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Transit is based on a WWII novel — though you wouldn’t be able to tell from first glance. While the characters talk of German fascists occupying France, anachronistic details (like modern technology and clothing) suggest we haven’t gone back in time at all. Director Christian Petzold isn’t trying to confuse us: by blurring the backdrop, he’s making the terror and the desperation of the story more immediate — removing the distance that might have prevented us from really feeling what happens.

The uncanny historical echo effect works as intended, because the parallels Transit subtly draws between the past and today are horribly clear. What’s more, the movie’s intentionally ambiguous framing suffuses the plot with an otherworldly sense of mystery, a quality that gradually intensifies as Georg (Franz Rogowski) desperately searches for a one-way ticket out of hellish bureaucratic limbo before he finds himself waylaid by that most mysterious emotion of all: love. Unshakably haunting and undeniably poignant, this is a movie that will live under your skin.

Genre: Drama

Actor: Àlex Brendemühl, Antoine Oppenheim, Barbara Auer, Emilie de Preissac, Franz Rogowski, Godehard Giese, Grégoire Monsaingeon, Justus von Dohnányi, Lilien Batman, Louison Tresallet, Maryam Zaree, Matthias Brandt, Paula Beer, Ronald Kukulies, Sebastian Hülk, Trystan Putter

Director: Christian Petzold

A quirky and lovely coming of age film, the Kings of Summer celebrates the beauty and madness of adolescence and the sheer joy of long summer days. The plot follows three teenage friends, who, in the ultimate act of independence, decide to spend their summer building a house in the woods and living off the land. The house soon becomes a microcosm of their relationships with each other and the world at large, prompting conflict and mirroring their own transformations as they grow. Simple yet powerful, the Kings of Summer has a lot to say.

Genre: Comedy, Drama

Actor: Alison Brie, Angela Trimbur, Austin Abrams, Brady Novak, Brian Sacca, Christine McBurney, Craig Cackowski, David Gragg, Derick Mayes, Eric Frank, Erin Moriarty, Eugene Cordero, Gabriel Basso, Gillian Vigman, Hannibal Buress, Jeffrey Grover, Joel Thingvall, Justin Cooney, Kumail Nanjiani, Lili Reinhart, Logan Fry, Marc Evan Jackson, Maria Laskowski, Mary Lynn Rajskub, Megan Mullally, Michael Cipiti, Moises Arias, Nathan Keyes, Nick Offerman, Nick Robinson, Nick Rutherford, Nicole Tubbs, Peter Karinen, Priscilla Kaczuk, Taylor Nelms, Theresa Wylie, Thomas Middleditch, Tony Hale

Director: Jordan Vogt-Roberts

Rating: R

Gosford Park inspired screenwriter Julian Fellowes to create Downton Abbey — but don’t let that association fool you, because this is no quaint, sentimental period drama but a scalding satire of 1930s England class relations (even though Maggie Smith does play a withering dowager countess here, too). Robert Altman, master orchestrator of ensembles, assembled a banquet of performers here, including Michael Gambon, Kristin Scott Thomas, and Charles Dance as the well-to-do attendees of a hunting party on a grand estate. Working furiously to meet their every whim is the house’s domestic staff, played by such talents as Emily Watson, Helen Mirren, Kelly Macdonald, and Clive Owen.

The murder comes over an hour into the film, which ought to tell you about its real focus (Altman actually called Gosford Park a “who cares whodunnit”). In place of Agatha Christie-style intrigue is brilliant characterization and storytelling. Even at 137 minutes, 30-plus characters mean time is of the essence, but Altman and his actors miraculously find a way to convey a deep sense of each person — especially those downstairs. This tangle of rich lives never gets overwhelming, though, because Gosford Park is expertly paced. It’s nothing less than a joy to sit back and experience the masterful unraveling of its many threads, each more revelatory than the last.

Genre: Drama, Mystery, Thriller

Actor: Adrian Scarborough, Alan Bates, Bob Balaban, Camilla Rutherford, Charles Dance, Claudie Blakley, Clive Owen, Derek Jacobi, Eileen Atkins, Emily Watson, Emma Buckley, Finty Williams, Frances Low, Frank Thornton, Geraldine Somerville, Gregor Henderson-Begg, Helen Mirren, James Wilby, Jeremy Northam, Jeremy Swift, Joanna Maude, John Atterbury, Kelly Macdonald, Kristin Scott Thomas, Laura Harling, Laurence Fox, Leo Bill, Lucy Cohu, Maggie Smith, Meg Wynn Owen, Michael Gambon, Natalie Danks-Smith, Natasha Wightman, Richard E. Grant, Ron Webster, Ryan Phillippe, Sarah Flind, Sophie Thompson, Stephen Fry, Teresa Churcher, Tom Hollander, Trent Ford

Director: Robert Altman

Rating: R

This autobiographical documentary covering the span of Brian DePalma’s 50+ year filmmaking career is taken from the man himself. From budget-less independent films to multi-million dollar box-office projects, he offers a fascinating professional history. But don’t expect critical analysis of his frequently controversial choices (such as the infamous oversized drill used as a murder weapon in Body Double)—he will acknowledge the existence of these issues, if only to grin and shrug them off, at times literally. What you can expect is to feel you are taken by the hand through Hollywood filmmaking experiences over the course of decades: negotiations, rewrites, stolen scripts, scuffling actors; tours of technical points of interest from his movies with commentary on deftly chosen film clips. You don’t have to be a fan to get a wealth of entertainment here. Not to be missed.

Genre: Documentary, Drama

Actor: Amy Irving, Brian De Palma, Kurt Russell, Mark Hamill, Sissy Spacek, Steven Spielberg

Director: Jake Paltrow, Noah Baumbach

Mike Leigh’s forthright and compassionate depiction of working-class life extends to his period pieces as well. Imelda Staunton is remarkable as Vera Drake, a housekeeper in 1950’s London who quietly performs abortions on the side.

Leigh’s vigilant portrayal of class highlights the stark divide between abortion access for the poor and what is offered to the rich. The storytelling is simple and straightforward, he doesn’t over-sentimentalize or grandstand, but merely depicts conditions as they were. Meanwhile, Staunton’s Vera oozes so much fullness, warmth, and empathy, that the heartbreak that follows is mercilessly palpable. 

Genre: Drama

Actor: Adrian Scarborough, Alan Williams, Alex Kelly, Allan Corduner, Angela Curran, Angie Wallis, Anna Keaveney, Anthony O'Donnell, Billie Cook, Billy Seymour, Chris O'Dowd, Craig Conway, Daniel Mays, Eddie Marsan, Eileen Davies, Elizabeth Berrington, Emma Amos, Fenella Woolgar, Gerard Monaco, Heather Craney, Helen Coker, Imelda Staunton, Jake Wood, James Payton, Jane Wood, Jeffry Wickham, Jim Broadbent, Joanna Griffiths, John Warman, Judith Scott, Leo Bill, Lesley Manville, Lesley Sharp, Liz White, Marion Bailey, Martin Savage, Nicholas Jones, Nicky Henson, Nina Fry, Paul Jesson, Paul Raffield, Peter Wight, Phil Davis, Richard Graham, Robert Putt, Rosie Cavaliero, Ruth Sheen, Sally Hawkins, Sam Troughton, Sandra Voe, Sid Mitchell, Simon Chandler, Sinéad Matthews, Tilly Vosburgh, Tom Ellis, Vincent Franklin, Vinette Robinson, Wendy Nottingham

Director: Mike Leigh

Rating: R

Awkward. That is how Oliver Tate can be described, and generally the whole movie. But it is professionally and scrutinizingly awkward. Submarine is a realistic teen comedy, one that makes sense and in which not everyone looks gorgeous and pretends to have a tough time. It is hilarious and sad, dark and touching. It is awesome and it's embarrassing, and it's the kind of movie that gets nearly everything about being a teen right, no matter where you grew up.

Genre: Comedy, Drama, Romance

Actor: Adrienne O'Sullivan, Ben Stiller, Claire Cage, Craig Roberts, Darren Evans, Elinor Crawley, Gemma Chan, Lydia Fox, Lynn Hunter, Melanie Walters, Noah Taylor, Paddy Considine, Sally Hawkins, Sarah Pasquali, Sion Tudor Owen, Steffan Rhodri, Yasmin Paige

Director: Richard Ayoade

Rating: R

Co-produced by the legendary Studio Ghibli and directed by Dutch animator Michaël Dudok de Wit, The Red Turtle is a tale about a man shipwrecked on a desert island whose fate is changed upon meeting a giant turtle. Beautiful images are pulled together and combined with the film’s delicate symbolism about humanity and nature, in a story told with remarkable restraint. The only sound in the movie is that of nature and the film’s beautifully relaxing score. Using only simple ingredients, The Red Turtle is an enigmatic, captivating, and highly-recommended gem that, after all, encompasses life itself.

Genre: Animation, Drama, Family, Fantasy

Actor: Barbara Beretta, Emmanuel Garijo, Tom Hudson

Director: Michael Dudok de Wit

The Kid With A Bike is a deceptively simple title for a film this stirring. At 12 years old, Cyril (Thomas Doret) has been abandoned to social care by his father (Jérémie Renier) — but what’s really heart-wrenching is that he’s in denial about the finality of their separation. Cyril’s muscles are seemingly always coiled, ready to spring him away from his carers and onto the next bus that’ll take him to his disinterested dad, who has secretly moved away to “start anew.” It’s only through the random force of Cyril’s few words — like the moment he asks the first stranger to show him some kindness (Samantha, played by Cécile de France) if she’ll foster him on the weekends — that we get to sense the depth of his desperation, because neither the film nor Doret is showy in that regard.

The film pulls off transcendency because of these restrained performances and its unfussy realism. In the quietness of the storytelling, emotion hits unexpectedly — and deeply. The everyday tragedy and miraculous hope of Cyril’s life are set off by some enormously moving orchestral Beethoven, the very grandeur of which underscores the effect of the humanist filmmaking: affirming the inherent preciousness of his troubled, oft-rejected child.

Genre: Drama

Actor: Baptiste Sornin, Cécile de France, Egon Di Mateo, Fabrizio Rongione, Jérémie Renier, Myriem Akheddiou, Olivier Gourmet, Samuel De Rijk, Thomas Doret

Director: Jean-Pierre Dardenne, Luc Dardenne

, 1985

An attempt to articulate just how vast and magnificent the scope of Akira Kurosawa’s 乱 (Ran) is will inevitably fall short. Recognized as a master of epics, including his 七人の侍 (Seven Samurai, 1954), Kurosawa reimagines Shakespeare’s tragic King Lear set in medieval Japan. Each shot is labored and precise, as sublime landscapes overwhelm the screen, dwarfing the armies of men fighting below. 

At the center of the ensuing wars is Hidetora Ichimonji, an aging warlord. Ichimonji divides his conquered land between his three sons, Taro, Jiro, Saburo. The Ichimonji clan, however, will not settle for less than everything. Father and sons scheme against one another, leading to violent plots for control over the kingdom. Greed poisons the Ichimonji’s bloodline, pervasive and all-consuming. The tragedy that unfolds is indeed as poignant as any great Shakespeare work. 

The road ahead is lined with bodies, blood, jealousy, paranoia—and it’s a long way to the bottom from the throne. Kurosawa, confronting his own mortality and legacy, achieves a titanic masterpiece with Ran. Few films so deeply grasp the tragedy of war at this visceral level. While Ran is not an easy watch, it’s a must-watch for all.

Genre: Action, Drama, History

Actor: Akira Terao, Daisuke Ryû, Haruko Tôgô, Hisashi Igawa, Hitoshi Ueki, Jinpachi Nezu, Jun Tazaki, Kazuo Katô, Kenji Kodama, Kumeko Otowa, Mansai Nomura, Masayuki Yui, Mieko Harada, Norio Matsui, Pîtâ, Reiko Nanjo, Shinnosuke Ikehata, Susumu Terajima, Takeshi Katō, Tatsuya Nakadai, Tetsuo Yamashita, Tokie Kanda, Toshiya Ito, Yoshiko Miyazaki, Yoshitaka Zushi, 井川比佐志

Director: Akira Kurosawa

Four Lions is as black and as dark as a movie can ever get, mixing cultural relevancy with humor and ridiculousness. It is insensitive to Islam, insensitive to terrorism and insensitive to the viewer. But it is hilarious. The director spent three years talking to Imams, terrorism experts and basically everyone. The result? A legit 97 minutes that will dazzle even extremists with its knowledge of Islam and the accuracy of its lines. Needless to say that it will upset quite a few people, but that is always a good sign for black comedy movies, right?

Genre: Comedy, Crime, Drama

Actor: Adeel Akhtar, Adil Mohammed Javed, Alex MacQueen, Arsher Ali, Benedict Cumberbatch, Craig Parkinson, Darren Boyd, Jonathan Maitland, Julia Davis, Kayvan Novak, Kevin Eldon, Marcus Garvey, Nigel Lindsay, Preeya Kalidas, Riz Ahmed, Shameem Ahmad, Waleed Elgadi, Wasim Zakir, Will Adamsdale

Director: Chris Morris, Christopher Morris

Rating: R

Bad Lieutenant is no misnomer: Harvey Keitel’s policeman really is one of NYPD’s worst. Already corrupt, abrasive, and abusive at the film’s outset, the movie chronicles his coked-out descent into total depravity after he’s called to investigate a heinous crime amid rapidly worsening personal circumstances. The brilliance of Bad Lieutenant is therefore a counterintuitive one: as awful as the Lieutenant is, we can’t help but feel emotionally involved because, in Keitel’s bravura performance, we can see the glint of pain — and thus of a person — within.

Always one for provocation, director Abel Ferrara pushes our empathy to — and maybe even beyond — its natural limits, only to break with the film’s hitherto unrelenting grit and dangle the glinting possibility of transcendent redemption in front of us. Anyone familiar with Catholic guilt cinema (movies like Martin Scorsese’s Who’s That Knocking At My Door and Mean Streets) will instantly recognize the same undercurrent running through Bad Lieutenant — even if Ferrara takes the idea of juxtaposing the profane with the sacred to the extreme here.

Genre: Crime, Drama

Actor: Bianca Hunter, Bo Dietl, Bob Murphy, Brian McElroy, Dana Dee, Darryl Strawberry, Ed Kovens, Eddie Daniels, Frank Adonis, Frankie Acciarito, Frankie Thorn, G. Elvis Phillips, Gene Canfield, Harvey Keitel, Heather Bracken, Iraida Polanco, Jaime Sánchez, John Steven Jones, Larry Mullane, Leonard L. Thomas, Minnie Gentry, Nicholas De Cegli, Paul Calderon, Paul Hipp, Peggy Gormley, Penelope Allen, Phil Neilson, Robin Burrows, Stella Keitel, Stephen Chen, Victor Argo, Victoria Bastel, Vincent Laresca, Zoë Lund

Director: Abel Ferrara

Based on a true story, The Whistleblower is the biography of a once Nebraskan police officer who volunteers for the U.N. peacekeeping mission in post-war Bosnia. Once there, she uncovers a human trafficking scandal involving peacekeeping officials, and finds herself alone against a hostile system in a devastated country. Rachel Weisz plays the whistleblower in a powerful lead role, but the true star of the movie is its director, Larysa Kondracki, who thanks to near documentary-style film-making delivers a perfectly executed political thriller with utmost authenticity.

Genre: Crime, Drama, Mystery, Thriller

Actor: Adriana Butoi, Alexandru Potocean, Alin Panc, Anca Androne, Anna Schafer, Benedict Cumberbatch, Bryan Jardine, Catherine McNally, Coca Bloos, Danny John-Jules, David Hewlett, David Strathairn, Dorotheea Petre, Florin Busuioc, Geoffrey Pounsett, Ion Sapdaru, Ionut Grama, Jeanette Hain, Liam Cunningham, Luke Treadaway, Monica Bellucci, Nikolaj Lie Kaas, Paul Jerricho, Paula Schramm, Pilou Asbæk, Rachel Weisz, Radu Bânzaru, Rayisa Kondracki, Rosabell Laurenti Sellers, Roxana Condurache, Roxana Guttman, Sergej Trifunović, Stuart Graham, Vanessa Redgrave, Victoria Raileanu, Vlad Ivanov, William Hope

Director: Larysa Kondracki

Rating: R

Quaint and quirky, Le Havre is a beautiful and heartwarming story about the power of compassion and the importance of community. It tells the story of a shoeshiner who tries to save an immigrant child in the French port city of Le Havre. The charming characters are easy to root for as this community of everyday people bands together to help this young boy reunite with his mother. Even as the film rejects the unempathetic responses to the refugee crisis, it utilizes gentle humor and a light cadence to invoke empathy for others that should exist.

Genre: Comedy, Drama

Actor: André Wilms, Corinne Belet, Elina Salo, Evelyne Didi, Ilkka Koivula, Jean-Pierre Darroussin, Jean-Pierre Léaud, Kati Outinen, Patrick Bonnel, Pierre Étaix

Director: Aki Kaurismäki