Genre: Drama, Science Fiction
Actor: Alex Garland, Alicia Vikander, Chelsea Li, Claire Selby, Corey Johnson, Domhnall Gleeson, Elina Alminas, Gana Bayarsaikhan, Oscar Isaac, Sonoya Mizuno, Symara A. Templeman, Symara Templeman, Tiffany Pisani
Director: Alex Garland
Genre: Drama, Music
Actor: Adrian Burks, April Grace, Austin Stowell, C.J. Vana, Calvin C. Winbush, Charlie Ian, Chris Mulkey, Clifton 'Fou Fou' Eddie, Damon Gupton, Henry G. Sanders, J.K. Simmons, Janet Hoskins, Jayson Blair, Jocelyn Ayanna, Joseph Oliveira, Kavita Patil, Keenan Allen, Keenan Henson, Kofi Siriboe, Marcus Henderson, Max Kasch, Melissa Benoist, Michael D. Cohen, Michelle Ruff, Miles Teller, Nate Lang, Paul Reiser, Rogelio Douglas Jr., Stephen Hsu, Suanne Spoke, Tarik Lowe, Tony Baker, Tyler Kimball, Wendee Lee
Director: Damien Chazelle
Everybody loves a good coming-of-age movie, but they have their trappings. Their youthful characters are often cartoonish, or perfect, or insanely inept. This is where The Spectacular Now achieves something that is indeed spectacular: it feels incredibly real. The film features Miles Teller (from Whiplash) as a charming, but slightly lost, heavily partying high-school senior named Sutter Keely. After waking up on a strange lawn after a long night, he is awoken by Aimee, played by Shailene Woodley, whose performance is as spectacular as the depth of this movie's characters. What starts as a rebound fling for Keely eventually goes deeper and deeper, while his problems become more and more apparent to us, the viewers, to Aimee, and to his caring teacher, played by the incredible Andre Royo, who some of you might recognize as the iconic Bubbles from The Wire. If this premise sounds corny to you, think again, because this film has a deep respect for its characters and the journeys they must take. A sensitive drama with incredibly life-like performances.
Genre: Comedy, Drama, Romance
Actor: Alex D'Lerma, Andre Royo, Bob Odenkirk, Brie Larson, Christopher Nathan, Dayo Okeniyi, Dina Sherman, Doug Haley, E. Roger Mitchell, Gary Weeks, Jennifer Jason Leigh, Kaitlyn Dever, Karen Strassman, Keith Silverstein, Kyle Chandler, Levi Miller, Mary Elizabeth Winstead, Masam Holden, Mike Hickman, Miles Teller, Nico Ford, Shailene Woodley, Valerie Payton, Whitney Christopher, Whitney Goin
Director: James Ponsoldt
Genre: Drama, Family, Romance
Actor: Bonnie Sturdivant, Jacob Lofland, Joe Don Baker, Kristy Barrington, Matthew McConaughey, Michael Abbott Jr., Michael Shannon, Paul Sparks, Ray McKinnon, Reese Witherspoon, Sam Shepard, Sarah Paulson, Stuart Greer, Tye Sheridan
Director: Jeff Nichols
In the dark comedy This Is Going to Hurt, Ben Whishaw stars as junior doctor Adam, who's barely keeping it together in the understaffed and under-equipped ob-gyn ward of Britain's NHS hospital. We see, often in sad and graphic detail, what goes on in a public hospital and the heavy toll this takes on both the patients’ and medical staff’s personal lives. It's hard to look away, especially when Adam addresses us in the first person.
Even more upsetting? The miniseries is based on a memoir. Former medical trainee Adam Kay wrote a best-selling book detailing his horrific time at the NHS, and now he serves as executive producer and writer of the series.
Genre: Comedy, Drama
Actor: Alex Jennings, Ambika Mod, Ashley McGuire, Ben Whishaw, Kadiff Kirwan, Michele Austin, Rory Fleck Byrne
In BBC’s The Capture, a young soldier’s murder conviction is overturned thanks to submitted video evidence. But before he can enjoy his newfound freedom, a different video—this time live CCTV footage—places him at the scene of a new crime. The proof seems damning, but the deeper Detective Rachel Carey (Holliday Grainger) digs into the case, the more she learns about the wider conspiracy underneath it.
The Capture is everything you’d expect from a British police procedural: intelligent, lean, and sufficiently dramatic: no extra fat and unnecessary bits to be found here as action and mystery take center stage. And although TV may already be brimming with thrillers like it, what sets The Capture apart is its eerie insight into our so-called “post-truth” era. Instead of hardened criminals, our heroes go up against deepfakes, disinformation, and 24/7 surveillance. The series lets us know that the threat manipulated technology poses isn't mere science fiction anymore—it's evolved into an unfortunate and unbeatable reality.
Genre: Crime, Drama, Mystery, Thriller
Actor: Andy Nyman, Ben Miles, Callum Turner, Charlie Murphy, Famke Janssen, Holliday Grainger, Indira Varma, Laura Haddock, Lia Williams, Paapa Essiedu, Ron Perlman, Sophia Brown
When asked about starring in First Reformed, Ethan Hawke said it’s the kind of role he would have never dared to audition for 10 years ago. This is coming from the same goatee icon who did Gattaca 22 years ago, and Training Day 18 years ago.
Needless to say that his performance in this movie is exceptional, and we hope that it will be rewarded with an Oscar. The film centers around his character, a reverend of a church in New York, who is trying to help a couple with marital issues (deciding the fate of a pregnancy). Instead, he uncovers a deeper story and becomes unexpectedly involved.
Religion intersects with ethical questions on activism, abortion, and environmental issues. I know that sounds like a lot, but First Reformed delivers on everything. The writing by Paul Schrader is delicate yet ensures that the movie keeps a gripping pace.
Genre: Drama
Actor: Amanda Seyfried, Bill Hoag, Cedric the Entertainer, Christopher Dylan White, Elanna White, Eric Lockley, Erica Fae, Ethan Hawke, Frank Rodriguez, Gary Lee Mahmoud, Ingrid Kullberg-Bendz, Jon Rua, Ken Forman, Kristin Villanueva, Krystina Alabado, Mark Havlis, Miah Issabella Velasquez, Michael Gaston, Natalie Woolams-Torres, Philip Ettinger, Prudence Wright Holmes, Ramon Nuñez, Ronald Peet, Sue Jean Kim, Tyler Bourke, Van Hansis, Victoria Hill
Director: Paul Schrader
Like all great documentaries, Angry Inuk is about way more than its tagline. At first glance, it's about how anti-sealing activism has been harming Inuit communities since the 1980s, to the point of instituting the highest rates of hunger and suicide anywhere in the "developed" world. But beyond, it's about the complicity of the government of Canada. A crushed seal-based economy means that the Inuit have to agree to oil and uranium mining in the Arctic.
Angry Inuk is also about the corrupt behavior of animal rights organizations like Greenpeace: seals are actually not on the endangered animal list but NGOs focus on them because they make them money.
It's an infuriating but incredibly important documentary. One that is not about how Canada has a bad history, but about how Canada is harming the Inuit right now.
Genre: Documentary
Actor: Aaju Peter, Alethea Arnaquq-Baril
Director: Alethea Arnaquq-Baril
The bare bones of The Limey’s story — vengeful Cockney ex-con Wilson (Terence Stamp) flies to LA to investigate the suspicious death of his daughter Jenny — are gripping enough, but what Steven Soderbergh does with them elevates this neo-noir thriller into something utterly singular and stacked with layers upon layers of meaning. An icon of London’s Swinging ‘60s scene, Stamp is pitted against laidback symbol of ‘60s American counterculture Peter Fonda (as Jenny’s sleazy older boyfriend), giving their face-off grander cultural stakes. The extra-textual significance of the casting is deepened by Soderbergh’s ingenious references to the actors’ heyday: in flashbacks to Wilson’s happier past, for example, we’re shown the actual Stamp in his younger years (courtesy of scenes borrowed from 1967’s Poor Cow).
The Limey is also a brilliant showcase for editor Sarah Flack’s technical inventiveness: though the narrative is largely linear, the film cuts to and from scenes and sounds at unexpected points, giving the film an almost David Lynch-like sense of eerie fragmentation. Conjuring up a nightmare LA atmosphere isn’t all the editing does, either, as the film’s puzzle pieces are expertly reassembled to reveal an emotional gut-punch of an ending. In short, this high point in Soderbergh’s filmography is a must-see for any fan of cinema.
Genre: Crime, Drama, Mystery
Actor: Allan Graf, Amelia Heinle, Barry Newman, Bill Duke, Brandon Keener, Brooke Marie Bridges, Carl Ciarfalio, Carol White, Clement Blake, Dwayne McGee, George Clooney, Jim Jenkins, Joe Dallesandro, John Cothran, John Robotham, Johnny Sanchez, Lesley Ann Warren, Lincoln Simonds, Luis Guzman, Matthew Kimbrough, Melissa George, Michaela Gallo, Nancy Lenehan, Nicky Katt, Ousaun Elam, Peter Fonda, Rainbow Borden, Randy Lowell, Steve Heinze, Terence Stamp, Wayne Pére, William Lucking
Director: Steven Soderbergh
Of all the Christmas-set films to have come out over the last couple of months that were, inexplicably, about grief and regret (you'd be surprised by how many there are), The Holdovers easily outdoes its contemporaries by being confident enough to just sit with its characters. Like the best of director Alexander Payne's other films, there are no melodramatic crescendos or overcomplicated metaphors; there are only flawed individuals going about their lives, occasionally noticing the things that bind them together. Payne's gentle touch means the characters (and the audience) aren't forced to "solve" their grief, but allowed to come to terms with it in their own way, with each other.
Payne evokes the film's 1970s setting through a muted color palette and analog—almost tactile—sound design, giving warmth to this New England despite all its snow and chilly interiors. It's understandable that these characters are similarly cold to each other on the surface at first, but they manage to thaw the ice simply by taking the chance to listen to each other's pain. It's the kind of film in which relationships develop so gradually, that you hardly notice until the end how much mutual respect has formed between them when they return from their dark nights of the soul back to their status quo.
Genre: Comedy, Drama
Actor: Alexander Cook, Andrew Garman, Bill Mootos, Brady Hepner, Carrie Preston, Carter Shimp, Cole Tristan Murphy, Colleen Clinton, Da'Vine Joy Randolph, Dakota Lustick, Dan Aid, Darby Lee-Stack, David J. Curtis, Dominic Sessa, Dustin Tucker, Gillian Vigman, Ian Dolley, Ian Lyons, Jim Kaplan, Joe Howell, Jonathan von Mering, Kelly AuCoin, Kevin Daigneault, Kevin Fennessy, Melissa McMeekin, Michael Malvesti, Michael Provost, Naheem Garcia, Oscar Wahlberg, Osmani Rodriguez, Pamela Jayne Morgan, Paul Giamatti, Rena Maliszewski, Stephen Thorne, Tate Donovan
Director: Alexander Payne
Genre: Comedy, Drama, History
Actor: Adam Godley, Bayo Gbadamosi, Belinda Bromilow, Charity Wakefield, Douglas Hodge, Elle Fanning, Florence Keith-Roach, Freddie Fox, Grace Molony, Gwilym Lee, Nicholas Hoult, Phoebe Fox, Sacha Dhawan
Something happens in Forever episode three that I can’t tell you about. If I did it, I would spoil the show up for you. I don’t want to do this. So I will try very hard to sell you on the first two episodes, just remember, the show gets very different afterward. Both in premise, general vibe, and humor.
Here’s my best pitch: Fred Armisen. That face, that tone, that voice. How can you resist a TV show that doesn’t have many characters and yet he’s the main one.
Pitch No. 2: Maya Rudolph. She is funny, expressive, and whenever she looks at something, that thing instantly gains a lot of interest. This is the best performance of her career so far, I would wager.
Genre: Comedy, Drama
Actor: Catherine Keener, Fred Armisen, Maya Rudolph
This story of a filmmaker who stayed in Aleppo, Syria during the war, got married then had a child called Sama, is a mix of difficult and inspiring.
There are stories of unsurmountable loss, as the filmmaker’s husband is one of the 30 remaining doctors in Aleppo (a city of almost 5 million), and she films many of the victims that come to his hospital. But while this is happening, there are also uplifting stories of resilience and rare but profound moments of laughter and joy.
We’re growing too sensitized to violence in Syria, and this movie, possibly the most intimate account of the war, can stir back a much-needed awareness of the injustices that take place.
When things get really bad in the documentary, it’s hard not to wonder where the humanity is in all of this. You quickly realize that it’s right there, behind the camera, in Sama and her mother’s will to live.
Genre: Documentary, War
Actor: Hamza Al-Khateab, Sama Al-Khateab, Waad Al-Kateab, Waad Al-Khateab
Director: Edward Watts, Waad Al-Kateab, Waad Al-Khateab
Bowling For Columbine addresses the sore wounds of 9/11 by exploring the concepts of safety and fear as perceived by various people. From school shooting survivors, through Canadians who never lock their doors, to Marilyn Manson and actor/NRA president Charlton Heston, Michael Moore's interviewees all inform the complex picture of gun violence and its rise today. The director is not afraid to provoke and ask the pressing questions linking the abstract fear of the other to the reality of lost lives every day. Even his irony and parody—a morose cartoon arguably based on South Park especially—bites back hard.
Genre: Documentary, Drama
Actor: Adolf Hitler, Bill Clinton, Charlton Heston, Chris Rock, Dick Clark, Duke of York, George H. W. Bush, George W. Bush, Jacobo Árbenz, Jessica Savitch, Keanu Reeves, King Charles III of the United Kingdom, Marilyn Manson, Matt Stone, Michael Moore, Prince Andrew, Prince Andrew, Duke of York, Salvador Allende, Trey Parker
Director: Michael Moore
Celebrated Iranian director Asghar Farhadi’s latest movie is about Rahim, a man who is in jail because he was unable to repay a debt. He gets a temporary release from prison, and with a big smile on his face, he leaves his confinement with a plan not to come back.
His secret girlfriend hands him a pack of gold coins, which they plan to sell to repay the creditor. But, as is custom with Farhadi’s movies, the center of the story is a moral dilemma that comes from one of the characters trying to be a good person. The gold coins are not Rahim’s or his girlfriend’s, but it's life-changing for both of them.
Selected as Iran's official submission to the Oscars.
Genre: Drama, Thriller
Actor: Ali Reza Jahandideh, Amir Jadidi, Ehsan Goodarzi, Farrokh Nourbakht, Fereshteh Sadr Orafaee, Maryam Shahdaie, Mohsen Tanabande, Sahar Goldoost, Sarina Farhadi
Director: Asghar Farhadi