Tag: USA-play (Page 16)

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Kathryn Bigelow has a knack for action-packed scenes without compromising on the affective qualities of film style. It is precisely this combination that makes her a rare gem in American cinema, where the values of entertainment soar high. Point Break is one such example of controlled chaos, impeccable framing, and a convincing use of fast-paced editing to really get you as close to the action as possible. But what gives the film its flavour is how developed and synced the characters are and the Reeves-Swayze duo here belongs in the pantheon of equally hot frenemies, providing an apt, but subtle comment on the dangers of toxic masculinity. 

Genre: Action, Crime, Thriller

Actor: Anthony Kiedis, Anthony Mangano, Betsy Lynn George, Bojesse Christopher, Chris Pedersen, Christopher Pettiet, Daniel Beer, Dave Olson, Debra Lamb, Galyn Görg, Gary Busey, Gary Roberts, Gloria Mann, Jack Kehler, James Le Gros, Jared Chandler, Jeff Imada, John Apicella, John C. McGinley, John Philbin, Julian Reyes, Julie Michaels, Keanu Reeves, Lee Tergesen, Lori Petty, Michael Kopelow, Mike Genovese, Patrick Swayze, Peter Phelps, Ping Wu, Randy Walker, Raymond Forchion, Richard Grove, Sydney Walsh, Tom Sizemore, Vincent Klyn

Director: Kathryn Bigelow

Rating: R

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We love to see Colin Farrell playing an unlikeable guy, it feels like there is balance in the universe. Stu is quite annoying and often offensive, and he's been having an extra-marital affair, which he then gets punished for. Phone Booth carries over this remnant of 2000s morale with a sadistic twist, but that's not what defines it. Instead, the film is a rollicking ride that appeals to both cinephiles and entertainment-seeking viewers alike, a box-office hit that would be just as thrilling and triumphant if it was released today, with the added nostalgia value of the phone booth as a thing of the past. Could it be that in 2002, Schumacher pre-empted our fears regarding internet privacy and cancel culture?

Genre: Crime, Thriller

Actor: Arian Ash, Ben Foster, Billy 'Sly' Williams, Colin Farrell, Colin Patrick Lynch, Dean Cochran, Dean Tarrolly, Dell Yount, Django Craig, Domenick Lombardozzi, Forest Whitaker, Greg Finley, James MacDonald, Jared Leto, Jason Pace, John Enos III, John Vargas, Josh Pais, Juan Pope, Julio Oscar Mechoso, Karara Muhoro, Katie Holmes, Keith Nobbs, Kiefer Sutherland, Kimberly Bailey, Lanei Chapman, Maile Flanagan, Mary Randle, Mia Cottet, Nicole Prescott, Paula Jai Parker, Radha Mitchell, Ramón Franco, Richard T. Jones, Ruth Zalduondo, Seth William Meier, Shu Lan Tuan, Steve Alterman, Svetlana Efremova, Tanya Vidal, Tia Texada, Tom Reynolds, Tory Kittles, Tracy Metro, Troy Gilbert, Tyree Michael Simpson, Yorgo Constantine

Director: Joel Schumacher

Rating: R

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Hirokazu Koreeda can do no wrong. The director of Shoplifters and Still Walking is a master of dissecting complex family dynamics through a handful of events. In Our Little Sister, three close sisters who live at their grandmother's house learn that their absent father has passed. They travel to the mountains to attend his funeral and meet their half-sister, Suzu, for the first time. Suzu is invited to live with the sisters and join their bond. This movie is a true-to-the-form slice of life, it's almost drama-free. This absence of plot is an absence of distractions: the sisters are all that matters to Koreeda. His only focus is on how this family becomes bigger, sees past grief, and how the group of close-knit sisters that grew up together can make room for a new addition.

Genre: Comedy, Drama, Family

Actor: Fukiko Hara, Haruka Ayase, Ichirō Ogura, Ikeda Takafumi, Jun Fubuki, Kaho, Kaoru Hirata, Kentaro Sakaguchi, Kirin Kiki, Lily Franky, Maeda Oushirou, Masami Nagasawa, Masumi Nomura, Midoriko Kimura, Mikami Saya, Oshiro Maeda, Ryō Kase, Ryohei Suzuki, Shinichi Tsutsumi, Shinobu Otake, Suzu Hirose, Takamitsu Nonaka, Yuko Nakamura, 中春优子

Director: Hirokazu Kore-eda, Hirokazu Koreeda

Rating: PG

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French director Mia Hansen-Løve is a master at gently capturing the full bittersweetness of life, and that’s no more evident than in One Fine Morning. Léa Seydoux gives a quietly powerful performance as Sandra, a mother-of-one who is grappling with the slow, devastating decline of her philosophy professor father at the hands of a neurodegenerative disease. As she deals with the crushing trauma of watching her father deteriorate — and the logistical stress of getting him the care he needs — life grants her an oasis through a chance meeting with an old acquaintance (Clément, played by Melvil Poupaud). Despite Clément being married, the two are hurled into a passionate romance, one that re-ignites something in Sandra she thought she’d lost forever.

What’s so remarkable about One Fine Morning is its gentle empathy: Hansen-Løve appreciates that, in the context of Sandra’s life, her affair with Clément is something life-affirming and vital, worthy of sensitive consideration rather than easy judgment or melodrama. What’s more, One Fine Morning extends that thoughtful attention to the other people around Sandra, with digressions that recognize the fullness and complexity of their lives, too. This is a film that overflows with compassion and curiosity for everyone in its frame, and one that has a contagiously heart-expanding effect on its audiences. 

Genre: Drama, Romance

Actor: Elsa Guedj, Fejria Deliba, Léa Seydoux, Masha Kondakova, Melvil Poupaud, Nicole Garcia, Pascal Greggory, Sarah Le Picard

Director: Mia Hansen-Løve

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While the film adapts some of Shakespeare’s histories, you don’t need to know Shakespeare to appreciate My Own Private Idaho. In fact, instead of focusing on the Prince Hal character, Scott Favor (Keanu Reeves), the film centers on his narcoleptic friend Mike Waters (River Phoenix). Both of them are young street hustlers in Portland. However, unlike Favor, Waters has no reliable family, inheritance, or support system waiting for him to give up his job. Waters only has his body. Writer-director Gus Van Sant doesn’t really focus on the sex or the narcolepsy - these flash by us only as a state-of-mind experience, with time-lapses and freeze-frames to impart to us Waters’ detachment. Instead, Van Sant cares more about Waters’ seeking connection. It’s why the surreal shots speed by us so fast, and why the natural, lived-in scenes remain in our heads. It’s why Waters’ campfire confession, crackling under Phoenix’s earnest voice, feels so powerful. And it’s also why his later rejection feels so painful.

Genre: Comedy, Drama

Actor: Chiara Caselli, Eric Hull, Flea, Grace Zabriskie, Gus Van Sant, James Russo, Jessica Makinson, Jim Caviezel, Keanu Reeves, Mickey Cottrell, Pao Pei Andreoli, Pat Patterson, River Phoenix, Robert Egon, Rodney Harvey, Scott Patrick Green, Tom Troupe, Udo Kier, Vana O'Brien, William Richert

Director: Gus Van Sant

Rating: R

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, 2009

Moon is a sci-fi movie that doesn’t care that it’s a sci-fi movie. It’s not about space exploration or aliens. It’s about a man struggling to understand what and who he is and the dehumanizing effect of industrialization. Moon leaves you with a pit in your stomach and an incredible feeling of melancholy. It is perfectly acted by Sam Rockwell and the voice of Kevin Spacey. Moon keeps you guessing and deeply enthralled. A true masterpiece I would recommend to anyone, whether they are sci-fi nerds or just movie lovers.

Genre: Drama, Mystery, Science Fiction

Actor: Adrienne Shaw, Benedict Wong, Dominique McElligott, Kaya Scodelario, Kevin Spacey, Malcolm Stewart, Matt Berry, Robin Chalk, Rosie Shaw, Sam Rockwell

Director: Duncan Jones

Rating: R

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, 2021

In the first few minutes of Mass, hushed tones, solemn movements, and awkwardly averted eyes hint at an unspoken tragedy that haunts everyone in the film. The four main characters discuss it during a sit-down, but even then it remains unspeakable; such is the dedication of first-time full-length director Fran Kranz in depicting the reality of tragic events. Not much is done in the way of plot twists and shocks, but in place of those, Mass makes clever use of close-up shots and unmoving settings to portray the privacy and paralysis of grief. For this reason, Mass often feels like a masterful play brought to life, but also more than that, a brilliant portrait of healing—or at the very least, coping with the everlasting aftermath of loss. 

Genre: Drama

Actor: Ann Dowd, Breeda Wool, Jason Isaacs, Martha Plimpton, Michelle N. Carter, Reed Birney

Director: Fran Kranz

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With a premise straight out of a cheesy sci-fi B-movie, you wouldn't expect Little Shop of Horrors to be a bona fide spectacle, and yet its tale of a wish-fulfilling yet bloodthirsty plant remains as thrilling and intense as ever. More importantly, Alan Menken and Howard Ashman's rock-musical songs remain boisterous and theatrical, gleefully performed by Rick Moranis, Ellen Greene, Steve Martin, and Levi Stubbs. And buried underneath all this is a comedy with a heart of darkness and a legitimately disturbing morality tale.

Musicals and horror movies are genres that typically cater to a more niche audience, but Little Shop of Horrors should be fun enough to draw anybody in, thanks to the film's impressively tactile sets, director Frank Oz's knack for physical comedy, and animatronic special effects that look better than most CGI creations today. As both a horror movie monster and a massive puppet, the vicious plant named Audrey II is entirely worth the price of admission, no matter which version of the film you seek out.

Genre: Comedy, Drama, Horror

Actor: Alan Tilvern, Barbara Rosenblat, Bertice Reading, Bill Murray, Bob Sessions, Bob Sherman, Christopher Guest, Danny Cunningham, Danny John-Jules, Edward Wiley, Ellen Greene, Heather Henson, Jill Goldston, Jim Belushi, John Candy, John Scott Martin, Kerry Shale, Kevin Scott, Levi Stubbs, Mak Wilson, Michael Shannon, Michelle Weeks, Mildred Shay, Miriam Margolyes, Peter Whitman, Rick Moranis, Robert Arden, Stan Jones, Steve Martin, Tichina Arnold, Tisha Campbell, Tisha Campbell-Martin, Vincent Gardenia, Vincent Wong

Director: Frank Oz

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Hayao Miyazaki is no stranger to the fantastical. Howl’s Moving Castle and Spirited Away conjure worlds of spirits and demons, monsters and witches, imaginary wars and extraordinary heroes. But in Kiki’s Delivery Service, the real magic arises from the mundane.

The titular teenaged Kiki leaves home, setting out to become a better witch. She arrives in the idyllic seaside town of Koriko with only her broom and best friend, a black cat named Jiji. When she serendipitously meets Osono, the gentle owner of a bakery, Kiki begins a delivery service as part of her training.

Kiki’s Delivery Service may be one of Miyazaki’s more understated films, but it’s a beautiful reminder that believing in oneself is a magical act of courage that we should all undertake.

Genre: Adventure, Animation, Drama, Family, Fantasy

Actor: Akio Otsuka, Chika Sakamoto, Haruko Kato, Hiroko Maruyama, Hiroko Seki, Kappei Yamaguchi, Keiko Toda, Kikuko Inoue, Kôichi Miura, Koichi Yamadera, Masa Saitō, Michihiro Ikemizu, Mieko Nobusawa, Mika Doi, Minami Takayama, Rei Sakuma, Shinpachi Tsuji, Takashi Taguchi, Takaya Hashi, Tomomichi Nishimura, Yoshiko Asai, Yoshiko Kamei, Yûko Kobayashi, Yûko Maruyama, Yuko Tsuga, Yuriko Fuchizaki, Yuuko Kobayashi, 丸山裕子

Director: Hayao Miyazaki

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Green Day's Bullet in a Bible has certainly aged well. Maybe it's even better now with time and hindsight, and knowing that the once punk group would commit to their alternative sound from that point forward. Green Day with their American Idiot tracks and frontman Billie Joe Armstrong's stage presence absolutely belongs as a stadium-level act, but you could argue they could've cut down on the heavy American Idiot representation to have more of a mix of albums in the setlist. The film could've also had less of the vignettes and montages with edgy editing—we don't need that many breaks from 14 songs—but it's all nitpicking, really. Say what you want, but this concert marks the birth of Green Day as rockstars.

Genre: Documentary, Music

Actor: Adrienne Armstrong, Billie Joe Armstrong, Jason Freese, Jason White, Mike Dirnt, Samuel Bayer, Tre Cool

Director: Samuel Bayer

Rating: NR

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Understandably, Mimmi, Rönkkö, and Emma, the teenage girls who lead this Finnish coming-of-age drama, are bursting with emotional urgency. On the cusp of adulthood, they plunge into house parties and romantic affairs in the hope that exploring love, sex, and adventure leads them closer to being self-aware adults. 

Of course, that’s a lifelong process, but they don’t need to know that just yet. For now, they’re explosive and ecstatic and awkward and angry. They’re at a point in their lives where falling head over heels is still an endearingly fresh experience and not a frustratingly repeated mistake. 

The film is intense in this way, but it’s leavened by a beautiful naturalism that’s seen in the young cast’s performances, the setting’s soft lighting, and the camera’s boxy ratio and grainy finish, the latter of which recall a disposable camera capturing the indiscriminate moments shared between teens. Girl Picture is an intimate and authentic portrait of girlhood—see it if you can.

Genre: Drama, Romance

Actor: Aamu Milonoff, Amos Brotherus, Bruno Baer, Cécile Orblin, Elias Westerberg, Fathi Ahmed, Henrikki Haavisto, Linnea Leino, Mikko Kauppila, Oksana Lommi, Oona Airola, Pietu Wikström, Rebekka Kuukka, Sonya Lindfors, Yasmin Najjar

Director: Alli Haapasalo

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“The healing power of art” sounds cheesy, but it’s a statement made beautiful and true in Ghostlight. It’s the sensitively told and wonderfully performed story of an ordinary man who, up until this point, doesn’t even know how Romeo and Juliet ends. That’s how detached he is from art. But when Rita (Dolly de Leon) pushes him into the arena, he surprises himself and his family by being receptive to it. It’s the only way he can get in touch with his feelings, which is vital since he’s gone through an unspeakable loss recently. What that loss is isn’t immediately revealed in the film, but the small details snowball and eventually pummel you to the ground with its sheer tragedy. You’re either grinning or crying watching this, there’s no in-between. But if there were, you’d probably be marveling at the trio at the heart of this film: the family played by a real-life family. Keith Kupferer, who plays Dan, Tara Mallen, who plays Sharon, and Katherine Mallen Kupferer, who plays their daughter Daisy, are all compelling and dazzling in their own ways.

Genre: Comedy, Drama

Actor: Alma Washington, Bradley Grant Smith, Charin Alvarez, Deanna Dunagan, Dolly de Leon, Francis Guinan, H.B. Ward, Hanna Dworkin, Katherine Mallen Kupferer, Keith Kupferer, Sarab Kamoo, Tara Mallen

Director: Alex Thompson, Kelly O'Sullivan

Rating: R

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, 2021

When Amin sits down for a tell-all interview about his troubling past, his memories come to life in vivid animation. Sometimes they are sweet and intimate, like when he recounts his time as a playful boy in a much freer Afghanistan. But often, they’re marred by the unbelievable horrors of refugee life. Now a successful academic and soon-to-be husband, Amin discovers the inescapability of his status and identity, the reality of which continues to threaten his safety to this day.

Relevant and vital, Flee sheds some much-needed light on an often-overlooked phenomenon. More than just displaying factoids and numbers, it relays the specific unease and constant vigilance that comes with fleeing one’s home. But as Amin’s story, it is also richly detailed and wonderfully personal; for all its harsh exposés, the film leaves enough room for Amin’s stirring realizations about love, identity, and sexuality.

Genre: Animation, Documentary

Actor: Behrouz Bigdeli, Belal Faiz, Bo Asdal Andersen, Daniel Karimyar, Elaha Faiz, Fardin Mijdzadeh, Jean-Pierre Pernaut, Mikhail Belinson, Milad Eskandari, Rashid Aitouganov, Tormod Ringnes

Director: Jonas Poher Rasmussen

Rating: PG-13

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Eve’s Bayou is a Southern Gothic tale of spirituality, family, secrets, and the ties that bind them together. The story follows the awakening, both spiritual and emotional, of young Eve Baptiste. The middle sibling of the Baptiste family, 10-year-old Eve, navigates childhood while enduring the tumultuous relationship between her mother and father. 

What lurks beneath a seemingly ordinary marital conflict is an insidious betrayal that could tear her entire family apart. Eve’s Bayou should be considered one of the greatest Black American epics of the past 25 years. I adore this film because it is unflinchingly real - and honest about the sometimes rocky reality of familial bonds. 

Genre: Drama

Actor: Allen Toussaint, Billie Neal, Branford Marsalis, Carol Sutton, Debbi Morgan, Diahann Carroll, Ethel Ayler, Jake Smollett, Jurnee Smollett, Leonard L. Thomas, Lisa Nicole Carson, Lynn Whitfield, Marcus Lyle Brown, Meagan Good, Roger Guenveur Smith, Ron Flagge, Samuel L. Jackson, Tamara Tunie, Victoria Rowell, Vondie Curtis-Hall

Director: Kasi Lemmons

Rating: R

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