Tag: USA-play (Page 99)

The broad, symbolic strokes of The Killing of Two Lovers—how its story is set up and the general atmosphere it evokes—are stunning to behold. It's a naturalistic story whose ordinary moments feel like they're being told at the end of the world, given how deliberately chilling Robert Machoian's direction is. Unfortunately, once you start getting into the details of the plot and its characters, their actions and decisions don't lead to particularly interesting insights about the separation and the couple's relationship to each other or their children. The end result is something that's clearly driven by a compelling mood more than anything, but whose resolution still feels anticlimactic.

Genre: Drama, Thriller

Actor: Arri Graham, Avery Pizzuto, Barbara Whinnery, Chris Coy, Clayne Crawford, Nicole Hawkins, Noah Kershisnik, Sepideh Moafi

Director: Robert Machoian

Rating: R

What seems like The Good Mother's biggest asset is actually its downfall. Yes, the three main actors (Swank, Cooke, and Jack Reynor as the civil servant son, Toby) are all good at what they do, but they're incapable of resuscitating a script that's never truly come to life. These casting choices, obviously made to give some clout to a very mediocre project, feel even more disappointing because the disconnect between actor and character is way too big. For example, Swank is not the alcoholic, fed-up mother we need her to be in this case, and its hard to see this as something else than a derogatory take on her previous more tender and glam roles. Director Miles Joris-Peyrafitte's Sundance-winning As You Are carried a whiff of fresh air, The Good Mother is drained out of all its energy, avoiding reflective depth at all costs, not to mention skirting around the ambivalences of motherhood. 

Genre: Crime, Drama, Mystery, Thriller

Actor: Cliff Ware, Dilone, Frank Alfano, Hilary Swank, Hopper Penn, Jack Reynor, Karen Aldridge, Larry Fessenden, Laurent Rejto, Norm Lewis, Olivia Cooke

Director: Miles Joris-Peyrafitte

Rating: R

While best known for his American action thrillers in the early 2000s, writer-director Lee Tamahori returned to his roots in 2016 with the critically acclaimed Māori-centric 1950s historical drama Mahana. Tamahori continues to explore his people’s stories with The Convert. Set right before Britain colonized New Zealand, the film explores the dynamics between the white settlers and the differing Māori tribes, with much more accuracy and sympathy than older films towards the indigenous community, culture, and characters. It’s shot quite beautifully, with stunning landscapes and decent fight scenes, and the performances, especially that of Guy Pearce, make the film watchable. That being said, the film still mostly stems from the white Thomas Munro, whose perspective mostly comes about by passive observation rather than active participation in the story.

Genre: Action, Drama

Actor: Aidee Walker, Antonio Te Maioha, Dean O'Gorman, Duane Evans Jr., Guy Pearce, Jack Barry, Jacqueline McKenzie, Jared Turner, Lawrence Makoare, Mark Mitchinson, Mark Sole, Matthew Chamberlain, Renee Lyons, Stephen Lovatt, Tania Nolan, Te Kohe Tuhaka, Tioreore Ngatai-Melbourne, Will Wallace

Director: Lee Tamahori

Painfully intimate and told with very, very little dialogue, All Dirt Roads Taste of Salt resembles the experience of flipping through a photo book and pausing to admire every page. Which is to say that this is a film that requires not only one's complete attention but—like many other arthouse dramas—a willingness to sit with the mundane until it reveals something more profound. The nearly silent nature of its storytelling can be a little awkward, given how lifelike the rest of the movie is, but one should hopefully get used to the idea that this is an attempt to represent something closer to memory than reality. Whether or not the experience sticks or strikes an emotional chord, it's all beautifully put together, with lush cinematography, impeccably detailed sound design, and thoughtful sequencing of one image after another.

Genre: Drama

Actor: Charleen McClure, Chris Chalk, Kaylee Nicole Johnson, Moses Ingram, Reginald Helms Jr., Sheila Atim, Zainab Jah

Director: Raven Jackson

Rating: PG

With phone scams becoming more elaborate, it’s easy to understand and empathize with the wrath Jason Statham as The Beekeeper has when his elderly friend gets drained out of her entire life savings. It’s thrilling to see him punch his way into the scammers’ headquarters and burn the whole place to the ground. And when director David Ayer uses his extra hour to dial up the low stakes tech scheme into a nationwide scandal that implicates the entire U.S. government, it’s ludicrous, sure, but it’s somehow wildly entertaining. That being said, your mileage of the film highly depends on your tolerance for randomly dropped bee facts and silly bee puns, but The Beekeeper isn’t a terrible choice to watch.

Genre: Action, Adventure, Crime, Drama, Thriller

Actor: Adam Basil, Arian Nik, Bharat Mistri, Bobby Naderi, Dan Li, David Witts, Derek Siow, Don Gilet, Emmy Raver-Lampman, Enzo Cilenti, Georgia Goodman, Jason Statham, Jay Rincon, Jemma Redgrave, Jeremy Irons, Jonathan Cohen, Josh Hutcherson, Kevin Golding, Kojo Attah, Li Dan, Martin Gordon, Megan Le, Michael Epp, Minnie Driver, Peter Brooke, Phil Hodges, Phylicia Rashād, Rebecca Hazlewood, Reza Diako, Rocci Williams, Sophia Feliciano, Sunny Dhillon, Taylor James, Valentina Novakovic

Director: David Ayer

Rating: R

Transporting the Henry James novella to the nightclub, The Beast in the Jungle turns the Edwardian era story into a surreal, escapist drama spanning the last decades of the 20th century. As John and May wait for that all-important event, they lose the importance of everything else, like love, friendship, and family, all to the decadence they only acknowledge as patience. This concept paired with the visuals are interesting, especially since the film also makes the viewer wait with them, drawing out the existential frustration, the fear of a life not lived, and the self-absorption, but the film struggles with the historical events, haphazardly inserting tragedies like the AIDS epidemic for what seems to be no reason.

Genre: Drama

Actor: Anaïs Demoustier, Bachir Tlili, Béatrice Dalle, Mara Taquin, Martin Vischer, Tom Mercier

Director: Patric Chiha

Despite the fact that this isn't the light fantasy romcom it seems to present itself as at the onset, Paging Mr. Darcy nevertheless becomes a breezy, likable little TV movie because it allows its main characters to be adult human beings. The story is still mostly fluff that ends far too abruptly, but for the most part, watching these two walk around and flirt from the very beginning makes for pleasant viewing. There isn't any pressure placed on these people to fabricate some sort of will-they-won't-they dynamic or to act accordingly to Jane Austen's work, and the result is a romance that feels so much simpler and so much more authentic than a Hallmark movie probably deserves.

Genre: Comedy, Romance, TV Movie

Actor: Benjamin Ayres, Carolyn Scott, David Pinard, David Rosser, Jinny Wong, Lillian Doucet-Roche, Mallory Jansen, Steven Vlahos, Will Kemp

Director: Peter Wellington

Rating: G

Dropping on DVD and digital download in America at the end of summer 2023, Mavka: the Forest Song made its Hulu debut this November. Taking the plot of the 1912 poetic play and rewriting the tragic deaths into lighthearted, fantastical adventures, the film is precisely the sort of generic, child-friendly fairy tale that we’ve come to expect from Disney, albeit with a Ukrainian twist. The plot is predictable, and the humor is rife with cliche, but it’s still a fairly entertaining watch for young audiences.

Genre: Adventure, Animation, Family, Fantasy

Actor: Andrii Mostrenko, Artem Pyvovarov, Julia Sanina, Kateryna Kukhar, Mykhailo Khoma, Nataliia Denysenko, Nataliia Sumska, Natalka Denysenko, Nazar Zadniprovskyi, Oleh Mykhailiuta, Oleh Skrypka, Olena Kravets, Serhii Prytula

Director: Oleg Malamuzh, Oleksandra Ruban

Rating: PG

This a small-town, true-crime thriller that has John Hamm (Mad Men) as the detective, Nick Mohammed (Ted Lasso) as the trusty sidekick, and Tina Fey (30 Rock) as the love interest. They’re a charismatic cast helming a bizarro story whose real-life details are already teeming with juicy details, and yet, the resulting film, directed by John Slattery, is as lackluster and forgettable as can be. There is no sense of mystery, the jokes fall flat, and every scene looks like it’s shot from a studio lot. There is plenty of better fare out there for anyone looking for comedy capers, and I bet the true crime documentary of the real-life Maggie Moore case is infinitely more engaging than its filmic counterpart. 

Genre: Comedy, Crime, Mystery

Actor: Allison Dunbar, Bryant Carroll, Christopher Denham, Christopher Kriesa, Debrianna Mansini, Denielle Fisher Johnson, Derek Basco, Happy Anderson, Jodi Lynn Thomas, Jon Hamm, Louisa Krause, Mary Holland, Micah Stock, Nick Mohammed, Oona Roche, Peter Diseth, Richard Lippert, Roni Geva, Sewell Whitney, Tate Ellington, Tina Fey

Director: John Slattery

Rating: R

Composed of archival footage of the titular musical legend and testimonials from those who worked with him or whose lives were profoundly impacted by his courage, Little Richard: I Am Everything feels comprehensive but is also oddly lacking. The documentary makes a bold, confident claim: that all popular music today can be directly traced to his work. And when the film lets itself get into full music nerd mode, it's easy to be convinced. But after you accept that perspective on Little Richard, the rest of the movie seems like it's just spinning its wheels, covering key moments in the artist's life and career without really challenging or substantiating long-held ideas about him.

Chief among these is Little Richard's shifting feelings toward his own queerness—proudly expressing his true self one year, then openly denouncing his own homosexuality the next. This subject matter is ripe for difficult but insightful analysis, which the film just never gets around to. It begins to feel like the believes there is no more discussion to be had about him. And that may very well be true; he deserves the flowers that were denied him for so long. But this attitude doesn't necessarily make for the best documentary.

Genre: Documentary, Music

Actor: Alan Freed, Billy Porter, Elvis Presley, John Lennon, John Waters, Little Richard, Mick Jagger, Nile Rodgers, Nona Hendryx, Pat Boone, Paul McCartney, Tom Jones, Valerie June

Director: Lisa Cortés

Fly Me to the Moon is many things: a movie about the power of marketing, the glory of outer space, the beauty of human connection, and famous pretty people doing their thing. But what it isn’t is believable. Nothing about this movie is, except perhaps for Scarlett Johansson’s endearing performance (she’s the only one who seems to care, which tracks because she’s credited as a producer). The plot is implausible, the backgrounds are painfully flat, the tone is weirdly uneven, and maybe most disappointing of all, the acting just doesn’t pack a punch. It’s been reported that Channing Tatum, who plays Johansson’s love interest, was cast as a last-minute replacement for Chris Evans. If it’s true, it shows. He seems lost. His deadpan delivery may work in boisterous comedies like 21 Jump Street, but here it feels jarring. This is the guy Johansson’s impassioned character is supposed to have chemistry with? The guy who can’t so much as lift his eyebrows to express any emotion other than mild annoyance? To its credit, the movie has an interesting lead in Kelly (Johansson), an ad woman who isn’t defined by the men surrounding her, and who is morally complex and nuanced. I also appreciate her friendship with her secretary Ruby. They provide a fresh angle to a well-known story, it’s just too bad the direction seemed to go off the rails in the end.

Genre: Comedy, History, Romance

Actor: Anna Garcia, Channing Tatum, Christian Clemenson, Christian Zuber, Colin Jost, Colin Woodell, Dariusz Wolski, Donald Watkins, Gary Weeks, Gene Jones, Jessie Mueller, Jim Rash, Joe Chrest, Kade Pittman, Nick Dillenburg, Njema Williams, Noah Robbins, Peter Jacobson, Ray Romano, Scarlett Johansson, Stephanie Kurtzuba, Todd Allen Durkin, Victor Garber, Woody Harrelson

Director: Greg Berlanti

Rating: PG-13