Tag: USA-play (Page 103)

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There is a version of Moon Students that solely focuses on the students of color themselves, victims of racial profiling and injustice, instead of their white teacher and his overbearing white guilt. That would’ve been a slightly better movie to watch, but even then, Moon Students seems broken beyond repair. The film is riddled with technical blunders. The timeframe is confusing, the pacing is off, and the dialogue is unrealistic (and unintentionally funny, because what young person actually says, with full sincerity, “You know what time is it? Party time!”). The actors deserve credit for breathing a bit of life into a limp script, and the cinematography can be nice at times—fuzzy and hazy like an LA dream. But the film’s misguided sense of justice ultimately brings it down.

Genre: Drama

Actor: B.A. Tobin, Cedrick Terrell, Eddie Navarro, Nicholas Heard, Nicholas Thurkettle, Sydney Carvill

Director: Daniel Holland

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Based on the autobiography of real-life evangelical pastor Greg Laurie, Jesus Revolution recounts how a Christian movement in the '60s turned lost hippies into dedicated Christians. It was an interesting moment in time, but instead of delving into the movement's peculiarities and intricacies, Jesus Revolution offers a myopic tale that paints Laurie as a hero and the movement as inspirational when, really, they are anything but. Laurie's story never feels significant enough to justify a feature film and the movement never seems as radical as the film thinks it to be. And even though it’s autobiographical, it never really digs into Laurie's spirituality and interiority deep enough to reveal complex truths. In fact, everyone’s a caricature in this simplistic film that feels more like propaganda as it paints religion as perfect and all-saving while glossing over its many imperfections and questionable rhetoric. It could have worked as commentary, satire, or maybe even a sincere memoir, but as it is, it just feels like a short-sighted attempt at telling history.

Genre: Drama, History

Actor: Alexia Ioannides, Anna Grace Barlow, Billy Graham, Charlie Morgan Patton, DeVon Franklin, Jackson Robert Scott, Joel Courtney, Jolie Jenkins, Jonathan Roumie, Julia Campbell, Kelsey Grammer, Kevin Downes, Kimberly Williams-Paisley, Matthew Montemaro, Mina Sundwall, Nic Bishop, Nicholas Cirillo, Paras Patel, Randall Newsome, Shaun Weiss, Steve Hanks

Director: Brent McCorkle, Jon Erwin

Rating: PG-13

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A movie based on a theme park ride is always going to be a marketing exercise, but what’s remarkable about Haunted Mansion is how uninterested it is in even pretending to be anything more. Amazon, Yankee Candle, CVS, Baskin Robbins, Burger King: you could fill a mall with the list of brands shamelessly name-dropped in the movie. Gallingly, the cast are even forced to do double duty as brand ambassadors during some of the movie’s most determined efforts at poignancy — oof.

Not even an ensemble featuring the comedic-dramatic chops of LaKeith Stanfield, Rosario Dawson, Tiffany Haddish, Danny DeVito, Owen Wilson, and Chase Dillon (the best of the bunch) can make such naked cash-grabs feel organic. What’s more, though, Haunted Mansion depressingly asks so little of its cast that there aren’t really any opportunities for them to counterbalance these embarrassing moments with anything approaching compelling. Adding to its struggles are the mansion’s sludgy color palette (which renders every scene unremarkable, no matter how moving or spooky it’s supposed to be) and the fact that it somehow feels rushed even at an overlong two hours. Though you can appreciate director Justin Simien’s efforts at elevating the material into something coherent, Haunted Mansion feels as lifeless as the ghosts that fill it.

Genre: Comedy, Family, Fantasy, Horror

Actor: Alisa Harris, Amy Parrish, Andrew Morgado, Anthony Burrell, Arielle Prepetit, Ashley John, Ayane Azevedo, Ben Bladon, Bryan McClure, Chad Crumley, Charity Jordan, Charles Black, Chase W. Dillon, Chenise Johnson, Christopher Winchester, Clarence White III, Creek Wilson, Cruz Abelita, D. Jerome Wells, Dan Levy, Danny DeVito, Derrick James Moss, Don Stallings, Edward Zhu, Elisabeth Lagrande, Erika Coleman, Erion Brandon WIlliams, Fedor Steer, Glendon Ray Hobgood, Gralen Bryant Banks, Hasan Minhaj, Hector Machado, Helene Henry, Ian Covell, J.R. Adduci, Jamie Lee Curtis, Jared Leto, Jared Simon, Jo Koy, John Curran, Joseph Miller, Julie Nalibov, Kailie Sanders, Kamran Shaikh, Kat Montes, Kathi Callahan, Kay Galvin, Keiko Bell, Kurt Yue, Lakeith Stanfield, Lindsay Lamb, Lorenzo Beronilla, Lumar Christopher Leblanc III, Manuel Perkins, Marcus Otis Hubbard, Marilu Henner, Mike Benitez, Nico Gomez, Owen Wilson, Paul Michael Robertson, Rachel Pitner, Raianna Brown, Rick Andosca, Rosario Dawson, Rowan Joseph, Sebastien Soudais, Steve Zissis, Terence Mathews, Terence Rosemore, Tiffany Haddish, Tony Paone, Tracy Goode, William Calvert, Winona Ryder

Director: Justin Simien

Rating: PG-13

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In TV and cinema, meeting your partner’s parents is a tried-and-tested formula that’s bound to generate relatable laughs. Meet the Parents, The Proposal, and Happiest Season are some modern classics that come to mind. Yet, French Girl fumbles this opportunity by peddling cliche after cliche with zero charm. Braff’s character is supposed to possess at least an inkling of likeability for us to root for him, but he can’t even manage that. His rival Ruby (Vanessa Hudgens) is so much more inviting that the film has to create a whole new evil arc for her in the third act to convince us to turn on her. This is all too bad because, beneath the rubble that is the film’s characters and plot lines, there is something true and endearing in the form of Sophie’s family. I wish we had more of those scenes because their interactions feel real and intimate. Unrestricted by formula and pressures to be funny, they soar.

Genre: Comedy, Romance

Actor: Alex Woods, Antoine-Olivier Pilon, Catherine De Sève, Chanelle Ouellette, Charlotte Aubin, Christian Paul, Ed Weeks, Evelyne Brochu, Georges St-Pierre, Isabelle Vincent, Jeanne Roux-Coté, Karl Farah, Luc Picard, Luc-Martial Dagenais, Marc Larrivée, Melia Charlotte Cressaty, Muriel Dutil, Olivier Gervais-Courchesne, Ralph Prosper, Rémi Goulet, Sylvie Potvin, Vanessa Hudgens, William Fichtner, Zach Braff

Director: James A. Woods, Nicolas Wright

Rating: R

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If nothing else, Chris Moukarbel's Tribeca Film Festival-winning narrative feature really forces us to think about the form of the documentary and the layers of interpretation through which we're shown an ostensibly factual account. Cypher begins as a music doc, before taking on true-crime qualities, then turning into a full-blown found footage thriller—the movie itself practically being brainwashed into its own conspiracy. Unfortunately, this is all much less interesting in execution, as the film goes long stretches without keeping up the momentum of its eerier moments. Its eventual twists are particularly uninspired, coming up with a vision of the music industry that doesn't say anything all that meaningful.

Genre: Documentary, Drama, Music, Mystery

Actor: Brian Jordan Alvarez, Chris Anthony, Chris Moukarbel, Jamila Curry, Johnny Montina, Kenete Simms, Nick Canonica, Tierra Whack, Vanya Asher

Director: Chris Moukarbel

Rating: R

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There's a powerful drama in here somewhere, where the toll of wrongful imprisonment tests the resolve of an Armenian repatriate, as he clings to traces of hope that he can see just beyond his prison cell window. Unfortunately, Amerikatsi constantly overstates itself through corny jokes and music choices, and it overestimates how compelling its mostly single-location narrative can be. This is a film that, for all its good intentions, relies far too heavily on fish-out-of-water quaintness and Rear Window-esque storytelling from a distance—downplaying the emotional and psychological toll of imprisonment and the violence inflicted upon other Armenians during this time. Amerikatsi doesn't really tell us much about the situation in the country at the time; it only ever tries too hard to make us feel something.

Genre: Comedy, Drama

Actor: Hovik Keuchkerian, Jean-Pierre Nshanian, Michael A. Goorjian, Michael Goorjian, Mikhail Trukhin, Narine Grigoryan, Nelly Uvarova

Director: Michael A. Goorjian, Michael Goorjian

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You should know from the get-go that Cocoa is a wild farce that doesn’t take itself too seriously, and neither should you. The mafia, a wild scientist, and a giant clumsy dog somehow weave themselves into what initially seems to be just a story of two sisters selling pastries and bonding along the way. It goes in for multiple twists and turns, which on paper, sounds like a fun ride, but shoddy production value can only get you so far. After a few chuckles, the poor direction, elementary acting, and stilted editing all catch up on you, and Cocoa soon becomes the kind of movie you have to sit through and endure rather than breeze through. It’s great to put on if you have undiscerning kids around, but otherwise, this TV movie just doesn’t cut it. 

Genre: Comedy

Actor: Cedric Gegel, Jody Mortara, Megan McGarvey, Siena D'Addario, Tony Cucci

Director: Jody Mortara, Joe Gawalis

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At one point in The Whale, Brendan Fraser’s Charlie —  a morbidly obese, reclusive teacher — describes an act of abject cruelty as “not evil” but “honesty.” Darren Aronofsky seems to believe the same about his movie, but alas, he's gravely misled, because The Whale is flooringly glib. From the outset, the film actively and incessantly tries to choreograph audience disgust for Charlie, all so that it can pull off a manipulative “he’s human, actually” swing later on — a “twist” that won’t work if you, you know, already accept people’s humanity irrespective of their appearance. 

Cinematography, makeup, and score all conspire to paint Charlie as grotesque: the camera laboriously over-emphasizes his size and mobility issues, while histrionic music chimes in to frame trivial moments (like Charlie reaching to pick something up from the floor) as grand, tragic dramas. Even if you ignore all its needless cruelty, The Whale — which is adapted from a play — can never shed its stagy origins: the writing frequently reaches for transcendence, but its efforts are as subtle as its evidently retroactively-shoehorned-in-title. If it’s as sincere as it purports to be, this is one of the worst movies of recent years, and if it’s not — which is almost preferable — then it’s a landmark exercise in trolling.

Genre: Drama

Actor: Allison Altman, Brendan Fraser, Hong Chau, Jacey Sink, Lance Oppenheim, Sadie Sink, Samantha Morton, Sathya Sridharan, Ty Simpkins, Wilhelm Schalaudek

Director: Darren Aronofsky

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There’s no way to escape it– the plotline of One True Loves feels like the other side of Cast Away (2000), but instead of focusing on the survival aspect, it focuses on the wife trying to move on with grief. The original novel portrays Emma moving on through reclaiming her past, and learning to appreciate the roots she’s tried to forget with her lost husband. However, the film adaptation falters in depicting the personal, inner world of Emma, as it bungles through the timelines with Hallmark-esque quotes and disarranged scenes. It tries to save the film through its star-studded cast, but their decent performances can’t save the way the film is structured.

Genre: Comedy, Drama, Romance

Actor: Beth Broderick, Christina Bach, Cooper van Grootel, Gabriella Garcia, Gary Hudson, Jacinte Blankenship, Jay DeVon Johnson, Jessi Goei, Kelvin Hodge, Lauren Tom, Luke Bracey, Michael OKeefe, Michaela Conlin, Oceana Matsumoto, Oona Yaffe, Phillipa Soo, Simu Liu, Tom Everett Scott, Victoria Blade, Wil Deusner

Director: Andy Fickman

Rating: PG-13

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About My Father is clearly intended to be a cringe comedy a la Meet the Parents (it even features Robert De Niro as another grumpy dad), but it stretches the concept of “funny” so thin that the memory of that scene in which a cat pees on the contents of a smashed urn will feel like dizzying comic heights in comparison. The premise — an Italian-American man struggles to win the acceptance of his WASPish in-laws — might have made sense 100 years ago, but today, it strikes as farfetched. Even without that weak foundation, much of About My Father has a shaky grasp on what makes a movie work. The screenplay feels like the product of crudely stitching together several over-manufactured set-pieces, with the result being an almost total lack of fluidity and characters who often contradict themselves.

The film starts out on its worst foot: star–co-writer Sebastian Maniscalco lays the voiceover on thick, while Sebastian’s brash Sicilian father Salvo (De Niro) is so unceasingly negative that it turns a presence that should be great into one that’s only grating. Though it does find something of a footing as a saccharine family drama in its back half, it’s much too little, too late.

Genre: Comedy, Drama

Actor: Adan James Carrillo, Anders Holm, Brett Dier, David Rasche, Kim Cattrall, Leslie Bibb, Robert De Niro, Sebastian Maniscalco

Director: Laura Terruso

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While at first it seems like this third installment in Antoine Fuqua's series of Denzel Washington star vehicles is setting itself up to be a more serious and thoughtful story of personal absolution, it gradually becomes clear that The Equalizer 3 has no story to tell. Very, very little happens in this movie, and all the time we spend with Washington (still somehow compelling, even when he's on autopilot) drinking tea and chatting with locals doesn't lead to any character relationships worth caring for. Fuqua and screenwriter Richard Wenk seem to want to create a sense of familiarity with this Italian town, through which we should ideally see the things Robert McCall grows to value in his violent life. But even the prettiest landscapes (shot by Robert Richardson) can't make up for how empty and misjudged the writing is.

There are approximately two short action scenes in The Equalizer 3, neither of which has the clockwork precision of the fights in the first film, or the environmental inventiveness of the climax of the second film. And while an action movie can aspire to something beyond its action, the fact that this installment has abandoned it completely is a genuinely perplexing choice.

Genre: Action, Crime, Thriller

Actor: Adolfo Margiotta, Agostino Chiummariello, Andrea Dodero, Andrea Scarduzio, Arcangelo Iannace, Beatrice Aiello, Bruno Bilotta, Dakota Fanning, Daniele Ornatelli, Daniele Perrone, Danilo Capuzi, David Denman, Dea Lanzaro, Denzel Washington, Diego Riace, Eugenio Mastrandrea, Gaia Scodellaro, Gianluigi Scilla, Giovanni Scotti, Lucia Zotti, Luigi Catani, Marco Giuliani, Mariarosaria Mingione, Marta Zoffoli, Mauro Cremonini, Melissa Leo, Niccolò Senni, Remo Girone, Salvatore Ruocco, Simona Distefano, Sonia Ammar, Valerio Da Silva, Zakaria Hamza

Director: Antoine Fuqua

Rating: R

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Sight is based on the extraordinary life of Dr. Ming Wang, a Chinese immigrant who fled Communist China and revolutionized his field of ophthalmology in the West. Because of his hardships, he’s sympathetic to the needy and often takes pro-bono cases. In the movie, he even helps partially restore a little girl’s sight, which was cruelly taken from her by an abusive stepmom. Obviously, Wang’s story is rife with intrigue, inspiration, and drama, but this film by Director Andrew Hyatt does him no justice. There is no conflict nor tension to be found here, no exciting twists or turns—just a perfectly bland story whose ending anyone could guess. The performances could’ve elevated it, but Terry Chen, who plays Wang, never compels. To be fair, he doesn’t seem to have a lot to work with; he’s just an all-around good guy who doesn’t find the need to grow past anything. But even in the simplest scenes, his delivery seems wooden, almost like he, too, is unconvinced by the strength of his lines. Looking equally bored is a squandered Greg Kinnear, whose presence makes me wonder whether he has some debts he needs to settle. But even if Chen and Kinnear gave it their all, it’s hard to imagine Sight as anything more than a lazy attempt to retell an inspiring true story.

Genre: Drama, History

Actor: Aaron Paul Stewart, Ben Wang, Danni Wang, Donald Heng, Fionnula Flanagan, Greg Kinnear, Jennifer Juniper Angeli, Ken Godmere, Mia SwamiNathan, Natalie Skye, Raymond Ma, Sky Kao, Terry Chen, Wai Ching Ho

Director: Andrew Hyatt

Rating: PG-13

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