Staff Picks: The Best Movies to Watch (Page 41)

Staff & contributors

The Very Best (previously called “Best Films”) are absolute must-watch movies. Every movie or show on agoodmovietowatch is highly-rated but staff picks are more so: they all hold a staff score of at least 8.0.

, 2022

Mars One is a tender, wholesome drama that centers on The Martins, a family of four living on the fringes of a major Brazilian city. Their lower-middle-class status puts them in an odd position—they’re settled enough to have big dreams and occasionally lead lavish lives (the mother and the daughter like to party) but they barely have the means to pursue that kind of lifestyle. As a result, they’re always searching and wanting, aiming high but almost always falling flat on the ground.

There is no actual plot in Mars One. Instead, it studies its characters in a leisurely and almost offhand manner. The approach is so naturalistic, you’ll almost forget you’re watching a movie. But it’s still gorgeously shot and staged, Brazil being an inevitably striking background. At once gentle and vibrant, this big-hearted film is a must for those who are suckers for well-made family dramas.

Genre: Drama

Actor: Camilla Damião, Carlos Francisco, Cícero Lucas, Dircinha Macêdo, Hélio Ricardo, Kelly Crifer, Rejane Faria, Renato Novaes, Russo Apr

Director: Gabriel Martins

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Margarita with a Straw is a bold and unflinching film that offers a sensitive and nuanced portrayal of disability, sexuality, and identity. The film follows the journey of a young woman with cerebral palsy as she navigates her way through life, love, and self-discovery. The film's honest portrayal of exploring sexuality, its rich and diverse cast of characters, and its raw and emotional story make it a deeply affecting watch. It's a triumph of representation and inclusivity, and a testament to the power of storytelling to challenge and change the way we see the world.

Genre: Drama

Actor: Andrew Hsu, Doug Plaut, Hussain Dalal, Jacob Berger, Kalki Koechlin, Kuljeet Singh, Malhar Khushu, Marco Torriani, Revathi, Revathy, Sayani Gupta, Shuchi Dwivedi, Tenzing Dalha, Vin Scialla, William Moseley

Director: Nilesh Maniyar, Shonali Bose

Rating: Not Rated

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An easy yet original coming-of-age story about Simon, a high-schooler with great parents, great friends, and one big secret he's not telling either. It's not a particularly complex movie, and it may not be one you'll remember forever, but it's very easy to have a pleasant time watching it. And if you're OK with that, its takes on finding one's identity and the negative impact of keeping secrets from our loved ones might surprise you in their depth. Love, Simon is a reminder that movies don't have to be religiously realistic to get a heartfelt new story across. It's entertainment with a message, the same way Juno or The Perks of Being a Wallflower were.

Genre: Comedy, Drama, Romance

Actor: Alex Sgambati, Alexandra Shipp, Bryson Pitts, Cassady McClincy, Cassady McClincy-Zhang, Chantell D. Christopher, Christian Ojore Mayfield, Christopher L. Plunkett, Clark Moore, Collin McHugh, Danni Heverin, Drew Starkey, Dylan Cheek, Emily Jordan, Haroon Khan, Jamila Thompson, Jennifer Garner, Joey Pollari, Jonathan Fritschi, Jorge Lendeborg Jr., Josh Duhamel, Josh Royston, Joshua Mikel, Katherine Langford, Keiynan Lonsdale, Logan Miller, Mackenzie Lintz, Mandy Fason, Matthew Laraway, Miles Heizer, Nancy De Mayo, Natasha Rothwell, Nicholas Stargel, Nick Robinson, Nye Reynolds, Patrick Donohue, Philip Covin, Robbie Rogers, Samantha Bulka, Sean O'Donnell, Talitha Bateman, Talitha Eliana Bateman, Terayle Hill, Tony Hale, Tyler Chase, Tyson Love

Director: Greg Berlanti

Rating: PG-13

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At times looking and sounding like a real Filipino action film from 50 years ago, while painstakingly edited to juggle storylines across several realities, Leonor Will Never Die is worth seeing for its originality and ambition alone. Among so many other films that function as sanitized "love letters to cinema," this one bears the distinction of still feeling charmingly scrappy and improvised even with how meticulously it's crafted. It doesn't simply pine for a bygone era of movies, but it actively explores what purpose movies serve to us as individuals and as communities. Where it arrives with regard to healing and acceptance and bringing people together feels entirely earned, even if it might not always be easy to understand.

Genre: Action, Comedy, Drama, Fantasy

Actor: Alemberg Ang, Allan Bautista, Anthony Falcon, Ara Chawdhury, Bong Cabrera, Dido dela Paz, DMs Boongaling, Edgar Ebro, Elias Mabia, Helen Anang, Kip Oebanda, Kristine Kintana, Madeleine Nicolas, Martika Ramirez Escobar, Miguel Almendras, Popo Diaz, Raion Sandoval, Rea Molina, Rocky Salumbides, Ryan Eigenmann, Sheila Francisco, Sheron R. Dayoc, tin velasco, Victor Villanueva

Director: Martika Ramirez Escobar

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The key to what makes this apocalyptic thriller from Mr Robot and Homecoming showrunner Sam Esmail so unnerving is how resolute it is about not taking place in an alternate timeline. Making references to memorable events in recent history and namechecking real brands and cultural touchstones (like Tesla and Friends), Leave the World Behind is uncannily familiar — which, when combined with the film’s meticulous crafting of tension, makes it all the more unsettling.

Though taking place amidst an ambiguous national emergency, the film is largely set in one house — a claustrophobic setting that puts the characters’ self-conceits and prejudices under a microscope and forces them to confront their own impotence in an analog world. If it all sounds a bit “we live in a society,” be assured that Leave the World Behind cleverly manages to avoid the pitfalls of seeming like a bad Black Mirror ripoff by sidestepping expectations and deploying all the atmospheric tools in its arsenal. Withholding key plot and character information to increase our own paranoia means the movie always runs the risk of disappointment when explanations are finally given, but its focus on the human drama and its well-set-up ending ultimately eclipse any niggling frustrations.

Genre: Drama, Mystery, Science Fiction, Thriller

Actor: Alexis Rae Forlenza, Charlie Evans, Erica Cho, Ethan Hawke, Farrah Mackenzie, Josh Drennen, Julia Roberts, Kevin Bacon, Mahershala Ali, Myha'la, Myha'la Herrold, Orli Gottesman, Sam Esmail, Vanessa Aspillaga

Director: Sam Esmail

Rating: R

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Using the documentary form with supreme clarity and righteous fury, Lakota Nation vs. United States distills hundreds of years of American history into two powerful, consistently engaging hours of film. The information presented in this movie has always been available to the public, but directors Jesse Short Bull and Laura Tomaselli do an excellent job at allowing these historical accounts and more recent headlines to cumulatively take on a truly emotional—almost spiritual—resonance. The enormity of the losses that Native Americans have endured physically, culturally, and economically is genuinely horrifying, and every new obstacle that the Oceti Sakowin peoples face feels heavy with the struggle of all of their ancestors before them.

Short Bull and Tomaselli stick to a generally conventional structure, but are able to weave together together personal stories and factual legal arguments through archival footage, majestic shots of the frontier, and the poetry of Lakota poet Layli Long Soldier. The whole film, then, begins to take on more of a lyrical quality—as if every tragic moment has permanently become part of the tapestry of Native life, impossible to forget and always driving efforts for reparation forward. Still the Native struggle continues, but with much more hope than despair.

Genre: Documentary, History

Actor: Candi Brings Plenty, Dan Rather, Donald Trump, Krystal Two Bulls, Layli Long Soldier, Leonard Peltier, Nick Tilsen, Phyllis Young, Richard Nixon, Russell Means

Director: Jesse Short Bull, Laura Tomaselli

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, 2014

Casting is Joe's strong suit, with the notable case of the character of a homeless alcoholic man played by a real-life homeless alcoholic man, as the abusive father of beyond-his-age, responsible 15-year-old Gary. It doesn't stop there either, because Nicolas Cage's performance is one of his career's best (so you can rest assured as far as that is concerned), and somehow still manages to be matched by Tye Sheridan's (as Gary). This added to the bleak and bold Southern-themed script make for a hard-hitting, moving, and compelling tale of growth, and how father figures fit into it. Joe is a proud entry to the genre of powerful, yet enjoyable father-figure dramas, right next to its equally impressive brother-movie Mud.

Genre: Drama

Actor: Aaron Spivey-Sorrells, Adriene Mishler, Brenda Isaacs Booth, Brian Mays, David Gordon Green, Erin Elizabeth Reed, Gary Poulter, Heather Kafka, Jonny Mars, Lazaro Solares, Lico Reyes, Lynette Walden, Nicolas Cage, Robert Johnson, Ronnie Gene Blevins, Sue Rock, Tye Sheridan

Director: David Gordon Green

Rating: R

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Two storylines take place in this Parisian animation: one of a Moroccan immigrant who works as a pizza delivery guy, and the other of his hand, somehow no longer part of his body, but also going on a trip around Paris. The hand storyline is not gory by the way, except for one or two very quick scenes. Mostly, this is a film about loneliness and not being able to find your way back, both as an immigrant who misses how they were raised and as a hand who misses its body. Sporting some of the most beautiful animation work this year, this movie premiered at Cannes where it became the first-ever animated film (and Netflix film) to win the Nespresso Grand Prize.

Genre: Animation

Actor: Alia Shawkat, Dev Patel, George Wendt, Hakim Faris, Jérémy Clapin, Jérémy Clapin, Patrick d'Assumçao, Patrick d'Assumçao, Patrick d'Assumcao, Victoire Du Bois

Director: Jérémy Clapin, Jérémy Clapin

Rating: TV-MA

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Not everybody holds a good relationship with their sisters, but ideally, we get to reunite and repair things in a good time. Unfortunately, for some families, the only time they reunite is due to a parent nearly dying. This is the case in His Three Daughters, where the three sisters meet after years living apart. It’s a common plotline, mostly depicted in the feel-good, family friendly variation, but writer-director Azazel Jacobs makes the three sisters distinct by taking the easy assumptions many people would make about them, and naturally push them to reveal the opposite. Carrie Coon, Natasha Lyonne, and Elizabeth Olsen form a great trio, delivering equally excellent performances under the same roof.

Genre: Comedy, Drama

Actor: Carrie Coon, Elizabeth Olsen, Jasmine Bracey, Jay O. Sanders, Jose Febus, Jovan Adepo, Natasha Lyonne

Director: Azazel Jacobs

Rating: R

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Serene and almost silent, Goodbye, Dragon Inn is a film contemplating an old movie theater in Taipei. In its heyday, this cinema was jam-packed and full of eager eyes watching the 1967 Wuxia classic Dragon Inn, but now it’s nearly empty for its last screening. Despite the lack of attendees, this cinema still has some life. Like the annoying audience members we're all familiar with, the moviegoers still noisily chew on popcorn, put their feet on the headrest in front of them, and refuse to remain silent when walking. Director Tsai Ming-liang affectionately captures moviegoers in their natural element, recreating an experience so nostalgic it makes me want to go back to the theaters. Watching this, post-pandemic in the age of streaming, reminds us of the ways we still try to connect in the cinema in real life.

Genre: Comedy, Drama

Actor: Chen Chao-jung, Chen Shiang-Chyi, Kiyonobu Mitamura, Lee Kang-sheng, Miao Tian, Miao Tien, Shih Chun, Yang Kuei-Mei

Director: Tsai Ming-liang

Rating: Not Rated

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