Tag: USA-play (Page 83)

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This drama from France and Canada is about Matthieu, a 33-year-old from Paris who never knew his father. One morning he gets a call to go to Montreal, where he is told his dad has passed away and where a funeral will take place.

To add to his confusion, upon arrival Matthieu is asked to conceal his identity from his step-mother and step-brothers.

A Kid is made as though the filmmaking styles from the countries it’s set in were mixed together. There are complicated family dynamics reminiscent of Xavier Dolan movies; and identity issues and comments on different compositions of families like the films of Mia Hansen-Løve.

Genre: Drama

Actor: Aliocha Itovich, Amélie Lafleur, Brigitte Soucy, Catherine De Léan, Claudiane Ruelland, Emmanuelle Dupuy, Gabriel Arcand, Hortense Monsaingeon, Hugues Leforestier, Jean-Pierre Andréani, Loudia Gentil, Marie-Thérèse Fortin, Martin Laroche, Nicolas Paquin, Patricia Dorval, Patrick Hivon, Pierre Deladonchamps, Pierre-Yves Cardinal, Romane Portail, Tania Bolduc, Timothé Vom Dorp, Valerie Cadieux

Director: Philippe Lioret

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While marked as a comedy, Zegen isn’t the kind of film that would make you laugh freely– it is, after all, a film that mocks the real-life sex trafficking of impoverished Japanese women during both world wars. This makes it a challenging film to watch, especially to viewers outside the country. But to Shohei Imamura’s credit, the butt of the joke isn’t on the women being sold, but rather, on the titular pimp Iheiji Muraoka, the delusions and lies he told himself and others, and the twisted nationalism he uses to exploit his ladies. Zegen is based on Muraoka’s supposedly true autobiography, but Imamura uses the text to mirror the follies (and consequences) of imperialism.

Genre: Comedy, History

Actor: Hiroyuki Konishi, Ken Ogata, Ko Chun-Hsiung, Mitsuko Baisho, Norihei Miki, Sanshô Shinsui, Shino Ikenami, Taiji Tonoyama, Tetta Sugimoto

Director: Shōhei Imamura

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Wadjda is a smart, spirited 10-year-old girl who wants nothing more than to own her own bike, something that is frowned upon in the Saudi Arabian suburb where she lives. While it’s not technically illegal for women to own bikes, it is thought of as something that is “dangerous to a girl’s virtue,” and it’s worth noting that this is a society where women are also not allowed to drive their own cars. Wadjda devises numerous schemes to earn enough money to buy a bike (selling bracelets, making mixes of Western pop songs, delivering clandestine messages between men and women), before getting caught by the headmistress at her school. It is then that Wadjda hits on the ultimate money-making scheme: there is to be a Koran-reciting contest at her school with a hefty cash prize, and she’s determined to win. There is a subplot involving a growing rift between Wadjda’s parents; while there is clearly a lot of love between both parties, it becomes increasingly clear that her father may be leaving her mother for another woman who could potentially bear him a son (a common practice). This subplot is handled with respect and little judgement though, as it is simply the way things work in this culture. Yet, as Wadjda is coming-of-age and learning about the limitations placed on her as a girl, she is obviously negotiating ingenious ways of pushing back against those limitations. The film is subtle and humane in how it handles the slowly changing cultural and gender dynamics in a traditionally conservative, patriarchal society. It wouldn’t work without a strong central performance from first-time actor Waad Mohammed though -- she is never less than believable as a clever, determined and joyful 10-year-old, and her journey towards adulthood is both heartbreaking and inspiring.

Genre: Drama

Actor: Abdullrahman Al Gohani, Ahd, Ahd Kamel, Alanoud Sajini, Dana Abdullilah, Haifaa Al-Mansour, Rafa Al Sanea, Reem Abdullah, Sultan Al Assaf, Waad Mohammed

Director: Haifaa al-Mansour

Rating: PG

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Tsotsi, a delinquent from Johannesburg, South Africa, realizes after shooting a woman and stealing her car, that her baby is on the back seat. A movie with very few words but which manages to be extremely touching. As you witness the transformation of Tsotsi, through his increasing affection for the baby, you will be astonished by the amazing actor, who manages to communicate so many feelings through his sight. This film won the 2006 Academy Award for Best Foreign Language Film.

Genre: Crime, Drama

Actor: Ian Roberts, Israel Makoe, Jerry Mofokeng, Kenneth Nkosi, Lennox Mathabathe, Mothusi Magano, Nambitha Mpumlwana, Owen Sejake, Percy Matsemela, Presley Chweneyagae, Rapulana Seiphemo, Terry Pheto, Thembi Nyandeni, Zenzo Ngqobe, Zola

Director: Gavin Hood

Rating: R

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When artists or musical bands make films, it’s usually a tour documentary or a biopic of some sort, where fans can go in depth with their music, their background, or anything that would explain what makes their music so great. When Talking Heads’ lead vocalist David Byrne made a film, it wasn’t about his hometown in Maryland or his birthplace in Scotland at all– Instead, it was about True Stories, compiling a series of vignettes in a fictional North Texan town. It’s a strange choice, but Byrne manages to capture the bizarre in ordinary small town America, that can get a bit surreal, but nonetheless holds a weird charm that’s excellently scored by the band. True Stories came out of nowhere, but it’s a decent watch.

Genre: Comedy, Music

Actor: Annie McEnroe, David Byrne, Jo Harvey Allen, John Goodman, Matthew Posey, Scott Valentine, Spalding Gray, Swoosie Kurtz, Tito Larriva

Director: David Byrne

Rating: PG

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A slow-burning spy thriller set within the British intelligence service during the height of the Cold War, this complex drama is highlighted by Gary Oldman’s acutely understated performance. As a high level agent brought out of retirement to ferret out a mole within the MI5, he exudes intensity and intellect with unerring precision. The story itself is exceptionally complicated and yet highly engaging. I felt that casting and corresponding screen time made it clear whom the mole would turn out to be…but you may disagree.

Genre: Drama, Mystery, Thriller

Actor: Amanda Fairbank-Hynes, Arthur Nightingale, Benedict Cumberbatch, Christian McKay, Ciarán Hinds, Ciarán Hinds, Colin Firth, David Dencik, Denis Khoroshko, Gary Oldman, Harvey Walsh, Ilona Kassai, Imre Csuja, Jamie Thomas King, Jean-Claude Jay, John Hurt, John le Carré, Kathy Burke, Katrina Vasilieva, Konstantin Khabenskiy, Laura Carmichael, Linda Marlowe, Mark Strong, Matyelok Gibbs, Michael Sarne, Peter Kalloy Molnar, Peter McNeil O'Connor, Peter O'Connor, Philip Hill-Pearson, Philip Martin Brown, Roger Lloyd Pack, Rupert Procter, Sarah-Jane Robinson, Simon McBurney, Stephen Graham, Stuart Graham, Svetlana Khodchenkova, Toby Jones, Tom Hardy, Tom Stuart, Zoltán Mucsi

Director: Tomas Alfredson

Rating: R

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A thrilling French movie about a nuclear submarine division that is confronted with a world-ending scenario.

One sonar agent is at the center of the story, his exceptional hearing capabilities are the main resource of the submarine commanders he works for (one of whom is played by the masterful Reda Kateb).

Wolf’s Call tries very hard to be a Hollywood movie, but even if it serves as a reminder that countries like France don’t have to always make arthouse films to be noticed, the visual effects and the writing fall short of that big-budget feel.

Still, if you’re looking for a fun movie that’s full of surprises, solid acting, and a great heroism tale, you’ll love this.

Genre: Action, Adventure, Thriller

Actor: Alexis Michalik, Antonin Baudry, Arthur Choisnet, Bastien Ughetto, Damien Bonnard, Etienne Guillou-Kervern, François Civil, Guillaume Clement, Guillaume Duhesme, Jean-Yves Berteloot, Léopold Bara, Marc Ruchmann, Mathieu Kassovitz, Nicolas Van Beveren, Omar Sy, Paul Granier, Paula Beer, Philippe Maymat, Pierre Cevaer, Reda Kateb, Sébastien Landry, Sebastien Libessart, Stefan Godin

Director: Abel Lanzac, Antonin Baudry

Rating: TV-14

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The Witch hardly reinvents the thriller wheel. In fact, part of the fun in watching it is calling out the cliches. Cold-blooded villain? Check. Antihero who defies death? Check. Senseless, bloody killings for minutes on end? Check, check, check. The Witch has everything you'd expect from an action movie, and yet, the viewing experience is all the better for it. 

By trimming all the unnecessary fat and zeroing in on the action, director Park Hoon-jung delivers a no-nonsense, no-holds-barred film that could hold a candle to the John Wick franchise. Like those films, the movements here are sharp and the gore relentless. The only difference is that The Witch is led by a teenage girl—seemingly flimsy but deliciously deranged, Kim-Dami is magnetic in her breakout role as the titular witch Ja-yoon. It's also a bit like Stranger Things in that sense, but comparisons aside, The Witch stands out as a razor-edged entry into the genre. 

Genre: Action, Adventure, Drama, Mystery, Science Fiction, Thriller

Actor: Baek Seung-chul, Cho Min-soo, Choi Jung-woo, Choi Woo-shik, Chung Ye-jin, Da-Eun, Go Min-si, Hyun Bong-sik, Jeong Da-eun, Kim Byeong-Ok, Kim Byung-ok, Kim Da-mi, Kim Ha-na, Ko Min-si, Kwon Tae-won, Lee Ju-won, Lee Ki-young, Lee Si-hoon, Oh Mi-hee, Park Hee-soon, Park Hoon-jung, Seung-chul Baek, Song Hyeong-su, Woo Min-kyu, Woo-sik Choi, Yeo Moo-yeong

Director: Hoon-jung Park, Park Hoon-jung

Rating: Not Rated, R

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There are people in life that have a one of a kind voice that you can’t help but listen to, as they provide different perspectives that challenge your own in compelling ways. The Whole Wide World tries to capture the fairly elusive pulp fiction writer Robert E. Howard, but through the perspective of the one love he once had, Novalyne Price. It’s a unique perspective, one that contrasts the choices the real life couple made that diverged their paths– pursuing the road less travelled over what’s socially expected– and director Dan Ireland crafts some pulp-like moments, especially with the rousing score and the excellent performances. That being said, Ireland does play it safe with his debut, as The Whole Wide World leaves things as vague as Howard did in his relationship with Price.

Genre: Drama, Romance

Actor: Ann Wedgeworth, Antonia Bogdanovich, Benjamin Mouton, Harve Presnell, Helen Cates, Libby Villari, Marion Eaton, Michael Corbett, Renée Zellweger, Vincent D'Onofrio

Director: Dan Ireland

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The Wave is a movie about manipulation, National Socialism and the authoritarian development at a German school. The well-liked teacher Rainer Wenger presents a social experiment to his students which quickly expands to a much larger scale. His experiment, named “Die Welle” (the wave), is part of a project week at the school about different forms of governments. During his pedagogical approach to the topic Wenger goes through an alarming process, which is fascinating to observe as a viewer. The screenplay is based on a Californian experiment “The Third Wave” from 1967 and its novel from 1981 which became a classic piece of literature in German-speaking countries such as Germany, Austria and Switzerland.

Genre: Drama, Thriller

Actor: Alexander Held, Amelie Kiefer, Christiane Paul, Cristina do Rego, Dennis Gansel, Elyas M'Barek, Elyas M'Barek, Fabian Preger, Ferdinand Schmidt-Modrow, Frederick Lau, Friederike Wagner, Hubert Mulzer, Jacob Matschenz, Jaime Krsto Ferkic, Jennifer Ulrich, Johanna Gastdorf, Joseph M'Barek, Jürgen Vogel, Karoline Teska, Lennard Bertzbach, Marco Bretscher-Coschignano, Maren Kroymann, Max Mauff, Max Riemelt, Maximilian Vollmar, Natascha Paulick, Odine Johne, Teresa Harder, Thomas Sarbacher, Tim Oliver Schultz, Tino Mewes, Tommy Schwimmer

Director: Dennis Gansel

Rating: Not Rated

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Though it’s a bit chaotic in structure—it’s chronological but all over the place—The Stones and Brian Jones is a compelling and crucial portrait of The Rolling Stones’ co-founding member and original leader. Jones’ life is typical of rock stars, from the misunderstood childhood and philandering habits to drug dependence and luxurious lifestyle, but director Nick Broomfield tries to paint more nuance into his character. We’re reminded, through interviews with past lovers and even letters from a family that disowned him, that he was also ambitious, insecure, sensitive, affectionate, gentle, and moody. Too often, Broomfield will relish in Jones’ tragedy, when he could’ve focused more on his musical prowess and technical knowledge, but it is overall a fair picture. It’s sympathetic to Jones of course, but Broomfield doesn’t forget to include excerpts from Mick Jagger and Keith Richards, who ‘till now seem to harbor mixed feelings over Jones (he did have Jagger arrested after all). There’s drama and tension and a good deal of great music, which are always fun to watch.

Genre: Documentary

Actor: Anita Pallenberg, Bill Wyman, Brian Jones, Charlie Watts, Eric Burdon, Freddie Fox, Keith Richards, Marianne Faithfull, Michael Lindsay-Hogg, Mick Jagger, Nick Broomfield, Paul McCartney, Volker Schlöndorff, Zouzou

Director: Nick Broomfield

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An inksetter in New York, Quoyle returns to his family's longtime home, a small fishing town in Newfoundland, with his young daughter, after a traumatizing experience with her mother, Petal, who sold her to an illegal adoption agency. Though Quoyle has had little success thus far in life, his shipping news column in the newspaper "The Gammy Bird" finds an audience, and his experiences in the town change his life.

Genre: Drama, Romance

Actor: Cate Blanchett, Gordon Pinsent, Jason Behr, Jeannetta Arnette, Judi Dench, Julianne Moore, Kevin Spacey, Larry Pine, Pete Postlethwaite, Rhys Ifans, Robert Joy, Scott Glenn

Director: Lasse Hallström

Rating: R

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Anything Shakespeare would be a classic, of course, but for the longest time, British filmmakers avoided The Merchant of Venice, for a variety of reasons. The most prominent of those reasons was the antagonist Shylock, who, as a Jewish moneylender, was characterized with many anti-Semitic stereotypes, yet, was written with one of Shakespeare’s most eloquent speeches on his humanity. Director Michael Radford’s take on the play sidesteps this issue by an explanation and montage, reframing the entire play to be more sympathetic to Shylock. It's such an elegant solution, and with Al Pacino’s excellent performance, The Merchant of Venice becomes much more dramatic than comedic, and all the better for it.

Genre: Drama, Romance

Actor: Al Pacino, Al Weaver, Allan Corduner, Anton Rodgers, Antonio Gil, Charlie Cox, David Harewood, Gregor Fisher, Heather Goldenhersh, Jean-François Wolff, Jeremy Irons, John Sessions, Joseph Fiennes, Jules Werner, Julian Nest, Kris Marshall, Lynn Collins, Mackenzie Crook, Ron Cook, Tony Schiena, Zuleikha Robinson

Director: Michael Radford

Rating: R

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With a forest home destroyed, leaving an adorable cat spirit child displaced, The Legend of Hei seemed like a Studio Ghibli-esque tale, at least in themes, child protagonist, and fantasy flying. There’s charming moments where Hei appreciates the day-to-day– moments where he diligently learns his powers, enjoys the simple human pleasures present in the modern world, and of course, feels at home in the stunning natural spirit places. However, it’s not quite Ghibli as there are plenty of wuxia-inspired fight scenes, with as many flying kicks involved. That being said, there is a pro-peace message here, that at face value, is probably a good message for children, but this film’s peace comes without clear details about Hei’s displacement, or the general condition of the spirit world at large. The Legend of Hei’s charming animation is lovely, but this push for peace could have been more meaningful if it also considered justice.

Genre: Action, Animation, Fantasy

Actor: Chen Siyu, Ding Dang, Hao Xianghai, Li Lu, Liu Mingyue, Shan Xin, Sheng Feng, Wang Youji, Yang Ning, Yeqiao Yan, Yuntu Cao

Director: MTJJ, Mtjj Mutou

Rating: PG

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