Tag: USA-epix

Not much happens in Women Talking, but what it lacks in action it more than makes up for in message. As the wronged women of an insular Christian colony decide whether they should leave or stay in their community, valuable points on each side are raised and debated fiercely. Are the men at fault or is there a bigger problem at hand? Is it sacrilegious to refuse forgiveness? Will leaving really solve anything? 

The women of this ultraconservative and anti-modern community may not know how to read or write, but years of toiling away on land, family, and faith have made them wise beyond their years, which makes their discussion all the more captivating and powerful. Relevant themes, coupled with director Sarah Polley’s poetic shots and the cast’s all-around stellar performances, make Women Talking a uniquely compelling and timeless watch.

Genre: Crime, Drama

Actor: August Winter, Ben Whishaw, Caroline Gillis, Claire Foy, Eli Ham, Emily Mitchell, Frances McDormand, Jessie Buckley, Judith Ivey, Kate Hallett, Kira Guloien, Liv McNeil, Lochlan Ray Miller, Marcus Craig, Michelle McLeod, Nathaniel McParland, Rooney Mara, Shannon Widdis, Shayla Brown, Sheila McCarthy, Vivien Endicott Douglas, Will Bowes

Director: Sarah Polley

Rating: PG-13

Adventureland is a retro-tinged movie about teens in Pittsburgh working at a run down amusement park during the summer of 1987. It is marketed as similar to Superbad, when in fact the only thing they have in common is the Director. Adventureland is funny, but it is more sweet, tender, and intimate. Touching on themes of unrequited love, returning home, and small-town love, the film stars Jesse Eisenberg, Kristen Stewart, and the always-delightful-duo of Bill Hader and Kristen Wiig. In addition, the film’s soundtrack is a joyous blast from the past, running the gamut of all your favorite 1980’s synth-happy love songs. It is a movie that anyone can really relate to, no matter when they were born, and an amazing watch.

Genre: Comedy, Drama, Romance

Actor: Adam Kroloff, Amy Landis, Ashtin Petrella, Barret Hackney, Bill Hader, Dan Bittner, Declan Baldwin, Eric Schaeffer, Ian Harding, Jack Gilpin, Jesse Eisenberg, Josh Pais, Kelsey Ford, Kevin Breznahan, Kimisha Renee Davis, Kristen Stewart, Kristen Wiig, Lisa Lamendola, Marc Grapey, Margarita Levieva, Martin Starr, Mary Birdsong, Matt Bush, Michael Zegen, Paige Howard, Russell Steinberg, Ryan McFarland, Ryan Reynolds, Stephen Mast, Todd Cioppa, Vanessa Hope, Wendie Malick

Director: Greg Mottola

Rating: R

On the one hand, American Fiction is a razor-sharp satire that pokes fun at the hypocrisy of the literary and entertainment industry. It's only when Monk (Wright), a genius but esoteric writer, decides to pander and give in to what publishers have come to expect from Black authors (that is: trauma porn) that he is finally celebrated for his work. But on the other hand, the film is also a tender family drama. Monk sells out, as it were, partly because he’s fascinated by the stupidity of decision-makers and supposed intellectuals, but mostly because he needs to pay for his ailing mother’s care. His relationship with his siblings and deceased father likewise informs much of his character, and they complicate what could’ve been just an intellectual approach to a social issue. This is an educational and entertaining film, yes, one that looks at the complex intersection between identity, craft, and profit. But it’s also an empathetic film, told with a big heart and a surprisingly light touch.

Genre: Comedy, Drama

Actor: Adam Brody, Alexander Pobutsky, Bates Wilder, Becki Dennis, Celeste Oliva, David De Beck, Dustin Tucker, Erika Alexander, Greta Quispe, Issa Rae, J. C. MacKenzie, Jeffrey Wright, Jenn Harris, John Ales, John Ortiz, Kate Avallone, Keith David, Leslie Uggams, Michael Cyril Creighton, Michael Jibrin, Michael Malvesti, Miriam Shor, Myra Lucretia Taylor, Neal Lerner, Okieriete Onaodowan, Patrick Fischler, Raymond Anthony Thomas, Skyler Wright, Sterling K. Brown, Tracee Ellis Ross

Director: Cord Jefferson

Rating: R

Even a director of William Friedkin’s caliber had his work cut out for him with this remake of the towering 1957 drama tracking a jury's fraught deliberations in an apparently open-and-shut murder trial. Wisely, he changes little: most of the incisive dialogue remains the same, and the film still only takes place in one sweltering room on New York’s hottest day.

There are some key differences, though: namely, in a few of the characters (most notably Mykelti Williamson’s ex-Nation of Islam member Juror #10, who helps update the story to the '90s) and the intensification of the ensemble’s star power. The all-star quality of the cast is never wielded to call attention to itself, though; everyone, from James Gandolfini and William Petersen to Tony Danza and Edward James Olmos is on fine character acting form here. Replacing the unforgettable Henry Fonda is Jack Lemmon (exuding warmth and good sense) as the principled lone dissenter who calmly wages a war of words with George C. Scott’s bigoted Juror #3 to give real justice a chance. The 1957 version is admittedly a timeless classic, but Friedkin's version isn't very far off from reaching its predecessor’s dazzling heft — plus, this stands as a compelling argument that every era should have its own 12 Angry Men.

Genre: Crime, Drama, TV Movie

Actor: Armin Mueller-Stahl, Courtney B. Vance, Dorian Harewood, Douglas Spain, Edward James Olmos, George C. Scott, Hume Cronyn, Jack Lemmon, James Gandolfini, Mary McDonnell, Mykelti Williamson, Ossie Davis, Tony Danza, Tyrees Allen, William Petersen

Director: William Friedkin

Rating: PG-13

Earnest, beautiful, and tender, Luca Guadagnino's Bones and All is many things: a road trip movie that sweeps the midwest deserts of 1980s America; a coming-of-age story that brings together two outsiders into an understanding world of their own; and a cannibal film that is unflinchingly flesh deep in its depiction of the practice. Bizarrely, these seemingly disparate elements work harmoniously to create a film that you won't soon forget, not least because of its rawness. 

As the aforementioned outsiders, Maren and Lee (Taylor Russell and Timothée Chalamet, respectively) are bewitching—individually sure but especially when they're together. They have a bond that is quite difficult to replicate onscreen, charged as it is with so much chemistry and warmth. The background players also bring their a-game when called for, especially Mark Rylance as the disturbing stalker Sully, Michael Stuhlbarg as the creepy but good-willed Jake, and Chloë Sevigny as Maren's stark mad mother. 

It's worth repeating that this movie goes all in on the gore, so steer clear if you don't have the heart for these sorts of things. But if you do, the viewing experience is rewarding. Bones and All is as romantic as they get, and rather than bury its message, the many layers on top of its core serve as a meaningful puzzle to unpack and unravel long after the credits roll.

Genre: Drama, Horror, Romance

Actor: Andre Holland, Anna Cobb, Brady Gentry, Chloe Sevigny, Christine Dye, David Gordon Green, Hannah Barlow, Jake Horowitz, Jenny McManus, Jessica Harper, Johanna McGinley, Madeleine Hall, Marcia Dangerfield, Mark Rylance, Michael Stuhlbarg, Sean Bridgers, Taylor Russell, Timothée Chalamet, Tom O'Brien

Director: Luca Guadagnino

Rating: R

An arguably tough watch, The Accused fluctuates between crime and courtroom drama, eschewing any kind of sentimentality in its storytelling. No place for pity where trauma reigns: the fact that the film is based on a real case of as gang rape means little in a world were that's still a daily occurrence. The Accused knows it well and invests its two protagonist with all the anger in the world, hoping the justice system will be on the right side of history at once: that of women. Two amazing leads set the bar very high: Jodie Foster and Kelly McGillis who plays prosecutor Kathryn Murphy. Together, they make a powerful duo of heated performances that embody the contradictions of being a woman under patriarchy.

Genre: Crime, Drama

Actor: Allan Lysell, Andrew Kavadas, Ann Hearn, Antony Holland, Babs Chula, Bernie Coulson, Carmen Argenziano, Christianne Hirt, Dana Still, David Sheridan, Denalda Williams, Deryl Hayes, Frances Flanagan, Freda Perry, Garry Chalk, Garwin Sanford, Jerry Wasserman, Jodie Foster, Kelly McGillis, Kevin McNulty, Kim Kondrashoff, Leo Rossi, Linda Darlow, Marsha Andrews, Michele Goodger, Mike Winlaw, Pamela Martin, Peter Bibby, Peter Van Norden, Rebecca Toolan, Rose Weaver, Scott Paulin, Stephen Dimopoulos, Stephen E. Miller, Steve Antin, Terry David Mulligan, Tom Heaton, Tom McBeath, Tom O'Brien, Veena Sood, Walter Marsh, Woody Brown

Director: Jonathan Kaplan

Rating: R

British director Adrian Lyne (9 1/2 Weeks) is famous for his uncompromising treatment of seedy eroticism and charged stories. Fatal Attraction is a staple of the erotic thriller genre and with good reason, it's steamy and very 1980s in the best possible way. Like a good vintage, it has the whiff of old times, but with the pleasure of a spectacle that belongs to the past. That's the lens through which you can view the story of a deranged mistress who won't stop at anything to ruin your life and marriage, and still savour some sanity in the 21st century. Seen from a slightly removed perspective, the film becomes a stylized variation on conservative AIDS panic and a provocation to conservative heteronormativity. It has to be said that not all of the film has aged well, especially the gender politics at play. But if you can soothe yourself with a revisionist reading, it pairs well with Paul Verhoeven's Basic Instinct: the things Michael Douglas's characters do for (extramarital) thrills...

Genre: Drama, Romance, Thriller

Actor: Anna Thomson, Anne Archer, Barbara Harris, Carol Schneider, Christine Farrell, Christopher Rubin, David McCharen, Ellen Foley, Ellen Hamilton Latzen, Faith Geer, Fred Gwynne, Glenn Close, Greg Rhodes, J.D. Hall, J.J. Johnston, James Eckhouse, Jan Rabson, Jane Krakowski, Judi M. Durand, Justine Johnston, Larry Moss, Lois Smith, Lynnanne Zager, Marilyn Schreffler, Mary Joy, Meg Mundy, Michael Arkin, Michael Douglas, Mike Nussbaum, Rocky Krakoff, Sam Coppola, Stuart Pankin, Tom Brennan, Vladimir Skomarovsky

Director: Adrian Lyne

Rating: R

The shiver-inducing talents of Stephen King, David Cronenberg, and Christopher Walken meld to produce this supremely chilly supernatural thriller adaptation. Schoolteacher Johnny’s (Walken) perfect life is overturned when a horrific car accident puts him in a coma that robs him of five years of his life — and with them, his job and girlfriend Sarah (Brooke Adams), who moves on with someone else.

For anyone familiar with Cronenberg’s films, the director’s involvement might lead you to expect results from this premise as idiosyncratic as Crash or Videodrome’s, but The Dead Zone takes a decidedly more mainstream path than those works. In the place of graphic body horror is more palatable — but no less affecting — emotional bleakness, as Johnny contends with losing Sarah and a reality-warping new ability: he now has the power to see into the future of anyone he touches. While being forewarned about house fires and nuclear war might be a blessing for those whose lives he saves, Johnny struggles with the emotional burden of being responsible for preventing these future tragedies. More than any of the chilling setpieces — a frantic hunt for a serial killer, the attempted assassination of a demagogue — it’s Johnny’s grappling with this gift-slash-curse that gives The Dead Zone its fierce intensity.

Genre: Horror, Science Fiction, Thriller

Actor: Anthony Zerbe, Barry Flatman, Brooke Adams, Chapelle Jaffe, Christopher Walken, Cindy Hinds, Claude Rae, Colleen Dewhurst, David Rigby, Géza Kovács, Hardee T. Lineham, Helene Udy, Herbert Lom, Jackie Burroughs, James Bearden, John Koensgen, Ken Pogue, Leslie Carlson, Martin Sheen, Nicholas Campbell, Peter Dvorsky, Ramon Estevez, Roberta Weiss, Roger Dunn, Sean Sullivan, Tom Skerritt, William B. Davis

Director: David Cronenberg

Rating: R