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The last work by legendary American director John Huston is this exquisitely rendered adaptation of a James Joyce short story. The Dead is nestled inside an intimate festive dinner shared by the family and close friends of the Morkan sisters, two well-to-do elderly spinsters living in Dublin in 1904. The film is a family affair in more ways than just that, too: for Huston’s final feature, son Tony wrote the script and daughter Anjelica (as Gretta) was its star.

As with so many end-of-year gatherings, the prevailing mood of the dinner is one of sentimental nostalgia, as the hosts and their guests swap memories, toast each other, and tearily reminisce about the way things were. Anjelica Huston’s performance is also a quiet architect of that atmosphere, as Gretta slips in and out of dreamy reveries throughout the evening to the puzzlement of her husband Gabriel (Donal McCann) — something that surges to the fore in an astonishingly moving final revelation. Huston directed the film on his proverbial deathbed, which infuses it with significance — but, even if it wasn’t the capstone to his illustrious career, The Dead would still stand as one of the finest treatments of mortality and longing ever committed to the screen.

Genre: Drama

Actor: Anjelica Huston, Bairbre Dowling, Brendan Dillon, Cathleen Delany, Colm Meaney, Dan O'Herlihy, Donal Donnelly, Donal McCann, Helena Carroll, Ingrid Craigie, Kate O'Toole, Maria McDermottroe, Marie Kean, Paul Grant, Rachael Dowling, Sean McClory

Director: John Huston

The bare bones of The Limey’s story — vengeful Cockney ex-con Wilson (Terence Stamp) flies to LA to investigate the suspicious death of his daughter Jenny — are gripping enough, but what Steven Soderbergh does with them elevates this neo-noir thriller into something utterly singular and stacked with layers upon layers of meaning. An icon of London’s Swinging ‘60s scene, Stamp is pitted against laidback symbol of ‘60s American counterculture Peter Fonda (as Jenny’s sleazy older boyfriend), giving their face-off grander cultural stakes. The extra-textual significance of the casting is deepened by Soderbergh’s ingenious references to the actors’ heyday: in flashbacks to Wilson’s happier past, for example, we’re shown the actual Stamp in his younger years (courtesy of scenes borrowed from 1967’s Poor Cow).

The Limey is also a brilliant showcase for editor Sarah Flack’s technical inventiveness: though the narrative is largely linear, the film cuts to and from scenes and sounds at unexpected points, giving the film an almost David Lynch-like sense of eerie fragmentation. Conjuring up a nightmare LA atmosphere isn’t all the editing does, either, as the film’s puzzle pieces are expertly reassembled to reveal an emotional gut-punch of an ending. In short, this high point in Soderbergh’s filmography is a must-see for any fan of cinema.

Genre: Crime, Drama, Mystery

Actor: Allan Graf, Amelia Heinle, Barry Newman, Bill Duke, Brandon Keener, Brooke Marie Bridges, Carl Ciarfalio, Carol White, Clement Blake, Dwayne McGee, George Clooney, Jim Jenkins, Joe Dallesandro, John Cothran, John Robotham, Johnny Sanchez, Lesley Ann Warren, Lincoln Simonds, Luis Guzman, Matthew Kimbrough, Melissa George, Michaela Gallo, Nancy Lenehan, Nicky Katt, Ousaun Elam, Peter Fonda, Rainbow Borden, Randy Lowell, Steve Heinze, Terence Stamp, Wayne Pére, William Lucking

Director: Steven Soderbergh

Rating: R

Awkward. That is how Oliver Tate can be described, and generally the whole movie. But it is professionally and scrutinizingly awkward. Submarine is a realistic teen comedy, one that makes sense and in which not everyone looks gorgeous and pretends to have a tough time. It is hilarious and sad, dark and touching. It is awesome and it's embarrassing, and it's the kind of movie that gets nearly everything about being a teen right, no matter where you grew up.

Genre: Comedy, Drama, Romance

Actor: Adrienne O'Sullivan, Ben Stiller, Claire Cage, Craig Roberts, Darren Evans, Elinor Crawley, Gemma Chan, Lydia Fox, Lynn Hunter, Melanie Walters, Noah Taylor, Paddy Considine, Sally Hawkins, Sarah Pasquali, Sion Tudor Owen, Steffan Rhodri, Yasmin Paige

Director: Richard Ayoade

Rating: R

Bowling For Columbine addresses the sore wounds of 9/11 by exploring the concepts of safety and fear as perceived by various people. From school shooting survivors, through Canadians who never lock their doors, to Marilyn Manson and actor/NRA president Charlton Heston, Michael Moore's interviewees all inform the complex picture of gun violence and its rise today. The director is not afraid to provoke and ask the pressing questions linking the abstract fear of the other to the reality of lost lives every day. Even his irony and parody—a morose cartoon arguably based on South Park especially—bites back hard.

Genre: Documentary, Drama

Actor: Adolf Hitler, Bill Clinton, Charlton Heston, Chris Rock, Dick Clark, Duke of York, George H. W. Bush, George W. Bush, Jacobo Árbenz, Jessica Savitch, Keanu Reeves, King Charles III of the United Kingdom, Marilyn Manson, Matt Stone, Michael Moore, Prince Andrew, Prince Andrew, Duke of York, Salvador Allende, Trey Parker

Director: Michael Moore

Rating: R

Whether graffiti is art or not is the question guiding this fascinating documentary about the spray can-wielding artists of ‘80s New York. Wherever you come down in the debate — though this presents compelling arguments that graffiti is a medium worthy of critical attention — you’ll undoubtedly come away with a reverence for the kids who went hard with the paint on NYC’s walls and subway cars. Candid interviews with these young pioneers (whose cultural contributions are now less in contention) reveal that they’re not simply rebelling for rebellion’s sake: they’re largely motivated by a desire to make their mark on their beloved city — to stand out and have their work seen by the millions riding the subway every day.

The doc largely embeds itself with the artists, but it also interviews the “other side”: then-mayor Ed Koch and police officers, who were ramping up their aggressive “war on graffiti” campaign during filming. It’s clear that these interviewees have little interest in understanding what drives the kids to create their murals — a lack of curiosity that Style Wars blessedly counters. Not just a thoughtful contribution to its period and a fascinating time capsule, but also a thought-provoking reminder that art is art, whether it's made outside of the system or not.

Genre: Documentary, Music, TV Movie

Actor: Cap, Daze, Dondi, Ed Koch, Eric Haze, Gene Anthony Ray, Irene Cara, Kase 2, Rammellzee

Director: Tony Silver

Green Day's Bullet in a Bible has certainly aged well. Maybe it's even better now with time and hindsight, and knowing that the once punk group would commit to their alternative sound from that point forward. Green Day with their American Idiot tracks and frontman Billie Joe Armstrong's stage presence absolutely belongs as a stadium-level act, but you could argue they could've cut down on the heavy American Idiot representation to have more of a mix of albums in the setlist. The film could've also had less of the vignettes and montages with edgy editing—we don't need that many breaks from 14 songs—but it's all nitpicking, really. Say what you want, but this concert marks the birth of Green Day as rockstars.

Genre: Documentary, Music

Actor: Adrienne Armstrong, Billie Joe Armstrong, Jason Freese, Jason White, Mike Dirnt, Samuel Bayer, Tre Cool

Director: Samuel Bayer

Rating: NR

Here’s a biopic that focuses on capturing the feel of the era it depicts, rather than all the facts — and is all the better for it. 24 Hour Party People takes the same punk approach to storytelling as its subjects did to music, playfully throwing off the dull constraints that often make based-on-a-true-story movies feel like uninspired celluloid translations of a Wikipedia page. 

In the film’s opening scene, Steve Coogan’s Tony Wilson breaks the fourth wall to address us directly and semi-spoil the movie’s ending. But it doesn’t matter, because the ride is so fun: we’re taken on an immersive trip through the heyday of the Manchester music scene: the births of Joy Division, New Order, the Happy Mondays, and Wilson’s Factory Records label and legendary Hacienda nightclub, an incubator for acid house and rave culture. The era’s hedonism is brought to life by the movie’s frenetic editing, documentary-style cinematography, and strobe-heavy visuals. For all its onscreen anarchy, though, the movie remarkably never feels loose or self-indulgent. Its irreverence is grounded by the ironic filter of the meta filmmaking, which frequently breaks the fourth wall to draw attention to its own conceits. A refreshing rejection of biopic tropes, but also a thrilling transportation into and evocation of the Madchester era.

Genre: Comedy, Drama, Music

Actor: Andy Serkis, Chris Coghill, Christopher Eccleston, Daniel Lestuzzi, Danny Cunningham, Darren Tighe, Dave Gorman, Elizabeth Kelly, Enzo Cilenti, Fiona Allen, Helen Schlesinger, John Simm, John Thomson, Kate Magowan, Keith Allen, Kenny Baker, Kieran O'Brien, Lennie James, Margi Clarke, Mark E. Smith, Martin Hancock, Naomi Radcliffe, Neil Bell, Paddy Considine, Paul Popplewell, Peter Gunn, Peter Kay, Ralf Little, Raymond Waring, Rob Brydon, Ron Cook, Rowetta, Sean Cernow, Sean Harris, Shirley Henderson, Simon Pegg, Smug Roberts, Steve Coogan, Toby Salaman, Tony Wilson

Director: Michael Winterbottom

Rating: R

, 2018

1985, a movie from 2018, was made like it was filmed during the year it’s about: it’s shot on gorgeous black-and-white Super 16mm film.

Not that it would be needed, but this minimalist setting puts a spotlight on the ensemble cast of this well-acted drama based on an award-winning short film.

In particular, the central one by Cory Michael Smith (Gotham, Camp X-Ray). He plays Adrian, a man visiting his conservative family in Texas from New York, so gently at times and explosively at others, it’s a sight to behold.

Adrian, estranged from his family for three years, visits them to find a way to tell them that he has AIDS.

Genre: Drama

Actor: Aidan Langford, Bill Heck, Bryan Massey, Cory Michael Smith, Jamie Chung, Michael Chiklis, Ryan Piers Williams, Tina Parker, Virginia Madsen

Director: Yen Tan

Rating: Not Rated

Ryan Gosling plays a Jewish Neo-Nazi in this extremely riveting window into the definition of inner conflict. It is a prime example of how character development should be done and it put Gosling on the map for me. He starts out as an exemplary student in Hebrew school until he starts questioning his teachings and exploring alternative ideologies, leading him to the neo-Nazi movement. Won the Grand Jury Prize at Sundance

Genre: Drama

Actor: A.D. Miles, Billy Zane, Chuck Ardezzone, David Bailey, Dean Strober, Ebon Moss-Bachrach, Elizabeth Reaser, Garret Dillahunt, Glenn Fitzgerald, Heather Goldenhersh, Henry Bean, Joel Garland, Joel Marsh Garland, Jordan Lage, Joshua Harto, Kris Eivers, Lucille Patton, Michael Marcus, Michael Port, Peter Meadows, Ronald Guttman, Ryan Gosling, Sascha Knopf, Sig Libowitz, Summer Phoenix, Theresa Russell, Tibor Feldman, Tommy Nohilly

Director: Henry Bean

Rating: R

The self destructive, substance abusing history teacher Dan (Ryan Gosling) works in a Brooklyn middle-school and is constantly at odds with the curriculum, preferring to teach 13 year old kids Marxist theory in class. Meanwhile, his student Drey (Shareeka Epps) has to go through struggles of her own, her brother being in jail on drug charges and her single mother having to work long hours to make ends meet. Slowly, an unlikely and tender friendship between teacher and student evolves, in which it becomes less and less clear who of them is the adult part. Steering away from cliches, Half Neslon is not your typical social drama. Its intelligent plot twists, great cast (with outstanding performances by both Gossling and Epps) and slow, non dramatic storytelling makes this a highly underestimated movie that, although treating depressive topics without any easy relief for the viewer, will leave with an inner smile, albeit a sad one.

Genre: Drama

Actor: Adepero Oduye, Anthony Mackie, Collins Pennie, Deborah Rush, Deidre Goodwin, Denis O'Hare, Eleanor Hutchins, Jay O. Sanders, Jeff Lima, Karen Chilton, Katie Nehra, Leslie Eva Glaser, Matt Kerr, Monique Gabriela Curnen, Nathan Corbett, Nicole Vicius, Raymond Anthony Thomas, Ron Cephas Jones, Ryan Gosling, Sebastian Sozzi, Shareeka Epps, Sharon Washington, Starla Benford, Stephanie Bast, Thaddeus Daniels, Tina Holmes, Tristan Mack Wilds, Tyra Kwao-Vovo

Director: Ryan Fleck

Rating: R