Tag: USA-play (Page 59)

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871. You Cannot Kill David Arquette, 2020

For the longest time, it was always about how wrestling was affected by David Arquette; this documentary finally turns it around and asks how Arquette was affected by pro wrestling. We get interviews from his family that mostly look down on his silly wrestling phase; and from established wrestling personalities that, despite dated fan perceptions, welcome him at every turn. We really get in the weeds of Arquette’s motivations, anxieties, and training for a comeback tour on the indies. The audio levels may be a little erratic, but the intangible rawness combined with its polished nature make this a very fitting film for the wild man.

Genre: Documentary

Actor: André Roussimoff, Aurelian Smith Jr., Bill Goldberg, Billy Corgan, Booker Huffman, Booker Huffman, Jr., Brett Giehl, Brian Yandrisovitz, Brian Zachary Pillman, Chris Irvine, Chris Jericho, Chris Klucsarits, Coco Arquette, Conan O'Brien, Courteney Cox, David Arquette, David Penzer, Dusty Rhodes, Elizabeth Hulette, Ellen DeGeneres, Eric Bischoff, Garett Bischoff, George Murdoch, Harvey Levin, Hulk Hogan, Jack Perry, James Ellsworth Morris, Jay Leno, Jeffrey Jarrett, Jerome Saganovich, Jerome Young, Jerry Lawler, Jim Cornette, Jim Fullington, Joe Rogan, Joseph Ryan Meehan, Julian Micevski, Karen Yu, Ken Anderson, Kevin Nash, Kurt Russell, Lewis Arquette, Luke Perry, Mark LoMonaco, Maxwell Friedman, Maxwell Tyler Friedman, Michael Lee Alfonso, Mick Foley, Mike Alfonso, Monty Sopp, Mr. T, Nathan Blauvelt, Nicholas W. Wilson, Noah Nelms, Oprah Winfrey, Page Falkinburg Jr., Patricia Arquette, Peter Hernandez, Randy Poffo, Randy Savage, Ric Flair, Richmond Arquette, Rick Knox, Rob Strauss, Rosanna Arquette, Scott Colton, Scott Hall, Timothy Moura, Tony Schiavone, Vince Russo, Virgil Runnels, Wendy Williams

Director: David Darg, Price James

Rating: R

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872. Wise Guy David Chase and The Sopranos, 2024

If Wise Guy reads like a biography of David Chase and an oral history of The Sopranos, that’s because it is simultaneously both those things. Chase’s story is The Sopranos’ and vice versa. As Chase reveals in this two-part documentary, The Sopranos was initially based on his mother and his childhood in New Jersey. But then the show evolved into something more profound and complex than anyone could’ve imagined. Free from the reins of network TV, it relished in its R-rating creativity and quickly became a cultural phenomenon. People tuned into it every night. It was celebrated and parodied in equal measure. Most important of all, it ushered in a new era of prestige television that valued substance more than anything else. There’s no better person to guide us through the ins and outs and behind-the-scenes of The Sopranos than the showrunner himself. Director Alex Gibney parallels his interview with Chase with scenes from the show, even matching its colors and texture, to further prove how inextricable Chase is from his creation. We see never-before-seen clips of casting, script writing, reception—the works. Wise Guy must be heaven-sent to hardcore Sopranos fans, but it’s also the perfect introduction for the uninitiated.

Genre: Documentary

Actor: David Chase

Rating: TV-MA

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873. Weiner, 2016

Former Congressman Anthony Weiner just doesn’t give up. After a 2011 scandal that had him resign from office, Weiner tries to make a comeback in this documentary that follows his 2013 mayoral campaign. His passion for public service is indisputable, and despite his shortcomings, it’s hard not to root for his go-getter attempts at a second chance. To this end, he wins and fails, with each outcome feeling more dramatic and consequential than the last. Things culminate upon the revelation of a fresh, new scandal, which disrupts his unlikely rise as a top candidate as well as the film’s production flow, which then takes a turn for the better (or worse, depending on your sympathies for Weiner).

Fast paced and brilliantly stitched, Weiner is a compelling account of a man who won’t back down, and of the people surrounding him who suffer from his obstinacy. The documentary is proof that even in our hypercritical age, it’s still possible to both humanize and criticize a “canceled” subject, all while maintaining level-headed humor and allure.

Genre: Documentary, Drama

Actor: Anthony Weiner, Bill de Blasio, Donald Trump, Howard Stern, Huma Abedin, J. Buzz Von Ornsteiner, John Waters, Jon Stewart, Lawrence O'Donnell, Stephen Colbert

Director: Elyse Steinberg, Josh Kriegman

Rating: R

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874. Weekend, 2011

Given that hookups are inherently quick and casual and impersonal, they are rarely portrayed in a romantic light. But Weekend flips the script on one-night stands by giving its two lovers enough time and space to explore how far their feelings can take them. While both Russell (Tom Cullen) and Glenn (Chris New) are gay, they have more differences than similarities with each other. Russell is reserved, awkward, and not entirely open, while Glenn is the exact opposite.

This makes for intriguing conversations, which then makes for a smart, thought-proving watch. It’s talky but meaningful, and slow but assured. But most of all it’s romantic, and it’s sure to pull at your heartstrings the whole time.

Genre: Drama, Romance

Actor: Chris New, Joe Doherty, Jonathan Race, Kieran Hardcastle, Laura Freeman, Loreto Murray, Mark Devenport, Sarah Churm, Tom Cullen, Vauxhall Jermaine

Director: Andrew Haigh

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875. Waltz with Bashir, 2008

In Waltz with Bashir, director Ari Folman grapples with the trauma and dehumanization of war by examining the role he played in the 1982 Invasion of Lebanon. But his memories are fractured, so in an attempt to piece them back together, he visits his comrades and has them recall the events for him. The result is both poignant and painful, a horrific tell-all of what happens on both sides of the battleground. The film is a documentary, chillingly honest and straightforward, but it's also an animation gem that continues the legacy that Persepolis started and Flee continues. By combining the harshness of war with the lightness of animation, all three films effectively deliver their anti-war message with a much-needed human and personal touch.

Genre: Animation, Documentary, Drama, War

Actor: Ari Folman, Mickey Leon, Ori Sivan, Ron Ben-Yishai, Yehezkel Lazarov

Director: Ari Folman

Rating: R

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876. Utama, 2022

Before anything else, Utama will knock you off your feet with its breathtaking beauty. Set in the Bolivian highlands, it captures the arid landscape both in gorgeous wide shots and in unique detail. Then, after you take it all in and remember the vastness of the world and the smallness of humanity, the film ushers you into the lives of Virginio and Sisa, an elderly couple who get by with llama grazing.

Theirs is a small but peaceful life, but it is endangered when a drought in the area makes it harder for everyone—especially a sickly Virginio—to live. Underlying conflicts start to emerge, such as old vs. new and country vs. city, when everyone but Virginio considers leaving the mountains. It's a simple story told at a purposefully slow pace, but it's one worth viewing for the tender performances, the urgent themes, and of course, the stunning cinematography.

Genre: Drama

Director: Alejandro Loayza Grisi

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877. Twinsters, 2015

	
Twinsters is a documentary about a young Asian American actress, Samantha Futerman (also co-director), who is contacted over the internet by a young French-Asian woman, Anaïs Bordier, who has been shown a video of Samantha on the internet — and cannot believe their remarkably similar physical appearance. After initial perplexity and uncertainty, Samantha and Anaïs are soon embroiled in excited correspondence and travel to meet one another in their respective countries — eventually confirming via DNA testing that they are in fact long-lost twin sisters given up for adoption 25 years earlier in South Korea. A remarkable true story with a wonderfully beating heart, Twinsters does a lovely job of not just spelling out the amazing story of the sisters’ unlikely connection, but also finding and exploring the growing love and affection between both the two girls, as well as their extended families and groups of friends. A truly touching and humanistic film-viewing experience.Genre: Documentary, Family
Actor: Anaïs Bordier, Kanoa Goo, Samantha Futerman
Director:  Ryan Miyamoto, Samantha Futerman
Rating: PG-13

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878. You're Sleeping, Nicole, 2014

	
Nicole is 22, just out of college, and adrift during her first summer as an “adult.” Tu Dors Nicole (“You’re Sleeping Nicole”) is a French-Canadian take on the late coming-of-age story. Nicole spends most of the summer is her small, sleepy Quebec town lounging around her parents house (they are gone for the summer), occasionally working at the local thrift store, trying to sleep (she’s developed insomnia), and wandering aimlessly around town and the Quebec countryside with her best friend Veronique. The two are joined at the hip (as evidenced by how their bikes are always locked-up together) but the arrival of Nicole’s brother and his bandmates threatens to upend the lifelong relationship between the two; because of this waning friendship Tu Dors has earned comparisons to films like Ghost World and Frances Ha which examine the complexities of young female friendships, particularly when one’s identity is in flux. The film was shot on gorgeous Black & White 35mm film , adding to it’s floating dream-like quality, and boasts a sweet and droll sense of humor. There are occasional touches of the surreal as well — my favorite running gag being the presence of the pre-pubescent Martin, a small boy whose voice has prematurely developed (the voice that comes out of his mouth sounds like that of a world weary 45-year-old) who attempts to woo Nicole with poetic insights such as, “the heart has no age.” This film is a true hidden gem.Genre: Comedy, Drama
Actor: Alexis Lefebvre, Anne-Renee Duhaime, Catherine St-Laurent, Claude Despins, Fanny Mallette, Francis La Haye, Godefroy Reding, Julianne Côté, Luc Senay, Marc-André Grondin, Pierre-Luc Lafontaine, Simon Larouche
Director: Stéphane Lafleur
Rating: Not Rated, Unrated

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879. Till, 2022

Till is a very political film. It’s charged with the kind of rage and electricity that enables thousands to mobilize for a cause. But before it explodes into something grand, it begins with the small details of everyday life. A mother admires her son as he dances to his favorite song. She buys him a new wallet and goes over the things they’ll do over the summer. These things seem trivial, but they reveal the humanity that sometimes goes overlooked in telling epic stories such as these.

To be sure, Till is a necessarily brutal film about grief and justice, but it’s also about how political movements are borne out of small and personal devastation. This nuance, along with a jaw-dropping performance by Danielle Deadwyler, makes Till a standout: a powerful entry in a long line of social-issue dramas.

Genre: Drama, History

Actor: Al Mitchell, Bradley King, Brandon P. Bell, Brendan Patrick Connor, Carol J. Mckenith, Danielle Deadwyler, David Caprita, Ed Amatrudo, Elizabeth Youman, Eric Whitten, Euseph Messiah, Frankie Faison, Friedman Twinkies, Haley Bennett, J.P. Edwards, Jackson Beals, Jalyn Hall, Jamie Renell, Jaylin Webb, Jayme Lawson, John Douglas Thompson, Jonathan D. Williams, Josh Ventura, Keisha Tillis, Kevin Carroll, Lee Spencer, Maurice Johnson, Mike Dolphy, Njema Williams, Phil Biedron, Princess Elmore, Richard Nash, Roger Guenveur Smith, Sean Michael Weber, Sean Patrick Thomas, Summer Rain Menkee, Tim Ware, Torey Adkins, Tosin Cole, Whoopi Goldberg

Director: Chinonye Chukwu

Rating: PG-13

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880. Things We Lost in the Fire, 2007

	
Things We Lost in the Fire is a touching drama about Audrey (Hall Berry), a married mother-of-two, whose husband Brian (David Duchovny) is killed tragically in a random act of violence. Amidst her grief she comes to connect with Jerry (Benicio Del Toro), Brian’s childhood friend who is living an isolated life as a junkie, and ultimately invites him to live with her and her children. What may sound like a formulaic set-up, with broken souls coming together to find mutual reconciliation, is elevated immeasurably by Susanne Bier’s deft directorial hand. The celebrated director of After the Wedding and In A Better World weaves a poignant narrative about loss and human connectivity, featuring stunningly good performances by both Berry and Del Toro. It’s a film that’s likely to surprise you with its heartfelt tenderness and compassion.Genre: Drama
Actor: Alexis Llewellyn, Alison Lohman, Benicio Del Toro, David Duchovny, Halle Berry, John Carroll Lynch, Liam James, Maureen Thomas, Micah Berry, Omar Benson Miller, Patricia Harras, Paula Newsome, Quinn Lord, Robin Weigert, Sarah Dubrovsky, Vincent Foster, 宝拉·纽瑟姆
Director:  Susanne Bier
Rating: R

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881. Thesis, 1996

	
Because of our continued interest in living, one would think that human beings would shy away from death, but the opposite seems to be the reality. There’s a certain morbid fascination with violence, to the point that some people are captivated in making it more intense, more sensational, and more dangerous. Just before his groundbreaking second feature, Alejandro Amenábar made his debut around that idea in Thesis. It’s quite meta, of course, with the film about film students studying violence in media pulled into a murder mystery after discovering a snuff film, but Amenábar also sticks quite close to the narrative conventions of the genre, remixing certain tropes and the general knowledge of how such a film would go to heighten the sense of paranoia that Angela (and the audience) feels.Genre: Drama, Horror, Thriller
Actor: Ana Torrent, Eduardo Noriega, Emiliano Otegui, Fele Martínez, Fele Martínez, José Luis Cuerda, Miguel Picazo, Nieves Herranz, Paco Hernández, Rosa Campillo, Xabier Elorriaga
Director: Alejandro Amenábar, Alejandro Amenábar
Rating: R

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882. The White Ribbon, 2009

	
This 2009 Palme d'Or winner is filmed beautifully in black and white by Michael Haneke. In equal parts mysterious and disturbing, it is set in a northern German village in between 1913 and 1914 where strange events start to happen seemingly on their own. The people of the village, who feel as if they were punished, try to investigate it as the events start affecting them one by one. As they speculate on who is behind the acts that never stop, the film unfolds its slow but captivating plot. A brilliant and unique movie.Genre: Drama, Mystery
Actor: Aaron Denkel, Anne-Kathrin Gummich, Arndt Schwering-Sohnrey, Birgit Minichmayr, Branko Samarovski, Burghart Klaußner, Burghart Klaussner, Carmen-Maja Antoni, Christian Friedel, Detlev Buck, Enno Trebs, Ernst Jacobi, Fion Mutert, Gabriela Maria Schmeide, Hanuš Polak jr., Janina Fautz, Jonas Jennerjahn, Josef Bierbichler, Kai-Peter Malina, Klaus Manchen, Krzysztof Zarzecki, Leonard Boes, Leonard Proxauf, Leonie Benesch, Levin Henning, Lilli Fichtner, Luzie Ahrens, Malin Steffen, Marcin Tyrol, Maria Dragus, Maria-Victoria Dragus, Marisa Growaldt, Mercedes Jadea Diaz, Michael Kranz, Michael Schenk, Miljan Chatelain, Paraschiva Dragus, Paula Kalinski, Rainer Bock, Roxane Duran, Sebastian Badurek, Sebastian Hülk, Sebastian Łach, Sebastian Pawlak, Simon Pawlowsky, Steffi Kuhnert, Stephanie Amarell, Susanne Lothar, Theo Trebs, Thibault Sérié, Ulrich Tukur, Ursina Lardi, Vincent Krüger
Director: Michael Haneke
Rating: R

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883. The Way He Looks, 2014

The Way He Looks revolves around Leonardo, a blind teenager, as he navigates the complexities of high school life and explores his budding feelings for Gabriel, a new classmate. The chemistry between the characters feels genuine, and the slow-burning romance between Leonardo and Gabriel unfolds with a sense of tenderness and vulnerability. Director Daniel Ribeiro crafted a comfortable watching experience and a true slice-of-life story that doesn't divulge more than this sliver of time in these teens' lives. Director Daniel Ribeiro's debut is a hopeful take on a queer, disabled romance that feels natural, sensitive, and refreshing.

Genre: Drama, Romance

Actor: Bárbara Pereira, Daniel Ribeiro, Eucir de Souza, Fábio Audi, Ghilherme Lobo, Guga Auricchio, Isabela Guasco, Júlio Machado, Lúcia Romano, Matheus Abreu, Naruna Costa, Pedro Carvalho, Selma Egrei, Tess Amorim, Tess Coelho, Victor Filgueiras

Director: Daniel Ribeiro

Rating: Not Rated

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884. The Wailing, 2016

In rural Korea a policeman starts to investigate peculiar and violent events that most of the people in his village attribute to the arrival of a new Japanese resident. As the occurrences keep multiplying, and different perspectives in the film are shown, you start to lose touch with reality in the face of what can only be described as genius film-making. As critic Jada Yuan puts it, the film operates on a level “that makes most American cinema seem clunky and unimaginative”. For this reason, and while The Wailing is a true horror flick with a great premise, it’s also more than just that: it boosts a mind-boggling, interesting plot that will have you thinking about it long after the credits roll. Protip: grab the person next to you and make them watch this movie with you so you can have someone to discuss it with after!

Genre: Horror, Mystery

Actor: Bae Yong-geun, Cho Han-cheul, Chun Woo-hee, Do-won Kwak, Han-Cheol Jo, Heo Jin, Hur Jin, Hwang Jung-min, Hwang Seok-jeong, Hwang Suk-jung, Jang So-yeon, Jeon Bae-soo, Jeong-min Hwang, Jo Han-chul, Jo Yeon-hee, Jun Kunimura, Jung-min Hwang, Kim Do-yoon, Kim Hwan-hee, Kim Ki-cheon, Kim Ki-chun, Kwak Do-won, Lee Jung-eun, Lee Seon-hee, Lee Sun-hee, Lee Yong-nyeo, Moon Chang-gil, Park Seong-yeon, Park Sung-yeon, So-yeon Jang, Son Kang-gook, Sung-yeon Park, Woo-hee Chun, Yoo Soon-woong, 赵汉哲

Director: Hong-jin Na, Na Hong-jin

Rating: Not Rated, TV-MA

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885. The Vow, 2020

This HBO docuseries is about NXIVM, a multi-million dollar personal development coaching company whose leader was arrested for sex and human trafficking, branding his followers, and other serious crimes. New levels of insanity unwrap at every episode in a smart and engaging way: the show follows the progression of the story as it happened and makes you wait for its biggest revelations. It becomes a come-for-something-stay-for-something-else kind of deal, since even without the sex cult angle, the show dissects the manipulation tactics that led many successful people to be part of the organization, and later on to recruit others like them.

Genre: Documentary

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