientific forecast.

Instead of despairing, she chose to make this movie about solutions. She traveled the world with an activist friend documenting how human ingenuity is getting in the way of the situation worsening. The documentary goes to 10 countries to investigate solutions on five levels: agriculture (food), energy, economy, education, and democracy.

Genre: Documentary

Actor: Angela Merkel, Anthony Barnosky, Barack Obama, Cyril Dion, Elizabeth Hadly, Jan Gehl, Jeremy Rifkin, Mélanie Laurent, Olivier De Schutter, Vandana Shiva

Director: Cyril Dion, Mélanie Laurent

Rating: G

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66. The Collini Case, 2019

A young lawyer has to defend a murderer after passing the bar only three months prior in this satisfying German drama. To make matters worse, the victim happens to be his mentor, a wealthy and seemingly kind-hearted business man. As for the perpetrator, he refuses to say a single word. Caspar, the lawyer, is from a German-Turkish background, which is a hint to where the complexity of this legal drama lies: in Germany's history and racial legacy. The Collini Case is satisfying to a fault, but if you’re looking for substance-filled entertainment, this is some of the best you’ll get.

Genre: Crime, Drama, Thriller

Actor: Alexandra Maria Lara, Anne Haug, Axel Moustache, Bettina Lohmeyer, Catrin Striebeck, Cem Sultan Ungan, Elyas M'Barek, Esther Maria Pietsch, Falk Rockstroh, Felix Everding, Franco Nero, Frederik Götz, Hannes Wegener, Heiner Lauterbach, Ilknur Boyraz, Jannis Niewöhner, Levi Kirchhoff, Ludwig Simon, Lutz Blochberger, Manfred Zapatka, Margarethe Tiesel, Max Wagner, Omid Memar, Peter Prager, Pia Stutzenstein, Rainer Bock, Sabine Timoteo, Sandro Di Stefano, Sina Reiß, Stefano Cassetti, Stephan Schad, Tara Fischer, Thomas Limpinsel, Thomas Stecher, Tom Jahn

Director: Marco Kreuzpaintner

Rating: Not Rated

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67. Sami Blood, 2017

	
This coming-of-age story starts in the present time, where Elle Marja, now a grandmother, reluctantly goes to her sister's funeral held by her old indigenous Sámi community in Northern Sweden. Understanding her reluctance requires going back to when Elle Marja was 14 and was preparing to go to boarding school with her little sister. These schools were racist establishments meant to integrate the Sámi children into Swedish culture and language, while at the same time limiting their prospects of seeking further education. Elle Marja and her sister chose to respond to this discrimination in two completely different ways that this movie explores without judgment. The central performance of the young girl is incredible.Genre: Drama
Actor: Ánne Biret Somby, Maj-Doris Rimpi, Olle Sarri
Director: Amanda Kernell

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68. Paris Je T'aime, 2006

This anthology of 18 short films — directed by the likes of the Coen brothers, Gurinder Chadha, Wes Craven, and Olivier Assayas — is a cinematic charcuterie board. Each director offers their own creative interpretation of one north star: love in Paris. Romantic love is heavily represented, naturally, but in diverse forms: love that’s run its course, dormant love in need of rekindling, electric chance encounters, and, apt given the location, honeymoon love. Segments like the one starring Juliette Binoche and Alfonso Cuarón’s five-minute-long continuous take opt to focus on parental love instead, with the former also exploring love through the frame of grief.

If this all sounds a little syrupy and sentimental, fear not: there are dashes of bubble-bursting humor from the Coens, whose short stars a silent Steve Buscemi as a stereotypically Mona Lisa-obsessed American tourist who commits a grave faux pas in a metro station. Instead of sightseers, some directors offer more sober reflections on the experience of migrants in the city, which help ground the film so it doesn’t feel quite so indulgent. Still, the limited runtime of each vignette (sub-10 minutes) doesn’t let any one note linger too long, meaning the anthology feels like a series of light, short courses rather than a gorge of something sickly.

Genre: Drama, Romance

Actor: Aissa Maiga, Alexander Payne, Axel Kiener, Barbet Schroeder, Ben Gazzara, Bob Hoskins, Bruno Podalydès, Catalina Sandino Moreno, Cyril Descours, Elias McConnell, Elijah Wood, Emilie Ohana, Emily Mortimer, Fanny Ardant, Florence Muller, Gaspard Ulliel, Gena Rowlands, Gérard Depardieu, Hervé Pierre, Hippolyte Girardot, Javier Cámara, Joana Preiss, Julie Bataille, Julien Béramis, Juliette Binoche, Leila Bekhti, Leonor Watling, Li Xin, Lionel Dray, Ludivine Sagnier, Maggie Gyllenhaal, Margo Martindale, Marianne Faithfull, Martin Combes, Miranda Richardson, Natalie Portman, Nick Nolte, Olga Kurylenko, Paul Putner, Rufus Sewell, Sara Martins, Sergio Castellitto, Seydou Boro, Steve Buscemi, Thomas Dumerchez, Wes Craven, Willem Dafoe, Yolande Moreau

Director: Alexander Payne, Alfonso Cuarón, Bruno Podalydès, Christopher Doyle, Daniela Thomas, Ethan Coen, Frédéric Auburtin, Gérard Depardieu, Gurinder Chadha, Gus Van Sant, Isabel Coixet, Joel Coen, Nobuhiro Suwa, Oliver Schmitz, Olivier Assayas, Richard LaGravenese, Sylvain Chomet, Tom Tykwer, Vincenzo Natali, Walter Salles, Wes Craven

Rating: R

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69. Between Us, 2009

A mother and her two children move from Colombia to Queens, New York to join the father. Once there, he abandons them and moves to Miami.

With no family to fall back on, barely speaking English, an inexistent social welfare system and two little kids who require care; the mother quickly runs out of options. At first, she tries to sell empanadas in the street, then tries to become a temporary worker, but a mixture of obstacles keeps getting in the way.

Entre Nos is about the precariousness of the immigrant experience: about how quickly things can go wrong. But it’s also about how survival instincts and motherly love can stand in the face of complete desperation.

Genre: Drama

Actor: Andres Munar, Annie Henk, Anthony Chisholm, Clem Cheung, Eddie Martinez, Farah Bala, Felipe Bonilla, Jacqueline Duprey, Laura Montana, Paola Mendoza, Sarita Choudhury, Sebastian Villada

Director: Gloria La Morte, Paola Mendoza

Rating: Not Rated

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70. Elena, 2013

Filmmaker Petra Costa tells the story of moving to New York from Brazil to follow her dream, the same one her mother once followed, of becoming an actress.

She carries memories of a third person who made the same move, a sister called Elena. Elena left her when she was seven-years-old, and after intermittent calls and messages, disappeared.

This documentary is a tale of three women: of their feelings separation, longing, and ambition. It’s made to be a visual poem of their story.

Genre: Documentary, Drama, Thriller

Actor: Elena Andrade, Li An, Petra Costa

Director: Petra Costa

Rating: N/A

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71. Croupier, 1998

	
Clive Owen stars as a struggling writer who reluctantly accepts a lucrative offer to work as a croupier at a London casino. His characteristic aloofness, hatred of gambling, and sharp observational skills allow him to remain uncompromised and able to catch any attempt at cheating within his field of vision. But when a savvy professional gambler he shares an attraction with asks him to participate in a heist in an uncompromised way, he’s forced to consider playing the angles. Owen’s coolly detached performance is a marvel, and the depiction of the London casino scene is detailed and gritty, both of which make for compelling British noir. Genre: Drama, Thriller
Actor: Alex Kingston, Alexander Morton, Barnaby Kay, Clive Owen, David Hamilton, Eddie Osei, Gina McKee, Kate Hardie, Nicholas Ball, Nick Reding, Ozzie Yue, Paul Reynolds, Rhona Mitra, Sheila Whitfield
Director: Mike Hodges
Rating: Unrated

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72. Bodied, 2018

Produced by Eminem, Bodied is like if the rap battles of 8 Miles lasted a whole movie, and that movie was a comedy. Adam is a white poetry major who studies battle rap and believes they represent the most modern form of poetry. His fascination leads him to participate and win in a battle and subsequently enter that world. But this is anything but an underdog story - Bodied is more of a satire of what Adam represents and how his college entourage reacts to his offensive lyrics. This is a funny movie and an interesting commentary on what it means to be offensive nowadays.

Genre: Comedy

Actor: Calum Worthy, Jackie Long, Rory Uphold

Director: Joseph Kahn

Rating: R

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73. Beats, 2019

This drama is about two friends attempting to rave in 1994 Scotland, after a recent Thatcher-era law banned the act and all music “characterized by the emission of a succession of repetitive beats”.

Johnno and Spanner, one living in fear of his older brother and the other of his stepfather, want to turn things around by joining their first and probably last rave. They’re introduced to the world of illegal parties, a movement as influential as punk, that in the 1990s was born in reaction to the U.K.’s oppressive policies.

Genre: Comedy, Crime, Drama, Music

Actor: Amy Manson, Anthony Anderson, Ashley Jackson, Brian Ferguson, Chris Robinson, Christian Ortega, Dave East, Emayatzy Corinealdi, Gemma McElhinney, Josh Whitelaw, Kevin Mains, Khalil Everage, Laura Fraser, Lorn Macdonald, Martin Donaghy, Megan Sousa, Neil Leiper, Patrick McAlindon, Paul Walter Hauser, Rachel Jackson, Ross Mann, Ryan Fletcher, Seandrea Sledge, Stephen McCole, Uzo Aduba

Director: Brian Welsh, Chris Robinson

Rating: N/A

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74. Baraka, 1992

Slow, contemplative, but captivating, Baraka uses no narration, dialogue, or text to connect its images. The documentary stitches together shots with different subjects from different locations around the world. At first, it seems very peaceful—gorgeous, high-definition shots of nature paired with a soothing, resonant score that lulls you into hypnosis—but as the film progresses, director and cinematographer Ron Fricke presents more scenes with people, from the cities to the countryside, to places rarely documented on film. Depending on how you look at it, Baraka will either feel like just a compilation of screensavers or a profound meditation on how intrinsically connected everything is. It’s totally breathtaking either way.

Genre: Documentary, Drama

Actor: Patrick Disanto

Director: Ron Fricke

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75. You're Sleeping, Nicole, 2014

	
Nicole is 22, just out of college, and adrift during her first summer as an “adult.” Tu Dors Nicole (“You’re Sleeping Nicole”) is a French-Canadian take on the late coming-of-age story. Nicole spends most of the summer is her small, sleepy Quebec town lounging around her parents house (they are gone for the summer), occasionally working at the local thrift store, trying to sleep (she’s developed insomnia), and wandering aimlessly around town and the Quebec countryside with her best friend Veronique. The two are joined at the hip (as evidenced by how their bikes are always locked-up together) but the arrival of Nicole’s brother and his bandmates threatens to upend the lifelong relationship between the two; because of this waning friendship Tu Dors has earned comparisons to films like Ghost World and Frances Ha which examine the complexities of young female friendships, particularly when one’s identity is in flux. The film was shot on gorgeous Black & White 35mm film , adding to it’s floating dream-like quality, and boasts a sweet and droll sense of humor. There are occasional touches of the surreal as well — my favorite running gag being the presence of the pre-pubescent Martin, a small boy whose voice has prematurely developed (the voice that comes out of his mouth sounds like that of a world weary 45-year-old) who attempts to woo Nicole with poetic insights such as, “the heart has no age.” This film is a true hidden gem.Genre: Comedy, Drama
Actor: Alexis Lefebvre, Anne-Renee Duhaime, Catherine St-Laurent, Claude Despins, Fanny Mallette, Francis La Haye, Godefroy Reding, Julianne Côté, Luc Senay, Marc-André Grondin, Pierre-Luc Lafontaine, Simon Larouche
Director: Stéphane Lafleur
Rating: Not Rated, Unrated

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