Tag: USA-play (Page 98)

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1456. Unseen, 2023

Like the action thriller Cellular (2004), Unseen plays with the idea of saving someone only through a phone. This time, however, Yoko Okumura’s directorial debut has video call instead of just audio, with video used to help nearly blind Emily run away from her kidnapper ex. Through split screen shots, occasional open hazy irises, and tiny phone screens, Unseen takes us on a desperate escape, an escape made possible by Emily’s connection with random stranger Sam. While some parts feel absolutely ridiculous, the thriller still feels like a wild ride, especially when focused on its two leads. It’s still enjoyable, if you can accept its silliness and the shallow way it approaches certain themes.

Genre: Horror, Mystery, Thriller

Actor: Brett Baker, Jolene Purdy, Michael Patrick Lane, Midori Francis, Missi Pyle, Nicholas X. Parsons, Ren Hanami

Director: Yoko Okumura

Rating: NR

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1457. The Village, 2023

Yu Katayama lives in a remote village with a garbage disposal business that's slowly turning into a landfill. When his childhood friend Misaki Nakai returns to the village, she encourages Yu to make a better life for himself despite his mother's gambling and the village ostracizing him. The Village is a slow-burning film interested in Yu's struggles as an outcast and in discussing the takeover of small villages for capitalistic industrial motives. The film is shot beautifully with dark, brooding visuals and lingering shots of Yu's quiet intensity throughout the film. Unfortunately, secondary characters are not fully developed outside of their interactions with Yu, causing the film to feel flat outside of pivotal moments. An evocative idea with parts more memorable than the whole.

Genre: Drama

Actor: Arata Furuta, Daiken Okudaira, Hana Kino, Haru Kuroki, Naomi Nishida, Ryusei Yokohama, Sakuma Ryuto, Shidô Nakamura, Tetta Sugimoto, Wataru Ichinose

Director: Michihito Fujii

Rating: R, TV-MA

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1458. The Regime, 2024

Between The Regime's star-studded cast, HBO-backed budget, gorgeous Vienna backdrops, and well-known producers and writers (some of the same people behind The Menu and The Crown), The Regime seems like a show that couldn’t fail. And yet, there’s something shallow about the series’ attempts at parody. It’s not as smartly observed as Succession, or as immediately funny as Veep. It’s a reflection of dictators, sure, but it says nothing more about them other than the obvious: that they’re awful. Bizarrely, they’re even painted as sympathetic at times. For those of us outside the confines of democracies like the US, the real world is bad enough without shows like The Regime making light of our dire situation. This isn’t to say that satires are inherently bad, just that they’re expected to be sharper and bolder if they truly want to pierce the privileged bubbles of their viewers and mean something.

Genre: Comedy, Drama

Actor: Andrea Riseborough, Danny Webb, David Bamber, Guillaume Gallienne, Henry Goodman, Jessica Frances Dukes, Kate Winslet, Martha Plimpton, Matthias Schoenaerts, Pippa Haywood, Rory Keenan, Stanley Townsend

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1459. The One and Only Ivan, 2020

	
Better than any movie starring a talking CGI gorilla has any right to be, The One and Only Ivan isn't so much a family adventure so much as it's a light character study that younger viewers should also enjoy. The film still runs into a number of the same problems you might expect—haphazard plotting, celebrity voice acting that adds nothing to the characters—but it's still remarkably thoughtful and has the maturity to explore much sadder territory. As much as movies originally released on Disney+ can at times feel like products churned out from an assembly line, this one feels far more sincere, with a real message behind it.Genre: Comedy, Drama, Family
Actor: Angelina Jolie, Ariana Greenblatt, Betsy Graver, Brooklynn Prince, Bryan Cranston, Chaka Khan, Danny DeVito, Davina Sitaram, Dean Phillippi Sr., Eleanor Matsuura, Hannah Bourne, Helen Mirren, Indira Varma, Jacqueline Ramnarine, Jeremy Oliver, Kevin Mathurin, Kriss Dillon, Max Dowler, Mike White, Owain Arthur, Phillipa Soo, Ramón Rodríguez, Roberto Vivancos, Ron Funches, Sam Rockwell
Director:  Thea Sharrock
Rating: PG

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1460. The Glass Castle, 2017

	
It’s not easy to talk about dysfunctional families, especially when that family is your own. Talking about the reprehensible parenting, but also the love, the understanding behind their neglect, and the few moments when they actually had your back, can be a hard balancing act, which makes Jeannette Walls’ memoir The Glass Castle a challenging one to adapt in film. Because of this, its Hollywood adaptation does have a disjointed tone to it. Woody Harrelson’s Rex initially charms us and his children with his dreams and stories, and time proves his other side, though Jeannette and the audience are asked to forgive him too. It’s not an easy thing, and the ending they reached doesn’t feel totally earned. But it’s still a touching adaptation that captures Walls’ family, warts and all, one that's buoyed up by the strength of its cast.Genre: Drama
Actor: Alanna Bale, Andrew Shaver, Brenda Kamino, Brie Larson, Brigette Lundy-Paine, Chandler Head, Charlie Shotwell, Chris Gillett, Darrin Baker, Dominic Bogart, Eden Grace Redfield, Ella Anderson, Hamza Haq, Iain Armitage, Joe Pingue, Josh Caras, Kenny Wong, Kyra Harper, Max Greenfield, Naomi Watts, Nathaly Thibault, Olivia Kate Rice, Philippe Hartmann, Robin Bartlett, Sabrina Campilii, Sadie Sink, Samantha Hodhod, Sarah Camacho, Sarah Snook, Shree Crooks, Tessa Mossey, Tyrone Benskin, Vlasta Vrana, Woody Harrelson
Director: Destin Daniel Cretton
Rating: PG-13

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1461. Squealer, 2023

A first feature by stuntman-turned-director Andy Armstrong, Squealer is supposedly based on real events that shook Canada in the 1990s. Robert Pickton or the Pig Farmer Killer was perhaps the inspiration for the eponymous Squealer in the 2023 film; the physical resemblance is uncanny. Extraordinarily cruel serial killers make good gore material and we love to see it, but the problem is that the audience today wants something new and fresher. Texas Chainsaw Massacre is a classic, but it's hard to make a film as misogynistic and hit the same charge as it used to. In Squealer, it is only female bodies that are shown dismembered, cut open, sliced, and diced; for men, all this happens off screen. This is only one example of how the film reiterates some of its onerous tropes, without really updating them. It's not exactly good taste to hammer bits of comedy in the dialogue too, as it feels disconcerting amidst the rivers of blood and cruelty.

Genre: Action, Horror, Thriller

Actor: Danielle Burgio, Graham Greene, Holly Kaplan, Katherine Moennig, Ramona DuBarry, Rebecca Knox, Ronnie Gene Blevins, Sydney Carvill, Theo Rossi, Tyrese Gibson, Wes Chatham

Director: Andy Armstrong

Rating: R

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1462. Special Ops: Lioness, 2023

If Special Ops: Lioness seems like one of the many muscly, male-targeted shows out there but, you know, girlified, that could be because it’s created by Taylor Sheridan, the mastermind behind such hypermasculine epics as Yellowstone, Tulsa King, and Mayor of Kingstown. Lioness could have been a chance for Sheridan to prove his versatility by showing us the female side of things for once; he could’ve explored the unique and complex situation female members of the military go through, and maybe jump into that rich discourse of intersectionality, but the show never really digs far beyond its spy thriller surface. Filled with soapy cliches, I’m-not-like-other-women takes, and what could only be product placements for the US Marines, Lioness doesn’t really seem like anything other than generic fare.

Genre: Action, Drama

Actor: Austin Hebert, Dave Annable, James Jordan, Jill Wagner, Jonah Wharton, LaMonica Garrett, Laysla De Oliveira, Morgan Freeman, Nicole Kidman, Stephanie Nur, Zoe Saldana

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1463. New Religion, 2022

Loss can be straightforwardly heartwrenching, but it could also be bewildering, cryptic, and too sudden to even process. New Religion depicts a grieving mother, whose loss of her daughter, and her meet up with an eccentric photographer, causes her to behave strangely. The film goes through the events in a surreal, existential haze, with a skin-crawling scene that reveals the photographer’s nefarious reasons, but the sequences remain inscrutable and the themes and certain characters don’t mesh as well as they could have. New Religion might befuddle viewers just looking for a casual watch, but it’s definitely a thought provoking and promising debut from Keishi Kondo.

Genre: Drama, Horror

Actor: Daiki Nunami, Kaho Seto, Ryuseigun Saionji, Satoshi Oka, Yuki Nagata

Director: Keishi Kondo

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1464. Lisa Frankenstein, 2024

	
Written by Diablo Cody (Jennifer’s Body) and directed by Zelda Williams (daughter of the late Robin Williams), Lisa Frankenstein is a playful, funny, and stylish take on ‘80s horror and coming-of-age romcoms. Unfortunately, those traits alone are not enough to give the film the weight it needs to stand the test of time. There’s a clumsiness to the direction that, ironically enough, makes the film seem like parts lousily stitched together, instead of a coherent whole. There are pauses that are too long, transitions that feel off, and questions left unanswered. Why does it feel natural for Lisa to kill people? Was she close to her mom? What does her relationship with The Creature indicate, apart from the trite and obvious “outcasts must stick together”? Lisa Frankenstein doesn’t have to answer all these to be a good film, but when things are shallowly rendered, they become hard to ignore. It prioritizes pulpy gimmicks and visual gags that are admittedly fun to watch, but leaves behind equally important matters that flesh out Lisa as a person.Genre: Comedy, Horror, Romance
Actor: Ashton Leigh, Bryce Romero, Carla Gugino, Charlie Talbert, Cole Sprouse, Donna DuPlantier, Geraldine Singer, Henry Eikenberry, Jenna Davis, Jennifer Pierce Mathus, Joe Chrest, Joey Harris, Joshua Montes, Kathryn Newton, Liza Soberano, Luke Sexton, Paola Andino, Ray Gaspard, Ritchie Montgomery, Shane Partlow, Summer Selby, Sylvia Grace Crim, Trina LaFargue, Walker Babington, Wendy Miklovic
Director:  Zelda Williams
Rating: PG-13

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1465. In the Know, 2024

	
With podcasts, online music services, and of course, video, radio might not have the same relevance as it did back then, but it’s still alive and changing with the times today. In The Know satirizes modern day public radio, portraying a more narcissistic fictional radio team behind the airwaves, but it does so in a charming way that makes the station feel lived in. Part of this feeling is ShadowMachine’s expressive, well-crafted stop-motion animation style, but part of it stems from how specific the humor gets to be, poking light fun at the very insecurity that drives their (and today’s) self-absorption. Being this specific, the humor hits sporadically for some viewers like myself, who would prefer to watch a show rather than listen to one, but In The Know might be entertaining enough for NPR fans and those keeping themselves up-to-date with American pop culture.Genre: Animation, Comedy
Actor: Carl Tart, Charlie Bushnell, J. Smith-Cameron, Mike Judge, Zach Woods
Rating: TV-MA

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1466. Coup!, 2024

	
In Coup!, the servants of a wealthy, faux-progressive family in 1918 attempt to take over after realizing that the Spanish influenza has granted them leverage over their helpless masters. It’s a dark comedy that shares many similarities with the 2019 hit Parasite. Like the latter, Coup! is largely a film about class warfare, liberal hypocrisy, the devaluation of labor, and survival. It also showcases the endlessly entertaining Sarsgaard and Magnussen, who can make you feel vindicated in one second and squirmish in another. But there’s a missing ingredient in Coup! that makes it feel less like a satire than an imitation of it. Maybe it’s the lack of dedication to the darkness of its tone or the vague, frustrating way it resolves the tension between employees and employers. Perhaps it’s both. Either way, there are some delicious and thought-provoking morsels to be found in Coup!, but nothing filling or hearty to make it memorable enough.Genre: Comedy, Crime, Drama, Mystery, Thriller
Actor: Ali Wills, Billy Magnussen, Callum Vinson, Faran Tahir, Fisher Stevens, John Posey, Julia Ford Collier, Kristine Nielsen, Peter Sarsgaard, Sarah Gadon, Skye P. Marshall
Director: Austin Stark, Joseph Schuman
Rating: NR

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1467. American Sports Story, 2024

	
American Sports Story takes a pretty straightforward approach to telling Aaron Hernandez’s complicated life. The athlete grew up in a troubled household and struggled to mask his sexuality, and though he was granted a top football scholarship and eventually played in the big leagues, he still had that trauma—both psychological and physical—to bear. By the time the show reaches the fateful night in Hernandez’s life that made him a household name, we’d have seen just how messed up his circumstances were. Like most streaming series, this runs too long than necessary at 10 episodes, but it is a humanizing portrait of a mystifying man, as well as a showcase of great talent—Rivera turns in an especially nuanced performance. But apart from these, the show adds nothing new to the already long and heavy conversations that have been had about Hernandez’s life. There are multiple documentaries out there, as well as podcasts, articles, and video essays. You can watch this to see how well the actors dramatize real life, but don’t expect to glean anything new.Genre: Drama
Actor: Ean Castellanos, Jaylen Barron, Josh Rivera, Lindsay Mendez, Tammy Blanchard
Rating: TV-MA

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1468. A Thousand Cuts, 2020

The level of access that A Thousand Cuts gets to both the side of the press and of the administration is ultimately what makes it valuable. By being on the ground with journalists doing honest-to-goodness hard work, the film reframes Duterte's war on drugs (really a campaign to terrorize the poor into submission) as an information war between news outlets and government propaganda. Unfortunately, in the process, the film also winds up excluding the voices of working class people and how they both engage and are engaged by all this information. There should be a way to honor the work of these journalists without accidentally positioning them above the public they serve.

Genre: Documentary

Actor: Amal Clooney, George Clooney, Leni Robredo, Maria Ressa, Patricia Evangalista, Pia Ranada

Director: Ramona S. Diaz

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1469. Widow Clicquot, 2024

	
For the longest time, when a woman loses their husband, they lose everything, as the name, assets, and estate used to be held by and passed on by men exclusively. It was outstanding when Barbe-Nicole Clicquot Ponsardin was able to keep the estate due to the brilliance of her innovative champagne making techniques, and more so when the champagne house she built lasts past two centuries, so it was a bit of a letdown to see the Widow Clicquot falter in telling this incredible story. The costumes, sets, and score worked well to craft the emotional turbulence Clicquot goes through, and Madame herself is excellently portrayed by Haley Bennett, but her invention and the actual history is mostly brushed aside by the awkward, stilted romances Clicquot supposedly shares with her husband when alive, and her wine merchant when he died. Widow Clicquot deserves better.Genre: Drama
Actor: Anson Boon, Ben Miles, Chris Larkin, Haley Bennett, Ian Conningham, Leo Suter, Natasha O'Keeffe, Paul Rhys, Sam Riley, Tom Sturridge
Director: Thomas Napper
Rating: R

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1470. Twisted Metal, 2023

Based on a PlayStation game of the same name, Twisted Metal has a lot of the bullet-heavy, high-speed action of the original but with a lot more characters and backstory thrown in the mix. It certainly scratches a nostalgic itch for those who played the game growing up, especially once big names like Anthony Mackie, Stephanie Beatriz, and Will Arnet (or his voice at least) bring familiar characters to life. But beyond all the furtive action and winks and nods made to the video game, there is little about Twisted Metal that’s likable, much less watchable. Sure, it’s fun to see guns go boom and cars go vroom, but the core of the series never feels substantial enough to justify its existence. You might enjoy watching it, but you likely won’t remember much of it.

Genre: Action & Adventure, Comedy

Actor: Anthony Mackie, Samoa Joe, Stephanie Beatriz, Thomas Haden Church, Will Arnett

Rating: TV-MA

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